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Hybrid, is Zimmer really attached to Space Jam 2?<br><br>Will Hans Zimmer be coming to London in 2021 pls? Thanks MonicaWhy won't concert in Poland?! I love Hans Zimmer and his music and I was really waiting for it!! Last time in Cracow it was the best time ever for me! :(Isn't anyone except me wondering what kind of sound that 2-tone-pattern is? Is that something like ring-modulated strings? Or even FM? Sure it is something layered.Anyone own the 24bit FLAC version? I bought it expecting to here a difference between that and the mp3 version and they kinda sound the same to me. Just curious on if anyone else had the same observation.
Upon revisit, this score is by far the best of the entire Call of Duty franchise. A wonderful main theme, exciting, varied, and climactic action music for the British missions, and a strong amount of atmosphere. <br><br>The only annoying part is the American missions' action music is on-the-nose and terrible until the nuke cue, and there's a little too much reused tracks for my taste.donít worry about it @Eobard <br>With the timing, I wouldíve thought the same if I didnít already know about the brass library :)Well for sure it became the worst timing ever for Tom...<br><br><br>He must be watching twitter sweating right now lol. Totally cornered...@Ahmad well my bad! I didn't know about this. It was just his post came at a time like this so...<br>Sorry guys.@Xavi I know. I also want the  Snyderís cut and JXLís score to be released, but setting up expectations about the score when itís clear that Tomís post has nothing to do it is just kinda unnecessary.
Couldn't agree more Edmund. He's got both the orchestra and synths (and his great guitar usage) down very well. Similar to HGW IMO. <br><br>He's also a very interesting interviewee (that accent always seems to help). <br><br>Which scores have had electronic elements edited off of the official releases? And do the missing elements appear in the complete scores/sessions?In a year, like Enos saysIs there a page for the complete score of this film? Thanks."LOL" Relax, Ahmad. <br><br>People are working really hard to release the movie and with it will come Junkie's score too.<br><br>LOL! The only thing thatís coming is his brass library which he has been working on for quite some time.
Even Snyder himself just tweeted it.<br><br>I bet the score of this version would be way better because Junkie/Zimmer worked on Batman, Man Of Steel and the Wonder Woman theme<br><br>What Elfman did was terrible butchering and ignoring all the themes and tonality of all the previous hero scores.Gal and Ben also announced their support for the Snyder Cut!Something is coming, Junkie XL aka Tom just posted this<br>https://twitter.com/Junkie_XL/status/1196111682398867456<br>#ReleaseTheSnyderCutI want that film version of John's theme. heard in the arcade scene and airport scene at the end of the film.Nope. They were recreated using film stems.
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Additional Music - Conductor - Orchestrator
Hans ZimmerNick Glennie-SmithChristopher WardJay Rifkin
ComposerAdditional MusicAdditional ArrangementsScore Producer
Crimson Tide
Label: Hollywood Records
Length: 60'17
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (12638 votes)
  1. Mutiny (8:57)
  2. Alabama (23:50)
  3. Little Ducks (2:03)
  4. 1SQ (18:03)
  5. Roll Tide (7:33) *
* Includes Hymn "Eternal Father Strong To Save" written by John B. Dykes with words by William Whiting
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Brian reply Replies: 0 || 2005-02-04 00:00:00
hans is the best composer hands down and I first heard him on this movie and was blown away he is incredible and so our his themes like this one!

Spectacular Music Score reply Replies: 0 || 2005-01-02 00:00:00
I've never heard great and emotional music like this.
this is the best music score to me ever made!!!!!!

Demetris Christodoulides reply Replies: 0 || 2004-12-17 00:00:00
There's not much to be said about a classic score that influenced so many people since its release and added another brick in the ever-expanding wall of film music.

Itís true that some long-cue scores tend to become tedious and tiring for the listener but I personally donít have a problem with long cues as long as they do not fall into that trap. The particular ones, not only do they avoid that trap but a long of thematic and general musical development takes place in that duration and thatís a very pleasant fact because we get a coherent whole, with strong and memorable thematic material.

If you correspondingly of the contrasting issue that appears largely in score cds lately, i.e. the small cues that donít have the time and space to develop in order to actually offer something important to the listener other than plain underscore and semi-finished and undeveloped ideas, this is a rather welcome score.

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Crimson Tide soundtrack - Hans Zimmer 1995