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No one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.
Aplusle, that's really well put actually.Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on albumI can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensation
Balfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.
I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>Really surprised at this album, I’ve never really heard anything from Max Richter but I really like what he ended up writing for this score. It surprisingly flows well for a stand alone listen. It’s funny that the producers wanted a different approach, I think Richter nailed it.<br><br>Balfe’s contribution is excellent as well, I particularly like that repeating chord progression (which is starting to become one of his trademarks considering how many times he has used it). It’s disappointing that they didn’t include more of his contribution though, since he apparently rewrote the entire score.
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Composer - Conductor
Harry Gregson-WilliamsToby ChuNick Glennie-SmithClay Duncan
ComposerAdditional MusicAdditional MusicAdditional Music
Deja Vu
Label: Hollywood Records (Digital Download Only)
Length: 53'40
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9616 votes)
  1. Algiers Ferry (3:06)
  2. The Aftermath (4:30)
  3. Dazzle Me (2:25)
  4. Claire's Apartment (4:12)
  5. Better Have Some KY (5:36)
  6. You Can Save Her (9:03)
  7. Humvee Chase (6:03)
  8. Tell Me The Truth (3:08)
  9. The Hideout (4:21)
  10. Claire's Rescue (4:19)
  11. Coming Back To You - Macy Gray (3:21)
  12. Humvee Chase (The Sonic Terrorists Remix) - Hybrid (3:39)
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dlmusic reply Replies: 0 || 2006-12-28 00:00:00
Someone who's watched the film told me that according to the end credits of the film the song was really made by HG-W in collaboration with Macy Gray.

Dave reply Replies: 0 || 2006-12-27 00:00:00
Nice Music, interesting story!

Anonymous reply Replies: 0 || 2006-12-26 00:00:00
Someone have coming back to you of macy gray (:? please anyone

Sergiy Byelousov (www.darts-records.com) reply Replies: 0 || 2006-12-18 00:00:00
It's a great music. Composing and arranging- super.
It's one of the favorite composers.
Style: symphony, drum'n'bass, sound design.
Synth sounds with classical instruments.
Thank you Harry. It's a very good job.

dlmusic reply Replies: 0 || 2006-12-10 00:00:00
@Azul: I think the only possible way to buy it is iTunes... Maybe a real CD will get released later; you never know...

Azul reply Replies: 0 || 2006-12-09 00:00:00
-where can i buy this music? Please, can you tell me if i can find it in Spain?
Thanks

dlmusic reply Replies: 0 || 2006-12-08 00:00:00
Well, I know that it sounds like HG-W ;). That's why I'm asking.

Ben reply Replies: 0 || 2006-12-07 00:00:00
Well the macy grey track does have that 'gregson williams' sound to it. so if he didn't co-write the lyrics i think he arranged the instrumentals and synth tracks on the song

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OKKU reply Replies: 0 || 2006-12-06 00:00:00
Any track please!

Hybrid Soldier reply Replies: 0 || 2006-12-06 00:00:00
Good question dl !

dlmusic reply Replies: 0 || 2006-12-06 00:00:00
Does anyone know if the Macy Gray song is co-written by HG-W again (like "Real" with Macy Gray for the last Tony Scott collaboration "Domino")?

Ben reply Replies: 0 || 2006-12-06 00:00:00
I've herd some samples of this album, and the firts track just sounds amazin, another job well done by harry gregson williams

Matteo from Italy reply Replies: 0 || 2006-12-04 00:00:00
it's a nice score...elettronic style!
clay duncan & glennie smith,did music programmer!

Ben reply Replies: 0 || 2006-12-01 00:00:00
Does anyone know where i can get this score from apart from iTunes?

ninou reply Replies: 0 || 2006-11-29 00:00:00
sees vraiment super mon pied serai d'assisté à un de leur concert

Hans-Batman-Zimmer reply Replies: 0 || 2006-11-29 00:00:00
It will be released... on 12/11.I can't wait either !!

Hybrid Soldier reply Replies: 0 || 2006-11-29 00:00:00
I can't wait to listen this one ! (T___T)

Sylvos reply Replies: 0 || 2006-11-29 00:00:00
Exclusive to iTunes only? Why?

You're not trying to say that a CD release of this is totally out of mind, are you?

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Deja Vu soundtrack - Harry Gregson-Williams 2006