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Yes! I Finally found the booklet credits for Blade Runner 2049:<br><br>Original score by<br>HANS ZIMMER<br>BENJAMIN WALLFISCH<br><br>Music editors <br>CLINT BENNETT<br>RYAN RUBIN<br><br>Music production services<br>STEVEN KOFSKY<br><br>Synth programming<br>HANS ZIMMER<br><br>Synth design<br>HOWARD SCARR<br><br>Vocalist<br>AVI KAPLAN<br><br>Exotic instruments<br>CHAS SMITH<br><br>Cello, vocals<br>TRISTAN SCHULZE<br><br>Cello <br>SIMONE VITUCCI<br><br>Guitars<br>OWEN GURRY<br><br>Technical score engineer<br>CHUCK CHOI<br><br>Digital instrument design<br>MARK WHERRY<br><br>Sampling team<br>TAUREES HABIB<br>RAUL VEGA<br><br>Score techincal assistants<br>MAX SANDLER<br>NATE UNDERKUFFLER<br><br>Score mastering by<br>ALAN MEYERSON<br><br>Score mastering assistant<br>FOREST CHRISTENSON<br><br>Score mixed at<br>REMOTE CONTROL PRODUCTIONS, Santa Monica, California<br><br>Studio manager for Remote Control Productions<br>SHALINI SINGH<br><br>Assistant to Hans Zimmer<br>CYNTHIA PARK<br><br>TEARS IN THE RAIN<br><br>Written by<br>EVANGHELOS PAPATHANASSIOU (VANGELIS)<br><br>Here's the link:<br>https://ia601507.us.archive.org/21/items/mbid-149daaf9-5c9d- 47d9-a452-d732122da496/mbid-149daaf9-5c9d-47d9-a452-d732122d a496-18376707127.jpgAnd I thought Varese Sarabande will pick this one up. Whatever happened to those guys I will never know.<br><br>A Little off-topic here but might I ask if there any computer geeks around here who know how I can calculate total duration of albums using Excel or some simple web service (other than Soundtrack Collector)?Penka Kouneva I also the orchestrator on this one. Maybe it's a faulty credit?"House Call v1-23697 - Penka Kouneva, BMI" This is the copyright claim I found on a compilation video I made of Jablonsky's music. This claim is where "Vocation" from IDEA plays. Can someone please explain this? I have not been able to find this track Jablonsky (I guess?) ripped off.Edmund ! For YOU !! lol
this one is my pick for the oscar as well. hope it wins : )When will this tracklist be leaked?I heard and thought that Zimmer stopt scoring superhero movies (including Justice League and what comes after) because it has taken 13 years of his life and he wanted to do something elseWere the two men no longer talking or did Zimmer anticipate Snyder's departure as he did in Pirates?@Olive: Rumors says Zimmer didn't want compose Justice League because of Snyder, and left behind Junkie
I agree that Elfman's theme fits into Nolan's films as long as they are adapted to them. However, I think the way things have gone was not bad. TDK trilogy was marked as a project fruit of Nolan's unique vision. Although the themes do not respect the orchestral tradition are more memorable than those composed for more than half of the films of heroes of the last 25 years.Zimmer's entry into the genre can be interpreted as a breath of fresh air in a saturated marketplace at the time. But I agree that the lack of originality these days falls on Zimmer and his company and that the goal of it goes far beyond bringing talents to light.Now we need something new, again.@Hybrid any news on Season 2 soundtrack release?Of cause Balfe worked on it !!! His whole team are credited !!!!!!!Honestly, the purpose of RCP is essentially to take Zimmer's style and make it widespread for use...WB not using ANY RCP to score this seems to have been deliberate, as there's literally no reason it couldn't be done.^ hahaha :D<br><br>I think you're forgetting that Balfe also ghostwrote The Lord of the Rings?
They're starting to send screeners. Finger crossed for the FYC :DThe score reflects the situation of DC movies very well. If Zimmer, like Snyder, continued, the result may not please everyone. A lot of people were unhappy with Snyder's work in the genre, just as many fans of soundtrack were with Zimmer's contributions that never followed the path taken by all the other composers who came before him.<br><br>The two left (regardless of the reason that led them to do this).<br><br>When Zimmer left everyone knew that XL would not hold the pressure or that the result would not be satisfactory for most.<br><br>When Elfman and Whedon were announced we all knew that they were hired to go against everything DC has done before to try to reach the first film of the franchise to reach 1 billion. Even if they were to follow Marvel's script and drop their originality.<br><br>But the hiring of Elfman and Whedon shows that the studio was long lost. Snyder succumbed to BvS. The only salvation for the DCEU are the solo films like Wonder Woman, the next Batman, Aquaman ...and freedom. Freedom for the directors, composers... Warner has always had this advantage over Marvel.@Edmund <br>Given the chance I think Junkie probably could deliver a pretty fun score that stayed thematically consistent with the current universe. It all depends on what the studio/director wants out of the music. The biggest disappointment to me is that this was a huge missed opportunity to do a heroic take on Zimmerís Superman theme, something we havenít heard since MoS. Hell, even the trailers did that.... -_-rumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves it<br>======================================<br><br>Oh, absolutely! I'm sure we will soon find out that Balfe also scored Star Wars and Titanic. And Harry Potter. And Indiana Jones.Edmund, I somewhat agree - I've seen very little from Junkie to make me think this would have been a groundbreaking, wonderful score. However, maybe it's the Zimmer fan in me, but I would have loved to hear "stock, barely-altered reprises of Zimmer's themes all over the place" in this score. So many scenes begged for just that. Compositionally it doesn't make for an interesting soundtrack or film score, I agree, but I would be willing to sacrifice that for thematic continuity.
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John PowellJohn Ashton ThomasJames McKee SmithBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
X-Men - The Last Stand (Complete Score)
Label: Unofficial Release
Length: 92'44
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4322 votes)
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  1. 20 Years Ago (1:11)
    John Powell
  2. Young Jean (1:22)
    John Powell
  3. Bathroom Titles (2:00)
    John Powell
  4. Danger Room Session (2:29)
    John Powell
  5. Scott's Torment (0:35)
    John Powell
  6. Scott, Logan & Beast (0:46)
    John Powell
  7. Raven (1:46)
    John Powell
  8. Stom Sense (0:29)
    John Powell
  9. Not Telling Us (0:30)
    John Powell
  10. Announcing The Cure (1:39)
    John Powell
  11. The Church Of Magneto - Raven Is My Slave Name (3:13)
    John Powell, James McKee Smith
  12. Meet Leech, Then Off To The Lake - Whirlpool Of Love (4:58)
    John Powell
  13. Examining Jean - Dark Phoenix (4:23)
    John Powell
  14. Angel's Cure (2:53)
    John Powell
  15. Jailbreak (3:29)
    John Powell
  16. Jean & Logan - Dark Phoenix Awakes - Rejection Is Never Easy (4:33)
    John Powell
  17. Magneto Plots - Entering The House - Dark Phoenix's Tragedy - Farewell To X (7:10)
    John Powell
  18. The Funeral (2:56)
    John Powell
  19. Skating On The Pond (2:43)
    John Powell, John Ashton Thomas
  20. Magneto's Camp (3:28)
    John Powell
  21. Logan & Storm (1:56)
    John Powell
  22. Cure Wars (2:57)
    John Powell
  23. Fight In The Woods (4:13)
    John Powell
  24. St. Lupus Day (5:09)
    John Powell, John Ashton Thomas
  25. Building Bridges - Shock & No Oars (3:32)
    John Powell
  26. Attack On Alcatraz (3:20)
    John Powell
  27. Massacre - The Battle Of The Cure (4:50)
    John Powell, James McKee Smith
  28. Fight As A Team (3:49)
    John Powell
  29. Phoenix Rises (5:22)
    John Powell
  30. The Last Stand (6:21)
    John Powell
  31. Young Jean (Alternate) (1:22)
    John Powell
  32. Bathroom Titles (Alternate) (1:55)
    John Powell
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Scorefan reply Replies: 2 || 2017-03-09 18:53:44
@Hybrid, what happened to James Mckee smith and John Ashton Thomas? We don't hear anymore from them.


Hybrid Soldier2017-03-09 18:56:53
JAT is a regular orchestrator still, for Alan Silvestri, Theodore Shapiro etc. Still very busy.

McKee, from what I heard he had several health problems linked to the insane world of film scoring, so he decided to stay away. Still writes music but mostly for Production Music companies.


Scorefan2017-03-10 02:54:18
Thank you Hybrid.

thejok3rrules reply Replies: 2 || 2014-05-29 00:08:34
I do believe this one is Powell's best.


badbu2014-05-29 09:43:08
naaa...
X2! ;)


badbu2014-05-29 09:44:56
oh man...sry :D ottman...:D

alireza reply Replies: 1 || 2013-06-16 19:46:51
ilove you hans zimmer


trent easton navarro2013-06-16 20:09:42
And that has exactly what to do with this John Powell score?

mike reply Replies: 0 || 2009-10-10 00:00:00
john powell forever....

Mikel Siw (a fan from Spain) reply Replies: 0 || 2009-09-25 00:00:00
Powell Forever!!!

Anonymous reply Replies: 0 || 2009-09-24 00:00:00
yes!! is great!!! I want this music!!!

Mario Soundtrack reply Replies: 0 || 2009-07-25 00:00:00
CongratulationS!! John Powell!!!!!!!!!
I arrived late!!
Main Titles are different, yes. Is best the film version, not this.
But Ok, the songs are phantastics.
The final of Church Magneto and Truck are good.

Meet Leeche & Lake are one of the best songs of album. With an small action theme when Cyclops/Scott goes with moto. And the reencounter with Phoenix/Jean are more beautiful.

The Angel's Cure theme which repites in Finale & End Credits are good. A good theme.

The Death of X..Is good, and begin the Phoenix theme.

X Funeral, with a small theme of Phoenix.

Skating!!! This song begins with a mystery love theme. Amazing and Incredible, yes.

Attack On Alcatraz and Battle for the Cure are good themes, but no re the best of the album.

The best song together with Meet Leeche and Lake is The Phoenix Arises, with one simply why: because the Phoenix Theme with a chorus is Genial. I'm loved this theme.

Finale & End Credits is best and the movie version, because two themes are collaged from Meet Leeche, with End Credits. Two minutes more^^

Yes, this message is large, because this album is Incredible!

Anonymous reply Replies: 0 || 2007-10-11 00:00:00
It's essentially a ''complete'' album. Everything in its finished form so no film versions.

Anonymous reply Replies: 0 || 2007-10-11 00:00:00
Is this the film versions of everything? or is it the official release with extra stuff?

Cloud reply Replies: 0 || 2007-07-08 00:00:00
The sound is perfect, can't hear any difference to the OST. Too bad the film version of the Main Titles is still missing, otherwise a perfect album.

Antas, Webmaster reply Replies: 0 || 2007-06-19 00:00:00
Yes -- that means the official release has to be bought even if you have this boot

Sylvos reply Replies: 0 || 2007-06-19 00:00:00
hehehe, it's a bootleg after all, what did you expect OMG? ;-)

OMG reply Replies: 0 || 2007-06-19 00:00:00
Sound quality is not as good as the Varese release :(

Sylvos reply Replies: 0 || 2007-06-17 00:00:00
So, the missing 30 minutes arrived earlier than expected. I wish some other scores would follow the same routine. It seems to me that the good parts are already released on Varese's disc but at least this bootleg is not a gapless album. It may help finding the key tunes we're after faster but listening to a track without a beginning nor ending is weird.

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X-Men - The Last Stand (Complete Score) soundtrack - John Powell 2006