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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Ambient Music Design, Electronic Arrangements & Additional KeyboardsOrchestral Technical CoordinatorOrchestral & Choir ArrangementsMusic Mixer
Mel WessonMatthew MargesonJim DooleySlamm Andrews
Ambient Music DesignProduction CoordinatorChoir ArrangerMusic Scoring Mixer
My Winter Storm
Label: Universal Records
Length: 75'16
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9026 votes)
  1. Ite, Missa Est (0:27)
  2. I Walk Alone (3:53)
  3. Lost Northern Star (4:22)
  4. Seeking For The Reign (0:58)
  5. The Reign (4:07)
  6. The Escape Of The Doll (0:32)
  7. My Little Phoenix (4:02)
  8. Die Alive (4:04)
  9. Boy And The Ghost (4:36)
  10. Sing For Me (4:16)
  11. Oasis (5:10)
  12. Poison (4:01)
  13. Our Great Divide (5:05)
  14. Sunset (0:36)
  15. Damned And Divine (4:29)
  16. Ciarán's Well (3:37)
  17. Minor Heaven (4:00)
  18. Calling Grace (3:06)
  19. Bonus : Damned Vampire & Gothic Divine (5:01)
  20. Bonus : I Walk Alone (Artist Version) (4:23)
  21. Bonus : I Walk Alone (In Extremo Remix) (4:31)
  22. Bonus : The Seer (4:17)
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meggy reply Replies: 0 || 2008-10-27 00:00:00
Beautiful album... Music is very important part of my life, thanks for creating it for people:)

daniela duran reply Replies: 0 || 2008-09-26 00:00:00
i`m from chile
TARJA you are the best female singer all over the world.

NIGHTWISH WITHOUT YOU IS NOTHING

YOU HAVE A BEAUTIFUL VOICE

TRY TO VISIT CHILE PLEASE

monika reply Replies: 0 || 2008-08-03 00:00:00
Hello, I'm from Bulgaria...and Tarja...please...come to Bulgaria

Hybrid Soldier reply Replies: 0 || 2008-07-11 00:00:00
I updated the page a little bit... :-)

Antonio reply Replies: 0 || 2008-05-25 00:00:00
I don't know what really happened there :) but I like here songs I like them even much more than Nightwish you got the first place in my play list rating: Tarja Turunen, Nightwish, Within Temptation, Darkwell(Suspiria), Deline(Lucidity)... I like such kind of music. You tell a story in a song!

Maria reply Replies: 0 || 2008-05-13 00:00:00
I am so happy for Tarja, you know, it's hard what happened to her with Nightwish but in the end, I can see that it was a true Blessing in Disguise because now she is free to compose her own music, write her own lyrics, and now she can absolutely completely "own" her Masterpiece that is " My Winterstorm".

Thank you, Tarja, for sharing your magnificent gift of your voice and song with the world. You will always be my favorite female singer and I wish you all the Best, love, health, and happiness abound for now and for always.

Take Care,
Maria

nicole reply Replies: 0 || 2008-02-05 00:00:00
ciao sono una ragazza italiana.. adoro Tarja da morire!!!!!!!! ha fatto bene a mettersi come solista...
Annette dei Nightwish in confronto alla sua meravigliosa voce è una gallinaccia!! xD
kiss!! *-*

Milica reply Replies: 0 || 2008-01-25 00:00:00
Hello to TARJA!!!
I'm from Serbia, and I'm probably one of your biggest fans here!!!
You were and you always will be one of the most beautiful singerswith the power in woice other can just imagine!!!
Please come to Serbia, you have many fans here that wait for you!!!!!!!
Kisssssssssssssssssss

Storm reply Replies: 0 || 2008-01-19 00:00:00
Hello, I'm from Croatia...and Tarja...please...come to Croatia, a thousads of your fans are waiting for you to come...just like me!My winter storm is the greatest album..masterpiece...!!!And your voice..amazing...!!!With best wishes...from Croatia!

Laura reply Replies: 0 || 2008-01-02 00:00:00
My Winter Storm is a masterpiece beautifully performed by an angel in rock. Tarja's voice truly is beauty in itself and I am a huge fan of hers as she inspires me completely. Hope there will be many more albums to come :D

Anonymous reply Replies: 0 || 2007-12-07 00:00:00
My Winter Storm-Anderrs Wollbeck/Mattias Lindblom/Harry Sommerdahl
I Walk Alone
Oasis
Lost Northern Star
The Seer
Damned And Divine
Sing For Me
Calling Grace
Boy and the Ghost
Minor Heaven
The Reign
Ciarán’s Well
Poison (Alice Cooper Cover)

Kate reply Replies: 0 || 2007-12-07 00:00:00
I Walk Alone: Anderrs Wollbeck/Mattias Lindblom/Harry Sommerdahl

Lost Northern Star: Kiko Masbaum/Michelle Leonard/Tarja Turunen

The Reign: Adrian Dimitri/Andrew Zagoritis/Thorsten Stenzel/Angela Heldmann/Tarja Turunen

My Little Phoenix: Howerling/Van Zundert

Die Alive: Anderrs Wollbeck/Mattias Lindblom/Hanne Sorvaag/Tarja Turunen

Boy and the Ghost: Anderrs Wollbeck/Mattias Lindblom/Jessika Lundstrom/Annie Stang/Alexander Jonsson/Tarja Turunen

Sing for Me: Kid Crazy/Christel Sundberg/Tracy Lipp

Oasis: Tarja Turunen

Poison: Child/Cooper/McCurry

Our Great Divide: Anderrs Wollbeck/Mattias Lindblom/Hanne Sorvaag/Tarja Turunen

Damned and Divine: Adrian Dimitri/Andrew Zagoritis/ Thorsten Stenzel/Angela Heldmann/Tarja Turnen

Ciaran's Well: Alex Scholpp/Michelle Leonard/Doug Wimbish/ Tarja Turunen

Minor Heaven: Anderrs Wollbeck/Mattias Lindblom

Calling Grace: Kiko Masbaum/Michelle Leonard/Tarja Turnen

rockstar reply Replies: 0 || 2007-11-20 00:00:00
Who´s the songwriter on each track?

irawan reply Replies: 0 || 2007-11-15 00:00:00
Just amazing, Tarja is the greatest singer ever!

Devora reply Replies: 0 || 2007-11-15 00:00:00
My Winter Storm is pure beauty!!!Such a masterpiece!!!
Well done to Tarja and the team of musicians who worked so hard on this album!!!
James(Jim) Dooley-wonderful orchestral parts!!!Congratulations!!!!

jani reply Replies: 0 || 2007-11-15 00:00:00
most beautiful album of 2007.

Ärie§ reply Replies: 0 || 2007-11-15 00:00:00
I love you Tarja, I love My Winter Storm and I love all of you ^^

Keep going on!!

Un saludo desde Costa Rica.

the_riddler reply Replies: 0 || 2007-11-15 00:00:00
Tarja, you're the angel of music!!! My Winter Storm is fucking awesome!!! I love it!!!

FantasmaTraNoi reply Replies: 0 || 2007-11-15 00:00:00
Simply gorgeous...darkly beautiful...I have a new appreciation for Tarja's amazing voice and the orchestral arrangements on this album are simply orgasmic...

Anatoly reply Replies: 0 || 2007-11-15 00:00:00
There's some disinformation above - in credits.
Music IS NOT composed by Tarja Turunen to say about the whole album.
For example I Walk Alone is written by Wollbeck/Lindblom/Sommerdahl.

josé reply Replies: 0 || 2007-11-13 00:00:00
this tracklists are incompleted...!!!

josé reply Replies: 0 || 2007-11-13 00:00:00
i live in portugal and i love tarja :)

wehonika reply Replies: 0 || 2007-11-04 00:00:00
Tarja jest najlepsza!

Seiko reply Replies: 0 || 2007-10-29 00:00:00
I think Tarja's new album will be excellant. I especially love I Walk Alone and Ciaran's Well. Some people forget that Tarja already has done some side projects without Nightwish and they were wonderful. She doesnt need Nightwish to be a wonderful singer. And I hope that she continues to do more albums after this one.

Annette is a great singer as well, its her first time with Nightwish so give her time and she too will become good.

Elitsa reply Replies: 0 || 2007-10-28 00:00:00
Congratulationas,Tarja!We,the fans,alreday have no patience for the album to come out!I wish you all the luck on the earth with it-I'm sure it's something unique!

Me reply Replies: 0 || 2007-10-28 00:00:00
Why some of you are talking about Nightwish,evanescence,anette.o, etc,etc, here???? XD...mmm...

Anyway, I can't wait for My Winter Storm, I realy love Tarja's voice,is just so personal,so unic and full of passion...she makes me feel so much with her voice,love it :).

Anonymous reply Replies: 0 || 2007-10-27 00:00:00
Congratulations Tarja! I think someone's gonna get mad! *cough*Tuomas*cough* jajajajaja

AinaYave reply Replies: 0 || 2007-10-24 00:00:00
Hello Tarja :) Good Loock

naem malaysia reply Replies: 0 || 2007-10-21 00:00:00
plezzzz come to malaysia..... million fan of u are waiting here..... i'll be waiting for u...

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My Winter Storm soundtrack 2007