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Tom just released "London Suite in C Major" on his YouTube channel, and I am really loving it. He's usually hit-or-miss for me, but this cue in particular really intrigues me. Sounds like he merged the orchestral sections of Fury Road with the flighty ballads of Hollywood Golden Age music.CD Release?Will there be a Blu-ray release for this as well. I had heard that the Hollywood in Vienna award show that is essentially the same set would get a Blu-ray release.Especially in the first one, there's a ton of LOTR themes needledropped even though Shore wrote original material for those exact scenes that you can hear on the album, and also there are themes used in scenes where they don't belong at all. Oh and the main theme of the first one and a couple of the secondary ones completely disappear from the second and third moviesLot of Mazzaro credits here
Jackson use more LOTR music than the original music created for the movie.<br><br>Altough, Watertower releases respect the material written by Shore (as he wanted)Skipped the Hobbit films. How so was the music mistreated in those?Peej only produced this film, didn't direct it, and also I sorta think he and Howard Shore don't have the warmest of relationships considering the King Kong firing and then the way the music was mistreated in the Hobbit films.Why wouldn't Peter Jackson have Howard Shore score?Both of these redesigns are great!
@Everan your cover is really nice, I like it!!Made this one myself, if anyone's interested.<br>https: //www.flickr.com/photos/everan-shepard/ 44212313235No, just a rip from the film...DOA Dead Or Alive complete score is here on YouTube today!Harry and Harry on the same stage with Lorne was so cool.Wish they would perform more together.It made gaming cool I thought
For reals. I felt so bad for Rupert that this was all that was offered to represent his score. looks like someone hustled a quick redesign though https://twitter.com/MikhahThomas/status/1071501461215956992Speaking of bad covers...I did and it was amazing.Lorne also had other composers from games on stage also.They all looked like they were having fun and Lorne did an amazing montage of the best games .Did anyone watch the games show last night ? Zimmer , Harry Gregson-Williams and Lorne Balfe all performing !!!!!!Grammy nomination!!
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Additional MusicAdditional Music
Harry Gregson-WilliamsDavid BuckleyClay DuncanStephen Barton
ComposerAdditional MusicAdditional MusicAdditional Music
The Number 23
Label: New Line Records
Length: 44'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5468 votes)
  1. Opening Titles (3:51)
  2. Fingerling's Childhood (3:02)
  3. Suicide Blonde (7:31)
  4. Ned (2:56)
  5. 11:12 PM (3:58)
  6. Finishing The Book (9:03)
  7. Laura Tollins (3:17)
  8. Room 23 (5:34)
  9. Atonement (4:55)
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Alex reply Replies: 0 || 2010-02-24 00:00:00
Great Score...but is there an extended version of the score similar to the movie?

Anonymous reply Replies: 0 || 2009-06-20 00:00:00
Harry scared me by this one, this score shows how Harry could compose an amazing horror score, i know this movie is not a horror movie but this score is really scary.

Michael reply Replies: 0 || 2009-01-12 00:00:00
Fajne :)

yyy reply Replies: 0 || 2008-07-11 00:00:00
Super,podoba mi si&#281; ;)

Falconet reply Replies: 0 || 2007-08-08 00:00:00
ops made no mad :P

Falconet reply Replies: 0 || 2007-08-08 00:00:00
Clay Duncan and Stephen Barton mad Addittional music,uptade :-)

Anonymous reply Replies: 0 || 2007-03-04 00:00:00
Track 6 sounds like a cheaper version of Goldenthal, but all in all it's a good score.

Anonymous reply Replies: 0 || 2007-02-26 00:00:00
Bad?YOU ARE BAD!
HGW is one of the best composer of 20th.

Hybrid Soldier reply Replies: 0 || 2007-02-22 00:00:00
Composed & Produced by Harry Gregson-Williams
Recorded & Mixed by Malcolm Luker
Assistant Mixing by Jamie Luker
Synth Recordings by Meri Gavin & Costa
Orchestra recorded at ToddAO Studios
Score mixed at Wavecrest Studios
Orchestrated by Ladd Macintosh

Featured Soloists :
Jon Hassell - Trumpet
Hugh Marsh - Electric Violin
Martin Tillman - Electric Cello
Peter DiStefano - Electric Guitar

Music Editor : Adam Milo Smalley
Assistant Music Editor : Scott Johnson

Additional Programming by David Buckley, Halli Cauthery & Stephen Barton

Music Contractors : Sandy De Crescent & Peter Rotter

Score Mastered by Stephen Marsh at Threshold Sound + Vision

dlmusic reply Replies: 0 || 2007-02-16 00:00:00
@Sylvos: He can tell for the same reason as the nine persons who already voted and decided that the score should only receive 70/100 can tell... FANtasy ;)

WDWGuy08b reply Replies: 0 || 2007-02-15 00:00:00
it has a hint of narnia to it in some places as well as deja vu too which makes me want to buy it on cd!

Anonymous reply Replies: 0 || 2007-02-15 00:00:00
i like it its interesting!

Sylvos reply Replies: 0 || 2007-02-08 00:00:00
Oops... Sorry about the duplicated posts. Bad internet, bad!

Sylvos reply Replies: 0 || 2007-02-08 00:00:00
huh? The album is not even out yet, how can you tell it's bad?

Sylvos reply Replies: 0 || 2007-02-08 00:00:00
huh? The album is not even out yet, how can you tell?

Anonymous reply Replies: 0 || 2007-02-08 00:00:00
bad, bad, bad, bad! I hate HG-W!!!!!!!!!!!!!

Antas, Webmaster reply Replies: 0 || 2007-02-05 00:00:00
thanks ;o)

Hybrid Soldier reply Replies: 0 || 2007-02-04 00:00:00
1. Opening Titles (3:51)
2. Fingerling's Childhood (3:02)
3. Suicide Blonde (7:31)
4. Ned (2:56)
5. 11:12 p.m. (3:58)
6. Finishing the Book (9:03)
7. Laura Tollins (3:17)
8. Room 23 (5:34)
9. Atonement (4:55)

Total Time: 44:07

;-)

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The Number 23 soundtrack - Harry Gregson-Williams 2007