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Yeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.
This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!Still my favorite score from the X-Men series.
Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at least
I find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrackCouple of interesting things.
<br>
<br>Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :
<br>
<br>OPENING (JP)
<br>ENFYS STANDOFF (JP)
<br>FAILED HEIST (JP)
<br>KESSEL RUN PT 1 – TIE CHASE A (JW)
<br>KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
<br>KESSEL RUN PT 1 – TIE CHASE C (JW)
<br>KESSEL RUN PT 1 – TIE CHASE D (JP)
<br>KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
<br>KESSEL RUN PT 2 – TIE CHASE F	 (JP)
<br>KESSEL RUN PT 2 – MAW (JP BS)
<br>KESSEL RUN PT 3 – LIFTOFF (JP)
<br>KESSEL RUN PT 4 – LANDING (JP)
<br>L3 & FALCON PT 1 (JP)
<br>L3 & FALCON PT 2 (JP)
<br>L3’S SACRIFICE	 (JP)
<br>SKYPE SHOWDOWN (JP)
<br>CHEWIE UNTAMED PT 1 (JP AW)
<br>CHEWIE UNTAMED PT 3 (JP)
<br>LANDO’S CLOSET (JP AW)
<br>SAVAREEN TENT A (JP)
<br>SAVAREEN TENT B (JP AW)
<br>CORELLIA CHASE (JP BS)
<br>DRYDEN FIGHT (JP AW)
<br>DRYDEN FIGHT PT 2 (JP)
<br>DRYDEN YACHT DUET	 (JP)
<br>ENFYS NEST ARRIVES (JP BS)
<br>MINES PT 1 – HEIST (JP PM)
<br>MINES PT 2 – FINDING COAXIUM (JP)
<br>MINES PT 2 – CONT’D (JP)
<br>MINES PT 3 – BREAK-OUT (JP)
<br>REAL THING DOUBLE CROSS (JP PM)
<br>SPACEPORT (JP AW)
<br>THE BEAST (JP BS)
<br>BECKETT DEPARTS (JP)
<br>BECKETT LEAVES (JP)
<br>BECKETT SHOWDOWN (JP)
<br>CRAWL (JP)
<br>CRAWL (FROM 1M04-05) (JP)
<br>CRAWL (FROM 2M13) (JP)
<br>CRAWL (FROM 4M28) (JP)
<br>CRAWL (FROM 4M30B) (JP)
<br>LANDO (JP)
<br>MAIN ON ENDS (JP)
<br>MAIN ON ENDS (FROM 5M32) (JP)
<br>BACK TO DRYDEN’S (JP)
<br>BLACKMAIL (JP)
<br>BUNK – PROXIMA (JP)
<br>CAMPFIRE (JP)
<br>CONVEYEX PT 1 (JP)
<br>FAMILY STORIES B (JP)
<br>HAN & QI’RA REUNITE (JP)
<br>JUNGLE CANTINA SOURCE (JP)
<br>MEET DRYDEN (JP)
<br>MIMBAN BATTLE PT 2 (JP)
<br>MIMBAN BATTLE PT 3 (JP)
<br>SABACC GAME (JP)
<br>SABACC REMATCH (JP)
<br>SURVEYING CONVEYEX (JP)
<br>TESTING DRYDEN’S PATIENCE (JP)
<br>TO TATOOINE PT 1 (JP)
<br>TRUST NO ONE (JP)
<br>WALK TO DRYDEN’S PT 1 (JP)
<br>WALK TO DRYDEN’S PT 3 (JP)
<br>YACHT PARTY SOURCE (JP)
<br>YOU DON’T KNOW EVERYTHING (JP)
<br>THE HAN SOLO THEME (JW)
<br>
<br>This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.
<br>
<br>That cuesheet matches in fact with the credits I posted above that come from JP's team.
<br>
<br>Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :
<br>
<br>ADVENTURES OF HAN (HAN SOLO THEME)
<br>JW 100%
<br>MEET HAN										
<br>JP 28% JW 72%
<br>CORELLIA CHASE								
<br>JP 50% JW BS 50%
<br>SPACEPORT									
<br>JP 55% JW AW 45%
<br>FLYING WITH CHEWIE						
<br>JP 48% JW AW 52%
<br>TRAIN HEIST									
<br>JP 92% JW 8%
<br>MARAUDERS ARRIVE							
<br>JP 55% JW BS 45%
<br>CHICKEN IN THE POT							
<br>JP 100%
<br>IS THIS SEAT TAKEN?							
<br>JP 77% JW 23%
<br>L3 & MILLENNIUM FALCON					
<br>JP 86% JW 14%
<br>LANDO’S CLOSET								
<br>JP 100%
<br>MINE MISSION									
<br>JP 98% JW 2%
<br>BREAK OUT					
<br>JP 78% JW 22%
<br>THE GOOD GUY								
<br>JP PM 74% JW AW 26%
<br>REMINISCENCE THERAPY					
<br>JP 30% JW 70%
<br>INTO THE MAW								
<br>JP 47% JW BS 53%
<br>SAVAREEN STAND OFF						
<br>JP 94% JW 6%
<br>GOOD THING YOU WERE LISTENING			
<br>JP 100%
<br>TESTING ALLEGIANCE						
<br>JP 51% JW AW 49%
<br>DICE & ROLL									
<br>JP 65% JW 35%
<br>
<br>It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.
<br>
<br>Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)
<br>
<br>Also, if you want a breakdown of the Deluxe VS 2018 OST :
<br>
<br>THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
<br>MEET HAN => 1M1 MEET HAN
<br>CORELLIA CHASE => 1M4-5 CORELLIA CHASE
<br>SPACEPORT => 1M6-7 SPACEPORT
<br>FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
<br>TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
<br>MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
<br>CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
<br>IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
<br>L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
<br>LANDO'S CLOSET => 4M28 LANDO'S CLOSET
<br>MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
<br>BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
<br>THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
<br>REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
<br>INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
<br>SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
<br>GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
<br>TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
<br>DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINEoscar
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Steve JablonskyLorne BalfeClay DuncanTJ Lindgren
ComposerAdditional MusicAdditional MusicAdditional Music
Transformers (Complete Score)
Label: Unofficial Release
Length: 157'50
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (22026 votes)
CD1
  1. Autobots (2:35)
  2. Soldiers Arrive (0:31)
  3. Bogey Approach (1:23)
  4. Family (0:34)
  5. Soccent Attack (2:10)
  6. Arctic 1897 (0:17)
  7. Angry Camaro (1:07)
  8. Keller's Briefing (2:02)
  9. Lost In The Desert (0:44)
  10. Sam At The Lake (2:00)
  11. Belly Shot (0:15)
  12. Signal Analysis (0:48)
  13. Air Force One (2:28)
  14. Main Frame Tampering (1:57)
  15. Camaro On The Run (2:51)
  16. Scorponok (5:33)
  17. Data Copy (0:36)
  18. Deciphering The Signal (1:13)
  19. Pink Bike Ride (Part 1) (0:31)
  20. Pink Bike Ride (Part 2) (0:53)
  21. Are You LadiesMan217? (1:26)
  22. Bumblebee VS Barricade (2:07)
  23. Arrival To Earth (5:28)
  24. Cybertron (2:47)
  25. Witwicky (Part 1) (1:58)
  26. Witwicky (Part 2) (0:30)
  27. Witwicky (Part 3) (2:07)
  28. Take Em & Bake Em (Part 1) (0:36)
  29. Take Em & Bake Em (Part 2) (1:04)
  30. Take Em & Bake Em (Part 3) (0:45)
  31. Autobots To The Rescue (1:22)
  32. Not To Hear That (0:30)
  33. Simmons Takes It Off (0:53)
  34. Sector 7 Chase (Part 1) (0:49)
  35. Sector 7 Chase (Part 2) (2:15)
  36. Bumblebee Captured (2:21)
  37. Hoover Dam (1:13)
  38. Optimus (3:17)
  39. Frenzy Falls (0:28)
  40. Where Is My Car? (0:34)
  41. The All Spark (3:35)
  42. Decepticons Mobilize (Part 1) (2:29)
  43. Decepticons Mobilize (Part 2) (0:23)
  44. To Mission City (0:34)
  45. Freeway Fight (0:43)
  46. Downtown Battle (1:35)
  47. Stumble Bumble (Part 1) (1:12)
  48. Stumble Bumble (Part 2) (0:56)
  49. You're A Soldier Now (Part 1) (2:43)
  50. You're A Soldier Now (Part 2) (0:54)
  51. You're A Soldier Now (Part 3) (1:00)
  52. You're A Soldier Now (Part 4) (0:27)
CD2
  1. Transforming (0:45)
  2. Sam In The Building (0:44)
  3. Surreal Mikaela (0:38)
  4. Tow Truck Charge (1:14)
  5. Sam On The Roof (Part 1) (1:01)
  6. Sam On The Roof (Part 2) (1:15)
  7. Optimus VS Megatron (4:04)
  8. No Sacrifice, No Victory (2:30)
  9. The Cube Suite (3:52)
  10. Brooding Suite (4:34)
  11. Attack Suite (5:10)
  12. Cybertron Suite (2:46)
  13. Optimus Prime Suite (3:15)
  14. Heroix Suite (2:36)
  15. The All Spark Suite (6:04)
  16. Journey Suite (3:57)
  17. Sam's Theme Suite (1:59)
  18. Decepticons 6 Suite (3:39)
  19. Creeper Suite (2:26)
  20. Tensaction Suite (2:52)
  21. Stonker Suite (3:51)
  22. Decepticons Cello Suite (4:43)
  23. Decepticons 5 Suite (3:10)
  24. Decepticons 2 Suite (1:57)
  25. Invasion Suite (1:31)
  26. Stumble Bumble (Part 2) (Alternate) (0:47)
  27. No Sacrifice, No Victory (Alternate) (2:58)
  28. Trailer Music (1:19)
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Sam Whitwicky reply Replies: 0 || 2007-10-07 00:00:00
Forgot to mention that I never said I've paid rights or whatever. I didn't even say I possessed that score...don't know where you read that.
All I'm saying, is that I don't understand why they can't share these recordings with anybody if it's so legal and so cool!
I don't understand what's the matter with that ... why is it so taboo...?!

Anonymous reply Replies: 0 || 2007-10-07 00:00:00
Who is "they" that your referring to?
The composers? Or the fans that get them? If your talking about fans, they probably don't want to share the scores with anyone in fear of those people leaking it everywhere, and the composer finding out and stops sending the fan any more copies of his score.

this happened with me and mancina back in the early days. He sent me a DAT of Bad Boys/Speed 2. Of course I had to find someoen who had a DAT machine to put it on cd for me. Found a film score collector who said he would put it on cd for me as long as he got to get a copy and of course I said sure (I was not into the trading circuit by that time)

Well the SOB decided to also trade it with others and then someone he sent it to sold illegal copies on ebay. So who do you think Mancina got mad at? Them, no. Me. And because of that, he stopped sending me stuff. This is why others keep them for themslves. I'll continue later...

Sam Whitwicky reply Replies: 0 || 2007-10-07 00:00:00
First, I understand the reason why HZ.com list all these CD's here, it's a sort of database. Alright. No problem with that. But I don't think each and every extracts they give are coming from a record that has been given by the composer or one of his staff member for instance.

Then : When I say "them" I'm referring to the fans. I totally agree with you on the fact that a score that is given by the composer himself shouldn't be shared. It's a very private gift.

But once it's done, I'm not responsible of it. Given that these unofficial scores are often due to a leak, why are they listed here then ? Are they all coming from a composer/staff member or whoever is close to the composer ...?
Knowing it's a very private gift I think that if the original possessor is (sorry for the word) "dumb" enough to share his album (even if it was just with one person), whoever manage to find that recording is not responsible of such a mess. So, should fans refuse to obtain and listen to these albums ? Should they stop sharing them ?

Everybody should have the right to share unofficial recordings with any fan who wants to have it.
You yourself have that recording and it hasn't been given to you by the composer or a staff member ?... then why would you deserve that score more than any other fan ...?

When I say "you" I don't mean "you" in particular. I'm talking about every person who has such an album.

Westfall reply Replies: 0 || 2007-10-07 00:00:00
Guys, i just got this score and after listening to it, my opinion hasn't changed one bit. The score CD will be the center piece of any Transformers 2007 score fan, this and the original promo cd will only compliment the score CD. And for all the talk this bootleg is generating, it doesn't really bring anything new. Except for a few small cues that are very cool, most of the cool stuff in it was already either on the Promo.It's still worth the DL.But BUY THE SCORE CD.

Anonymous reply Replies: 0 || 2007-10-07 00:00:00
Well I, infact, did get the 52 track version of the score from one my my music editor contacts who worked on the score. I didn't want to send it out originally but I knew a few friends who would have loved to hear it. And since I'm to nice of a guy, I made a short version (the 30 minute one) and sent it to a few friends who I thought would have kept it to themselves. Of course we've seen how that turned out.

But with more people bugging me about it and calling me "greedy" which in fact if I was greedy I would have not sent it to anyone at all, I decided to just put out the 52 track version since it was only a week away from the official score release.

The reason why it was not a complete score I'll never know. He said he would send me what he had. Sadly, even his version was missing some tracks which I'm not sure why since he was a music editor on the film.

Either way, I don't go about putting it in peoples face what I have. I'm not a a-hole. Only reason I posted originally was to the guy calling me out as "greedy".

Which I bet it's someone I know and was upset I would not share the whole thing to them. And of course I had to repost to the guy calling me a liar and that the 52 track version was just a game rip.

But it's leaked out now and easily obtainable if you know where to look. So just enjoy it for now and once the official album is out, you'll have even more music . (From what I can tell, there's atleast 5 tracks on there not on the 52 track version. But thats not to say those tracks are not edits of other tracks together.

V Ravi Krishna reply Replies: 0 || 2007-10-07 00:00:00
I have the 52 track version but of course I will buy the official score CD. I also signed the online petition for its release. It's on Wikepedia that Warner Bros. might release a 2 CD version sometime later, actually.

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Miral reply Replies: 0 || 2007-10-07 00:00:00
I too have managed to get my grubby little paws on the 52 track version, but i will DEFINATELY be buying the release, infact i have it preordered...if only to show support for the superb work that has gone into it. Theres been alot of feedback that people are desperate for the score, i think its time to put your money where you mouth is and buy it!! Support Jablosnky and his efforts!!! *ill get off my soapbox now*

OKKU reply Replies: 0 || 2007-10-07 00:00:00
44-Sam Takes Off - Optimus Hero (1:01)
Track is good.

joshua reply Replies: 0 || 2007-10-06 00:00:00
thanks. God this is killing me i have got to get my hands on this somehow

Anonymous reply Replies: 0 || 2007-10-06 00:00:00
joshua,
Speeding Autos is not the film version. It's more of an alternate or unused and sounds nothing like the film version.

V Ravi Krishna reply Replies: 0 || 2007-10-06 00:00:00
I got it. Sounds pretty good, actually, but some significant cues, like the arrival of the Autobots, are missing. Not like it matters much, seeing we'll be getting an official complete score in the future ;-)

joshua reply Replies: 0 || 2007-10-06 00:00:00
is there any way you could make speeding autos #(38) an extract. it's one of my favorite pieces of music from the film and i fear it's not gonna be on the official score because it's to short. I would really just like to hear it again. It would be greatly appreciated.

Sam Whitwicky - To the anonymous guy. reply Replies: 0 || 2007-10-06 00:00:00
"they got a copy from someone who works in the industry'..."And they don't want to give it out because if they did, and whoever they got it from found out. They may never send them stuff again. Would you want to ruin that trusted relationship just to make a few "fans" happy?"

That's not "a few" fans...i'm talking about the whole soundtrack community. I'm talking about doing something fair !
Then, you are so naive, it's very moving. ^^
Their are so many people who own that unofficial expanded score that if many of them would share it everybody could have it too. Come on! Whoever was the first possessor of that score, the leak has already occurred ; that's obvious! How would so many people own that recording if not ?! They didn't buy it, nobody did!

Besides, it's not the first time such a thing happens. Happens all the time.

Wanna know the true reason behind the fact these "bootleg - not for sale" recordings cannot be shared ? Well it's because it allows the one who possess it to say : "I have something you can't have and I'm not willing to share it with you".

It's nothing but an ego issue :
That's called selfishness.

@ Antas reply Replies: 0 || 2007-10-06 00:00:00
The fact that CD is a Bootleg instead of a Promo doesn't change anything. I'm sorry but I still don't understand why some people can find a way to put an hand on that kind of recordings when others can't.
If you have it and it's not official, why shouldn't anyone have the right to have it too ?
Reading the comments below, a lot of people seem to own this "Expanded" record. I don't think each and everyone of them may have obtained it from R.C members or at least through a legal way. Same thing for you guys.

So if I understand properly, people can own an unofficial score and they can say it (call it Bootleg, promo or whatever) but they can't say how they've found it ...? They can't share those unofficial (not for sale) records with others fans...?
Well, that's a weird conception of what is allowed (legal) and what's not. ^^

Antas, Webmaster reply Replies: 0 || 2007-10-06 00:00:00
In any case the official release will be mastered (and will contain all the best tracks) so it would be a shame people who have these boots won't buy it.

I just hope people won't wait for a bootleg edition to release an official score next time (Contender, Desperate Housewives, Lion King expanded...)

hans-batman-zimmer reply Replies: 0 || 2007-10-06 00:00:00
I love "Optimus Sword".
This expanded score is truly awesome!!

(From Japan)

Anonymous reply Replies: 0 || 2007-10-06 00:00:00
- Sam Whitwicky, how can you "own" a score you did not buy? You cannot "own" a bootleg. You did not pay money for it, atleast legtimently. Did you buy the rights from the studio? Did you call Warner Bros records and cut a deal to "own" a percintage of it? No! You cannot "own" a score if it's a bootleg.
Sorry. In this world, you cannot "own" an illegal bootleg. You can "have" a copy of it. You can own the official release when it comes out. But not a bootleg.

get your facts straight

joshua reply Replies: 0 || 2007-10-06 00:00:00
i agree 110% with WESTFALL. I could not have said it better myself. And i too will be buying the score and trying like hell to get the expanded bootleg

Westfall reply Replies: 0 || 2007-10-06 00:00:00
I already pre-ordered the score and even if i already had this bootled i would still buy it. First because i'm one of the many that signed the online petition asking for the score and i think i's worthy of buying. Secondly, the score CD will be, from what i can gather from the available samples, a best of of sorts. Themes will be either rearranged or reorquetrated to produce something almost entirely new, and the sound quality is prime.Third, there are tracks missing in this bootleg that are on the Score CD and vice versa. My point is, if you truly loved this score as i did, buy it. Then if you can get your hans on this bootleg, do it to. They compliment each other, rather than replace. I sure as hell will try.

Anonymous reply Replies: 0 || 2007-10-06 00:00:00
The reason some of these people sometimes gets the rare items such as this and does not share it is probably they got a copy from someone who works in the industry: composer, assistant, music editor, agency, etc. And they don't want to give it out because if they did, and whoever they got it from found out. They may never send them stuff again.

Would you want to ruin that trusted relationship just to make a few "fans" happy?

Hybrid Soldier reply Replies: 0 || 2007-10-05 00:00:00
Bootleg arrives on Earth !

Sam Witwicky reply Replies: 0 || 2007-10-05 00:00:00
Yeah that's a good thing the score will be officially released... specially if you've got that "expanded promo score'" version of the score!!! You wouldn't say the same if you did have this "expanded promo score" recording since it looks like that recording offers more tracks than the official version does.

Did you buy it ? Of course you might have bought it since it wouldn't be legal to show extracts of a recording you don't legally possess.
Since that amazing "expanded promo" release seem to be commercially available I'd like to know where I can find it, just as you did.
Where can we have a chance to legally purchase that album too ? Maybe I should ask to some Remote Control executives...

If you didn't buy it then ... how could you guys show us some extracts since you wouldn't be allowed to own that record ...?
Why could some kind of guy have it when others can't ?!

Don't tell me "because that's the way it is".

mich128 reply Replies: 0 || 2007-10-05 00:00:00
I second Jeff, it would be so great to be able to get these bootlegs, legally of course, at a reasonable price. Heck I might even pay an unreasonable price. ;)

Antas, Webmaster reply Replies: 0 || 2007-10-05 00:00:00
Let's wait for the official release. It's a good point they finally decided to release it !

Jeff S. reply Replies: 0 || 2007-10-05 00:00:00
I wish there was a way for us to be able to legally purchase these bootleg releases. I am a huge fan of musical scores and do not like the idea that the best music is not always available to the paying consumer. Is there a way to release these bootlegs for download at a reasonable price? I do not think I am alone in the group of people who strive to obtain my music legally and to compensate the creators as they deserve to be.

- Jeff

Antas, Webmaster reply Replies: 0 || 2007-10-05 00:00:00
@sam : This release is not a promo. It's a bootleg -- something not official and not for public sale.

I won't say how I got it but I can explain why it is on the site : just because we put all existing CD we manage to find/get. Moreover, have in mind bootlegs/promos listed on these pages could help to the release of an official edition.

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Transformers (Complete Score) soundtrack - Steve Jablonsky 2007