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www.youtube.com/watch?v= uzLk1Ar4DHw@Hybrid<br><br>I did manage to manage to listen to the Gelukkige score he did, its an interesting mix of horror music, emotional piano stuff, and some upbeat pop elements that reminded me of Megamind lol.<br><br>Btw, was his concert music for the Battle of Peace show ever released? Its a pretty badass mix of 300, Mad Max, and some epic choral portions.Yeah,pretty goodHave you guys ever listened to anything Tom did in Nederland before saying it's "different" ? :PFrom what I've seen the score sounds so different because Antonio heavily worked on it (as almost every track is on his soundcloud, or was at one point).
Tracklist:<br><br>1. Cobolt (1:42)<br>2. Escape (4:28)<br>3. Hes Gone (3:37)<br>4. This Is What He Does (2:19)<br>5. Weve Got That In Common (1:22)<br>6. Make It Rain (2:23)<br>7. Attack (2:46)<br>8. Why Me (3:00)<br>9. The Suit (2:16)<br>10. Asylum (3:31)<br>11. Hes Behind You (4:42)<br>12. House Fight (5:35)<br>13. Its All a Lie (5:27)<br>14. Surprise (1:33)<br>15. Denouement (4:58)Up in Itunes NZ<br><br>https:// music.apple.com/nz/album/the-call-of-the-wild-original -motion-picture-soundtrack/1498520127<br><br>Sounds pretty, pretty goodUp in Itune NZ<br><br>https:/ /music.apple.com/nz/album/the-invisible-man-original-motion-  picture-soundtrack/1498868649oh yes!!! :-)Yeah, it is good.<br><br>Score comes this Friday, also vinyl 4th March
Actually, I prefer BB2 more than Pearl Harbor, thanks!<br><br>There is a quite of the trademark style of Tom in this, his percussion, synths and brassBay should work with Jerry Bruckheimer again. Except Bad Boys 2 (which was way too long) they made really entertaining films together.@Mark<br>You composed this?  It's pretty damn solid work, man.<br><br>Not sure if I hear a whole lot of 90's Zimmer in there, at least not until the last couple minutes.  If anything it gives me modern Lorne Balfe vibes.  But it's not a bad execution of that sound.  Far from it.<br><br>Could just be me.  I'm curious how the more attuned ears around here feel about it.Not bothering with any more of your bullshit.  This already gets down to the crux of the issue.<br><br>"Look at your first comment here, pal. Look at it good! Snarky, dismissive, almost trollish, and with a clear intention to provoke people."<br><br>You chose to take a comment whose only direct provocation was at Bay himself, as a direct insult to YOU.<br><br>Despite the fact that Bay and his work were the only things mentioned, despite the fact that those were the only things being dissed, you chose to take it as an attack against YOU.  <br><br>And when I elaborated on my full opinion, and even capped it off with a "you do you" olive branch, you chose to take it as me "unleashing my true self."<br><br>That speaks volumes about your mindset.<br><br>Y'know, we could keep talking and going in circles like this.  <br><br>We could talk about how you keep staking the worth of Bay as filmmaker on how much money he's made (and how much less money action films I considered better made) and then turning around and claiming "B-b-but I didn't say box office was a sign of quality!"  <br><br>We could talk about how 300 wasn't trying to start a franchise and how you keep pulling that uncited lie out of your ass to write off its merits under the very faint guise of "objectivity."<br><br>But that'd all be beside the point.<br><br>That point being, how people can only shit on a director according to your arbitrary standards, and how your inherent obsession with "disproving" them or "giving them what they deserve" or whatever self-serious crap you've concocted inside your head is dogmatic fanboyism at BEST.<br><br>Nice day indeed.
LOL @ 1/5 star rating, before release.<br><br>Good job, Internet.You should credit Trapanese wherever there is an orchestral prescence in the cues as he handled all the arranging and orchestration.I know what you mean. When I listen to this, I basically hear a Hans & Lorne score with some DP stylings.<br><br>It's fairly frustrating for me, as I'm big on proper crediting; I neither want to give anyone undue credit, nor fail to give credit. With this one, honestly, my only strong intuition is that DP did almost nothing.There's not much besides the general consensus that Joseph Trapanese did a lot of the heavy lifting with DP's ideas (though they still contributed a fair bit). Toby Chu doing "Adagio For TRON" is about it, unless you do count the cues that were once listed on JT's website.<br><br>Quite frankly, I'm still having a hard time believing the duo stayed on a project that apparently was primarily managed by someone else. These are guys that have always stressed to have full creative control on their albums and ventures, so to hear that they weren't really driving the wheel here sounds off to me. It certainly would explain why they haven't done a score since, but hey. I probably won't ever know the full story.Good question. I honestly get the sense this largely scored to picture, given how varied the cues are, plus the fact Hans did the Day of the Dead and Tuesday cues alone.<br><br>The Batman Suite itself almost sounds like it was done after the score itself was composed, but I could definitely be wrong about that.<br><br>By the way, pretty fucking cool Hans did all (six?) of the themes on this. IMO that goes a long way to show he can still do really solid thematic work when he wants to.
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OrchestratorMusic Programmer
Marc StreitenfeldBruce FowlerJoel J. Richard
ComposerOrchestratorMusic Programmer
A Good Year
Label: Sony Legacy
Length: 54'35 (Score: 19'17)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6213 votes)
  1. How Can I Be Sure of You - Harry Nilsson (3:05)
  2. Il faut du temps au temps... - Makali (2:20)
  3. Je Chante - Charles Trenet (2:46)
  4. Breezin' Along with the Breeze - Josephine Baker (2:55)
  5. Jump Into the Fire - Harry Nilsson (4:12)
  6. The Wedding Samba - Edmundo Ros & His Orchestra (2:54)
  7. Never Ending Song of Love - Delaney & Bonnie (3:22)
  8. Old Cape Cod - Patti Page (2:49)
  9. J'Attendrai - Jean Sablon (2:56)
  10. Gotta Get Up (Demo Version) - Harry Nilsson (2:15)
  11. Le Chant Du Gardian - Tino Rossi (3:18)
  12. Itsy Bitsy Petit Bikini - Richard Anthony (2:26)
  13. Max-A-Million (4:55)
  14. Le Coin Perdu (5:56)
  15. Wisdom (8:26)
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MaKe reply Replies: 0 || 2019-12-06 23:30:57
Great movie and great music...
Does anybody knows what song is running during the "love scene"?

Aiden reply Replies: 0 || 2013-06-16 22:59:09
Does anybody know if we can find the sheet music for the piano solo in Wisdom? That would be perfect but I couldn't find it anywhere :/

Alexandra reply Replies: 1 || 2008-04-21 00:00:00
Where can I find: "A Forced Holiday" and the piano music when Max was going into the restaurant to meet Charlie?


Anon2012-12-29 00:08:19
In case someone is still wondering...the piano music is Lounge Lizard by Joel Evans.

ralf reply Replies: 1 || 2010-09-12 00:00:00
The best song of the movie is not on that list an not on the soundtrack. It is " Moi Lolita - from Alizee. What a little tragedy!


Kristina2011-08-22 09:42:31
Thanks, this is what I was looking for :-). The movie is great.

Stephan reply Replies: 3 || 2007-12-08 00:00:00
Hey!
Does anyone know what track is played during the "trading scene" in the beginning?


Karl2011-06-03 08:16:48
Its by Marc Streitenfeld. 'Max-a-million'.
Its mixed with wisdowm by same composer.
Go to youtube, & type 'Max-a-million'.


Karl2011-06-03 08:18:39
*Wisom


Karl2011-06-03 08:19:07
*Wisdom lol

Ross KNowles reply Replies: 0 || 2010-06-20 00:00:00
I love this mix of old and new french music plus Marcs music is lovley and evocative of this region of france. Alos a great understated film amkes me want to move to france everytime I watch it.

Kate Lillington reply Replies: 0 || 2010-05-12 00:00:00
Does anyone know if the sheet music is available yet as our school orchestra would like to play it.

Gabriel reply Replies: 0 || 2009-12-09 00:00:00
The soundtracks chosed for this movie as well as the movie itself are wonderful !
especialy i like the track number 14, is amazing !!! proabably can be compare only with the clasics !

Thanks Hans Zimmer and Marc Streitenfeld !

does anybody knows, is there a long version of it? (long version i mean that part of the song "Le coin perdu" which can be listen here).

Thanks in advance.

Anonymous reply Replies: 0 || 2009-07-15 00:00:00
marc's song are the most beautifl songs i have ever heard and the movie its wonderful

Wim Jansen reply Replies: 0 || 2009-05-27 00:00:00
The Titel Wisdom changed my life!

anna italy reply Replies: 0 || 2008-12-15 00:00:00
Track nr 13 Max-a-Million -central part- is absolutely a great composition to the ears of an Italian who has music in blood since generations. Me too, like others here, would have loved to hear it longer and longer, repeatevely... It reflects the atmosphere of the sunny golden afternoons of my childwood in the village where i lived the sunny days of my heart. Thank you Marc Streitenfeld.

Bernard reply Replies: 0 || 2008-11-05 00:00:00
Wisdom the 15 music in the album is so sentimental
you can feel the melody, amazing!!! i only can say that

Anonymous reply Replies: 0 || 2008-09-16 00:00:00
That song where Max is smoking a cigar and the girl is dancing is called the wedding samba by Edmondo Ross.

alex reply Replies: 0 || 2008-05-13 00:00:00
I ABSOLUTELY LOVE TRACK 13...I WISH IT WAS LONGER THOUGH

Tyrone reply Replies: 0 || 2008-01-25 00:00:00
Whats the song when Russell crow is in the yellow car giving the bikers the finger

Michael Hanson reply Replies: 0 || 2007-08-18 00:00:00
The Score by Marc Streitenfeld was absolutely perfect tonight. My wife and I really felt like we were traveling through a world of love and passion. The score helped us to feel the sent from Italy. Beeing an unknown composer myself, I just felt I could have wrote this lovely score. Thanks for the music Marc Streitenfeld

Jrg reply Replies: 0 || 2007-08-05 00:00:00
I think this was one of the cutest and most memorable scores of 2006. At least one of my favourites. Would love to hear more from Marc Streitenfeld.

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Arthur reply Replies: 0 || 2007-06-13 00:00:00
Just something I noticed while watching the film - one of the parts within Streitenfeld's score (the waltzy bit) sounds very much like Harmony's Theme from John Ottoman's score for Kiss Kiss Bang Bang. :)

Hybrid Soldier reply Replies: 0 || 2007-05-11 00:00:00
I've found a "promo" of this score with this tracklist :

1. Max-A-Million (1:09)
2. Le Coin Perdu (1:00)
3. Wisdom (2:46)
4. A Forced Holiday (0:58)
5. France (1:32)
6. Henry's Spirit (1:45)
7. 72 Hours (1:25)
8. Testing The Vines (1:48)
9. The Offer (1:18)
10. Choosing Love (5:39)
11. "Il Faut Du Temps Au Temps..." by Makali (2:21)

Length : 21:46


Don't worry, nothing new here... That's just the official score tracks cut into smaller tracks (and I think put in the correct order), there's NO new music... ;-)

Hybrid Soldier reply Replies: 0 || 2007-01-29 00:00:00
The score tracks are really good...

Of course this is not "epic", or "great action", or "MV themes", but this is great...

I want to know more about Streitenfeld... He is completely unknown...

Camila reply Replies: 0 || 2007-01-13 00:00:00
Bem, eu no conhecia o trabalho de Marc at ouvir as faixas do filme Um Bom Ano, e realmente um belo trabalho, a alma do filme, uma pena no conseguir ainda essas faixas na internet, ou qq outra coisa do seu trabalho, mas depois desse filme com certeza ele ganhou admiradores no mundo todo, inclusive no Brasil,

Camila Coimbra
So Paulo.

Sylvos reply Replies: 0 || 2007-01-10 00:00:00
I'm glad to see that a fair amount of score was included here. The album is not mind blowing in my opinion but then it wasn't meant to be Gladiator anyway! ;-)

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A Good Year soundtrack - Marc Streitenfeld 2006