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Ha! As I always suspected, EDI's Sacrifice was co-written by an MV/RC guy. It was just too obvious...<br><br>It's weird to see BT's electronic/transe sound mixed up with a classic MV/RC sound, but I kinda like it. I admit, when I first heard the score I wasn't terribly impressed (aside from Thailand and EDI's Sacrifice), but now I'm warming up to it. The Rabin/Zimmer influence is quite obvious, so that's a good reason to give it a listen. <br><br>Come to think of it, BT needs to do a score with Junkie XL. Now THAT would be a great combo. They should team up for the next Mad Max movie. It will be a madhouse of a score. lol.Hybrid doesn't like the FYC because of how much it butchers Steve's original themes and doesn't include additional composer credits. I believe that was the reason.The FYC score was complete. And it's out since november last yearIs there a complete score out there? If not, don't be surprised there's nothing here yet. Sometimes it takes years before a complete score listing pops on this site.Why no listing here for the complete score?
Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.
@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that timei saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?
Yeah that is true, canít argue there lol<br><br>And is it me or does ďCalypso Must Be ReleasedĒ sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.@MrTweedy<br>Thatís totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>Itís funny though, I feel like DMC is far more schizophrenic than AWE. Now donít get me wrong, I absolutely love DMC. Itís the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the ďrockínírollĒ sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!
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musician: flute
Richard Harvey
Musician
Harry Potter and the Prisoner of Azkaban
Label: Warner Music
Length: 68'36
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4793 votes)
  1. Lumos! (Hedwig's Theme) (1:38)
  2. Aunt Marge's Waltz (2:15)
  3. The Knight Bus (2:52)
  4. Apparition on the Train (2:15)
  5. Double Trouble (1:37)
  6. Buckbeak's Flight (2:08)
  7. A Window to the Past (3:54)
  8. The Whomping Willow and the Snowball Fight (2:22)
  9. Secrets of the Castle (2:32)
  10. The Portrait Gallery (2:05)
  11. Hagrid the Professor (1:59)
  12. Monster Books and Boggarts! (2:26)
  13. Quidditch, Third Year (3:47)
  14. Lupin's Transformation and Chasing Scabbers (3:01)
  15. The Patronus Light (1:12)
  16. The Werewolf Scene (4:25)
  17. Saving Buckbeak (6:39)
  18. Forward to Time Past (2:33)
  19. The Dementors Converge (3:12)
  20. Finale (3:24)
  21. Mischief Managed! (12:10)
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Mike reply Replies: 3 || 2013-10-09 16:41:26
There's a John Williams score on a Hans Zimmer site.

My life is complete.


MacArthur2013-10-09 17:10:02
Yep


Hermione2013-10-10 01:44:50
Umm...that is because Richard Harvey is an RCP musician. Every RCP musician who's worked on a score had it listed here.

1.) Daft Punk's TRON: Legacy (various RCP musicians were involved)

2.) Theodore Shapiro's Jennifer's Body (Co-composed with Stephen Barton, who is RCP).

3.) Brian Tyler's Rambo (Todd Haberman did some additional cues)

4.) Elliot Goldenthal's Heat (Lisa Gerrard is listed as composer, even though her tracks appear on her album The Mirror Pool, released the same year.

So relax. It's not like a John Williams Harry Potter score is randomly on here. Keep your pants on


Mike2013-10-10 01:58:03
I think you're the one who needs to stay calm. I'm well aware there's stuff by other composers, but the fact that John Williams--the man often pitted against Zimmer as the best modern composer--has a score on here is interesting.

sadra reply Replies: 0 || 2009-06-22 00:00:00
hello

Mario Soundtrack reply Replies: 0 || 2008-12-30 00:00:00
JOHN WILLIAMS the BEST!!!!!!
AUPA Jurassic Park"""!!!!!

DemonStar reply Replies: 0 || 2008-07-18 00:00:00
The best score of the Potter series till date, IMHO. I hope Maestro Williams is back for the final movie(s)!!

Anthony reply Replies: 0 || 2008-07-02 00:00:00
Ha, another one I didn't expect to see here! :)

Antas, Webmaster reply Replies: 0 || 2008-06-29 00:00:00
@Pridelander : Yes, we try to list all soundtracks by/with Richard Harvey so... ;o)

Pridelander reply Replies: 0 || 2008-06-29 00:00:00
wow... a John Williams album on Hans-Zimmer.com!? lol

The solo flute in "A Window to the Past" is one of the most beautiful music I've ever heard. Thank you maestro JW & Mr. Harvey!

Ivan orozco reply Replies: 0 || 2007-06-05 00:00:00
no offence suicune but i dont think you should be sad about william's departure of harry potter what you have to understand is williams was busy with the memoirs of a geisha soundtrack so therefore wb had no choice but to find another composer which patrick doyle he's no williams but he still did a kick ass job with the gof score and now recently nicolas hooper will be the new composer of harry potter if you go to www.harrypotter.com im sure you will be impressed it may be disapointing that williams left the saga but like you said it is his choice in the end dont forget he did the same way for jurassic park 3 including the superman sequals so in the end you cant have everything in life so just let it go

Anonymous reply Replies: 0 || 2007-04-18 00:00:00
The solos von Richard Harvey are so beautiful...

Suicune reply Replies: 0 || 2007-03-14 00:00:00
I know this is HZ.com but I have to say that this is one of the best John Williams soundtracks of the 2000's. I don't understand why he didn't score for the whole saga. Oh, well...It's his choice in the end.

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Harry Potter and the Prisoner of Azkaban soundtrack 2004