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...that response only made you look more suspicious, as it was so pre-programmed feeling.@AndrewP *Robocop voice* obey the law or get erased creepSo if I say I love the score and itís amazing then Iím a bot !!!!!!!!! What a rediculois theoryHi, I'm new to this site and a big fan of Zimmer. Blade Runner is definitely one of his best works (and don't forget Wallfisch). Anyways, I'm definitely anticipating Denis Villeneuve's upcoming Dune film and I wonder if he'll go to Zimmer to do the project. That would be awesome if that happened.This place is not exactly a democracy, if something is not of my liking I get rid of it. Plain & simple.
^^<br><br>For the sake of fairness, I think the admins should delete both the guys spamming the thread with whining, as well as the Balfe-bots spamming the thread with positivity while simultaneously denouncing "haters." (This does not apply to most people in the thread, but you know who I mean.)I created a suite of what I believe are the best cues on the album, and attempted to make some interesting variations with the cues themselves in terms of transitions and such. Tracks included are Fallout, The Exchange, Escape Through Paris, Stairs and Rooftops, Free Fall, and Mission: Accomplished. Feel free to check it out, it helps make the whole score feel more melodic in my opinion!<br><br>https://www.youtube.com/channel/UCioYxbgNsqFhZ15onqcTlFA/vid eosBalfe haters will hate this !!!<br><br>But itís amazing . <br><br>Itís emotional then EPIC!<br><br>It can only be purchased at the Kynren site in Bishop Auckland, UK, during the show season. Google Kynren and hope to see you there soon! :) Hope this helps. Kind RegardsAgree with this 100%
People are on here shitting on Giacchino and Powell saying Rouge One has a better score or people saying Solo has a better score and Iím over here like yep still listening to the Star Wars Original Trilogy And Prequel Trilogy scores over here. But I think they both gave Williams Justice and did good.@HunterTech - because Cruise and the studio *really* wanted him back after Rogue Nation's success, despite the producers' initial plan for the franchise being to have each entry done by a different director. Hence, McQuarrie's condition that he'll be back as long as he does a completely different film.<br><br>And context is important because once you realise the *film itself* is heavily influenced by Nolan with a big dash of Fury Road-esque building action momentum, then the decision to have Balfe on board and the score to sound all Zimmer/RCP as opposed to more symphonic a-la Kraemer/Giacchino makes sense.So.......why not get a new director then? I admire his efforts in trying to attempt something different for every sequel, but he's eventually gonna get tired if he keeps coming back. Plus, there's been evidence that surfaced to suggest that there was a very specific reason in Kraemer not returning, which don't necessarily contradict what McQ is saying here.<br><br>Despite all this, I'm very excited for Fallout as a whole. I've been able to enjoy films with disappointing scores before (*cough*BR2049*cough*).Mephariel, fair enough. I see your point as well.<br><br>mpolonest123, I see your point.<br><br>But looking back at the MI2 score now, compared to some recent MV/RC stuff......it's just heads and tails above them. Again, that's just my opinion. There is a clear theme here, there is an actual structure. Not just some noisy sound effects thrown in the blender.
@HunterTech - McQ said at every opportunity that a condition of his coming back would be making MI Fallout as if a different director was doing it. Which is why he got a new DoP, new composer, new costume designer etcBecause that opinion is clearly wrong when Dunkirk came out in 2017.I can't agree with Genius: Picasso. I like the score, but it doesn't have enough direction. Just a lot of soundscaping. It is like the score is just there. <br><br>Balfe has this same problem with a lot of his scores.<br><br>I am so tire of people claiming Balfe has potential. It is like a basketball fan constantly claiming that Player X is two years away from being two years away. Every year people say Balfe is going to do something great. I am still waiting for this. That said, I haven't listened to MI:6 yet.Christopher Nolan of music? You serious? You compare Balfe with Nolan, one of the most talented directors of this generation? Nolan always does his own shit. He doesn't tempt scenes from other movies and recolor them and call them his. <br><br>Has Balfe written a great score that is truly his own yet? Maybe I just haven't heard it. <br><br>The only thing Balfe and Nolan has in common is that they are both white and they are both British.So I've finally decided to give this a listen today, and it was a lot of fun! The general quirkiness, source cues that actually benefit the score, and one of the best themes that I've heard from Zimmer in Moriarty certainly make this one a keeper. A lot of people barp on the OST, but it certainly made me interested to hear the music in a better form. I'll probably have to listen to it again before forming a definitive opinion, but as is, it managed to actually live up to the hype.
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Additional Music - Conductor
Hans ZimmerHarry Gregson-WilliamsDon HarperJay Rifkin
ComposerAdditional MusicAdditional MusicScore Producer
Broken Arrow
Label: Milan Records
Length: 59'14
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5222 votes)
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  1. Brothers (7:05)
    Hans Zimmer
  2. Secure (4:47)
    Hans Zimmer
  3. Stealth (7:35)
    Hans Zimmer, Harry Gregson-Williams
  4. Mine (5:42)
    Hans Zimmer
  5. Nuke (10:48)
    Hans Zimmer, Don Harper
  6. Greed (11:00)
    Hans Zimmer
  7. Hammerhead (4:40)
    Hans Zimmer
  8. Broken Arrow (7:37)
    Hans Zimmer
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SPECTER reply Replies: 0 || 2018-05-19 00:16:43
4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospital

El Baradei reply Replies: 4 || 2013-02-15 17:04:55
An amazing action score.

If you listen to Secure, especially the part 02:00 to 02:30, you'll hear the True Romance's main theme (You're So Cool).

By the way Hans is not the composer of You're So Cool, it's the theme for Badlands.


Hybrid Soldier2013-02-15 17:14:31
It's not...

It's extremely inspired by it, but it's not.


El Baradei2013-02-15 17:16:00
Okay, extremely... that's what I said.


matthew2013-02-16 12:11:40
and Ambrose theme in Mission Impossible 2 was inspired by Tony's theme from Scarface.


Zimson2017-11-08 23:10:48
I think the word is hommage. Same goes for the Gladiator Waltz.

Bayhem reply Replies: 5 || 2017-11-08 16:06:58
It's been a while since I've seen Scream 2, but I clearly remember that, for whatever strange reason, Marco Beltrami and Wes Craven decided to use the Deakins theme from the Broken Arrow score as the intro theme for Dewey.

Do you guys remember that? Remember the scene?

I still wonder why they decided to do it. It's incredibly rare to have the exact same track in two completely different movies. Hell, come to think of it, this might be the only case.....


James2017-11-08 16:22:19
It's not that unusual. It was a ripoff. The director was in love with the theme.


George2017-11-08 16:56:02
Iím also fairly certain Marco hated having to rip-off the temp music and almost got in a lot of trouble for calling the director out on it


Hybrid Soldier2017-11-08 17:53:15
Yeah Marco complained about it and got in trouble with no other than Harvey Weinstein !


Edmund Meinerts2017-11-08 19:25:21
So ahead of the times, Beltrami.


Mike (OTM)2017-11-08 22:29:06
Bayhem, I know Paul Greengrass used "The End" by John Powell from United 93 in Captain Phillips. So there's one more case.

Dimitris Krommidas reply Replies: 0 || 2015-08-08 12:03:07
Glad to have this one too!
Classic.

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Anonymous reply Replies: 0 || 2014-07-29 20:48:19
these credits new?

Hispano reply Replies: 1 || 2014-02-13 00:28:59
Brothers and Secure are that in Scream 2.


Agog2014-02-13 17:24:10
Captain Obvious to the rescue!

Haider reply Replies: 0 || 2009-07-21 00:00:00
The BESTof the BEST

Mikel Carmona S.i.W ( from Spain) reply Replies: 0 || 2008-03-17 00:00:00
I live this soundtrack

Junior reply Replies: 0 || 2007-09-09 00:00:00
Great Soundtrack

Suicune reply Replies: 0 || 2006-12-19 00:00:00
One of the best action movie soundtracks. I coul listen to it every time without getting bored. The main theme is simply awesome.

David reply Replies: 0 || 2006-11-17 00:00:00
Great Soundtrack

bosco reply Replies: 0 || 2006-08-26 00:00:00
the best website ever with film-soundtracks

Uri reply Replies: 0 || 2006-02-07 00:00:00
Herr Zimmer ich liebe ihre musik sehr. Sieser soundtrack ist perfekt. Der track 8 ist einfach genial! Ich habe fast alle ihre soundtracks und kann es kaum noch erwarten bis neue auf den Markt kommen wie z.b. Der Davinci Kode und Pirates of the caribbean teil 2. Sie sind einfach genial. Weiter so Herr Zimmer!!!

Qkel6 reply Replies: 0 || 2005-10-13 00:00:00
Tudd ez a hansy gyerek.

…ric reply Replies: 0 || 2005-08-26 00:00:00
The.
Most.
Awesome.
Film.
Soundtrack.
Ever.

Mixes elements from so many different musical styles, to create this impressive, intimidating, enticing, .... simply undescribable atmosphere.

herdim reply Replies: 0 || 2005-05-28 00:00:00
Du Grand Hans Zimmer qui commence des le debut avec les excellent Brothers-Secure puis nous emmene avec l'action pure dans les trťs reussis Mine, Nuke et Hammerhead

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Broken Arrow soundtrack - Hans Zimmer 1996