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I confirm I'm back from it, there's quite a bit of unreleased score.Well, now we have somebody who's seen it (and yes, it's out in some countries today), we know for certain.<br><br>I wouldn't expect anything official any time soon unless Zimmer wants to release a second CD.I absolutely love Kai’s theme in this score, there are so many cool variations that weren’t on the initial album. Hans and Co. really stepped up their game here. I don’t feel the temp as heavily here as KFP2 (which is still an amazing sequel score).Saw the film today, there is a LOT of music missing.As stupid as this film is, you can tell Tom probably had fun working on it. The music is so over the top, it just goes nuts all the way through.
This is one of those scores that I have really warmed up to since it’s release. The emotional stuff for Alita works really well in context and her “Hero Theme” gets some great development (the way it culminates in “Epilogue” is incredible). Also really love the “Motorball” stuff. <br><br>After seeing the film I think the only substantial music not on the album is “Motorball Plan” and “Alita’s Revenge Pt. 1”. The end credits piece I’m guessing is edited from the Full Motorball Suite.Hybrid, did Lorne actually do a lot of writing on this one or is he just being credited for the theme?We've had this argument before, almost any score can fit in a film. But what separates the mediocre composers from the best is the ability to make great music that works on its own, outside of the film. <br><br>Hans has had a lot of work lately that hasn't been doing that, and it's the reason people want him to work with orchestra again and produce is 2000s, late 90s type of style. Because those scores, for whatever problems they had, they felt distinct, memorable (for the most part), and easily could have been enjoyed away from the film.<br><br>Good scores have themes and ideas that both enhance the film, and enhance the listener's experience. Music like Dunkirk, Inferno, or Widows just feel like shallow and empty committee scores that the studio/directors didn't want too much thought put into. "Ah just write one main theme, and fill in the rest with electronics, Hans, it'll be fine!"Hahahahaha well I’m glad he got the credit then :DI absolutely disagree with you saying Widows is a terrible score. It may not be great on album, but the music fits very well with the film.
Actually, I think he only gets credits cause he is the guy... whistling ! :PElectric violinJust out of curiosity... what instrument is playing when Liv and Ben are running towards each other at the end? (Long Distance Goodbye/Landing? I love that instrument!And I’m guessing Neill Blomkamp contributed somehow to the “We Own This Sky” theme that pops up throughout...NM
Jeff & Alex & Evan Goldman are regular Jackman team now. Alex scored a bunch of projects, hence his absence here.<br><br>Then you have Halli, Anthony Willis or Mounsey doing all sorts of things when available.Request the king of pride rock with circle of lifeAmon wrote some music before Hans took over (he has cues on his soundcloud I think), but I think he got credited (and just like 1 or 2% of the cues) more for specific sounds than music writing.Widows is terrible score, Inferno was ok, far from things like Da Vinci Code or Angels & Demons.<br><br>But yes, listen this one, is gratifying see Zimmer can make things with orchestra like early 2000s. And this comes from a guy who loves Inception, Interstellar or ChappieThe fact that his name is in brackets makes me think he didn't work directly on the score but rather is credited because something of his was used. Maybe it was some of his production music rather than Elysium specifically.
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John PowellJohn Ashton ThomasJames McKee SmithBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
X-Men - The Last Stand (Complete Score)
Label: Unofficial Release
Length: 92'44
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5109 votes)
  1. 20 Years Ago (1:11)
    John Powell
  2. Young Jean (1:22)
    John Powell
  3. Bathroom Titles (2:00)
    John Powell
  4. Danger Room Session (2:29)
    John Powell
  5. Scott's Torment (0:35)
    John Powell
  6. Scott, Logan & Beast (0:46)
    John Powell
  7. Raven (1:46)
    John Powell
  8. Stom Sense (0:29)
    John Powell
  9. Not Telling Us (0:30)
    John Powell
  10. Announcing The Cure (1:39)
    John Powell
  11. The Church Of Magneto - Raven Is My Slave Name (3:13)
    John Powell, James McKee Smith
  12. Meet Leech, Then Off To The Lake - Whirlpool Of Love (4:58)
    John Powell
  13. Examining Jean - Dark Phoenix (4:23)
    John Powell
  14. Angel's Cure (2:53)
    John Powell
  15. Jailbreak (3:29)
    John Powell
  16. Jean & Logan - Dark Phoenix Awakes - Rejection Is Never Easy (4:33)
    John Powell
  17. Magneto Plots - Entering The House - Dark Phoenix's Tragedy - Farewell To X (7:10)
    John Powell
  18. The Funeral (2:56)
    John Powell
  19. Skating On The Pond (2:43)
    John Powell, John Ashton Thomas
  20. Magneto's Camp (3:28)
    John Powell
  21. Logan & Storm (1:56)
    John Powell
  22. Cure Wars (2:57)
    John Powell
  23. Fight In The Woods (4:13)
    John Powell
  24. St. Lupus Day (5:09)
    John Powell, John Ashton Thomas
  25. Building Bridges - Shock & No Oars (3:32)
    John Powell
  26. Attack On Alcatraz (3:20)
    John Powell
  27. Massacre - The Battle Of The Cure (4:50)
    John Powell, James McKee Smith
  28. Fight As A Team (3:49)
    John Powell
  29. Phoenix Rises (5:22)
    John Powell
  30. The Last Stand (6:21)
    John Powell
  31. Young Jean (Alternate) (1:22)
    John Powell
  32. Bathroom Titles (Alternate) (1:55)
    John Powell
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badbu reply Replies: 3 || 2019-02-28 06:50:30
the new x-men Trailer is out now!!! The first part of the music is awesome! Is it from Hans??


Mephariel2019-02-28 08:01:25
Yeah, I hope someone can confirm if Zimmer's music is in the trailers at all.


Unknown2019-02-28 15:14:42
May be the first 30 secs, but then, it's from Ghostwriter Music...


badbu 2019-02-28 15:53:17
Yes! i think the first part is from hans. @hybrid? :D any infos?

thejok3rrules reply Replies: 3 || 2014-05-29 00:08:34
I do believe this one is Powell's best.


badbu2014-05-29 09:43:08
naaa...
X2! ;)


badbu2014-05-29 09:44:56
oh man...sry :D ottman...:D


Henko2018-11-12 17:29:02
Yeah! The hell are the other comments about though? The Last Stand is miles ahead of X2. You weren't even saying TLS was the best X-men score, you were just saying it's Powell's best score. Man people are dumb

Scorefan reply Replies: 2 || 2017-03-09 18:53:44
@Hybrid, what happened to James Mckee smith and John Ashton Thomas? We don't hear anymore from them.


Hybrid Soldier2017-03-09 18:56:53
JAT is a regular orchestrator still, for Alan Silvestri, Theodore Shapiro etc. Still very busy.

McKee, from what I heard he had several health problems linked to the insane world of film scoring, so he decided to stay away. Still writes music but mostly for Production Music companies.


Scorefan2017-03-10 02:54:18
Thank you Hybrid.

alireza reply Replies: 1 || 2013-06-16 19:46:51
ilove you hans zimmer


trent easton navarro2013-06-16 20:09:42
And that has exactly what to do with this John Powell score?

mike reply Replies: 0 || 2009-10-10 00:00:00
john powell forever....

Mikel Siw (a fan from Spain) reply Replies: 0 || 2009-09-25 00:00:00
Powell Forever!!!

Anonymous reply Replies: 0 || 2009-09-24 00:00:00
yes!! is great!!! I want this music!!!

Mario Soundtrack reply Replies: 0 || 2009-07-25 00:00:00
CongratulationS!! John Powell!!!!!!!!!
I arrived late!!
Main Titles are different, yes. Is best the film version, not this.
But Ok, the songs are phantastics.
The final of Church Magneto and Truck are good.

Meet Leeche & Lake are one of the best songs of album. With an small action theme when Cyclops/Scott goes with moto. And the reencounter with Phoenix/Jean are more beautiful.

The Angel's Cure theme which repites in Finale & End Credits are good. A good theme.

The Death of X..Is good, and begin the Phoenix theme.

X Funeral, with a small theme of Phoenix.

Skating!!! This song begins with a mystery love theme. Amazing and Incredible, yes.

Attack On Alcatraz and Battle for the Cure are good themes, but no re the best of the album.

The best song together with Meet Leeche and Lake is The Phoenix Arises, with one simply why: because the Phoenix Theme with a chorus is Genial. I'm loved this theme.

Finale & End Credits is best and the movie version, because two themes are collaged from Meet Leeche, with End Credits. Two minutes more^^

Yes, this message is large, because this album is Incredible!

Anonymous reply Replies: 0 || 2007-10-11 00:00:00
It's essentially a ''complete'' album. Everything in its finished form so no film versions.

Anonymous reply Replies: 0 || 2007-10-11 00:00:00
Is this the film versions of everything? or is it the official release with extra stuff?

Cloud reply Replies: 0 || 2007-07-08 00:00:00
The sound is perfect, can't hear any difference to the OST. Too bad the film version of the Main Titles is still missing, otherwise a perfect album.

Antas, Webmaster reply Replies: 0 || 2007-06-19 00:00:00
Yes -- that means the official release has to be bought even if you have this boot

Sylvos reply Replies: 0 || 2007-06-19 00:00:00
hehehe, it's a bootleg after all, what did you expect OMG? ;-)

OMG reply Replies: 0 || 2007-06-19 00:00:00
Sound quality is not as good as the Varese release :(

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Sylvos reply Replies: 0 || 2007-06-17 00:00:00
So, the missing 30 minutes arrived earlier than expected. I wish some other scores would follow the same routine. It seems to me that the good parts are already released on Varese's disc but at least this bootleg is not a gapless album. It may help finding the key tunes we're after faster but listening to a track without a beginning nor ending is weird.

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X-Men - The Last Stand (Complete Score) soundtrack - John Powell 2006