NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
I don't think everybody thinks it's bad you just have to look at the development of the franchise. In the first pirates we got very nice melodys and tunes that are still legendary and so they set the tune for all the other pirates movies. In the second one we got a much darker yet very good developed score that has again new themes for new characters but uses themes from the first one as well. Then the third movie came along and everybody can think about the film what he wants but the music... man the music from the third one is really the cherry on the top of the entire franchise cause here we got all themes in new majestic versions plus one of the most beautyful love themes ever. So now you would think "Ok, I guess by judging by the development, the next one will be at least as great as the last one" but instead of this case we just got old themes in flat versions and the music is not bad but it just has not this kind of drive like the others. For sure if this score would have been the first one, the crowd would have reacted differently but hey, the movie wasn't that good as well so I guess it all equals out :DBecause they mixed several passages of past scores into scenes completely disconnected from those for which the music was composed at first. There is a chase scene with the music for the maelstrom. The love theme for Will and Elisabeth comes up without either of them being in the movie or in scenes that nerver mention their names. The same with the theme for Beckett. And half of the commercial CD was remixes of DJsCan I ask why everybody is so negative about this score.<br>I actually really love it. New themes for Spaniard, Mermaids and Blackbeard are good.<br>Okay, Hans re-used stuff from the previous 3 but it's still a great score.<br><br>Why does everybody else think it's bad? Would somebody please explain this to meWell said. Itís not a terrible score by any means, but the lack of continuity is incredibly disappointing. There were so many times in the movie that practically screamed for Hansí themes. The only point I heard one was the Krypton theme for (maybe) 15 seconds and that was just an insert from a previous film. Iíd love to do a fan project once the movie is released and insert music from Man of Steel/BvS and see how it changes the feel of this film.YFM, your work is awesome. Long time lurk-listener. Looking forward to this,
Bah leave me alone, I still need a few years to overcome the fall of House DC... What a horrible movie that JL was, I can't get over it... lolIf you love these peoplegeneral zod : )After listening to this score a few times, I am starting to enjoy it. It's not fantastic, but it's not absolutely horrible, either. While I am very disappointed that Zimmer didn't score the film, and that Elfman didn't preserve the series' music continuity very well, I feel the score does hold up fairly well on its own. It introduces some nice motifs, and honestly, hearing the old Batman theme again is awesome, especially in tracks like "Then There Were Three" and "The Final Battle". Some may think it's out of place, but I feel it fits this iteration of the character. But then, Elfman gets lazy with some of the tracks. The opening of "The Amazon Mother Box" sounds like Elfman's theme for "Hulk", while the motif for the Justice League team is very reminiscent of the Avengers theme motif. <br><br>On the other hand, hearing the original Superman theme feels a bit odd - I love that theme, but the joyousness that Williams put into it doesn't fit this version of the character. Zimmer's amazing theme means so much in this series, and Elfman didn't reprise it once. Elfman did briefly reprise a trumpet rendition of Wonder Woman's theme, which was nice, but I personally expected to hear it a little more. And it made me even more confused as to why he didn't reprise other themes. <br><br>Personally I don't think Elfman was the best choice to score the film, but I don't think he did a horrible job. I would've loved to have heard Zimmer's score, considering the amazing work he's done for the series. Hopefully in the future, the themes he composed will be reprised more.Instant (corrector problems)
For one intance I really thought it was lorne balfe disguisedI really hope we get the FYC! The score needs to be heard in full<br><br>Great work btw!the fyc is comming soon ;-)<br>maybe we get the "film version"The above "Anonymous" is just me. I forgot to type the name.LOL@George, Lorne has been retweeting all the SkyDance's tweets on Mission Impossible movies. And they never really announced that Kraemer is returning to compose MI:6. Everybody just assumed he would. So, I'm pretty sure Lorne's doing it. I could be wrong, though.
I'm working on my own version of "The Mole", "Escaping The Mole", or whatever the long warped/over music edited tension cue is named.<br><br>nightly demos will be posted every day until I finish it, but it sounds fine now if you "must have" it.<br><br>soundcloud.com/yourfavoratemusic/hans-zimmer-dunkirk-escapin g-the-mole-nightly-demoExcept that Zimmer's "happy jolly" comment was completely off the mark. That's now how I'd describe the tone of Elfman's Batman theme at all. It's brooding and dark, but in more of an old-school Gothic orchestral kind of way that still allowed for some bursts of heroism. I still maintain the theme itself could have worked in Nolan's films, albeit with substantially changed orchestrations and tone (and doesn't Zimmer kinda-sorta quote it at 7:18 in "A Dark Knight" anyways?).I do not know ... MI6 is a "Bad Robot" production, JJ Abrams's company. They often work with Kraemer, Trapanese, Beck... But isn't impossible.Hybrid's silence can mean something.Thanks!John Powell is doing open messaging on Facebook for another hour or so. (He had to clarify - send him a message on his page, don't comment on his post. And no, he can't say a word about Han Solo....I already asked a general question. No surprise. :P)
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional Music - Conductor - Orchestrator
Hans ZimmerNick Glennie-SmithChristopher WardJay Rifkin
ComposerAdditional MusicAdditional ArrangementsScore Producer
Crimson Tide
Label: Hollywood Records
Length: 60'17
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (11300 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. Mutiny (8:57)
  2. Alabama (23:50)
  3. Little Ducks (2:03)
  4. 1SQ (18:03)
  5. Roll Tide (7:33) *
* Includes Hymn "Eternal Father Strong To Save" written by John B. Dykes with words by William Whiting
Create Topic

Pages << 1 2 >>

Dimitris Krommidas reply Replies: 0 || 2017-01-01 23:32:44
Nice to return to this score again.
Happy new year!

Dimitris Krommidas reply Replies: 0 || 2016-01-23 14:41:38
Hybrid Soldier, did mr.Zimmer said anything for Tony Scott's suicide? I believe he felt very bad...

Dimitris Krommidas reply Replies: 0 || 2015-07-10 00:03:40
Still....a top classic from mr.Zimmer!!!
One of his best!!
I am very happy to own this album.

  Your name :   

Please enter number: 62 

Man With No Name reply Replies: 3 || 2014-05-06 18:29:04
this score is exactly like the rock!!!


Edmund Meinerts2014-05-06 18:31:29
More like the other way around, since this came out first. And, also, you're wrong.


Zimson2014-05-06 22:06:39
Yay, finally someone who dares to critisize Hans' 90's scores.


Mike2014-05-06 22:41:41
How's that a criticism? Even if the two scores are very similar, they're both great. ;)

Mike reply Replies: 2 || 2013-06-08 03:06:01
Apparently this score is a favorite of Steven Spielberg.


MacArthur2013-08-31 22:45:07
Where'd you here that


Mike2014-01-10 19:03:55
I don't remember (I believe it was an interview with Zimmer). Apparently Spielberg called him on the phone after seeing the movie and said it was a great score. lol.

MacArthur reply Replies: 0 || 2013-08-31 22:48:38
I love this score. Roll tide. and the Hymn are very very powerful and moving

matthew reply Replies: 1 || 2012-08-27 18:37:15
Little Ducks sounds completely different in the movie.
It's a different choir...


why?



MacArthur2013-08-31 22:47:31
It's not a different choir it's just a different key

Sura-at reply Replies: 0 || 2013-02-02 08:12:15
I having an opinion that: Zimmer, Scott and Crimson Tide
should be a combo for an epic movie. Because an epic score,
dramatic song (Mutiny and Roll Tide (I add "Mutiny" because
there's a "Roll Tide" section on 5'24, i think. Without hit)). I like you very much. You're my inspiration. I'm from Thailand. I signed into the school's band. I played an
anthem every morning. I'm having fun with playing music very much! I'm sure you'll keep making an incredible music
like this.

Mike reply Replies: 0 || 2013-01-14 04:26:34
Can someone help me out? I don't really like having 20-min tracks, so what would be good increments to splice them into? For example (this is random), 4:56-8:43. I'm looking for examples such as that.

Mike reply Replies: 0 || 2012-11-10 08:41:14
I just saw this movie and man, the end of 1SQ was so powerful. Awesome stuff, awesome movie.

Alex reply Replies: 1 || 2011-08-28 10:38:18
Please help my find music that plays in this video:
www.military.com/video/operations-and-strategy/vietnam-war/a mazing-vietnam-war-slideshow/876532312001/



ColeZimmer2012-08-21 13:11:06
"The Shawshank Redemption" by Thomas Newman

Magnus Rex reply Replies: 3 || 2012-08-20 07:35:04
Just found out Tony Scott killed himself tonight. I am stunned. So sad...


Agent Smith2012-08-20 10:03:27
very very very sad news. can't believe it right now. my prayers goes up to you tony and to your family. rest in peace, and thank you for your joy you've given to us...


Aggelos2012-08-20 17:20:21
Ya dudes, he will be sorely missed.... RIP Tony.....
The Tony Scott + Hans Zimmer + Crimson Tide combo was simply epic!!


Hybrid Soldier2012-08-20 19:23:47
:(

Takehiro reply Replies: 4 || 2011-06-26 02:47:29
With regards to the "complete score" that is going round. I did a little write up on it:

This 2CD is a bit of a con. Yes it has clean, unreleased music, but it is not complete (some small cues missing). Furthermore, it has a lot of repeated music.

RUNNING TIME AS IS: 98 mins approx

1/1. RUSSIAN CIVIL WAR
Unreleased - the main titles

1/2. MUTINY
As per the OST; the last 1:47 should come later

1/3. ALABAMA (FILM VERSION)
Partially unreleased - sounds like the first 2:28 of Alabama on the OST but this does not cut-off and is mixed slightly differently.

1/4. LITTLE DUCKS
As per the OST

1/5. DEFCON
Unreleased - Hunter's war speech

1/6. THE ENEMY IS WAR
Unreleased - The fire

1/7. RANGE AND SPEED
Unreleased commercially but available on a rare Nick Glennie Smith promo

1/8. ZULU TIME
Unreleased - the second Akula attack

1/9. AUTHENTICATION
Unreleased - Hunter getting the phone call to go to work

1/10. ALABAMA
As per the OST, plus the first 2:28 is already heard on CD1/3 of the CD!

2/1. ZERO BUBBLE
The last 9:49 of Alabama from the OST - another repeat of music heard in CD1/10!!!

2/2. 1SQ
As per the OST

2/3. THE ARMORY
Unreleased commercially but available on a rare Nick Glennie Smith promo. The title here is incorrect.

2/4. TORPEDOS
Unreleased - the first Akula attack

2/5. PEARL HARBOR
Unreleased - this is an alternate cue and not the actual courtoom music

2/6. ROLL TIDE
From the OST.

The correct, approximate running order would be as follows:

RUNNING TIME WITHOUT REPEATED MUSIC: 86 mins approx

1/1
1/9
1/2 (minus the last 1:47 or so)
1/4
1/5
1/6
1/2 (the last 1:47 or so)
1/3
1/10 (8:22 to 14:03)
1/7
2/4
1/8
1/10 (2:28 to 8:22)
2/1 (or the last 9:49 of 1/10!)
2/2
2/3
2/6
2/5

In closing, there IS a complete score (with no repeated music and the missing small cues) that lasts around 89 mins.
You may be able to get it if you look around.


Per2011-08-26 19:04:13
I doubt there is a real, full, complete score available. Outside Zimmer etc.'s "vault", that is.

If there is any it's probably still just a combination of the OST (perhaps with edited/splitted tracks) and these unreleased cues. And of course the cue 13M21 from the Dirty Pictures submission disc, which was, strangely enough, not on this "expanded" version.


Dawn2011-08-27 01:56:06
@Takehiro
You're wrong about 2/5 "Pearl Harbor", it is part of the Court of Inquiry sequence, but only used in the director's cut version of the film.
That cue is used during an extended part where Hunter is waiting and thinking in the corridor.

The right track order is :
2/5 (from 2011 expanded edition)
13M21 (from NGS's dirty pictures)
2/6 (from 2011 expanded edition)


Anonymous2011-08-27 03:52:12
@Per: with this expanded and NGS' cues, its pretty much complete


Per2011-08-27 15:40:24
Maybe the 'Pearl Harbor' cue were meant to fit the extended scene where Hunter sits in the corridor waiting originally. But it's not that music that's played during that scene. I don't know if it's a new/unreleased cue, but it could might as well be just something that's been reused from somewhere else. (It's very similar to for instance 11'27 - 11'50 on track 2, Alabama on the CD.)

If you combine the OST with all the available unreleased cues, it is indeed very close to being complete. It's mainly missing a short piece where Hunter is doing some boxing or whatever, and of course the full non-cutted/edited cues of some of the stuff on the OST. Not that important, since unlike other Zimmer CDs, it actually doesn't seem to have cutted pieces in the middle of cues. Maybe. It's mostly just the very end etc. of some cues that's been cutted, and faded into other cues.

T-Mann036 reply Replies: 0 || 2011-06-25 21:13:50
Let's all hope the complete film score is released this season!

Anonymous reply Replies: 1 || 2011-06-25 09:44:26
On the 2CD, where is Authentication in the picture? The file names are misleading, and they are out of order


Anonymous2011-06-25 10:44:17
Furthermore, Court of Inquiry and Pearl Harbor dont seem to match the scene they are meant to be from...

Snake reply Replies: 0 || 2011-06-06 05:18:21
Damn it Zimmer!! Why aren't you a bad musician!?

We have Harry Gregson-Williams in the choir direction, Nick Glennie-Smith, Bruce Fowler as the orchestrator and Alan Meyerson in the mixes. This soundtrack has all!

We have great musician such as Harry Gregson-Williams, Klaus Badelt, John Powell and young talents such as Steve Jablonsky and Ramin Djawadi, thanks to Zimmer's teachings. He revolutioned and changed the film score genre and I think it was necessary. Who said John Williams is the best? No way!

Zimmer is the best!

Thank God fo him.

Takehiro reply Replies: 9 || 2011-04-11 00:00:00
2CD Expanded Score, no SFX

DISC ONE:
1. RUSSIAN CIVIL WAR
2. MUTINY
3. ALABAMA (Film Edit)
4. LITTLE DUCKS
5. DEFCON
6. THE ENEMY IS WAR
7. RANGE AND SPEED
8. ZULU TIME
9. AUTHENTICATION
10. ALABAMA

DISC TWO:
1. ZERO BUBBLE
2. 1SG
3. THE ARMORY
4. TORPEDOS
5. PEARL HARBOR
6. ROLL TIDE

It looks like a fake to me but you never know...


Bondo2011-05-08 09:10:34
It's not a fake :D
I can confirm it's expanded but without the DVD handy, I can't say if it's complete or not. It DOES however contain the much sought-after Torpedo Attack scene (08 - Zulu Time)


Anonymous2011-05-08 09:59:12
Its expanded. Even without the DVD I know from playing it.


Bondo2011-05-09 06:52:01
FYI I can confirm that "Range and Speed" and "The Armory" are from Nick Glennie-Smith's Dirty Pictures promo, possibly the other 2 tracks as well; I'll have to check. And I'm in no way 100% certain, but "Zulu Time" sounds remarkably like "Rocket Away" from THE ROCK. Any thoughts?


Gavin Salkeld - Composer2011-05-09 21:26:24
Its definitely not from The Rock lol. The Pearl Harbor cue is also from a NGS promo, I have so many I forget which one.


Bondo2011-05-09 22:45:36
I know it's not FROM The Rock, but the samples and style are. I never realized just how similar the two scores were until I heard these extra CT tracks


Anonymous2011-05-09 23:58:58
Zimmer used those same samples for years!


Bondo2011-05-10 00:04:10
Not the ones I'm talking about; remember this was 1995. We know which tracks Nick Glennie-Smith contributed to Zimmer scores prior (Point of No Return, Beyond Rangoon, Drop Zone), so you can hear which samples HE used for CT and The Rock.


HZLeaks2011-05-10 02:03:18
Everyone at MV shared samples, especially in the early days. Some of them even cropped up as late as 2003 in POTC lol

Anyway the 2CD here isnt complete, I have some extra clean cues Im going to put into it to make it more complete


Bondo2011-05-10 02:32:16
Thanks for sharing, that'd be awesome to hear! Perhaps I wasn't clear earlier... what I was trying to say is that since Hybrid was kind enough to break down THE ROCK several years back as to who-scored-which-cues (on the forum), several of the new Crimson Tide cues (Range and Speed, Zulu Time) sound more like NG-S and less like Zimmer. There were certain samples, especially in the 1990s, that NG-S used quite often. I may or may not be right about these 2 tracks, it's just an educated guess.

fabien reply Replies: 0 || 2011-05-07 13:34:33
it's not. I could listen to some of these tracks on internet some time ago !

Gav reply Replies: 0 || 2011-04-10 00:00:00
The complete score is out there and has been out there for a while. Just no one is sharing it :(

Anonymous reply Replies: 0 || 2011-03-10 00:00:00
Whats the deal with the 2CD expanded version? Is it real?

Snake reply Replies: 0 || 2010-10-12 00:00:00
Damn it Zimmer!! Why aren't you a bad musician!?

We have Harry Gregson-Williamsin the choir direction, Nick Glennie-Smith, Bruce Fowler as the orchestrator and Alan Mayerson in the mixes. This soundtrack has all!

We have great musician such as Harry Gregson-Williams, Klaus Badelt, John Powell and others, thanks to Zimmer's teachings. He revolutioned and changed film scores and I think it was necessary. Who said John Williams is the best? No way!

Zimmer is the best!

Thank God fo him.

Hale reply Replies: 0 || 2010-07-08 00:00:00
You can't find this music. It's unreleased. Some good parts of the score are still missing.
Like "Fire Incident"(beginning)- When Denzel Washington practices boxe after the "Fire Incident", some choral parts which ponctue the submarine scenes, "The First Torpedo Attack" and some action/thriller cues composed by Nick- Glennie Smith (on his promo "Showreel).

matthew reply Replies: 0 || 2010-07-07 00:00:00
I'm looking for the music during The FIRST torpedo attack. Where can I find it?

Jokeysmurf reply Replies: 0 || 2010-06-29 00:00:00
Sorry i vorgot to say, i here the music vie "Auadials-Radiotracker" (Internet-radio-player) from CINEMIX-Channel etc., this sends ever so often wrong title information !

Jokeysmurf reply Replies: 0 || 2010-06-29 00:00:00
Please Help me !

Any "Crimson Tide" music titles remember me on "The Rock" movie, other web portals tell me too, this music comes from the "Rock" Movie. What's correct ??? I'am very confused (irritatet) !

Sorry me english is not the best, i'am german !

I love Hans music !!! I'am dreaming....

Sabrina reply Replies: 0 || 2010-04-14 00:00:00
This score made me a Hans Zimmer fan. I still get chills whenever I listen to it. It's pure magic. Thank you so much! The rhythm of the strings, the whole arrangement, it's simply perfect. :)

Brandy reply Replies: 0 || 2010-02-24 00:00:00
The music is amazing, crimson tide is one of my favorite movies, because of the music. I am drawn to it. Hans, your music satisfy's my soul

Ami, Finland reply Replies: 0 || 2009-01-13 00:00:00
Crimson Tide is the most ultimate track ever, it sounds so powerful and it penetrates to your brains! Excellent work of art. Hans, you must be a god=)

From North Africa reply Replies: 0 || 2008-10-19 00:00:00
I really can't stop hearing this beautiful score beautiful and incredible thank you Mr.Zimmer you are the king of kings you should know that

Pages << 1 2 >>

 HANS-ZIMMER.com© 2001-2017 OST 
Crimson Tide soundtrack - Hans Zimmer 1995