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New YouTube playlist: <br>Hans Zimmer - Film Scores. <br>youtube.com/playlist?list=OLAK5uy_nVB9Q77N9h-iKbNe7ZWrQHjiy_ vla_glc<br><br>I don't understand how they chose that cover:<br>Time (arr. guitar) [Music Lab Collective]<br>youtube.com/watch?v=YGCFdR--u5M<br><br>Strength and honor!<br><br>One of this score's best and most underrated moments, especially in the context of the film, is the introduction of the Kraken's theme in "Row to Tia Dalma". The tense buildup while Gibbs describes the creature's horrors, then the brief pause as he names it, followed by the theme in the absolute lowest registers of the orchestra, quiet, but so so so menacing and also just SUPER FUCKING COOL.<br><br>It gives me goosebumps every time, in a *dialogue scene*. That is incredibly good musical storytelling.Edmund: And posted their one-sentence review of it on the Hans Zimmer fan site.Anything missed from the official release?oh damn really? huh that would be cool. even with the ultimate edition there’s still deleted scenes and I wish they were put on the Blu ray.<br><br>it plays during the scene after the knightmare when Clark is looking through the polaroids that say judge jury executioner on them. i don’t remember if that’s an extended scene or not as I’ve only seen the theatrical cut once in theaters. one and done lol
"Chicken Run really makes you FEEL like you're in a concentration camp." - IGNI guess it comes from a deleted scene where Jesse Eisenberg gets playful with his dinner. Rumor has it it's gonna be included in the Snyder Cut.I love the notion of Barack Obama and IGN teaming up to review 20 year old film scores.Smoothly done soundtrack. IGN - 10/10what the hell is Quaker steak and lube????
I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !
I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time latelyOk, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happy
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Music ArrangerMusic ArrangerSynth Programming
Klaus BadeltIan HoneymanAndrew RaiherTobias Marberger
ComposerArrangerArrangerSynth Programmer
Premonition
Label: Varèse Sarabande
Length: 48'37
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5412 votes)
  1. Premonition (2:36)
  2. Linda And Jim (3:04)
  3. Severe Severing (9:52)
  4. Roomates And A Liar (10:26)
  5. Inconsistencies (8:37)
  6. Something's Really Wrong (4:54)
  7. If Tomorrow Is Wednesday (7:02)
  8. A New Life (2:09)
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Edmund Meinerts reply Replies: 1 || 2019-06-29 12:56:28
OK, so something weird about this score. I was listening to the version of it that's posted on Badelt's website...and it's almost a completely different score compared to what's on the album. The album version is all mysterious piano and strings with a bit of synth here and there, kind of in a Hannibal/The Sixth Sense style, but the website version has lots of female vocals and much more synth (some cues sound like they could be rejected ideas from Catwoman lol). As far as I can tell there is almost no overlap between the two versions other than one small piano motif.

So does anyone know what's up here? I've never seen the film, but it seems to me almost like Badelt and his crew wrote two versions of the score, an earlier one that was pressed to the album before being replaced by the second version in the movie?


Editor2019-06-30 01:59:05
cues as badelt wrote them vs film versions

Lee reply Replies: 0 || 2008-10-28 00:00:00
New score by Klaus Badelt

www.colosseum.de/colosseum/product_info.php?cPath=28_29&prod ucts_id=2176&tracklisting=true&details=true&beschreibung=tru e&osCsid=00ec0c592cf15609d2f5172debb320c9

Lee reply Replies: 0 || 2008-10-28 00:00:00
If the link doesn't work. Search for Pour Elle

Release: November 24

Hybrid Soldier reply Replies: 0 || 2008-10-28 00:00:00
Yeah thanks Lee I'll add it to the website as soon as possible... :-)

Mac reply Replies: 0 || 2007-12-10 00:00:00
Disappointing... I wouldn't bother with this one. It just sounds like some rehashes of other MV horror score, like Hannibal and The Ring. Others might disagree but, mmeh

Sylvos reply Replies: 0 || 2007-06-28 00:00:00
Yeah and Hannibal too, although I keep thinking of John Debney's Dreamer theme when listening to #2. It's like I'm expecting that theme to get formed somehow.

"The Great Badelt" were not gone really. He was there all the time, waiting for the opertune moment to show what he's made of and at long last the moment or shall I say those MOMENTS have come! ;-)

Indiana reply Replies: 0 || 2007-04-30 00:00:00
A great score !! It sounds like THE RING and DA VINCI CODE and it's very good !!

Tracks 2 and 5 are amazing !!!

The great Badelt is back !

matteo from italy reply Replies: 0 || 2007-04-24 00:00:00
track 2 in amazing..!!

matteo from italy reply Replies: 0 || 2007-04-24 00:00:00
track 2 is amazing !!

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Premonition soundtrack - Klaus Badelt 2007