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Will he come to Sthlm / Gothenburg sweden???https://www.  axs.com/why-we-need-a-chicago-med-soundtrack-album-in-our-li ves-112620<br><br>Why they never release this?!....Omar: Well tried, but Junkie XL was replaced after Snyder was fired and Whedon came in.<br>And just in case Snyder actually wanted another sound, he would just have told Junkie at the beginning instead of firing him after he departed himself :-pCitation neededZimmer and Djawadi are nominated for Grammys this year along with Hildur,Alan Silvestri,Marc Shiecman
Tom's score for Justice League was basically a mix of Mad Max and Deadpool. Zack wanted to go with a different approach for the score and make it more "fun" than serious. He didn't want a Zimmer sound for the movie.I noticed that the other day as well on IMDB. I know thatís not always reliable, but that would be awesome if he was involved. Iíve missed the ďfunĒ side of Zimmer for awhile. The next couple of years hopefully produce a number of Zimmer classics.Whoah Whoah Whoah Whoah Whoah.  Whoah. Space Jam2?! You arenít serious.I hope this one will leak very soon! A lot of great music that isnt releasedHybrid, is Zimmer really attached to Space Jam 2?<br><br>
Will Hans Zimmer be coming to London in 2021 pls? Thanks MonicaWhy won't concert in Poland?! I love Hans Zimmer and his music and I was really waiting for it!! Last time in Cracow it was the best time ever for me! :(Isn't anyone except me wondering what kind of sound that 2-tone-pattern is? Is that something like ring-modulated strings? Or even FM? Sure it is something layered.Anyone own the 24bit FLAC version? I bought it expecting to here a difference between that and the mp3 version and they kinda sound the same to me. Just curious on if anyone else had the same observation.Upon revisit, this score is by far the best of the entire Call of Duty franchise. A wonderful main theme, exciting, varied, and climactic action music for the British missions, and a strong amount of atmosphere. <br><br>The only annoying part is the American missions' action music is on-the-nose and terrible until the nuke cue, and there's a little too much reused tracks for my taste.
donít worry about it @Eobard <br>With the timing, I wouldíve thought the same if I didnít already know about the brass library :)Well for sure it became the worst timing ever for Tom...<br><br><br>He must be watching twitter sweating right now lol. Totally cornered...@Ahmad well my bad! I didn't know about this. It was just his post came at a time like this so...<br>Sorry guys.@Xavi I know. I also want the  Snyderís cut and JXLís score to be released, but setting up expectations about the score when itís clear that Tomís post has nothing to do it is just kinda unnecessary.Couldn't agree more Edmund. He's got both the orchestra and synths (and his great guitar usage) down very well. Similar to HGW IMO. <br><br>He's also a very interesting interviewee (that accent always seems to help). <br><br>Which scores have had electronic elements edited off of the official releases? And do the missing elements appear in the complete scores/sessions?
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Klaus BadeltGeoff ZanelliRamin DjawadiJim Dooley
ComposerAdditional MusicAdditional ArrangementsAdditional Arrangements
The Time Machine (Complete Score)
Label: Unofficial Release
Length: 71'01
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4606 votes)
  1. Main Titles (3:24)
  2. Wish Me Luck (1:20)
  3. Marry Me (1:10)
  4. Emma Dies #1 (1:31)
  5. In A Week (3:09)
  6. Bleeker Street (2:26)
  7. Emma Dies #2 (0:56)
  8. Moon Sign (1:06)
  9. I Don't Belong Here (3:56)
  10. In The Year 2030 (1:02)
  11. Time Travel - Asteroid (2:11)
  12. Where Am I (0:38)
  13. Are The Friendly (3:33)
  14. Goodnight (4:37)
  15. Stones & River - Village (4:52)
  16. Morlocks Attack (7:04)
  17. Where The Ghosts Are (1:43)
  18. Morlock World (6:27)
  19. The Master (5:42)
  20. Time Machine Returns - Fight (4:08)
  21. Alex Reconsiders (1:29)
  22. The Escape (3:24)
  23. Freedom - Godspeed (5:17)
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Scorefan reply Replies: 0 || 2019-02-03 18:14:58
Listening again the score, it's simply beautiful and amazing. What a waste of talent, really, Klaus had all the talent to make a prolific career

ThePhantasm reply Replies: 29 || 2018-02-18 05:00:01
So Johan johannson (R.I.P) was actually going to be the composer for Christopher Robin instead of the previously announced Klaus Badelt, where does that leave Klaus? Its honestly heartbreaking that the guy can't get a damn good project he is so talented and deserves a chance. He's proved himself with The Promise, pirates, time machine, solomon kane etc. How is it that henry jack and lorne balfe both of which I'm a fan of can get projects no problem but Klaus can't??

Maybe he needs a better agent.


Anonymous2018-02-18 09:27:44
Or. Maybe he's just choosey with his projects like Powell is.


gringo2018-02-18 10:13:40
@ThePhantasm: It breaks my heart aswell. He was the heart in Zimmers most beautiful era and would have wished to see him making his own great carreer. I've never understood the hype for Lorne etc. For me Badelt >> Lorne,Junkie,etc


Edmund Meinerts2018-02-18 10:14:13
I don't think so...remember those years when he did all sorts of random low-budget French comedies and thrillers? Didn't seem too choosy to me.

This is pure idle speculation, mind you, but I wonder if Klaus might not have burned some bridges here and there...his departure from the MV/RC/Hans inner circle seemed awfully abrupt.


Hybrid Soldier2018-02-18 10:30:34
There's a lot more to the Klaus story I can't really disclose here...


Bob Belcher2018-02-18 10:50:00
because it would put a bad light to zimmer? are his hands involved in this that badelt isn't getting any big movies at all?


rockhound2018-02-18 11:10:27
klaus said in an interview last year, that he was looking to do some french movies, because he saw one on a flight to paris and was amazed by that movie and also because he loves paris and has a couple of friends there. he contacted people there to get in the french film business. he likes the way the people work there in the business. more freedom for him. in the interview he doesn't sound like he had to do these movies, because otherwiese he wouldn't get work. he really wanted to do these movies.


Hybrid Soldier2018-02-18 11:22:30
On Hans ? No. On Klaus...


I'll say one thing : waste of talent... I loved Klaus' music and his amazing scores while he was in RCP, but he didn't need the help of anyone to destroy his own career... Too bad...


Hybrid Soldier2018-02-18 11:24:10
In fact, he's not even a composer anymore, he has his own company which deals with movie broadcasting worldwide... He does a score here & there but it never was his vocation... He just happened to be ridiculously talented (and Hans will confirm this to anyone even to this day).


Bob Belcher2018-02-18 11:35:08
Thanks Hybrid for those informations. I always had some fear Hans had his fingers in his departure from rcp and making his career-life as hard as it can get. It's too bad to see he doesn't appreciate the gift it was given to him. That talent was beyond, and the collaboration between Hans and Klaus was magical. I so would have wished it would never have stopped. And by reading your comments, Hans seems to think that aswell :(


...2018-02-18 11:36:33
and what about Trevor Rabin? He is amazing composer as well, sadly we donīt hear about him anymore


rockhound2018-02-18 11:43:31
trevor rabin is taking a break from composing filmmusic and was on tour the last 2 years with jon anderson and rick wakeman from YES. they created a new band called ARW. at the moment they are working on new songs.


Hybrid Soldier2018-02-18 11:56:42
Yeah I agree, the problem with Trevor is that he never adapted to his environment, so to speak... He never changed his style, always the same kind of writing (big amazing theme + big action + guitars) and slowly lost the interest of everyone...

Key is being able to renew yourself (for better or for worse). But I miss his themes cause he's an amazing melody writer.

I know he wants to work, he wants to be hired to score, even if he doesn't "need" it really, and yes he has his solo/band career going on as well...

Funny story about Trevor he never really liked being listed on Hans-Zimmer.com as he never was a regular RCP occupant (even if I think having worked with Mancina and then done pretty much 5 scores at RCP, and then having in his team former RCP members, it did justify to me)... But since I'm probably the last one promoting his career on the internet, and having his brother-in-law Steve Kofsky being RCP's boss, I keep him there ! lol


rockhound2018-02-18 12:07:40
im actually very happy, that trevor didn't renew his style like hans for a couple of times. i just wish, he would compose more for orchestra only without guitars and cheap sounding samples. scores like Remember The Titans, The Great Raid and Flyboys prove that he can do it. maybe bruckheimer will hire him someday again. trevor composed amazing scores for him....with help by rcp on a couple of movies. ;)


mpolonest123 2018-02-18 12:30:28
Lol, maybe Trevor can return for Deep Blue Sea 2! Not that THAT would help his career much....



MrZimmerFan2018-02-18 12:43:25
Rabin himself has never considered to be a Zimmer-guy.


ThePhantasm2018-02-18 15:29:28
Damn so he ruined his own career? i hope he gets a second shot. Would to see what he can do with a superhero movie. I know he'd kill it if given the chance. Hopefully disney will let him score Christopher Robin. Here's hoping!


Edmund Meinerts2018-02-18 15:36:32
Well, there's always Catwoman...


ThePhantasm 2018-02-18 16:29:28
Hey man, that was a really good score okay lol but i mean like a good superhero movie like a marvel or DC


Dudu2018-02-18 22:20:35
@Hybrid,
Speaking of klaus, do you know how the other rcp members feel about him? Do they still keep in touch or is he persona non grata?
I know that geoff zanelli is completely pissed (check his website, for all the projects he names his colleagues like steve jablonsky or else, and then for the klaus projects he just puts ę†the composer†Ľ), and you told that hans avoids him as much as he can ( which I can see when the pirates topic is brought during interviews post 2006...no mention of klaus)
Hell even michael levine in his post about ę†why hans gets the job†Ľ name-dropped EVERYONE at rcp but klaus
So i was wondering how people act towards jim nowadays, especially ramin djawadi who is really popular now and started as his assistant!


Olive2018-02-19 02:43:12
From the way you talk it even seems like the man turned into a criminal. lol


rockhound2018-02-19 09:37:03
when i take a look on IMDB, klaus is still busy with filmmusic. just because he doesn't score hollywood blockbusters anymore and is not busy as lorne balfe, doesn't mean that he destroyed his career.


ok2018-02-19 12:09:01
he is doing Christopher Robin (2018, its disney
that is a big movie is it not


Balfe2018-02-19 13:32:17
Well, Klaus did compose a lot of the essential music from 1997 to 2005. As we know, Hans says - Hans does. Why do we trust this 'Hybrid Soldier', who calls them themselves that anyway? Tell us more mr rcp. How are you top of the line when you are French. Who is Hybrid - must be a reject from HZ line....



Olive2018-02-19 13:33:48
JohŠnnsson was hired for Christopher Robin little time before his death. Now will be another composer.


Olive2018-02-19 13:33:48
JohŠnnsson was hired for Christopher Robin little time before his death. Now will be another composer.


Hybrid Soldier2018-02-19 13:35:40
Then explain to me why his career went downhill after he left Remote in 2006 ?


rockhound2018-02-19 15:04:31
hybrid, what do you mean with downhill? to compose music for smaller movies doesn't mean you don't earn money or your career is ruined. i really don't see the problem with his career.


ThePhantasm2018-02-19 21:54:51
Well john powell left RCP as well and he still has a great career, i think Klaus just has a shitty agent, it makes me so angry cause he's so talented and I want to hear more from him but he doesn't get great movies. Or even big summer movies, I don't know about his career going downhill though.


Scorefan2018-02-20 00:21:23
And who's the agent of Klaus?

Bayhem reply Replies: 0 || 2017-06-16 23:14:42
Ok, I love this piece of music, but I don't think it's part of the score album. I can't find it anywhere! It's the music during the "So I'm not just a wandering idiot?" scene. 50 minutes or so into the movie. It's such a nice, sweet melody. Beautiful stuff. Any help would be appreciated, folks.

Aggelos reply Replies: 1 || 2014-06-19 15:02:59
There seems to be some Final mixes on Badelt's newly updated webpage.

klausbadelt.com/


Per2014-06-19 16:17:01
It's the same material as on the old 'expanded' version listed on this very page, and nothing more than that it seems...

Yes, there's more tracks, but it seems to be just repeated tracks. But I'll be glad to stand corrected if any are indeed different.

Per reply Replies: 0 || 2010-09-24 00:00:00
Yes, that is correct, track '11 - Time Travel - Asteroid' listed here is actually Eloi, and yes, it's also different than the one on the soundtrak. It uses the same, or similar, "choir-words" (if that makes any sense) as in 'Godspeed'.

Also, track '14 - Goodnight' is actually 'Time Travel', and should be placed (to place it in a chronlogical order) after track 10. (And so track 11-12-13 would be 12-13-14, respectively)

Some other differences in this other than Eloi, is 'Where The Ghosts Are', which is a slightly different mix with less/no choir (compared to the one on the soundtrack) (the one with less choir is the mix in the film).
And the flute thingy, which can be heard from ca. 4:55 - 5:32 on track 14 on the soundtrack, is not on this version. But if that piece is just a different piece/cue added to that place on the soundtrack, or if it's a revised version of the cue (track '21 - Alex Reconsiders') I don't know.
And of course the Good Night cue (track '13 - Are They Friendly' on this version), is different.

But even though you have two different versions of the 'Good Night' on the soundtrack and this version, none of these are the one in the film, "of course"... But beyond the 'film version' of that cue, there's not much more missing (as heard in the film anyway), other than a short piece (after 'Good Night' and before 'Stone Language' in the film), which I believe to be the same as the last half minute or so of 'Stone Language', only without the percussion !

D reply Replies: 0 || 2010-09-06 00:00:00
Is Time Travel - Asteroid meant to be Eloi (from the retail soundtrack)? The vocal sounds a bit different?

Anonymous reply Replies: 0 || 2010-05-11 00:00:00
@ The_Dimensionalist

It's a bootleg. You're not gonna find it in a store.

The_Dimensionalist reply Replies: 0 || 2010-05-11 00:00:00
What is this? Where is its release date? How are there tracks with times, if this soundtrack does not exist? Can someone explain what is going on?

Slither reply Replies: 0 || 2007-12-04 00:00:00
Quite liked this score but I think the promise is without a dought Badelts best score to date, he was really inspired during his stay in China that he really came out of the experience with a score which tops even Zimmers latest offerings. I cant wait to see a complete release of the promise score, because i have seen the film and there are a lot of great cues missing from the album, one in which features in the trailer.

hans-batman-zimmer reply Replies: 0 || 2007-12-01 00:00:00
Zimmer's sound had a lot effect on POTC1.
So I think this is the best.

(From Japan)

Xxxxxxx Xxxx reply Replies: 0 || 2007-11-30 00:00:00
Im not sure I would agree... POTC1 was alot catchier.... but that's my opinion.

hans-batman-zimmer reply Replies: 0 || 2007-11-27 00:00:00
This is the Badelt's best.

(From Japan)

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The Time Machine (Complete Score) soundtrack - Klaus Badelt 2002