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The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice."Don't believe everything you hear, son."what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovM
Hallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht šlter geworden. Genial.<br><br>GruŖ  <br><br>Not bad score.<br><br>But I prefer the other oneIsnít that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80ís beats (with a dash of Tron legacy) in here.I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...
Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...Hybrid, did you ever ask Hans why this score wasn't released?After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.
Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>so...based on what junkie says here, Elfman is basically just rehashing old shit, as well as other people's old shit....Unless you want to say he's taking his Batman theme into a whole different direction that he didn't really have a desire to do before...until now....<br><br>In that case, "whatever" is all I have to say.
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Additional Music - Conductor
Hans ZimmerHarry Gregson-WilliamsDon HarperJay Rifkin
ComposerAdditional MusicAdditional MusicScore Producer
Broken Arrow
Label: Milan Records
Length: 59'14
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4745 votes)
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  1. Brothers (7:05)
    Hans Zimmer
  2. Secure (4:47)
    Hans Zimmer
  3. Stealth (7:35)
    Hans Zimmer, Harry Gregson-Williams
  4. Mine (5:42)
    Hans Zimmer
  5. Nuke (10:48)
    Hans Zimmer, Don Harper
  6. Greed (11:00)
    Hans Zimmer
  7. Hammerhead (4:40)
    Hans Zimmer
  8. Broken Arrow (7:37)
    Hans Zimmer
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El Baradei reply Replies: 4 || 2013-02-15 17:04:55
An amazing action score.

If you listen to Secure, especially the part 02:00 to 02:30, you'll hear the True Romance's main theme (You're So Cool).

By the way Hans is not the composer of You're So Cool, it's the theme for Badlands.


Hybrid Soldier2013-02-15 17:14:31
It's not...

It's extremely inspired by it, but it's not.


El Baradei2013-02-15 17:16:00
Okay, extremely... that's what I said.


matthew2013-02-16 12:11:40
and Ambrose theme in Mission Impossible 2 was inspired by Tony's theme from Scarface.


Zimson2017-11-08 23:10:48
I think the word is hommage. Same goes for the Gladiator Waltz.

Bayhem reply Replies: 5 || 2017-11-08 16:06:58
It's been a while since I've seen Scream 2, but I clearly remember that, for whatever strange reason, Marco Beltrami and Wes Craven decided to use the Deakins theme from the Broken Arrow score as the intro theme for Dewey.

Do you guys remember that? Remember the scene?

I still wonder why they decided to do it. It's incredibly rare to have the exact same track in two completely different movies. Hell, come to think of it, this might be the only case.....


James2017-11-08 16:22:19
It's not that unusual. It was a ripoff. The director was in love with the theme.


George2017-11-08 16:56:02
Iím also fairly certain Marco hated having to rip-off the temp music and almost got in a lot of trouble for calling the director out on it


Hybrid Soldier2017-11-08 17:53:15
Yeah Marco complained about it and got in trouble with no other than Harvey Weinstein !


Edmund Meinerts2017-11-08 19:25:21
So ahead of the times, Beltrami.


Mike (OTM)2017-11-08 22:29:06
Bayhem, I know Paul Greengrass used "The End" by John Powell from United 93 in Captain Phillips. So there's one more case.

Dimitris Krommidas reply Replies: 0 || 2015-08-08 12:03:07
Glad to have this one too!
Classic.

Anonymous reply Replies: 0 || 2014-07-29 20:48:19
these credits new?

Hispano reply Replies: 1 || 2014-02-13 00:28:59
Brothers and Secure are that in Scream 2.


Agog2014-02-13 17:24:10
Captain Obvious to the rescue!

Haider reply Replies: 0 || 2009-07-21 00:00:00
The BESTof the BEST

Mikel Carmona S.i.W ( from Spain) reply Replies: 0 || 2008-03-17 00:00:00
I live this soundtrack

Junior reply Replies: 0 || 2007-09-09 00:00:00
Great Soundtrack

Suicune reply Replies: 0 || 2006-12-19 00:00:00
One of the best action movie soundtracks. I coul listen to it every time without getting bored. The main theme is simply awesome.

David reply Replies: 0 || 2006-11-17 00:00:00
Great Soundtrack

bosco reply Replies: 0 || 2006-08-26 00:00:00
the best website ever with film-soundtracks

Uri reply Replies: 0 || 2006-02-07 00:00:00
Herr Zimmer ich liebe ihre musik sehr. Sieser soundtrack ist perfekt. Der track 8 ist einfach genial! Ich habe fast alle ihre soundtracks und kann es kaum noch erwarten bis neue auf den Markt kommen wie z.b. Der Davinci Kode und Pirates of the caribbean teil 2. Sie sind einfach genial. Weiter so Herr Zimmer!!!

Qkel6 reply Replies: 0 || 2005-10-13 00:00:00
Tudd ez a hansy gyerek.

…ric reply Replies: 0 || 2005-08-26 00:00:00
The.
Most.
Awesome.
Film.
Soundtrack.
Ever.

Mixes elements from so many different musical styles, to create this impressive, intimidating, enticing, .... simply undescribable atmosphere.

herdim reply Replies: 0 || 2005-05-28 00:00:00
Du Grand Hans Zimmer qui commence des le debut avec les excellent Brothers-Secure puis nous emmene avec l'action pure dans les trťs reussis Mine, Nuke et Hammerhead

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Broken Arrow soundtrack - Hans Zimmer 1996