NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Balfe's hiring came out in May, when Dunkirk's production was already at the end. No contest.<br><br><br>filmmusicreporter.  com/ <br> 2017/05/24/lorne-balfe-to-score-horse-soldiers/Hans finished the bulk of the score before he went on tour, you could find an interview where he himself says so. <br>Ben worked solely on Variation 15. <br>Scroll down on this page and you'll find the full cuesheet with the credits. <br>Edmund - how do you think Zimmer wrote Dunkirk when he was on a world tour !!!Congratulations to Ben, Lorne also .Edmund - the release dates do not matter . Check out Balfe’s Facebook page and you will see he was recording 12 Strong early last year .I've only heard the suite Hybrid made. The only similarity I was aware of is the siren-like sound. <br><br>People don't realize how difficult scoring Dunkirk was. Just because you love Interstellar (I do too - it's my favorite HZ score) but that doesn't mean Dunkirk doesn't deserve to win. <br>
Edmund, in all honesty what are the similarities between 12 Strong and Dunkirk? I know both scores and fail to see how they connect.Doesn't deserve an Oscar. Hans Zimmer is my favorite composer but if he didn't win for Interstellar, he shouldn't win for this. <br><br>I can seriously say that I object this score winning based on that principle. This winning over Interstellar just isn't right.Well, the credits say that Supermarine or the oil are pure Zimmer, and also the 3 first track I think. So Balfe helped him to develop some ideas during his tour but the majority of the score is Hans' work.<br>And it does deserve an Oscar. I never heard a score like that.. If you have a problem with the score I think it comes from the script. A classical melodical music wouldn t work for this film i think.Source? I find that hard to believe considering the release dates. Even if it is true, Balfe might have been concurrently working on Dunkirk and brought over some of the ideas. I find it spectacularly improbably that he and Hans just HAPPENED to come up with the same ideas at the same time.Edmund - gets you facts right please . 12 Strong was written before Dunkirk
Here's an interesting opinion: I want Hans to win this one so that he DOESN'T continue making music like this. Sure its functional, but if he could reinvent the melodic score again and get back to writing memorable melodies I'd be pretty happy. He won for Lion King and then essentially abandoned that tone of music which transitioned into the Crimson Tide/The Rock sound... so maybe, just maybe, if he wins this year he'll completely reinvent his sound again and give us something both melodically memorable but also be a total game changer in terms of modern scores.I hope it doesn't win if for no other reason than so we don't have to go through 5 years of Dunkirk temp tracks (although if 12 Strong is anything to go by, too late).@Ahmad i only need "The Oil (Film Version)" :D Then i'll be happy :D*That was a thumbs up but it didn't work :D<br><br>^This how I feel lol.I hope Dunkirk wins just to make the so-called "reviewers" and those who say it isn't music, more frustrated and annoyed.
@badbu &#128077;<br><br>I honestly don't know how a complete score is going to work. They weren't kidding when they said the music is done like one long track. <br><br>What I understood from a Q&A with Nolan is that they didn't do it the usual way which means there are cues that are cut together / exist as segments. This was done in a different way where to create such cues, they used automation graphs to bring the layers in and out. Very complex. <br><br>One of the reasons why I think this deserves to win so many awards.Well it has officially been nominated. Fingers crossed for the complete score nowyep ahmad! 100% rightThe score is brilliant. It does its purpose very well and it is an essential part of the movie. It's also the most creative of the bunch with the way it was recorded and edited.I'd like Hans to win another Oscar but please, not for this.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





John PowellJames McKee SmithJohn Ashton ThomasBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
Agent Cody Banks (Complete Score)
Label: Unofficial Release
Length: 79'14
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (3231 votes)
  1. Opening (2:02)
    John Powell
  2. Kid In Peril (0:41)
    John Powell, James McKee Smith
  3. Skateboard Chase (2:00)
    John Powell
  4. Hero - Nano (2:18)
    John Powell
  5. CIA (0:16)
    John Powell
  6. Field Agent (1:00)
    John Powell
  7. Agent Development Program (0:44)
    John Powell, John Ashton Thomas
  8. Stutter Boy (0:31)
    John Powell
  9. Cody To Duty (2:24)
    John Powell
  10. Welcome To The CIA (0:46)
    John Powell, James McKee Smith
  11. CIA Lab (2:15)
    John Powell
  12. School Brochure (0:26)
    John Powell
  13. Slo-Mo Natalie (0:28)
    John Powell, James McKee Smith
  14. Fantasy Fight (0:21)
    John Powell
  15. Silver Button (0:24)
    John Powell, James McKee Smith
  16. Classes (1:16)
    John Powell
  17. Mr. Yip (1:36)
    John Powell
  18. Failed (0:53)
    John Powell
  19. Sparring Match (1:37)
    John Powell, John Ashton Thomas
  20. CIA Cleans House (2:21)
    John Powell, John Ashton Thomas
  21. Walk The Dog (0:15)
    John Powell
  22. The Van (0:58)
    John Powell
  23. Call Natalie (0:48)
    John Powell
  24. Girl School (2:37)
    John Powell
  25. Natalie Slides (1:01)
    John Powell
  26. Nurse! (1:34)
    John Powell
  27. Roadside Briefs (0:47)
    John Powell
  28. Banks, Cody Banks (1:03)
    John Powell, John Ashton Thomas
  29. Break In (Part 1) (1:49)
    John Powell, John Ashton Thomas
  30. Break In (Part 2) (7:15)
    John Powell
  31. Pool Fight (1:58)
    John Powell
  32. Sacked - Natalie Visits (1:31)
    John Powell
  33. Kitchen Fight (1:43)
    John Powell
  34. Cody Can't Help (1:08)
    John Powell
  35. Jr. Jr. Secret Agent (3:05)
    John Powell
  36. Seaplane (1:20)
    John Powell
  37. Snowmobile Intro (0:34)
    John Powell
  38. Snowmobile Chase - Helicopter (2:47)
    John Powell
  39. To Lair (3:57)
    John Powell, John Ashton Thomas
  40. Escape Fails (2:19)
    John Powell
  41. Natalie Rescued - Countdown (7:51)
    John Powell, John Ashton Thomas
  42. I'll Be Back (2:06)
    John Powell
  43. Hero's Homecoming (2:12)
    John Powell
  44. End Credits (4:38)
    John Powell
Create Topic

MarioSoundtrack reply Replies: 1 || 2014-09-18 17:34:21
Everything Powell does is awesome, enormous and special! God bless u John!


Edmund Meinerts2014-09-19 16:01:35
Everything? Even Chill Factor and Fair Game? :p

Hybrid Soldier reply Replies: 0 || 2008-03-06 00:00:00
Happy Anty ? :P

Anthony reply Replies: 0 || 2007-11-27 00:00:00
Woo, finally! You might want to check out the track listing on my site though as that one is buggered. :(

 HANS-ZIMMER.com© 2001-2017 OST 
Agent Cody Banks (Complete Score) soundtrack - John Powell 2003