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well the composer confirmed he is working on it to be released very soon<br>"It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain."<br><br>I didn't think it was possible for a Bay fan of all people to be this insufferably pretentious.<br><br>I thought that was more Snyder fanboy territory.<br><br>But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br><br>Kudos, man.  Kudos.<br><br>You can hide behind however many fallacies you want.  If "Not to me" and "You do you" didn't give it away early on in this thread, I DIDN'T try to treat my opinions as fact.<br><br>But that doesn't mean I'm going to add a little "IMO" at the end of every goddamn sentence just to coddle you. <br><br>On the flip-side, consistently making appeals to authority and popularity, "B-b-but Spielberg said!", "B-b-but the Forbes poll said!" don't make you objective.<br><br>Y'know, it's funny.  When I listed off better blockbuster examples, you could've very easily just argued against them on the level of the films themselves, and everything would've been fine.<br><br>Sure, you would've just claimed you can't see the action at night sooner, which is rich when you praise the film series that puts the subjects of its action scenes OUT OF FOCUS every other shot, but hey, that's just honest opinions versus honest opinions.<br><br>But using two belated half-assed sequels from different, less talented directors that lost most of the appeal of the first movies, as some sorta litmus test for how well-liked the first movies were, is the biggest bunch of bullshit I've ever heard.  That's not objectivity, that's not even confusing correlation with causation, that's saying 1+2=4.<br><br>That's the real joke here.  Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact.  I've seen you do this every time someone talks shit about Bay around here.  It's psychotic.<br><br>Bad movies make money.  Everyone knows that, and everyone knows that's not proof of quality.  But if that's the kinda road you wanna go down, I guess movies like Avatar, The Force Awakens, or all the Avengers movies, are "objectively" better movies in every conceivable way than anything Bay has made in his entire career.  I mean, CLEARLY those films must have a bolder style and push more boundaries.<br><br>Why else would more people watch and rewatch them, right?<br><br>Reasonable causation is for those goshdarn geek journos.<br><br>And by the way, The Last Knight lost money.  Period.  Almost 100M according to Paramount themselves.<br><br>That's not just a domestic bomb, that's a bomb altogether.<br><br>Have a nice day.Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br>==================<br><br>Kinda ironic, coming from you....but I'll take it as a compliment. Thank you! <br><br>And yes, he sides with me because what I say is common sense. For whatever reason, you have these strong negative feelings toward Bay films and those feelings blind you to some pretty obvious truths. <br><br>Have to say tho - for a 'hater' you sure know A LOT about him, his style and his movies. <br><br>Just admit it - you are a huge Bay fan but you just want to score some points with the snobbish internet crowd. <br><br><br><br>============<br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br>============<br><br>Oh, you're one of THOSE people......"Fury Roaaaaaaaaad is DA BEST FILM EVAAAAAAAA".<br><br>Let me guess: you also think that Nolan is the greatest director/person of all time. On par with Jesus himself. <br><br><br><br>==========<br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br>==========<br><br>Which is what Transformers 1 is. <br><br>Which is why the movie connected with audiences. It was - at its heart - a story about a boy and his car. Even the most jaded critics enjoyed that aspect.<br><br><br>=============<br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br>=============<br><br>Excuse? For what?<br><br>My friend, you do realize that Bay in particular is one of the most powerful and successful filmmakers of all time, right? He is the second highest-grossing director of all time (domestically), only behind Spielberg. You can dismiss box office success all you want but you don't get to where Bay is if you're not good at your job. <br><br>Snyder is nowhere near Bay, in terms of success and influence. Personally, I don't care much about him. <br><br><br>P.S. Guy Ritchie (and Edgar Wright) are huge Bay fans. Ask yourself why. <br><br><br>===============<br>They just aren't very good filmmakers on the whole<br>===============<br><br>Your opinion.<br><br>I disagree.Bay walks the lines between being self-serious and comical, but his films aren't well=written enough to serve the former, or witty enough to serve the latter, and the end-result is droll and annoying.<br>====================<br><br>You sure you're not a "writer" for one of those ridiculous geek sites like Collider, Screen Rant or Slash Film? Because you sound a lot like one of those "beloved" writers. <br><br>Anyway......Yes, Bay's movies always walk that line but whether that works or not is........Yes! a matter of opinion. For me, Pain and Gain is one of the best modern satires while for you it is - I'm guessing - "droll and annoying".<br><br>It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain. <br><br>Some of you folks are indeed very hard to please. <br><br><br>===============<br>The first POTC earns it. The Bad Boys 2 doesn't. Infinity War earns it. TF 1/2/3/4/5 doesn't.<br>==============<br><br>Okay, now that statement is the best joke of the year! Thank you for the good laugh! Really! Oh, and I've definitely argued with you before, my friend. You are clearly one of those ten Bay haters from the IMDb forums who claim to hate everything the man does, yet they have seen EVERYTHING he had done. Why is that, I wonder?<br><br><br>===========<br>Fitting, as Synder and Bay are cut from a very similar cloth. Difference is, unless we're talking Man of Steel, I'd sooner rely on Snyder for consistently good action sequences<br>===========<br><br>Well, I would trust Spielberg on this. Because it was Spielberg who said, and I quote: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." Spielberg works with a lot of directors. But he never said anything like that about any other director. So clearly he means what he says about Bay. And....you know......unlike most people, Speilberg actually knows a thing or two about filmmaking. <br><br><br>================<br>300 didn't try to start a franchise. It was a one-off adaptation of a graphic novel in the same vein as Sin City, and was successful. They tried to make a cash-grab sequel almost a decade later, without Snyder, and it failed. That's hardly the first film's fault.<br>================<br><br>It is a clear proof that people weren't that excited to visit this world again. And mind you, that happened with the first sequel! Talk about a one-time thing, huh?<br><br>At the same time, Bay made FOUR Transformers movies - with different casts - before there were any signs of audience fatigue. <br><br>That speaks for itself.<br><br>===========<br>Pacific Rim suffered from lackluster marketing, and yet still managed to turn a profit and attract a strong following.<br>==========<br><br>Excuses, excuses, excuses.....So you can display all the excuses in the world for Pac Rim but when it comes to Transformers, you don't accept anything. <br><br>Double standard much?<br><br>P.S. That "strong following" is on the internet. The same following that was supposed to make Scott Pillgrim a huge hit. Everyone knows that internet hype is not real-world hype. I know very well the type of people who act as if Pac Rim is the best thing since sliced bread. Total geeks who are angry that Transformers is much more popular and much more successful than Del Toro's "let's shoot all the robot fights in pitch black so audiences can't see shit" movie.  <br><br>Also, let's not pretend that Pac Rim is a universally beloved film. You know very well that there are A LOT of detractors as well. That's what you get when people can't tell what's going on during the movie because you shot it all at night. Just like that Godzilla movie. <br><br><br>============<br>Versus something like Transformers, which has piggybacked on an established IP, relentless marketing campaigns and tie-ins, and a fairly consistent release schedule. And even then, recycling the same bullshit eventually took its toll.<br>============<br><br><br>Wrong.<br><br>Do you read Forbes? You should. Because it's a place where objective people write. It ain't a stupid militant film geek site like Ain't it Cool News or Screen Rant.<br><br>Forbes published multiple articles explaining in great detail why the Transformers movies were successful EXACTLY because they were directed by Bay. Whether you like it or not, my friend, Bay is a brand. He is an auteur. There were multiple polls before the first two Transformers movies and Bay being the director was one of the main reasons for people to watch the movies. <br><br>But I guess you missed all of that, huh?<br><br>How convenient.<br><br><br>==============<br>Friendly reminder that AoE also relied on China (more pathetically then even Pacific Rim did) to compensate for diminishing domestic returns. To say nothing of TLK outright bombing.<br>==============<br><br>First: according to ACTUAL real data, the only TF movie that was saved by China is.......Bumblebee! Yeah, you better believe it. Go to Deadline and Forbes and read it for yourself.<br><br>Second: TLK bombed domestically, yes. <br>But not internationally. No one with actual knowledge of the situation refers to that movie as an international "bomb". Besides, there were 4 super successful TF movies before TLK. So Bay got nothing to prove. He already created one of the biggfest film franchises in history. <br><br>How many directors can say that?<br><br><br><br>==================<br>I know you like debunking Bay naysayers with "facts and logic," but it helps to not be grossly disingenuous while doing it<br>==================<br><br><br>Goes both ways, my friend. But unlike most naysayers, I don't treat my own personal opinions as facts. And if I'm being "disingenuous" then I don't even know what to say about some Bay haters who refuse to accept even the most obvious facts and truths.nope
You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean
'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.
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Composer - Conductor - OrchestratorAdditional MusicAdditional Music
Harry Gregson-WilliamsHans ZimmerStephen BartonToby Chu
ComposerAdditional MusicAdditional MusicAdditional Music
Kingdom Of Heaven (Complete Score)
Label: Unofficial Release
Length: 165'17
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (14571 votes)
CD1
  1. France 1184 (1:21)
  2. Crusaders (1:12)
  3. Burning The Past (1:55)
  4. I Am Your Father (2:53)
  5. I Am Your Father (Alternate) (2:55)
  6. Priest Death (2:12)
  7. After Godfrey (0:51)
  8. After Godfrey (Alternate 1) (1:02)
  9. After Godfrey (Alternate 2) (0:51)
  10. Murder (0:26)
  11. Swordplay (1:46)
  12. Swordplay (Alternate 1) (1:44)
  13. Swordplay (Alternate 2) (1:38)
  14. Ambush (2:39)
  15. Eyes Wide Shut And... (0:35)
  16. Path To Heaven (0:57)
  17. To Messina (0:49)
  18. New World (1:33)
  19. Godfrey Dies (2:55)
  20. Godfrey Dies (Alternate 1) (1:32)
  21. Godfrey Dies (Alternate 2) (0:44)
  22. Ship Wrecked (2:47)
  23. Saracen Fight (0:37)
  24. Saracen Fight (Alternate) (0:36)
  25. To Jerusalem (1:37)
  26. Golgotha (1:28)
  27. Golgotha (Alternate) (1:21)
  28. My Lord (3:39)
  29. My Lord (Alternate) (0:57)
  30. Religion (0:41)
  31. Raid (2:05)
  32. Good Knight (0:57)
  33. Two Faces (1:06)
  34. Two Faces (Alternate) (1:19)
CD2
  1. The King (3:02)
  2. The Pilgrim Road (2:16)
  3. Ibelin (2:09)
  4. Sibylla Visits (1:55)
  5. Washing (1:57)
  6. Caravan Road (2:37)
  7. Kerak Castle (2:35)
  8. The Battle Of Kerak (3:47)
  9. The Battle Of Kerak (Alternate 1) (3:46)
  10. The Battle Of Kerak (Alternate 2) (3:00)
  11. The Battle Of Kerak (Alternate 3) (2:54)
  12. The Battle Of Kerak (Alternate 4) (2:38)
  13. Terms (4:27)
  14. Guy Power (1:24)
  15. An Understanding (2:25)
  16. Marry Sibylla (1:43)
  17. Better Man (1:42)
  18. The King Is Dead (3:53)
  19. The King Is Dead (Alternate) (3:08)
  20. Templar Fight (1:11)
  21. Leprosy (3:21)
  22. Rape And Pilage (1:58)
  23. Kill The Messenger (2:00)
  24. To War (2:45)
  25. Desert Thirst (3:15)
  26. Corale (1:38)
  27. They're Here (1:34)
  28. They're Here (Alternate 1) (0:50)
  29. They're Here (Alternate 2) (2:07)
CD3
  1. Rise A Knight (2:46)
  2. Almaric's Peerage (1:24)
  3. Fireballs (1:45)
  4. Fireballs (Alternate) (1:45)
  5. 2nd Day Of War (3:31)
  6. 2nd Day Of War (Alternate) (3:34)
  7. Haircut (1:07)
  8. Flag Up (2:34)
  9. Night Burial (1:38)
  10. Night Burial (Alternate) (1:39)
  11. Door Into Jerusalem (2:19)
  12. Wall Breached (3:01)
  13. Wall Breached (Alternate) (2:47)
  14. Ask For Terms (1:23)
  15. Everything (2:33)
  16. Muslim Jerusalem (2:23)
  17. Muslim Jerusalem (Alternate) (2:29)
  18. Smelly Wood (0:47)
  19. Ibelin Song (2:11) *
*Vocal & lyrics by Natacha Atlas
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Welfric reply Replies: 0 || 2009-04-26 00:00:00
does this collection have the music from the theatrical trailer as well? It's called 'Ghost Rise' and it was done by joe webb/riptide music. I can't find it anywhere online but it sounds like this soundtrack collection has trailer music as well. Does anyone know if it's on there?

Bou reply Replies: 0 || 2009-04-15 00:00:00
Klixo , what is the sequence for the music you are talking about (I know all the songs and music used in the theatrical and extended cut if someone need some info)

Anonymous reply Replies: 0 || 2009-04-13 00:00:00
The score and the cover are Fantastic

Klixo reply Replies: 0 || 2009-04-11 00:00:00
what is the song played at about 0:28 min in the extended version of the film ?

thomas allen reply Replies: 0 || 2009-04-07 00:00:00
###############
This score is fantastic! It takes a couple times to actually understand the music, but it is good. The only thing is there are several hinted melodies used in this score and the score for the Chronicles of Narnia. But it is still amazing, and used in a completely different way.

I give it a 20/10!!!

Bou reply Replies: 0 || 2008-12-08 00:00:00
Getai , it's "Befiel du deine wiege"

Getai reply Replies: 0 || 2008-12-07 00:00:00
Can anybody give me the song that plays when Saladin is killing Reynald de Chatillon ? i'd be very thankfull

evi reply Replies: 0 || 2008-11-11 00:00:00
where can i find France 1184

fabien reply Replies: 0 || 2008-11-04 00:00:00
his best score : full of themes . Main sources for all its "epic" films

Orrin reply Replies: 0 || 2008-08-25 00:00:00
In the EXTENDED INTERNET EXCLUSIVE trailer for KoH, there is a nice selection that plays at about 1:10 in the trailer, right after David Thewlis's character says &quot--arise a knight.&quot-- Can anyone tell me what that is?

Thanks in advance.

Here is a link to the trailer (medium version for a quick download):

http://images.apple.com/movies/fox/kingdom...n-excl_m320.mov

Levente reply Replies: 0 || 2008-05-15 00:00:00
This is a bootleg album, which is:

- Can be a promotional album which was used by the composer years ago, maybe to give it to the Academy by "for your consideration".

- Or it was stolen somehow.

- But also can it mean that the composer gave it to someone, who copied to someone, and who put up to the web. ########

Piquedame reply Replies: 0 || 2008-05-14 00:00:00
How can I get this album? I can't find it in any shops or similar.
is it avaliable for purchase or do I need to contact the film company?
Thanks!

darthliddle reply Replies: 0 || 2007-12-22 00:00:00
@ Bou: That is a very impressive album you have there. I can't find half the stuff. I tried ripping some music from the DVD, but that never works really well for me.

On the bright side, I have the Recording Sessions, the OST, the Expanded (although the "End Credits" track geniunely sucks)... just trying to find a few more songs here and there. Because I'm OCD.

wendy reply Replies: 0 || 2007-12-19 00:00:00
#######
did someone noticed that there's a melody in the film that is also used in "Narnia"? in kingdom of heaven it's by 0:37:49 h. in Narnia it's at the end when the castle comes into view (soundtrack: Only the Beginning of the Adventure by 1:00 min)
just btw. ... accident or intension?

that's why i'd like to - at least - hear this 254min version to check that on the soundtack, too :D

wendy

Jack reply Replies: 0 || 2007-12-15 00:00:00
Bou, THANK YOU!!!! I absolutely LOVE that track, thank you, truly.

Bou reply Replies: 0 || 2007-10-03 00:00:00
Maps : from the Crow

Maps reply Replies: 0 || 2007-09-27 00:00:00
I've got another version of this great recording session with the complete score on CD I and CD II and all the additional material on CD III.

My version has NO SFX :-) and includes some tracks of music which replased some music by Harry Gregson-Williams, maybe these are the tracks some of you are looking for:

King's fall (Patrick Cassidy)
Balin's Ambush (Graeme Revell)
Solesme (Jerry Goldsmith)
Befiehl du deine Wege (chorus)
Rannarm (San Anonio Ensemble)
Jesus meine Freude (chorus)

I've got a question, too:

From which movie is the Graeme Revell track?

Thank you!

Greetings from Germany!

Bou reply Replies: 0 || 2007-08-26 00:00:00
Jack the track you are looking for is : Nunc Gaudeant Materna written by Hildegard of Bingen and performed by the women's voices of sequentia.
Have a look at my special edition , the perfect companion of the recording sessions as it contains all the material from the non-directors cuts version (including rare pieces not composed by HGW) :

http://plissken.free.fr/Covers/K/KingdomOfHeaven%20cplete%20 Back%20copy.jpg

http://plissken.free.fr/Covers/K/KingdomOfHeaven%20Booklet%2 0copy.jpg

Hybrid Soldier reply Replies: 0 || 2007-08-11 00:00:00
Thom, it's not the only copy/paste of Kingdom you can hear in Narnia... ;-)

Thom reply Replies: 0 || 2007-08-10 00:00:00
The Swordplay track running 1:46 is included in The Chronicles of Narnia. At the end when the little girl starts curing all the animals that have been made into stone, and we dissolve to sirens swimming and a castle in a hill in the background. Did you noticed it? It's the same music...

Jack reply Replies: 0 || 2007-07-23 00:00:00
Does ANYONE know where the choral piece that plays RIGHT after the Squire rams the pick through the prisoner's skull can be found? I have the two disc, the retail AND the 3 disc recording session and I CANNOT find it. If ANYONE knows, please, that is my FAVORITE piece of score from the film, I have to find it.

hans-batman-zimmer reply Replies: 0 || 2007-07-22 00:00:00
I think this is HGW's best score.

From Japan

philip reply Replies: 0 || 2007-07-08 00:00:00
from having someone who worked on the film as a friend, can say this is definitely accurate as a mixture of all the music on the film. dunno how it got out like this though!
certain things match up - the 'eyes wide shut' cue is a pun on when one of the characters dies after the swordfight in the woods, and david thewlis's character closes their eyes, for example (it's in the right spot chronologically)
also one of the extra cues has what I think are the viols that are mentioned here and there in interviews about the score, so it's definitely real.

Rogue reply Replies: 0 || 2007-07-03 00:00:00
Additionally I was looking at the alternate tracklisting Axel posted - arn't those 'additional' tracks just the music thats was used instead of HGW's music in the film - Islam, Solesme, Epitah - these were all in the other extended release where the extra music was not HGW. For example - Coronation is just a part of Vide Cor Meum.

Which is why this version is the complete one - it is Recording Sessions - eg. HGW's tracks he recorded for Kingdom... not someone else's that his were replaced with.

Rogue reply Replies: 0 || 2007-07-03 00:00:00
I have these recording sessions and trust me - it is certainly not someone's mock up from released tracks/fan made.
An excellent release.

anonymous reply Replies: 0 || 2007-07-01 00:00:00
To those of you who are saying that this four-hour version cannot be from the film--yes, actually, it can. There was a four-hour Director's Cut released which contains all of this music. The surplus is simply comprised of alternative versions that never made it into either cut.

I'm sure this is a perfectly legitimate (well, as legitimate as it can get for a bootleg) score. I would be shocked if it were discovered that someone had actually wasted their time compiling different parts of Gregson-Williams's original score to make three extra hours of music. I'm sorry, but to assume that this occurred is ridiculous.

Dawn reply Replies: 0 || 2007-06-14 00:00:00
Are you sure "France 1184" is a true score track from HGW, or is it (as I heard) a traditional song called "LE ROI RENAUD DE GUERRE REVINT" ?

Pretty hard to tell if it's score or not. But since none of the themes of the score are used on the track, and it's really different from the score's style, I think it's not from HGW...

Hybrid Soldier reply Replies: 0 || 2007-06-14 00:00:00
Yes maybe it's a french traditional song... But it really sounds HGW... If it's not by him, at least he probably arranged this "Renaud de Guerre revient"...

;-)

Hybrid Soldier reply Replies: 0 || 2007-06-13 00:00:00
I have the Director's Cut too...

Balansiya, I don't know where it is in the film, but I'm sure it's not the first track (which is actually France 1184 (not 1186 ;-))...

And the last "score" track in the film before the End Credits is Smelly Wood (there's unoriginal music between them)...

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 HANS-ZIMMER.com 2001-2018 OST 
Kingdom Of Heaven (Complete Score) soundtrack - Harry Gregson-Williams 2005