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i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>
Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?
The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.
The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.
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Hans ZimmerKlaus BadeltSteve JablonskyJames S. Levine
ComposerAdditional MusicAdditional MusicAdditional Music
Pearl Harbor (Complete Score)
Label: Unofficial Release
Length: 184'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9903 votes)
  1. Main Titles (2:28)
    Hans Zimmer
  2. I'm A Pilot (0:34)
  3. Young Rafe To The Rescue (1:20)
  4. Rafe Begs Evelyn (0:39)
  5. First Kiss (1:27)
  6. First Date (1:52)
  7. Rafe Says Goodbye (3:16)
  8. Train Station Goodbye (1:38)
  9. Newsreel - Rafe Arrives (0:54)
  10. Welcome To The R.A.F. (1:03)
  11. Meet The Japanese (1:06)
  12. Pearl Harbor (1:01)
  13. Danny Arrives - Letters From Rafe (1:57)
    Hans Zimmer, Gavin Greenaway
  14. Japanese Prepare - Battle Of Britain (Part 1) (2:27)
    Hans Zimmer, Geoff Zanelli
  15. Battle Of Britain (Part 2) - Rafe Shot Down (1:21)
  16. Evelyn Gets The News (2:55)
  17. Carrier Prep (1:10)
    Hans Zimmer, Geoff Zanelli
  18. Mourning Montage (1:00)
  19. Evelyn Says Goodbye To Rafe (0:50)
    Hans Zimmer, Klaus Badelt
  20. Missing Japanese Fleet (0:48)
  21. Danny & Evelyn Make Love (2:57)
  22. Evelyn Can't Break Up - Spy - Romp (3:06)
    Hans Zimmer, Steve Jablonsky
  23. Kimmel Briefing - The Dentist (2:02)
    Hans Zimmer, Geoff Zanelli
  24. Rafe Returns (1:56)
    Hans Zimmer, Klaus Badelt
  25. Rafe Gets The News (1:48)
  26. Calendar Page Turns (0:29)
  27. The Attack (6:31)
    Hans Zimmer, Geoff Zanelli
  28. We're Being Bombed (0:38)
  29. Evelyn Awakes (0:42)
  30. The Captain Dies - Airstrip Bombed (2:43)
  31. Dorie The Hero (0:57)
    Hans Zimmer, Steve Jablonsky
  32. Oklahoma - First Hospital (4:39)
    Hans Zimmer, Steve Jablonsky
  33. Roosevelt Gets The News (2:46)
  34. Bunker Tension (0:57)
  35. Air Battle A (2:47)
    Hans Zimmer, Klaus Badelt
  36. Air Battle B (3:49)
    Hans Zimmer, Klaus Badelt
  37. Air Battle C (2:04)
    Hans Zimmer, Klaus Badelt
  38. Hospital Carnage - Destroyed Fleet (2:38)
  39. Men In Trouble (3:09)
  40. Trapped Sailors - Roosevelt's Speech (3:32)
  41. President Stands - Newsreel (1:02)
  42. Funeral (1:58)
  43. I'm Pregnant (3:58)
  44. Top Secret (0:49)
  45. Rafe Burns The Letters (0:29)
  46. Doolittle Training Montage (2:59)
    Hans Zimmer, Klaus Badelt
  47. Tip Of The Sword (1:05)
  48. 30 Seconds Over Tokyo (8:38)
    Hans Zimmer, Steve Jablonsky
  49. Crash Landing (2:35)
    Hans Zimmer, Steve Jablonsky
  50. Final Confrontation - Return Home (6:04)
    Hans Zimmer, Steve Jablonsky
  51. End Titles (1:37)
  52. There You'll Be - Faith Hill (3:42)
    Diane Warren, Hans Zimmer, James S. Levine, Fiachra Trench
  53. End Credits (2:27)
    Hans Zimmer
  54. Lament (Full) (2:34)
  55. Air Battle (Original Demo) (8:33)
    Hans Zimmer, Klaus Badelt
  56. Tennessee (Alternate) (3:40)
  57. Brothers (Alternate) (2:08)
  58. Rafe Says Goodbye (Alternate) (3:16)
  59. Danny Arrives - Letters From Rafe (Alternate) (1:31)
  60. Evelyn Gets The News (Alternate) (0:55)
  61. Missing Japanese Fleet (Alternate) (0:40)
  62. Rafe Gets The News (Alternate) (1:44)
    Hans Zimmer, Klaus Badelt
  63. Oklahoma - First Hospital (Alternate) (4:39)
    Hans Zimmer, Steve Jablonsky
  64. Roosevelt Gets The News (Alternate) (2:46)
  65. Air Battle (Alternate) (8:31)
    Hans Zimmer, Klaus Badelt
  66. Air Battle B (Alternate) (3:49)
    Hans Zimmer, Klaus Badelt
  67. Air Battle B (Insert 1) (0:34)
    Klaus Badelt
  68. Air Battle B (Insert 2) (1:05)
    Hans Zimmer, Klaus Badelt
  69. Top Secret (Alternate) (0:25)
  70. 30 Seconds Over Tokyo (Alternate) (8:38)
    Hans Zimmer, Steve Jablonsky
  71. Final Confrontation - Return Home (Alternate) (6:04)
    Hans Zimmer, Steve Jablonsky
  72. Lament (Small) (2:33)
  73. There You'll Be - Faith Hill (Alternate) (3:41)
    Diane Warren, Hans Zimmer, James S. Levine, Fiachra Trench
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Kent Φberg reply Replies: 0 || 2018-11-24 15:26:53
Hmm, there are now two End Credits cues. That doesn't seem right.

I take it the composer credits for this one will stay incomplete?

Bayhem reply Replies: 5 || 2017-11-02 20:09:31
For the hardcore Zimmer fans who don't own the Vista Series DVD edition of "Pearl Harbor", here's a piece from Hans's audio commentary for the movie:

https://www.youtube.com/watch?v=wLxS4oooV0o


Bioscope2017-11-03 04:57:13
Very nice. I just wish I can track down that clanging insert to complete edit of the sessions.

Does anyone know where it comes from? Was it tracked? Is it from another film? I even wondered if it came from The Last Samurai...


Bayhem2017-11-03 18:13:53
Sorry if I'm missing something, but what do you mean by "clanging insert"?


Bioscope2017-11-05 05:08:45
In that clip you shared, you hear the end of Crashlanding aka Brave Men. Then you hear some Bay microedits from various other places. Then there ia a metallic clanging percussion before segueing into Heart of a Volunteer that is nowhere available in the sessions.

Any ideas?


Bayhem2017-11-06 14:01:38
Aha, I see. Now I know what you mean. The part with the Japanese soldiers screaming and pointing their weapons at Affleck and his crew.....I think I've heard this piece as part of one of the score releases. Unfortunately, I don't have the mp3 files anymore and can't recall the name of the track. But I clearly remember hearing that metallic percussion in one of the tracks from the expanded score. It was a few years back though.....

I'll have to do some digging....


Mr Tweedy2017-11-06 23:52:25
Unfortunately, the "clanging insert" isn't available anywhere on the album / expanded score or complete score. Probably a late minute addition !

Karen reply Replies: 1 || 2017-06-20 16:40:51
And Then I Kissed Him . . .

How do I get the music score for "And Then I Kissed Him?" My daughter is getting married in July 2017 and wants to come down the aisle to this song with piano, cello, violin - and/or string quartet.


Bayhem2017-06-30 10:04:51
You mean you need the actual notes, or just a permission....Anyway, wedding is a family event, so at the end of the day I don't think it would be a problem for the musicians there to play that music live. As long as it's not used as a promotional wedding video on YouTube, I don't think it would be an issue. Or....you can just play it on really loud speakers. Not the same thing as a live performance, I know, but worst case scenario, that's what you gotta do :)

le man reply Replies: 1 || 2007-02-02 00:00:00
where the crap do i get this score


karen2017-06-20 16:39:58
How do I get the music score for "And Then I Kissed Him?" My daughter is getting married in July 2017 and wants to come down the aisle to this song with piano, cello, violin - and/or string quartet.

Mr Tweedy reply Replies: 4 || 2007-01-10 00:00:00
Yes, this is only an expanded version, but this is a great one (finally) !
The other versions were badly made from DVD Isolated score + official score, at least this one is in complete CD-audio quality, with plenty of new music.
There are some cues missing, but if you add "december 7th" and "heart of volunteer" from official CD, you almost have the complete score.

Anybody noticed how weak the action cues sound ? The orchestra seems bored, this is pretty incredible. Nice romantic and dramatic music, but such a weak action score...


Orkney darkdragon2016-05-08 00:36:33
Hi all I want is one track. A classical section not from hans it was nicked for the floating dead and flag recovery scene. Not on any CD official, unofficial or just plain junk, what was it, any one with classical knowledge out there? Thanks


GR72016-05-08 00:53:43
Orkney darkdragon --> try to read the endcredits of the movie. If they used a piece of classical music, or any music not composed for the film, its credited at the end.


madmartigan2016-05-08 23:01:08
Orkney : do you mean the scene when Red nears, crying for Betty ? After the attack and before the doolittle's mission ?


Leo782016-10-09 22:03:12
Anyone know where can I download this score?
I tried digging around the net searching for a download link. But all I could find was just dead links and bad bootlegs.
Thanks

Anonymous reply Replies: 2 || 2015-03-17 17:30:52
Oh good grief, yet another list of an alleged (and of course, unofficial) "complete" score that we will never see, hear or be able to buy. WHAT IS YOUR POINT??


Edmund Meinerts2015-03-17 17:36:55
What's yours? It's for archival purposes. Besides, if there's one thing I've learned, it's never say "never" when it comes to complete scores, particularly MV/RC ones.


Anonymous #22015-03-18 03:57:44
This too was leaked forever ago. If you want it, go get it. Otherwise, screw off.

Hybrid Soldier reply Replies: 3 || 2015-01-07 23:15:51
Added some of the known credits... :)


Edmund Meinerts2015-01-08 14:19:54
Thanks for this and Prince of Egypt...Unfortunately my playlists for both scores look very different. I don't know if it's combined tracks, or missing tracks, or what...So I still don't know what to credit to who!

What I have looks more like TurtlePower's playlist just below...but even that is a little different. Aren't "unofficial releases" fun? :/ :p


kentobe2015-03-17 12:02:51
I didn't know Zimmer was involved with There You'll Be. Why wasn't he officially credited? He would have had another Oscar nom to his resume if he had been.

Did Zanelli do the Japan Theme by himself or was it based on one of Zimmer's theme suites?


Edmund Meinerts2015-03-17 12:45:07
I don't think Zimmer did theme suites back then.

Anonymous reply Replies: 5 || 2007-01-10 00:00:00
That's not the complete score!! It's just an expanded version.


TurtlePower2014-07-12 05:08:07
The one I have some what more or less matches what's posted here. No sorry I won't upload...

01- 1m1 Tennessee (2:27)
02- 1m2 First Flight (0:34)
03- 1m3 Young Rafe To The Rescue (1:19)
04- 1m5b Rafe Begs (0:39)
05- 2m8 First Kiss (1:27)
06- 2m9 First Date (1:52)
07- 2m11 Saying Goodbye (3:16)
08- 2m12 Brothers (Part 1) (1:38)
09- 2m13 News Reel 1 (0:54)
10- 2m14 Welcome To The R.A.F. (1:02)
11- 2m15a Japanese Plans (1:06)
12- 2m15b Pearl Harbor (1:01)
13- 2m17 Letters (1:56)
14- 3m18 Japanese Espionage / Battle Of Britain (2:26)
15- 3m21 Rafe Crashes (1:21)
16- 3m22a Brothers (Part 2) (2:56)
17- 3m22b Japanese Training (1:09)
18- 3m25 Mourning Montage (1:00)
19- 4m28b Evelyn Turns Over A New Leaf (0:50)
20- 4m28c Japanese Disappear (0:38)
21- 4m29 Danny and Evelyn (2:57)
22- 4m30 Pearl Harbor At Sunset (3:05)
23- 4m32 Kimmel Briefing / The Dentist (2:04)
24- 4m34 Rafe Returns (1:56)
25- 4m35 Bad News (1:43)
26- 5m38 Calender Page Turns (0:28)
27- 5m39 The Attack (Part 1) (6:31)
28- 5m39a Bombs (0:38)
29- 5m40 Awakening (0:41)
30- 5m41-42 Airstrip (2:40)
31- 5m43 Dorie The Hero (0:57)
32- 6m44a Infamy (4:39)
33- 6m44b Hospital (2:43)
34- 6m45 Hide (0:55)
35- 6m46a Air Battle (Part 1) (2:47)
36- 6m46b Air Battle (Part 2) (3:49)
37- 6m46c Fighting Back (2:04)
38- 7m47a Rafe and Danny Returns (2:39)
39- 7m47b Hospital Chaos (3:08)
40- 7m48 Allocution (3:31)
41- 7m49 President's Stand (1:02)
42- 7m52 Funeral (1:57)
43- 7m53 I'm Pregnant (3:52)
44- 7m53a Top Secret (0:48)
45- 8m54 Burning The Letters (0:29)
46- 8m55 Doolittle Training (2:59)
47- 8m56 Tip Of The Sword (1:04)
48- 8m57 War (8:35)
49- 9m60 Crash Landing (2:34)
50- 9m61 Heart Of A Volunteer (6:04)
51- 9m62 Epilogue (1:38)
52- There You'll Be (3:41)
53- 2m11 Saying Goodbye (Alternate) (3:16)
54- 3m22a Brothers (Part 2 Alternate) (0:56)
55- 2m17 Letters (Alternate) (1:31)
56- 4m28c Japanese Disappear (Alternate) (0:48)
57- 4m35 Bad News (Alternate) (1:48)
58- 6m44a Infamy (Alternate) (1:28)
59- 6m46 Air Battle (Alternate) (8:30)
60- 6m46 Insert 1 (0:34)
61- 6m46 Insert 2 (1:05)
62- 7m53 I'm Pregnant (Alternate End)
63- 9m61 Heart Of A Volunteer (Alternate) (6:03)
64- Lament (Full) (2:34)
65- Lament (Small) (2:31)
66- There You'll Be (Rock Mix) (3:41)


Joe2014-07-12 10:23:44
Nobody asked you to upload anything!!


badbu2014-07-12 21:28:58
Yes, thats the real sessions ;)


Hybrid Soldier2014-07-12 21:30:21
There are false ones ? O_o


smitty2014-10-08 12:12:24
so, what is the correct list hybrid?

mecasisi reply Replies: 0 || 2014-06-22 08:02:05
espero descargarla completa

Anonymous reply Replies: 0 || 2013-12-16 18:07:38
anyone got credits?

Anonymous reply Replies: 1 || 2013-10-27 22:02:47
Considering how long the score is I really can't think of many notable cues outside the album release


Marco2013-10-27 22:55:23
'fighting back' ? which isn't listed here but is a very significant cue in the movie

badbu reply Replies: 1 || 2013-10-27 12:45:13
i want this...NOW! :)


...2013-10-27 12:48:11
Well it is available on the internet.

Anonymous reply Replies: 0 || 2013-05-25 00:40:45
Hybrid, any info on who did what?

Felix reply Replies: 5 || 2012-12-31 00:12:26
Hybrid-Soldier when this score arrive ?


Mike2012-12-31 02:09:05
Sorry, friend. This isn't the place for that.


David2012-12-31 04:21:41
LOL a score does not "arrive". I have it, maybe it will leak soon to you-know-where. Afterall, TDKR leaked, didn't it?


axel 2012-12-31 21:00:55
we have to wait...wait...wait...and...wait !!! :(


G2013-01-01 15:23:10
Well the sessions has arrived.


Jimmer2013-01-01 15:34:18
@Hybrid: Do you have the composer list for this score as well? Sorry to keep ask you that, I'm just really OCD about who composed what. Thanks.

axel reply Replies: 2 || 2012-10-13 19:28:05
A new track list for this score ??

Is-it really COMPLETE now ?? I hope so...


Mr. Fate2012-10-13 22:35:36
No, it is not new. If you scroll down a little bit, you'll see posts that date back to 2008. Why don't you check with those people to see if it is real?


axel2012-10-15 21:23:40
If you look at the track list on the website...it's a new one !!! Before that, the HZ-website presented a [complete score - No SFX] with 2CD...Not 3!(and an other cover front)
Now, this page concerning Pearl Harbor has been updated ! I don't know when, but it was...

I know the 3-CD track list on the last post... I posted it !

So...I'm still waiting for this new Complete edition...

Felix reply Replies: 0 || 2012-10-13 23:24:33
WOW

The Pearl Harbor Complete Score without SFX

Ele reply Replies: 1 || 2010-06-08 00:00:00
Air Battle is awesome!


anoopa2012-03-10 12:35:15
I have the version that was recently uploaded and if it's a fake, then it's a darn good one. There has been no flaws and no blatant transitions that would suggest a fan-edit. I don't get what the griping is about. As far as I'm concerned we have a legit expanded soundtrack, which is always something to be grateful for.

Juni reply Replies: 0 || 2012-03-10 11:49:56
Wonderfulο»Ώ as always, and so etimoonal and beautiful! I haven't seen Pearl Harbor for a while, but it's one of my favorite movies, so now I really just want to watch it!!! sad but its a happy ending thank you Hawaii61767 for posting this instrumental only it makes me feel relax at the sametime reminism my past

Kelly reply Replies: 5 || 2011-09-21 15:34:03
what about this ?? is it real? or it's just a fan made??
CD 1
01. Tennessee, 1923 2:27
02. I'm a Pilot 0:34
03. Young Rafe to the Rescue 1:19
04. News Flash #1 * 0:18
05. Rafe Begs 0:38
06. First Kiss 1:27
07. First Date 1:53
08. Rafe Says Goodbye 3:16
09. Train Station Goodbye 1:39
10. News Flash #2 — Welcome to the R.A.F. — Part 1 * 0:53
11. Welcome to the R.A.F. — Part 2 * 0:50
12. Meet the Japanese 1:05
13. Pearl Harbor 0:59
14. New Nurses 0:15
15. Letters from Rafe * 1:30
16. Japanese Prepare — Battle of Britain (Outtake) 2:26
17. Rafe Shot Down 1:21
18. Evelyn Gets the News — Part 1 0:50
19. Evelyn Gets the News — Part 2 2:55
20. Japanese Carrier Preparations 1:10
21. Morning Montage 0:59
22. Evelyn Says Goodbye to Rafe 0:50
23. Japanese Disappear 0:43
24. Pearl Harbor at Sunset 2:57
25. Evelyn Can't Break Up — Spy Romp 3:05
26. Kimmel Briefing — The Dentist 2:02
27. Rafe Returns 1:52
28. Rafe Gets the News * 1:51
29. Calendar Page Turns 0:30
30. Hostilities Imminent — The Attack 6:29
31. We're Being Bombed! 0:37
32. Evelyn Awakes 0:40
33. The Captain Dies — Airstrip Bombed (Outtake) 2:41
34. Dorie the Hero 0:54
35. The Sinking of the Oklahoma 4:38
36. Roosevelt Gets The News 2:36
37. Bunker Tension 0:55
38. Bombers Overhead — Air Battle 7:09
39. Courage * 2:03
40. Aftermath * 0:33
41. Hospital Chaos 5:08

CD 2
01. Trapped Sailors — Roosevelt's Speech 3:30
02. The President Stands Up — News Flash #3 1:01
03. Funeral 1:56
04. I'm Pregnant 3:52
05. Top Secret 0:48
06. Rafe Burns the Letters 0:27
07. Doolittle Training 2:56
08. Tip of the Sword 1:03
09. 30 Seconds over Tokyo 8:35
10. Retaliation 0:45
11. Empty Tanks — Pinned Down * 3:31
12. Crash in China * 1:04
13. Sacrifice — Tennessee, 1945 * 7:16
14. There You'll Be (vocals by Faith Hill) 3:44
15. End Credits 6:11
16. Glenn Miller — Little Brown Jug 2:52
17. Woody Herman — Blues in the Night (My Mama Done Tol Me) 3:14
18. Count Basie & His Orchestra — Jumpin' at the Woodside 3:08
19. Louis Armstrong — Jeepers Creepers 4:41
20. Kalama's Quartet — Lei Ika Mokihana 2:43
21. The Kalima Brothers — Kaulana O Hilo Hanakahi 3:01
22. Kalama's Quartet — Hilo March 2:35
23. The Mills Brothers — Miss You 2:33
24. Teaser 2:00
25. Graeme Revell, Steve Jablonsky — Trailer 3:18
26. Steve Jablonsky — Trailblazing 2:53

CD 3
01. Tennessee, 1923 (Alternate) 1:01
02. Young Rafe to the Rescue (Alternate) 0:39
03. First Date (Alternate) 0:37
04. Welcome to the R.A.F. — Part 1 (Alternate) 1:01
05. Welcome to the R.A.F. — Part 2 (Alternate) 0:41
06. Pearl Harbor (Alternate) 0:58
07. New Nurses (Alternate) 0:14
08. Letters from Rafe (Alternate) 1:41
09. Japanese Prepare (Alternate) 0:40
10. Evelyn Can't Break Up — Spy Romp (Alternate) 2:51
11. Rafe Gets the News (Alternate) 1:43
12. Hostilities Imminent — The Attack (Alternate 1) 3:54
13. Hostilities Imminent (Alternate 2) 1:08
14. The Attack (Alternate 2) 1:13
15. Hostilities Imminent — The Attack (Alternate 3) 3:46
16. Evelyn Awakes (Alternate) 0:40
17. Dorie the Hero (Alternate) 0:56
18. Roosevelt Gets the News (Alternate) 2:44
19. Air Battle (Alternate) 8:29
20. Air Battle (Short Alternate — Part 1) 3:10
21. Air Battle (Short Alternate — Part 2) 0:29
22. Top Secret (Alternate) 0:24
23. Doolittle Training (Alternate) 1:48
24. Tip of the Sword (Alternate) 0:58
25. Tennessee, 1945 (Alternate) 1:19
26. End Credits (Alternate) 6:25
27. Steve Jablonsky — Japanese (Demo) 2:08
28. Steve Jablonsky — Impact (Demo) 2:26
29. Journey (Full Version) 3:48
30. Graeme Revell — Rain Forever (Full Version) 2:33
31. Steve Jablonsky — Goliath (Full Version) 1:59
32. Pearl Harbor (KMN Score Remix) 12:07

CD 4
01. Pearl Harbor — Suite #1 34:15
02. Pearl Harbor — Suite #2 45:48



Dawn2011-09-21 16:44:30
Are... you... kidding ? It's screaming "FANMAAAAADE !!!!"
It's basically the expanded score with somme DVD-ripped cues added (you can still see the * at the end of the tracks that contain SFX) and songs and sh*t added ("End Credits Alternate", oh please...). Even the long-time-proved-fake Jablonsky demos are here... again.

And suites that are 34 and 45 minutes long...?! How could someone believe this is actually REAL ? :S


Kelly2011-09-21 16:46:42
ok Dawn..thank you for your infarmations :)


jordy112012-02-28 02:49:08
Sorry..where i can buy these CD?


Areozz2012-02-28 03:07:02
Hi, jordy11, these CD be bootlegs and cannot therefore be bought. You will have to hunt around the internet for a short time before you find what you seek. Besides, there are bajillions of expanded scores for Pearl Harbor out there. It should not be too hard to find.


Mr. Charles2012-02-28 06:05:15
The REAL Pearl Harbor exists only among the elitists. I have seen a cue sheet with slates. This was years ago though, I barely remember

jahage reply Replies: 0 || 2010-03-03 00:00:00
How do I get a complete score CD since it's not in stores.

Ruthlessgravity reply Replies: 0 || 2009-04-21 00:00:00
I have what axel just listed, practically a complete score.

Very awesome to have a complete score to Pearl Harbor compared to that of the retail version.

Dawn reply Replies: 0 || 2008-07-10 00:00:00
Axel, I really don't see the point in having a Pearl Harbor 3CDs or 4CDs where you add SFX versions of some cues (Empty Tanks - Pinned Down...), and non-original songs you barely hear in the movie (Hilo March...)...
People still continue to amaze me ! I recommend any smart people to stick to the actual 2CD bootleg, adding the missing cues from the official release and DVD isolated cues, this makes a strong 120minutes or so of good, SFX free original score !
:P

axel reply Replies: 0 || 2008-05-12 00:00:00
Here a tracks list from a 3 CD edition :

Tracks List CD 1 :

01 Tennessee, 1923
02 I'm A Pilot
03 Young Rafe To The Rescue
04 Young Rafe To The Rescue (Alternate)
05 News Flash # 1 *
06 Rafe Begs
07 First Kiss
08 First Date
09 Rafe Says Goodbye
10 Train Station Goodbye
11 News Flash # 2 / Welcome To The RAF part 1 *
12 Welcome To The RAF part 2 *
13 Welcome To The RAF part 2 (Alternate 1)
14 Welcome To The RAF part 2 (Alternate 2)
15 Meet The Japanese
16 Pearl Harbor
17 Pearl Harbor (Alternate)
18 New Nurses
19 New Nurses (Alternate)
20 Letters From Rafe *
21 Letters From Rafe (Alternate)
22 Japanese Prepare / Battle Of Britain (Unused)
23 Japanese Prepare (Alternate)
24 Rafe Shot Down
25 Evelyn Gets The News part 1
26 Evelyn Gets The News part 2
27 Japanese Carrier Preparations
28 Morning Montage
29 Evelyn Says Goodbye To Rafe
30 Japanese Disappear
31 Pearl Harbor At Sunset
32 Evelyn Can't Break Up / Spy Romp
33 Evelyn Can't Break Up (Alternate) / Spy Romp (Alternate)
34 Evelyn Can't Break Up (Short Version)
35 Kimmel Briefing / The Dentist
36 Rafe Returns
37 Rafe Gets The News
38 Rafe Gets The News (Alternate)
39 Calendar Page Turns
40 Hostilities Imminent / The Attack
41 Hostilities Imminent (Alternate 1) / The Attack (Alternate 1)
42 Hostilities Imminent (Alternate 2)
43 The Attack (Alternate 2)
44 Hostilities Imminent (Alternate 3) / The Attack (Alternate 3)
45 Were Being Bombed !
46 Evelyn Awakes
47 Evelyn Awakes (Alternate)


Tracks List CD 2 :

48 The Captain Dies / Airstrip Bombed (Unused)
49 Dorie The Hero
50 Dorie The Hero (Alternate)
51 The Sinking Of The Oklahoma
52 The Sinking Of The Oklahoma (Alternate part 1)
53 The Sinking Of The Oklahoma (Alternate part 2)
54 Roosevelt Gets The News
55 Roosevelt Gets The News (Alternate)
56 Bunker Tension
57 Bombers Overhead / Air Battle
58 Air Battle (Alternate)
58 Air Battle (Short Alternate part 1)
60 Air Battle (Short Alternate part 2)
61 Courage
62 Aftermath
63 Hospital Chaos
64 Trapped Sailors / Roosevelts Speech
65 The President Stands Up / News Flash #3
66 Funeral
67 I'm Pregnant
68 Top Secret
69 Top Secret (Alternate)
70 Rafe Burns The Letters
71 Doolittle Training
72 Doolittle Training (Alternate)
73 Tip Of The Sword
74 Tip Of The Sword (Alternate)
75 30 Seconds Over Tokyo


Tracks List CD 3 :

76 30 Seconds Over Tokyo (Short Version)
77 Retaliation
78 Empty Tanks / Pinned Down
79 Crash In China
80 Sacrifice / Tennessee 1945
81 Tennessee 1945 (Alternate)
82 There You'll Be - Performed By Faith Hill
83 There You'll Be (Alternate) - Performed By Faith Hill
84 End Credits
85 End Credits (Alternate)
86 Domestic Trailer (Graeme Revell - Steve Jablonsky)
87 International Trailer (Steve Jablonsky)
88 Teaser (Hans Zimmer)
89 Little Brown Jug - Performed by Glenn Miller
90 Blues In The Night - Performed by Woody Hermann
91 Jumpin At The Woodside - Performed by Count Basie & His Orchestra
92 Jeepers Creepers - Performed by Louis Armstrong
93 Lei Ika Mokihana - Performed by Kalama's Quartet
94 Kaulana O Hilo Hanakahi - Performed by The Kalima Brothers
95 Hilo March - Performed by Kalama's Quartet
96 Miss You - Performed by The Mills Brothers



Total Timing : 219'39

@Maps: reply Replies: 0 || 2008-02-11 00:00:00
You think Go Fuck Off would be an appropriate reply to your post? :)

As you might have already noticed, this web site is mainly dedicated to the music of one one person - a certain man with name Hans Zimmer (even though the rest of the RCP/MV composers are a topic as well) - therefore, people interested in his music are coming here to discuss it. Now there's absoutely nothing wrong with not liking the Pearl Harbor score, that's completely up to you and it's fine if you let us know about your reasons. Thing is - nobody gives a flying fuck about your Goldsmith comparisons whatsoever. I kinda doubt Tora! Tora! Tora! and Pearl Harbor are very similar films anyway (probably for the reasons you listed, although I'm not sure if there was really as much sex in the film as you're saying there was - but maybe this is just a subjective issue and if you're living in the woods, waiting for a virgin to come to visit you every ten years, I can grasp why the amount of sex in this film which I - for other reasons - don't like much as well is pretty much an overkill to you).

You wanna advertise Goldsmith? That's ok, go to the forums and create your Goldsmith thread. Don't do it here. Wrong place. Hush hush.

Maps reply Replies: 0 || 2007-12-27 00:00:00
I liked Jerry Goldsmith's work for "Tora! Tora! Tora!" better. This music doesn't sound if Hans Zimmer and his five (!!!) co-composers were very motified. The theme for the japanese sounds very pseudy-ethnic. Goldsmith wrote a very great theme for the japanese military.

"Pearl Harbor" wasn't also as good as "Tora! Tora! Tora!". It was just another Jerry-Bruckheimer-production with a lot of explosions, sex and Michael-Bay-videoclip-like-camera and cuts. "Pearl Harbor" is just another patriotic epos which tells anything about Nagasaki and Hiroshima. "Tora! Tora! Tora!" told the story from both points of view and was more abjective.

I think Hans Zimmer and his team wrote the music just because they got good money because I can't imagine any reason than this. Don't start hunting for this bootleg or other "Pearl Harbor"-releases. It would be better if you try to get hand on a copy of the FSM "Tora! Tora! Tora!"-album which is limited to 3000 copies so hurry on, it will be sold ou soon.

http://www.jerrygoldsmithonline.com/tora_tora_tora_review.ht m

PS: The "Tora! Tora! Tora!"-CD is a complete release of Goldsmith's brilliant score with all the music composed for the film and including every source music. Good luck!

Mikel Carmona (SIW) from Spain reply Replies: 0 || 2007-09-14 00:00:00
This is the definitive promo from Pearl Harbor. An excelent complete edition. HANS ZIMMER FOREVER!!

Manuel reply Replies: 0 || 2007-08-27 00:00:00
This is not the complete score. It΄s an expanded score nearly to the complete score. Why? Here are the reasons: The movie is over 3 hrs and this expanded edition has only 1 hr and 35 minutes. Also in the official release the tracks December 7th and Heart of a volunteer are not included in this expanded score. Also, there are variations in many tracks between the expanded bootlegs and this new version. And for the last, the track Courage, included in many bootlegs, is a track with sfx, and in this new version is not included, which is not posible, because this Track is the ending of the track airborne in many bootlegs or called air battle in this new version. I think, we have to wait the complete score with the recording sessions, because in many bootlegs one we can find many changes in one track. For example: Check the track Dorie The Hero, but download the version of the different bootlegs and this version and you will now what i mean. Please, i pray, remote control productions and mr. Zimmer, launch the complete score with the recording sessions.

Thanks.

Koray reply Replies: 0 || 2007-06-09 00:00:00
It's a complete score. Usually track names are changed or altered in bootleg versions. I just got this so I haven't had time to listen to it all, but I'm sure those tracks are somewhere in there.

I also just realized I have more than this track listing. I'm pretty sure I have what Axel listed a couple posts below, which is 54 tracks.

The cover art here is aweful, so I'm gonna have to do something about that.

Perun reply Replies: 0 || 2007-06-08 00:00:00
Hallo
Can someone just tell me if this is the real complet version?
I mean i dont see there songs like Tennessee or Launch Now( War)!!!!
Thx

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Pearl Harbor (Complete Score) soundtrack - Hans Zimmer 2001