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Oh, yeah, I forgot to mention there's also a short track that plays when K walks through Las Vegas past the statues and beehives, but is not listed on the cuesheetIt should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.You guys are dumb. the composers are listed on the complete version. break down Tai Lung Escapes by finding those curable off the complete version and see who wrote those cues. presto.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a whileFlight has a new Andrew Kawczynski credit...We're getting there!
Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.Yeah<br><br>BTW, John Paesano is credited as additional musicI'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.This film and score are ten years old! The first seven minutes of Hansí New Batman Theme (A Dark Knight) are still one of my favorite individual Zimmer themes. <br><br>And the movie itself is still one of my favorites, comic book or not.I'm curious, who do you think mostly wrote 'Tai Lung Escapes'? <br><br>I've always loved that track, and always felt that it was mostly a John Powell cue, although that very dark first part could easily be Hans' work. I could also see it being a Henry Jackman cue though... I don't know. :p
Stairs and Rooftops....WOOOW Easily one of the best film tracks of 2018. Simply Amazing!!!It's the first action score by Balfe i didn't hate this year, thank god!<br><br>It's not the best thing in years, but is a fun action score (Free Fall and Escape Through Paris, are good action tracks), plus, altough is 96 minutes, never get boredAnd the link for the CD<br><br>https:/ /www. amazon.com/gp/product/B07F3QP2HX/ref=as_li_qf_asin_il_tl?ie= UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativeASI N=B07F3QP2HX&linkId=8fcd06899e5999dd491abf60fe6dcf6dTracklist for The Darkest Minds (Milan Records)<br><br>1. The Darkest Minds<br>  2. Ruby's Theme<br>  3. Lady Jane<br>  4. Escape<br>  5. Cate<br>  6. Runaway<br>  7. Picnic<br>  8. Zu's Dream<br>  9. E.D.O.<br>  10. Home<br>  11. The Slip Kid<br>  12. Mind Control<br>  13. Memories<br>  14. Red<br>  15. Liam<br>  16. The Children's Leaguemvictor: it's funny, 3:10 To Yuma is perhaps the only Beltrami score I really like :-p<br><br>In my opinion, what made Dunkirk special is that it's a Zimmer score, so it sounds better, massive, impressive, while most horror scores stay in the background except for a few jump scares that are not pleasing at all when you listen to the album. Dunkirk is a tension-builder, but it's more than that.<br><br>You should definitely listen to Gravity a couple more times, it's an absolutely amazing score, in my opinion better than Dunkirk, as it's equally tense and massive, but has more refined electronic manipulation, it's more colorful and it's simply more musical. Go straight to the track 'Shenzou', play it very loud, and you'll see what I mean :-p
Hats off to Hybrid Soldier dealing with all you ungrateful cancerous rude spammers. This was a good score IMHO, but if you didn't like it then try to give constructive criticism. But I guess acting like an inebriated ape with a laptop is easierHere's a chronological listing based on the cue sheet from ASCAP<br><br>1. 2049<br>2. Sapper's tree<br>3. Flight to LAPD<br>4. Rain<br>5. Ossuary<br>6. Wallace<br>7. New model<br>8. Return to sapper's<br>9. Memory<br>10. DNA<br>11. Trash Mesa<br>12. Must Protect the Child<br>13. Orphanage<br>14. Furnace<br>15. Someone lived this<br>16. Bomb<br>17. Shesome (aka "Joi")<br>18. Like a real girl<br>19. Luv in apartment<br>20. Pilotfish (aka "Pilot")<br>21. Mesa hijack<br>22. Joi crushed<br>23. K rescued<br>24. You imagined it was you (aka "That's why we believe")<br>25. Her eyes were green<br>26. Sea wall<br>27. All the best memories are hers<br>28. You're free to meet your daughter (aka a cover of "Tears in rain" by Vangelis)<br>29. Blade Runner<br>30. Blade Runner 2049 theme<br>31. Almost human<br>32. Bibi's<br>33. Bibi advert music<br>34. Bibi's bar bass<br>35. Big band stingThe official credit is now "Music by Geoff Zanelli & Jon Brion"...<br><br>Geoff wrote a good chunk of the score.Why is Zanelli credited as composer. Jon Brion is doing to the music, right?<br><br>I know Zanelli worked on it, but anyone got an explanation for the 'composer' credit?I just wish they had included the finale in both the SW story scores all the music complied together would have been great
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John PowellJames McKee SmithJohn Ashton ThomasBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
Agent Cody Banks (Complete Score)
Label: Unofficial Release
Length: 79'14
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (3462 votes)
  1. Opening (2:02)
    John Powell
  2. Kid In Peril (0:41)
    John Powell, James McKee Smith
  3. Skateboard Chase (2:00)
    John Powell
  4. Hero - Nano (2:18)
    John Powell
  5. CIA (0:16)
    John Powell
  6. Field Agent (1:00)
    John Powell
  7. Agent Development Program (0:44)
    John Powell, John Ashton Thomas
  8. Stutter Boy (0:31)
    John Powell
  9. Cody To Duty (2:24)
    John Powell
  10. Welcome To The CIA (0:46)
    John Powell, James McKee Smith
  11. CIA Lab (2:15)
    John Powell
  12. School Brochure (0:26)
    John Powell
  13. Slo-Mo Natalie (0:28)
    John Powell, James McKee Smith
  14. Fantasy Fight (0:21)
    John Powell
  15. Silver Button (0:24)
    John Powell, James McKee Smith
  16. Classes (1:16)
    John Powell
  17. Mr. Yip (1:36)
    John Powell
  18. Failed (0:53)
    John Powell
  19. Sparring Match (1:37)
    John Powell, John Ashton Thomas
  20. CIA Cleans House (2:21)
    John Powell, John Ashton Thomas
  21. Walk The Dog (0:15)
    John Powell
  22. The Van (0:58)
    John Powell
  23. Call Natalie (0:48)
    John Powell
  24. Girl School (2:37)
    John Powell
  25. Natalie Slides (1:01)
    John Powell
  26. Nurse! (1:34)
    John Powell
  27. Roadside Briefs (0:47)
    John Powell
  28. Banks, Cody Banks (1:03)
    John Powell, John Ashton Thomas
  29. Break In (Part 1) (1:49)
    John Powell, John Ashton Thomas
  30. Break In (Part 2) (7:15)
    John Powell
  31. Pool Fight (1:58)
    John Powell
  32. Sacked - Natalie Visits (1:31)
    John Powell
  33. Kitchen Fight (1:43)
    John Powell
  34. Cody Can't Help (1:08)
    John Powell
  35. Jr. Jr. Secret Agent (3:05)
    John Powell
  36. Seaplane (1:20)
    John Powell
  37. Snowmobile Intro (0:34)
    John Powell
  38. Snowmobile Chase - Helicopter (2:47)
    John Powell
  39. To Lair (3:57)
    John Powell, John Ashton Thomas
  40. Escape Fails (2:19)
    John Powell
  41. Natalie Rescued - Countdown (7:51)
    John Powell, John Ashton Thomas
  42. I'll Be Back (2:06)
    John Powell
  43. Hero's Homecoming (2:12)
    John Powell
  44. End Credits (4:38)
    John Powell
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MarioSoundtrack reply Replies: 1 || 2014-09-18 17:34:21
Everything Powell does is awesome, enormous and special! God bless u John!


Edmund Meinerts2014-09-19 16:01:35
Everything? Even Chill Factor and Fair Game? :p

Hybrid Soldier reply Replies: 0 || 2008-03-06 00:00:00
Happy Anty ? :P

Anthony reply Replies: 0 || 2007-11-27 00:00:00
Woo, finally! You might want to check out the track listing on my site though as that one is buggered. :(

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Agent Cody Banks (Complete Score) soundtrack - John Powell 2003