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So first impressions:<br><br>JP knocked this one out of the park! The whole score has this excellent swashbuckling vibe, which is surprisingly aggressive during the action sequences (entirely due to his trademark percussion).<br><br>The writing style is really interesting, it’s basically John Powell doing his usual style but with some Williams flourishes, especially during the softer cues. The Star Wars themes do return, but not as heavily as Rogue One. And of course the JW cue is great, although surprisingly structured more as an action cue as opposed to a concert suite.<br><br>And for some reason the Han theme sounds vaguely similar to Poe’s theme from Force Awakens.Let’s just say “Reminiscience Therapy”.... hold onto your seats! ;-)This score is awesome!! Powell did a great job at making a score that's differet than all the other SW scores, but still you know it's a SW score. He reprised Williams' theme brilliantly and I can't stop to listen to it!!!what about the music when batman makes it back to the cave and lex opens the case of kryptonite. cant find it in theseYeah I can't agree that Inception or Interstellar are superior pieces of scoring. Certainly not in structure, thematic development, etc. <br><br>What defined those scores is the vision behind them more so than the execution. In so many ways, that is opposite of The World's End. Interstellar is a brilliant score that managed to provide each scene with a simplistic tone, but one that captured the atmosphere behind the scenes perfectly, such as the unique use of the organ. Same with Inception with the guitars. <br><br>With a World's End, the vision is nothing special. It is a rock and roll twist to classic music. But the execution brings enormous power and gravitas to the movie.<br><br>I would sum it up by saying that in Interstellar and Inception, the creation of the music drives the movie's ideas while in At World's End, the movie drives the creation of the music.
Nazg&#251;l for Azog I will never forgive. It's not a Servant of Sauron theme, it's a Ringwraith theme, and Azog's not a Ringwraith, he's a goddam Orc, and that theme doesn't belong there, full stop. It was just put there because it sounds "epic" and would "pump up the action scene". Gondor Restored at the end is just as stupid. And the Dreaming of Bag End theme for Bilbo is indeed lovely, and would have been lovelier still if it actually appeared in the movie. Instead it just gets replaced by copy/pasted Hobbit music from LOTR instead because Peter Jackson desperately wants his audience to remember how good those movies were in lieu of the Hobbit ones being any good on their own. Needless to say it goes missing entirely from the second and third score...along with the Misty Mountains melody (the strongest theme of the first one). I still really like those scores overall but they got absolutely butchered in terms of their thematic usage in the films. Then again those movies were an absolute clusterfuck so I shouldn't be surprised.<br><br>WRT Harry Potter, the 3 note theme does work okay for Voldemort, except that there's already a longer, separate Voldemort theme in Philosopher's, one that I like even more, and which only gets used once in Chamber (when Riddle rearranges the letters). I can understand liking Chamber better than Philosopher when you compare the albums, but in terms of the complete scores there's no contest at all, Philosopher wins by a country mile because of Chamber's rehash issues (and there are some good cues missing from the album, such as the Troll and Forbidden Forest scenes).@Edmund<br>The thing with the Nolan scores (at least Interstellar/Inception) is that they are repetitive, in as much as being built heavily around the suites that I’m guessing they use to edit and temp the film. <br>And while the themes are simple I do think they are structured in a unique enough way which builds emotional resonance through the gradual increase in chords/volume/speed/etc. Even Dunkirk is a relatively simple score theme wise, but is so technically complex.<br><br>And personally I’ve never been in love with Inception. I admire it on a technical level, but outside of “Time” I find it to be a fairly cold score. Obviously what it was meant to do so not a complaint, more of a personal preference thing.You know, I actually like Chamber of Secrets much more than Philosopher's Stone. It has the best moments from that score with improved themes. (I actually like the 3 note motif for Voldemort better than it being used for the stone, it already sounded like the Sith theme from Star Wars so might as well go all the way with it.) It felt more tight, better paced, and had an overall more energetic feel to it.<br><br>The Hobbit, I'm not entirely sure where you're getting heartbreaking from. If you mean the state of its release I absolutely agree, if you're talking about its reprisals the only one I had any issue with was the Return of the King/Gondor Restored theme which had nothing to do with Thorin and Bilbo's relationship. <br><br>The Nazghul theme being used for Azog I thought was fine as he was a servant of Sauron in the movies, History of the Ring and Gollum's themes were used effectively, and the new thematic material for the first film, I thought was wonderful. The themes A Baggins of Bag-End and The Lonely Mountain song being used as a Fellowship type of theme are the greatest highlights for me.See, I don't find Inception or Interstellar (or Thin Red Line) all that "complex". Especially not compared to At World's End (how many themes are in that score, like 15? 20? Pretty much all of which show up in rapid succession during the Maelstrom battle?). The Nolan scores are more about building up around very simple conceptual ideas.<br><br>Unless you're talking about emotional complexity, which is a very different thing and not really possible to objectively judge...You know, I don't think I've ever really gotten the full story surrounding that score. I've heard conflicting reports. My personal belief is that Ross did little to no substantial composition and that all the new stuff (themes, suites, new cues and also significantly fresh arrangements of old material) is pure Williams, but that film is full of reused music from the first film (it's actually quite frustrating, not as bad as On Stranger Tides or as heartbreaking as The Hobbit, but a bit of a rehashy mess and it makes the key error of using the Philosopher's Stone motif as a Voldemort theme). That's where I think Ross comes in and was responsible for taking those cues verbatim from the first film and tweaking/rearranging them just enough to match the timings of the scenes without actually adding any of his "own" notes. His role is likely somewhere between additional music, arrangement and music editing (but as Hybrid likes to point out, oftentimes those sorts of roles are really blurred and overlapping anyways).<br><br>A guy at jwfan did an analysis that helps understand the nature of that score, but be warned, it goes *really* deep:<br><br>www.jwfan.com/forums/index.php?/topic/27619-finished-chamber -of-secrets-thematic-and-originality-analysis/
I'm trying to be objective* (sorry haha)@Anonymous Zimmer's best? Well... I'm trying to be subjective:<br>IMO The Thin Red Line remains the pinnacle of Hans' career from an artistic point of view. It's a turning point, though we've been used to this kind of writing since (so many scores have copied TTRL).<br><br>Inception and (especially) Interstellar are superior pieces of scoring as well. Their level of complexity is unmatched in Zimmer's discography.<br>Gladiator is another impressive score, as it combines some of the best action music, best drama and deepest emotions Hans has ever composed for a movie.<br><br>Seems like I'm quite objective here, as none of my favorites scores are on this list ! ;)Interesting you mention William Ross' role in Chamber of Secrets because I've never fully understood what his exact involvement was. Was he just an additional music composer? Or did he actually compose most of the score with John Williams only writing the suites? Just curious if you know.I mean, the thematic situation *is* a bit messy. You've got new themes by Powell, one new Williams theme adapted by Powell, and then existing Star Wars themes adapted by Powell. I agree the credits are a bit long-winded but I can't think of a more concise way to convey all that information.<br><br>What does bother me (and maybe this is my inner fanboy talking) is that it seems to downplay Powell's role a bit, listing him second and with the use of the word "adapted" which makes him feel a bit second fiddle. Remember how William Ross "adapted" Williams' music for Chamber of Secrets, by which was meant largely copying and pasting bits from Sorcerer's Stone? I have no doubt that Powell has done a far, far more substantial job here (and they do say "composed and adapted", to be fair). Then again, it's a Star Wars score, and of course they're going to put Williams' name front and center as much as possible no matter what.<br><br>This is all such nitpicking of the highest order :pHans for Star Wars ?<br><br><br>Never.<br><br><br>Ron probably asked him first and Hans probably was like "JOHN POWELL !!"
What would have happened if Ron Howard would have been the first choice to direct Solo? He would have chosen James Horner (if he wasn't dead) or try to convince Hans Zimmer to do the music. The only collaboration between Howard and maestro Williams was in the movie Far And Away.Poster in SpainA Star Wars score that sounds like a Powell score? I'm in.<br><br>From what I've heard of many people, the score is really great and apart from the Williams theme, I heard Powell also had a lot of great themes.<br><br>I cannot wait for it!Your source?Just saw the film, really fun and faced paced movie. The score is great, it has a solid main theme by John Williams (not as great as Rey theme though) but still memorable and john powell adapts this main theme in various variations throughout the film. Star Wars fan might be dissapointed by the score because this overall sounds like a typical Powell score which doesn’t really sound like a typical Star Wars movie. Still fans of Powell will love this new score.
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Additional Music - Conductor
Hans ZimmerNick Glennie-SmithHarry Gregson-WilliamsDon Harper
ComposerComposerCo-ComposerAdditional Music
The Rock (Complete Score)
Label: Unofficial Release
Length: 107'32
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (11882 votes)
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  1. Opening (3:54)
    Hans Zimmer, Nick Glennie-Smith
  2. Naval Weapons Depot (4:17)
    Hans Zimmer, Nick Glennie-Smith
  3. Baby Doll (2:26)
    Harry Gregson-Williams
  4. Romance #1 (0:19)
    Hans Zimmer, Nick Glennie-Smith
  5. Tour's Over, Bob (3:29)
    Nick Glennie-Smith, Don Harper, Steven Stern
  6. Hummel Speech - Alcatraz Reopened (2:25)
    Hans Zimmer, Nick Glennie-Smith
  7. Hummel's Demand To Pentagon (1:21)
    Hans Zimmer, Nick Glennie-Smith
  8. Romance #2 (0:46)
    Hans Zimmer, Nick Glennie-Smith
  9. Mason Montage (1:24)
    Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
  10. San Francisco Montage (1:17)
    Hans Zimmer, Nick Glennie-Smith, Russ Landau
  11. Interrogation (1:02)
    Nick Glennie-Smith, Steve Stern
  12. The Quarter (0:41)
    Nick Glennie-Smith, Steven Stern
  13. Window Crash - Fairmont (2:07)
    Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
  14. Haircut Escape - The Chase (8:22)
    Hans Zimmer, Nick Glennie-Smith, Don Harper, Harry Gregson-Williams
  15. 32 Stenson Drive (0:49)
    Nick Glennie-Smith
  16. Jade (1:59)
    Nick Glennie-Smith
  17. Blueprints (1:06)
    Nick Glennie-Smith, Harry Gregson-Williams
  18. Hummel - SEALs (7:14)
    Hans Zimmer, Nick Glennie-Smith
  19. Mason Into Furnace - SEALs Tunnel (1:14)
    Nick Glennie-Smith, Don Harper
  20. In The Tunnels (3:32)
    Hans Zimmer, Nick Glennie-Smith, Steven Stern
  21. SEAL Attack (4:52)
    Hans Zimmer, Nick Glennie-Smith, Steven Stern
  22. A Terrible Mistake (0:49)
    Harry Gregson-Williams
  23. Bombs (3:43)
    Nick Glennie-Smith, Harry Gregson-Williams
  24. The Morgue (1:52)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  25. Escape (2:12)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  26. Mine Fight (4:12)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  27. Hostage - Goodspeed Captured (5:35)
    Hans Zimmer, Nick Glennie-Smith
  28. Thermite Plasma (0:51)
    Nick Glennie-Smith
  29. Mason's Walk (4:10)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  30. First Launch (1:54)
    Harry Gregson-Williams
  31. President's Lament (1:57)
    Hans Zimmer, Nick Glennie-Smith
  32. Mission's Over (5:28)
    Hans Zimmer, Nick Glennie-Smith
  33. Final Attack (3:07)
    Hans Zimmer, Nick Glennie-Smith
  34. The Last Chip (2:26)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  35. Green Smoke (2:37)
    Hans Zimmer, Nick Glennie-Smith
  36. Finale (3:24)
    Hans Zimmer, Nick Glennie-Smith
  37. Fort Walton, Kansas (1:37)
    Hans Zimmer, Nick Glennie-Smith
  38. The Mission (Alternate) (1:56)
    Hans Zimmer, Nick Glennie-Smith
  39. In The Tunnels (Alternate 1) (1:37)
  40. In The Tunnels (Alternate 2) (1:31)
  41. Fort Walton, Kansas (Alternate) (1:40)
    Hans Zimmer, Nick Glennie-Smith
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Bayhem reply Replies: 3 || 2018-01-03 20:26:47
I still wonder if the rumors about James Newton Howard 'helping out' on the score are true? If it's true then this would be the first Newton Howard/Zimmer collaboration. Not the Nolan Batman films :)


James Callahan2018-01-03 23:17:11
The rumors are true. I read this in some 1997 post of somewhere on the internet that I do not remember now.


Bayhem2018-01-03 23:30:25
Wow, that is great. What a crew then!


lol2018-01-04 13:11:37
Yes if you read it somehwere random on the internet in 1997 then surely it must be true

Felix reply Replies: 0 || 2017-01-13 23:04:06
There's a new tracklist here :)

Ds reply Replies: 0 || 2016-05-18 20:54:36
Hybrid, please tell HZ that this is your favorite score ever, and beg him to play a small little piece from it at the last show in France, as he promised us something special for this show! I'm sure he can be persuaded :-D

Seer reply Replies: 9 || 2015-08-06 07:37:06
There's a new recording session out. How legit/complete is it? Anyone know the source?

ROCK_1M1 Main Titles
ROCK_1M2 Hummel Gets the Rockets
ROCK_2M3 Stanley Disarms The Bomb
ROCK_2M4A Carla Proposes
ROCK_2M5 Alcatraz Takeover
ROCK_2M6 Hummel's Speech
ROCK_3M6A Hummel's Demands
ROCK_3M7A Stanley and Carla
ROCK_3M8 He Does Exist
ROCK_4M9 FBI Arrival
ROCK_4M10 Paxton Briefs Mason
ROCK_4M11 The Quarter
ROCK_4M12 Mason Breaks The Mirror
ROCK_5M15 Mason Prepares His Escape
ROCK_5M16 San Francisco Chase
ROCK_5M17 Stanley Tails Jade
ROCK_5M18 Mason Meets Jade
ROCK_6M18A Mason's Blueprint
ROCK_6M18B The Mission (Insert)
ROCK_6M18B The Mission
ROCK_6M18C The Furnace
ROCK_7M19 Welcome To The Rock (Alt.)
ROCK_7M19 Welcome To The Rock
ROCK_8M20 Shower Room Massacre
ROCK_8M21A Hummel Mourns
ROCK_8M21B Bombs Away
ROCK_9M22 Into The Morgue
ROCK_9M23 Close On The Morgue
ROCK_10M24A Tunnel Fight
ROCK_10M24B Mason's Walk
ROCK_11M25 Thermite Plasma
ROCK_11M26A The Final Hour
ROCK_11M26B Rocket Away
ROCK_12M27 Air Strike Approved
ROCK_12M28 Mutiny
ROCK_12M29 The Last Rocket
ROCK_13M30 Goodspeed and Frye Fight
ROCK_13M31A-B Green Smoke
ROCK_13M31B Green Smoke (Alt.)
ROCK_13M32 Fort Walton
ROCK_14M33 End Credits
ROCK_A Simple Victory (Demo)
ROCK_Guitar Study (Demo)
ROCK_In The Dark Place (Demo)
ROCK_Main Theme - More Developed And BIG (Demo)
ROCK_Main Theme (Unused)
ROCK_Mystery To Love Theme To Bell Theme (Demo)
ROCK_Pastorale (Demo)
ROCK_Portent Theme To Noble Theme (Demo)
ROCK_Theme That Builds (Demo)
ROCK_Theme That Builds With Groove (Demo)
ROCK_The Rock Demos (Demo I, Demo II, Demo III)


T-Mann0362015-08-06 17:26:10
It's real, it's complete, and it's 100% legit!


Scorefan2015-08-06 19:51:56
Well it's completely legit and 100% real, but these 2 cues posted here by Hybrid are missing from the sessions:

40.In The Tunnels (Alternate 2) (1:31)
41.Fort Walton, Kansas (Alternate) (1:40)

With these two cues the sessions would be complete.


Magnus Rex2015-08-07 07:57:29
This is not entirely legitimate. For one, it's partially made from an older fan edit which crossfades some cues. The real sessions have clean openings and endings to each piece. In addition the "demos", as far as I can tell, are almost all fake (or else Hybrid would have surely added them here). They sound nothing like The Rock score. The only real demos are the I, II and III pieces, which come from an old NGS promo.


Hybrid Soldier2015-08-07 08:28:05
The demos are real.

I never added some for some reason. But trust me they are all legitimate...


Scorefan2015-08-07 21:01:11
Thanks Hybrid


Angelos2015-08-08 10:29:10
So, da shit is real dawg.....

Dat question is : when is LLL going to make this an official release? You know, give it a good remastering and make it official....


T-Mann0362015-08-08 17:04:55
Intrada would be an excellent choice to release The Rock complete film score.


Angelos2015-08-08 18:08:35
Ya dawg, Intrada would do too...


Anonymous2015-08-10 20:38:52
Given that a certain someone keeps leaking recording sessions that more often than not end up getting an official release (Wyatt Earp, Jennifer 8, The Ghost and the Darkness, etc.), perhaps a label is going to release this at some point in the future? Who knows; the two occurrences may not be linked at all.

KLF reply Replies: 2 || 2015-01-29 03:33:17
Track #40 - In The Tunnels Alt. 2 - this is on the CD OST somewhere?


Jemima2015-04-13 18:02:40
Hey.

So where can one buy this?

Also is there an "official" complete version? Cause there are plenty of "completes" out there, all with different track listings, some with SFX, some without
### EDITED ###

Cheers.


Damien, Moderator2015-04-13 20:44:05
As all score marked "Unofficial Release", you can't.

High reply Replies: 1 || 2014-07-17 13:49:55
Would be soo nice, if Zimmer would make a long version of "Fort Walton" or if he did so, show us this masterpiece..


High2014-07-17 13:53:23
As I found out, there is an alternate take with Nick Smith.. ;)

Bioscope reply Replies: 1 || 2014-05-05 06:09:29
This suddenly looks more complete. Does that mean its finally out there, no sfx?


Anonymous2014-05-05 23:51:50
it's just added credits

Edmund Meinerts reply Replies: 7 || 2014-05-04 20:59:20
For the new credits here (sorry in advance for overly anal-ness, Hybrid...). Wherever Zimmer appears, is it because he actually had a hand in those cues or is it just because of his theme?


Mike2014-05-04 21:00:28
Well, I think we can definitely say he did the Opening, right...?


Mike2014-05-04 21:02:25
Also, sorry for making two posts in a row, but I guess he also did some of the Fort Walton, Kansas cue, because his name is there, but the main theme isn't in it.


Edmund Meinerts2014-05-04 21:06:31
I always thought that the only two really Zimmer cues in the score are the opening and Hummel's speech. But come to think of it you must be right about Fort Walton, Kansas. :)


Hybrid Soldier2014-05-04 21:51:19
No he actually wrote the score... No choice... Rescue...

With Nick of course but Mason's Walk or The Mission are clearly written by Hans himself...


Mike2014-05-04 22:01:26
That explains SO MUCH. Cues like "The Mission" always screamed that they were 100% Zimmer to me.


Hybrid Soldier2014-05-04 23:07:43
And Hans actually wrote the Opening Title for the SEAL Attack in the first place... It only became the Opening Title after... lol


Hybrid Soldier2014-05-05 08:48:02
Has someone any idea what San Francisco Montage might be ?

I know that cue is credited to Russ Landau (yeah... even he worked on that score lol...).

I always thought it was "Deadline"...

Mike reply Replies: 2 || 2014-01-03 23:48:15
Is the awesome opening cue by Zimmer or NGS?


marco2014-01-04 01:50:38
Hard to tell mate. It could be NGS as he efforts after the rock sound identical such as the man in the iron mask.


Michael H2014-01-04 11:28:47
The main theme in the opening credits is HZ...

Felix reply Replies: 0 || 2013-11-16 22:17:25
Hybrid, can you write the credits please?

Anonymous reply Replies: 1 || 2013-08-10 18:54:56
I find it odd that HGW is credited a principal composer on the cover. It seems like he just did a bit here and there.


Hybrid Soldier2013-08-10 19:44:36
Harry did a lot of the action cues in the middle of the movie...

Hybrid Soldier reply Replies: 2 || 2013-08-10 11:04:01
Little HZ comment regarding his involvement on The Rock :

"I ended up writing the main themes, the scene where they all get killed... I think I had a hand in most cues by the end. I can't really remember all that much. Jerry, M. Bay and Nick was just not a good combination. Yes, I seem to remember the Hummel speech, and Harry learned how to write a car chase. Maybe a hundred times :)"


Evenstar2013-08-10 12:37:35
nice :)


Mike2013-08-10 18:11:21
Interesting timing. I was wondering about Zimmer's involvement here just a couple days ago. I imagine the album track "Hummel Gets the Rockets" has a lot of Hans in it, and I know his theme is used a lot throughout, but I didn't know he was involved with the cues, really. Thanks for the info.

Gav reply Replies: 1 || 2009-08-03 00:00:00
Sadly, this is NOT complete - only expanded. Some cues are missing.


Peter Jacobs2012-06-15 05:18:16
Exactly. The cue I notice immediately is the love theme between Goodspeed and his wife. A slower and more romantic version of Fort Walton, Kansas. I believe would be titled "Marriage"

Played as Goodspeed and his wife talk about getting married in San Francisco just after making love.

Peter Jacobs reply Replies: 0 || 2012-06-15 04:54:39
I'm waiting for the day La La Land or some company picks up this score and decides to release it in complete form. Hans Zimmer, NGS, HGW, and Don Harper all did a fantastic job on this.

Aggelos reply Replies: 0 || 2011-12-04 16:27:50
Folks, La-La Land has to release a complete edition for this score right here, right now for Christ's sake!!!!
One the best action scores ever!!!




H-GW: "I basically helped Nick Glennie Smith and Hans get through it - there was a mountain of music to be written and hardly any time (what's new), not to mention probably the most odious director alive plus the eternal task master Jerry "let's torture Harry now" Bruckheimer. The car chase was one of a few that became my responsibility. I thought Nick did a REALLY good job considering the circumstances."

Zimmer: "The main theme is mine, as are a few other bits. It's really hard to tell. I do have a huge influence in there. But I never really wanted to write any of it. It was always supposed to be Nick Glennie-Smith's score."


1 - Opening Titles - Hans Zimmer, Nick Glennie-Smith
2 - Hummel Gets The Rockets - Nick Glennie-Smith, Harry Gregson-Williams
3 - Baby Doll* - Harry Gregson-Williams
4 - Rock House Jail - Nick Glennie-Smith
5 - Hummel's Speech - Hans Zimmer, Nick Glennie-Smith
6 - The Quarter* - Nick Glennie-Smith
7 - The Chase - Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
8 - Jade - Nick Glennie-Smith
9 - Lift Off - Nick Glennie-Smith
10 - The Furnace - Welcome To The Rock - Don Harper, Nick Glennie-Smith, Harry Gregson-Williams
11 - The Shower Scene* - Nick Glennie-Smith
12 - Rodent Problem* - Harry Gregson-Williams
13 - The Morgue* - Harry Gregson-Williams
14 - In The Tunnels - Harry Gregson-Williams
15 - Off The Track - Nick Glennie-Smith, Harry Gregson-Williams
16 - Mason's Walk - Nick Glennie-Smith, Harry Gregson-Williams
17 - Deadline - Nick Glennie-Smith, Harry Gregson-Williams
18 - First Launch - Harry Gregson-Williams
19 - Aftermath* - Nick Glennie-Smith
20 - Mutiny - Nick Glennie-Smith, Harry Gregson-Williams
21 - Lighthouse - Harry Gregson-Williams
22 - The Last Chip - Harry Gregson-Williams
23 - Green Smoke - Nick Glennie-Smith
24 - Safe* - Nick Glennie-Smith
25 - Fort Walton Kansas - Nick Glennie-Smith

*Tracks not on the OST

Iceboy reply Replies: 0 || 2010-12-22 00:00:00
@Anon: Recording sessions are not necessarily complete. For example, the Blade recording sessions by Mark Isham are not complete, but are still labelled as such as they contain alternate and unused cues. The alternates and film mixes on this disc have NOT been released before and are NOT on any other version. The name of "recording sessions" is therefore more fitting, to differentiate it from the "expanded" versions out there.

Dante reply Replies: 0 || 2010-03-29 00:00:00
The Rock is a rather good movie, but an awesome soundtrack

thx for ur piece of great music
I'm a kinda reserved man... I always keep what I feel deep inside not lettin' anyone guess what I really feel, but when I listened to some of these tracks it even drived a tear out of me.

Thx for that.
Cheers and GL.

Phantom250 reply Replies: 0 || 2009-12-03 00:00:00
THIS IS ONE OF THE BEST FILM I EVER SEEN IN MY LIFE, SO AWSOME WITH NICOLAS CAGE AND SEAN CONNERY TOGETHER IS AWSOME AND I LOVED (u cannot imagine how) THE MUSIC, IT'S ... AWSOME(i wish to make bigger letters but i cant)


Hans Zimmer OWNS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! and i like call of duty modern warfare 2 music too but not as much as THE ROCK.

thnks

Anonymous reply Replies: 0 || 2009-09-06 00:00:00
The Tracklist below is a fanmade expanded score, the "recording session" label is wrong. Its the expanded version added with the tracks from NGS "The Rock Ideas" Bootleg. Fact: A "real" complete is still not available.

Bla reply Replies: 0 || 2009-09-04 00:00:00
The Rock (Recording Sessions)
CD1
01. Main Titles (3:49)
02. Hummel Gets The Rockets (4:15)
03. Terrorist Care Package (2:25)
04. Taking Over Alcatraz (3:31)
05. Hummel's Speech / Alcatraz Reopened (2:27)
06. Mason Breaks Window / Drive To The Hotel (2:08)
07. Rope Trick / The Chase (8:37)
08. Jade (2:02)
09. SEAL Incursion (7:14)
10. Welcome To The Rock / In The Tunnels (4:14)
11. Shower Room Shootout (4:54)
12. Flush The Pipes (3:45)
13. The Morgue (1:48)
14. Mine Cart Escape (2:01)
15. Battle In The Mine (4:12)
16. Mason Meets Hummel / Goodspeed Is Captured (5:36)
17. Preparing For Launch (4:08)
18. Missile Loose (1:54)
19. President's Speech (1:56)
20. Mutiny (5:24)
21. The Lighthouse (3:06)

CD2
01. Hunting Goodspeed (2:25)
02. Green Smoke / Hostages Alive (5:31)
03. Fort Walton, Kansas (1:35)
04. End Credits (4:51)
05. Main Titles (Demo) (2:42)
06. Hummel Gets The Rockets (Alternate) (4:18)
07. Terrorist Care Package (Alternate) (2:26)
08. Jade (Demo) (2:50)
09. SEAL Incursion (Alternate) (7:22)
10. Mine Cart Escape (Alternate) (2:13)
11. Green Smoke (Alternate) (2:38)
12. Kansas (Demo) (2:26)
13. Alternate I (1:38)
14. Alternate II (1:57)
-----------------------------------------------------------
Total Duration: 02:04:16

Anonymous reply Replies: 0 || 2008-08-02 00:00:00
no sound effects

Music without sounds/voices from the movie.

isirius reply Replies: 0 || 2008-08-02 00:00:00
what is the meaning The Score without SFX??

DemonStar reply Replies: 0 || 2008-07-17 00:00:00
As far as I'm concerned, it has most of the good cues from the score, and the quality's great. Great stuff! ;)

Paul Anderson reply Replies: 0 || 2008-05-10 00:00:00
Maps
Your album with sfx.
__
I have the Rock NO SFX.

Jaume reply Replies: 0 || 2008-04-03 00:00:00
Fine music!

Where can be found a midi or a sheet notation for this soundtrack?

Maps reply Replies: 0 || 2007-09-19 00:00:00
I created an own bootleg with all the music released fort his film with this track listing:

01 Opening titles (3:51)
02 Hummel gets the rockets (4:12)
03 Defusing the bomb (2:24)
04 Marriage (00:16)
05 Tours over (3:26)
06 Hummel’s speech (2:35)
07 Marriage II (00:42)
08 Mason breaks the glass (2:15)
09 The chase (8:33)
10 Jade (1:59)
11 The mission (7:21)
12 The mission (alternate) (1:53)
13 Father–daughter-chat (1:46)
14 Welcome to the rock (4:16)
15 Welcome to the rock (alternate) (1:34)
16 The shower room massacre (4:37)
17 Bombs away (4:37)
18 The morgue I (1:44)
19 The morgue II (2:10)
20 Tunnel shootout (4:10)
21 Mason’s walk (5:32)
22 The final hour (4:09)
23 Rocket away (1:51)
24 The air force approved (1:56)
25 Mutiny (5:25)
26 The last rocket (3:06)
27 Frye and Goodspeed fight (2:24)
28 Green smoke (2:36)
29 Saving Goodspeed (3:23)
30 Fort Walton – Kansas (alternate) (2:51)
31 Fort Walton – Kansas (1:29)
32 End Credit suite (5:14)
33 The Rock (ideas)

Total running time: 1:42:18

NO SFX!

mark reply Replies: 0 || 2007-08-28 00:00:00
on the rock cover is are names of nick glennie-smith,hans zimmer,harry gregson-williams,but i dont know who did witch theme,who did all score and who just was helping in work.anybady know who did what in this score???

Manuel reply Replies: 0 || 2007-08-27 00:00:00
Well this is a version without sfx. But is not the complete score, The movie runs over 2 hrs and 15 minutes, and many music from the film is not included in this version. Also, we can find this parts of the music in others version but conatins a little sfx. Also, There changes between some tracks from the other versions and this. Please, team of remote control productions, lauch the complete score with all the music and the alternate tracks.

Thanks.

Aggelos reply Replies: 0 || 2007-08-20 00:00:00
I also have the version that ok mentioned about. It's very nice! Hail to complete score with no SFX!!!

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The Rock (Complete Score) soundtrack - Hans Zimmer - Nick Glennie-Smith 1996