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I really liked Gary Go's Friend Request from 2016 too.My choices for Avatar 2 would be:<br>Powell or Newton Howard^ 2018 I meanSteve really knocked it out of the park with “Nightmare”. I always appreciate horror scores that balance the use of themes with the more atonal music you normally get.<br><br>And the last horror score I remember loving was John Carpenter’s 2019 Halloween score. A great blend of old and new, especially for Carpenter fans like myself.@Knight Powell’s last score was HTTYD3....
@superultramegaa<br><br>Luke Richards did “Ospreys” and Gary Dworetsky did “Calling All Autobots”. You can find that out from this very site.I'm a huuuuuuge fan of the Freddy character & movies, and I really liked this remake, it didn't deserve the reputation it has... Especially when you compare to Freddy 2 or 6... lol<br><br>Music is great, best horror score Steve did with Amityville. But I also liked his more ambient horrors like Texas Chainsaws or Friday the 13th or Hitcher. But I can understand he probably wanted to step out of that genre and not end up being the new Harry Manfredini typecast !"I wouldn't say "Battlefield" sounds nothing like Steve, it is pretty in line with his TF style"<br><br>Well that's the thing, if you think "TF style" thinking of TF1 & 2, then it's not exactly completely Steve. So I stick to my comment... :) lolI recently saw both this movie and Friday the 13th (2009). And I have to say that Steve did a pretty good job with the music. Yes, I'm aware of the complaints and the whole "remakes suck" mentality. But still......I advice you to revisit these scores. You might be pleasantly surprised. <br><br>Speaking of horror scores.......I realized these days that it's been a while since we've heard a TRULY memorable and effective horror score. Or maybe it's just me and I've missed some really good ones...<br><br>Your thoughts on the matter, folks?^ Yet he’s still not quite a household name like some of his peers. HTTYD, Bourne, and Solo have all given him great exposure, but I feel like the general public doesn’t quite recognize him on the same level as Zimmer, Giacchino, or Williams.
Many thanks Hybrid!John Powell's last score was for a Star Wars movie, I don't think you could get any more mainstream exposure than that.So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score<br>--------------------------<br><br>There you go. Exactly how I expected it to be. They were simply helping each other. We've seen it multiple times before with other big scores.<br><br><br>Thanks for clearing it up.I wouldn't say "Battlefield" sounds nothing like Steve, it is pretty in line with his TF style, but yeah, I definitely see the Lorne involvement in there. Interesting though, our first official additional composer credit on this score!John Powell would be an amazing choice, if only to get him more mainstream exposure. <br><br>The thing is, if you strip away the drums, sound design, and harsh-mixing Tom is a actually a pretty gifted “classical” composer imo. His string writing has always impressed me, and seeing his use of woodwinds in Alita definitely proved that he can write outside of the mold Hollywood had put him in post-Mad Max.<br><br>Avatar 2 is most likely going to need a pretty diverse score, if the first one is any indicator. James Horner combined traditional orchestra, tribal drums, ethnic elements, electronics, and masculine action writing. All of which I could see Tom doing quite well.
Chrono order goes like this :<br><br>Dublin 1996<br>Driving<br>Deceit<br>Second Warning<br>First Warning<br>Research<br>Conversations<br>The Beating<br>Traynor Lies<br>Never Show Your Fear<br>Preparations<br>The Killing<br>Bad News<br>The Funeral<br>One More Day<br><br>But some tracks have cues edited together, and some titles are not exactly perfect lol...Atli is fine in Iceland, maybe he just doesn't want to look for trouble anymore... :)Lorne did work on this score. At the very end, when the film (and therefore, the score) was getting butchered by editors to shorten it, there was very little time to rework the score to adapt it to the new cut. So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score, but Battlefield is indeed a LB cue (it sounds nothing like SJ).<br><br>Not the first time this happened. Lorne extensively worked on TF1 & 2 (credited), but also helped (uncredited) on TF3 (there again, his assistant back then Andrew K. was credited).Alright, that's ^^ a bit too far, but I agree that there's not enough evidence to really support the theory. The only compositions that seem like Balfe might have had a hand in are the various reprises of "Bumblebee" (aka the Journey theme) that was always rumored to be co-composed by Balfe, and the big choral section in "Your Voice" when the knights begin attacking Optimus, as that is also a progression I associate heavily with Balfe's involvement in the first 2 scores. But that's still not enough to prove that he was involved.<br><br>By the way Bayhem, I don't believe that John Williams or Howard Shore have lied about doing their work by themselves. John Williams has worked with William Ross and probably others, but I don't think they're lying when they say they've done a score themselves. They seem like they can compose on their own just fine.Yep, if "deserving" existed, Atli would've gotten many more movies than he currently does.
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Atli ÖrvarssonClay DuncanHenry JackmanRyeland Allison
ComposerAdditional MusicAdditional MusicAdditional Music
Vantage Point
Label: Varese Sarabande
Length: 41'30
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5980 votes)
  1. Vantage Point Main Title (2:45)
  2. Motorcade (1:36)
  3. Enrique And Veronica (2:55)
  4. Run Enrique Run (2:33) *
  5. Lewis And Anna (1:20)
  6. President And Decoy (1:38)
  7. The Chase Begins (2:50)
  8. Serendipity (4:40)
  9. Epilogue (1:55)
  10. Tightening Circle (3:19) **
  11. Clockwork (5:07)
  12. The President Is Safe (1:15)
  13. Explosion Aftermath (3:38)
  14. Suarez' Plan (4:00)
  15. Vantage Point End Title (2:02)
*Co-written with Ryeland Allison

**Co-written with Henry Jackman
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se reply Replies: 0 || 2014-02-17 01:08:32
wow, Barnes Chase is amazing!!!

Felix reply Replies: 1 || 2011-11-29 22:41:06
01.Vantage Point Main Title
02.President And Decoy Pt.1
03.President And Decoy Pt2
04.Presidents Shoot
05.After Shoot
06.Angies Death
07.23 Minutes Earlier
08.12:00PM
09.Motorcade
10.Barnes Suspicion Pt.1
11.Barnes Suspicion Pt.2
12.Presidents Shoot
13.There's A Bomb
14.Explosion Aftermath
15.Oh My God
16.Enrique And Veronica
17.I`m At The Overpass
18.Presidents Shoot
19.Run Enrique Run Pt.1
20.Run Enrique Run Pt.2
21.Surprised I'm Still Alive
22.Lewis
23.Lewis And Anna
24.Lewis Look At The Window
25.He Say The Truth
26.We Need Your Camera
27.Explosion Aftermath
28.Chasing Enrique Pt.1
29.Chasing Enrique Pt.2
30.Mamá
31.We Stop?
32.Hotel Vesta
33.No.1 Is On The Way
34.I Do Not Even Look Like The
35.Presidents TV Shoot
36.Operation Set
37.We Are Out Of Danger
38.I`m At The Overpass
39.Se Llegó El Paquete
40.Meeting Lewis
41.Mobile Shoot
42.Explosion
43.Centrale Is Dead
44. The Chase Begins
45.President Goes Sleeping
46.The Chase Continues Pt.1
47.The Chase Continues Pt.2
48. Barnes Sees Taylor
49. Chase Pt.1
50.Chase Pt.2
51.Where's My Brother
52.He Is Dead
53.Serendipity
54.Mr. President
55.The President Is Save
56.Lewis Call
57.Thank You Thomas, No Cause
58.End Credits Pt.1
59.End Credits Pt.2
60.End Credits Pt.3


Anonymous2011-11-30 11:27:10
Considering the grammar is incorrect on many of these, I seriously doubt this is legit

Danny reply Replies: 0 || 2010-08-31 00:00:00
Most of the tracks are so-so, but the ones using guitar ('Main Title', 'Epilogue', 'End Title') were delightful to listen and 'Serendipity' is a great cue for a strong moment in the movie.

maruf hasan abhi reply Replies: 0 || 2010-08-21 00:00:00
..well ..when i was watching the movie ..the sound grabbed me ..i never knew it was zimmer ..but now i can see why that sound could attract me like hell ..!!

ahmed farag reply Replies: 0 || 2009-02-15 00:00:00
very good id very beatfuil

Adrian reply Replies: 0 || 2008-11-29 00:00:00
@ Lee

Well, the front cover is a very nice one, but the back cover.. you've got to admit, there are better covers-designs on on other labels..

merci reply Replies: 0 || 2008-11-28 00:00:00
thank you

Lee reply Replies: 0 || 2008-11-16 00:00:00
This is one of movie posters and generally record companies can't choose the covers. It's all in a contract.

Adrian reply Replies: 0 || 2008-11-16 00:00:00
Why does Varese Serabande has really ugly back covers ?

Anonymous reply Replies: 0 || 2008-10-22 00:00:00
just want to listen to it online first

Anonymous reply Replies: 0 || 2008-07-10 00:00:00
there are some great cues missing.

hans-batman-zimmer reply Replies: 0 || 2008-04-22 00:00:00
'Serendipity' is great!!

L. Koala reply Replies: 0 || 2008-04-07 00:00:00
The only stuff I love is main theme... but the other action part is very boring and weak. :)

Anonymous reply Replies: 0 || 2008-03-26 00:00:00
The best part is the track 8, 'Serendipity'. The end of the cue remembers 'Da Vinci Code' and 'Hello Beastie' of Dead Man's Chest..
And End Title is a copy of bill brown's music...

Anonymous reply Replies: 0 || 2008-03-22 00:00:00
Maybe Ryeland Allisson?? :)

s reply Replies: 0 || 2008-03-15 00:00:00
Great Score!

who did the vocals on track 4?

nash reply Replies: 0 || 2008-03-08 00:00:00
A good score...

hans-batman-zimmer reply Replies: 0 || 2008-03-05 00:00:00
I like this score.

Eberson Laguerre reply Replies: 0 || 2008-02-24 00:00:00
Tracks 1 & 15 are the new benckmark for this artist representing the Media ventures studio along with Hans Zimmer & Steve Jablonsky!!!

anwar reply Replies: 0 || 2008-02-22 00:00:00
merci

Feared reply Replies: 0 || 2008-02-21 00:00:00
Musically it is rather weak, but it is a true guilty pleasure. Similar to Badelt's The Recruit, the action writing is the closest to what would Zimmer wrote
if he returned to the action scores.

Falconet reply Replies: 0 || 2008-02-04 00:00:00
i can't wait to hear the first Atli's Score :D

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Vantage Point soundtrack - Atli Örvarsson 2008