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<br>"Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty."<br><br>Blackwood might want to have a word with you.Too many songs! But at least there is 15 tracks of score.<br><br>BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.Meta your comment is based on smoke...<br><br><br>Do you have any idea of what Hans & Elfman's relation is ? How many scores Danny mixed at Remote Control ? That when Hans was writing Batman Begins, Danny was in the next room and Hans invited him to check what he was doing ? How many people from RCP Elfman recruited to help him ?lol it's too funny the guy even spent the time of typing all this...<br><br>Some people apparently have very boring lives on this planet !These comments by “Balfe” are comical.god knows where such venom comes from . Maybe an ex employee probably.he was correct on one point .He is indeed a trailer composer.He just did the mission impossible trailer!!!
LOL. I guess this "Balfe" guy is one of those trolls from Stop RCP group.Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?Eh, Mr. Ellipsis, I have to take issue with your appeal to popularity. Justin Bieber sells millions of records. That doesn't make his music good. Last year's piece of crap pointless Beauty and the Beast remake made a frankly terrifying amount of money at the box office. Doesn't stop it being a piece of crap.Guys, I know a lot of you probably think I'm an overly critical snob, but next time you do, just remember this guy and realize how much worse I could be. :pBalfe is not a composer, but still he gets to compose dozens of films and shows every single year, wow. He must be doing something good if he is on of the most busiest composers out there, don´t you think? Or you want to tell me that every producer, director or whoever hires him is deaf? Do you know how many films had to be re-scored by Balfe in the past few years? <br><br>
Why you feed the troll?<br><br>Wrong.<br><br>1. Wallfish is a very fine composer, period. Hans is a synth guy.<br><br>2. If Hans wasn't concern about BR he wouldn't do it.<br><br>3. Slavery was abolished 150 years ago. Hans choose to did it and agreed to involve Wallfish.<br><br>4. Maybe true, but it wasn't the thought of Villeneuve.here we go again:<br>Why Hans Zimmer Got The Job You Wanted (And You Didn’t)<br>https://behindtheaudio.com/2013/07/hans-zimmer/Hey you guys.<br><br>Balfe is a trailer composer not someone who composes real scores. He helps Hans out on his projects and occasionally may have a good idea. He is not an artist, simple as that.<br><br>Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty. The epitome of that is Terminator Genisys that even fans of the franchise found embarassing (and that is for a series based on synth scores). The samples are especially abhorrent<br><br>How he climbed to compose music for real films is a mystery. Go back to one of his earliest scores, the 2009 'score' for Ironclad, to find how utterly disappointing his work has been all the way throughout his career.<br><br>Balfe is a hack. He will never be considered a real composer. The industry knows Hans is pushing him and once that attention goes somewhere else, as it does with Hans frequently, Balfe will be immediately forgotten. Tell me - who actually wants a Lorne Balfe score for their film!!<br><br>You rapid fans supporting his work will be laughed at as being idiotic symbiotic followers. Get a fragging grip.<br><br>Balfe is not a composer. <br><br><br>This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here?<br><br>1. Wallfisch, a very fine composer is not a synth guy.<br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure.
This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here? <br><br>1. Wallfisch, a very fine composer is not a synth guy. <br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure. <br><br><br>Dunkirk is a sound experiment and not a score. It is rather sad to see a fine composer like Benjamin Wallfisch deal with this nationalistic nonsense.It would be very interesting to get a better sense of what exactly Zanelli's role in the franchise is. He is a very capable composer but his work on 5 was utter scheisse. But that may just be what the franchise calls for. How does the supposedly precarious Hans put his name on all this shit.I would not be surprised if this was done by Balfe finally trying out his real compositional skills outside of him just acting as Hans' copy assistant. Everything that Balfe has done on his own to date is abysmal (okay The Lego Batman movie had some flair but that was probably done by the next generation of assistants). <br><br>Please go back to Ironclad and listen to Balfe before he was HBalfe, to hear his skills. Not very good, right? The man is an arranger not a composer.<br><br>This score will be utterly crap or it will sound like Tron and Transformers. <br><br>Shame as Del Toro and Steven Knight work with real composers like Max Richter who would have excelled here.Instead of concerning ourselves with Sia, we have to be worried about Djawadi. The man has a knick for a simple tv tune. But anything outside of that sounds like a youtube fanvideo. The incidental score for Game of Thrones, especially the wall scenes, is terrible and amateurish. <br><br>All I can think is that the producers must have been pressed with time and had to go with the casio synth nonsense Djawadi presented them with. It is the worst example of scoring for a major franchise. <br><br>Again, Dwajadi does well with his choral bits but he is not a composer, more a theme tune man. Who Wants to be a Millionare would serve him better than a complex franchise. <br><br>Simultaneously, the Paint it Black material from Westworld is outstanding. But was this done by Djawadi or a much more talented orchestrator - can we look into this as it sounds nothing like his work
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Additional Music - Conductor - Orchestrator
Hans ZimmerNick Glennie-SmithChristopher WardJay Rifkin
ComposerAdditional MusicAdditional ArrangementsScore Producer
Crimson Tide
Label: Hollywood Records
Length: 60'17
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (11535 votes)
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  1. Mutiny (8:57)
  2. Alabama (23:50)
  3. Little Ducks (2:03)
  4. 1SQ (18:03)
  5. Roll Tide (7:33) *
* Includes Hymn "Eternal Father Strong To Save" written by John B. Dykes with words by William Whiting
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Dimitris Krommidas reply Replies: 0 || 2017-01-01 23:32:44
Nice to return to this score again.
Happy new year!

Dimitris Krommidas reply Replies: 0 || 2016-01-23 14:41:38
Hybrid Soldier, did mr.Zimmer said anything for Tony Scott's suicide? I believe he felt very bad...

Dimitris Krommidas reply Replies: 0 || 2015-07-10 00:03:40
Still....a top classic from mr.Zimmer!!!
One of his best!!
I am very happy to own this album.

Man With No Name reply Replies: 3 || 2014-05-06 18:29:04
this score is exactly like the rock!!!


Edmund Meinerts2014-05-06 18:31:29
More like the other way around, since this came out first. And, also, you're wrong.


Zimson2014-05-06 22:06:39
Yay, finally someone who dares to critisize Hans' 90's scores.


Mike2014-05-06 22:41:41
How's that a criticism? Even if the two scores are very similar, they're both great. ;)

Mike reply Replies: 2 || 2013-06-08 03:06:01
Apparently this score is a favorite of Steven Spielberg.


MacArthur2013-08-31 22:45:07
Where'd you here that


Mike2014-01-10 19:03:55
I don't remember (I believe it was an interview with Zimmer). Apparently Spielberg called him on the phone after seeing the movie and said it was a great score. lol.

MacArthur reply Replies: 0 || 2013-08-31 22:48:38
I love this score. Roll tide. and the Hymn are very very powerful and moving

matthew reply Replies: 1 || 2012-08-27 18:37:15
Little Ducks sounds completely different in the movie.
It's a different choir...


why?


  Your name :   

Please enter number: 62 


MacArthur2013-08-31 22:47:31
It's not a different choir it's just a different key

Sura-at reply Replies: 0 || 2013-02-02 08:12:15
I having an opinion that: Zimmer, Scott and Crimson Tide
should be a combo for an epic movie. Because an epic score,
dramatic song (Mutiny and Roll Tide (I add "Mutiny" because
there's a "Roll Tide" section on 5'24, i think. Without hit)). I like you very much. You're my inspiration. I'm from Thailand. I signed into the school's band. I played an
anthem every morning. I'm having fun with playing music very much! I'm sure you'll keep making an incredible music
like this.

Mike reply Replies: 0 || 2013-01-14 04:26:34
Can someone help me out? I don't really like having 20-min tracks, so what would be good increments to splice them into? For example (this is random), 4:56-8:43. I'm looking for examples such as that.

Mike reply Replies: 0 || 2012-11-10 08:41:14
I just saw this movie and man, the end of 1SQ was so powerful. Awesome stuff, awesome movie.

Alex reply Replies: 1 || 2011-08-28 10:38:18
Please help my find music that plays in this video:
www.military.com/video/operations-and-strategy/vietnam-war/a mazing-vietnam-war-slideshow/876532312001/



ColeZimmer2012-08-21 13:11:06
"The Shawshank Redemption" by Thomas Newman

Magnus Rex reply Replies: 3 || 2012-08-20 07:35:04
Just found out Tony Scott killed himself tonight. I am stunned. So sad...


Agent Smith2012-08-20 10:03:27
very very very sad news. can't believe it right now. my prayers goes up to you tony and to your family. rest in peace, and thank you for your joy you've given to us...


Aggelos2012-08-20 17:20:21
Ya dudes, he will be sorely missed.... RIP Tony.....
The Tony Scott + Hans Zimmer + Crimson Tide combo was simply epic!!


Hybrid Soldier2012-08-20 19:23:47
:(

Takehiro reply Replies: 4 || 2011-06-26 02:47:29
With regards to the "complete score" that is going round. I did a little write up on it:

This 2CD is a bit of a con. Yes it has clean, unreleased music, but it is not complete (some small cues missing). Furthermore, it has a lot of repeated music.

RUNNING TIME AS IS: 98 mins approx

1/1. RUSSIAN CIVIL WAR
Unreleased - the main titles

1/2. MUTINY
As per the OST; the last 1:47 should come later

1/3. ALABAMA (FILM VERSION)
Partially unreleased - sounds like the first 2:28 of Alabama on the OST but this does not cut-off and is mixed slightly differently.

1/4. LITTLE DUCKS
As per the OST

1/5. DEFCON
Unreleased - Hunter's war speech

1/6. THE ENEMY IS WAR
Unreleased - The fire

1/7. RANGE AND SPEED
Unreleased commercially but available on a rare Nick Glennie Smith promo

1/8. ZULU TIME
Unreleased - the second Akula attack

1/9. AUTHENTICATION
Unreleased - Hunter getting the phone call to go to work

1/10. ALABAMA
As per the OST, plus the first 2:28 is already heard on CD1/3 of the CD!

2/1. ZERO BUBBLE
The last 9:49 of Alabama from the OST - another repeat of music heard in CD1/10!!!

2/2. 1SQ
As per the OST

2/3. THE ARMORY
Unreleased commercially but available on a rare Nick Glennie Smith promo. The title here is incorrect.

2/4. TORPEDOS
Unreleased - the first Akula attack

2/5. PEARL HARBOR
Unreleased - this is an alternate cue and not the actual courtoom music

2/6. ROLL TIDE
From the OST.

The correct, approximate running order would be as follows:

RUNNING TIME WITHOUT REPEATED MUSIC: 86 mins approx

1/1
1/9
1/2 (minus the last 1:47 or so)
1/4
1/5
1/6
1/2 (the last 1:47 or so)
1/3
1/10 (8:22 to 14:03)
1/7
2/4
1/8
1/10 (2:28 to 8:22)
2/1 (or the last 9:49 of 1/10!)
2/2
2/3
2/6
2/5

In closing, there IS a complete score (with no repeated music and the missing small cues) that lasts around 89 mins.
You may be able to get it if you look around.


Per2011-08-26 19:04:13
I doubt there is a real, full, complete score available. Outside Zimmer etc.'s "vault", that is.

If there is any it's probably still just a combination of the OST (perhaps with edited/splitted tracks) and these unreleased cues. And of course the cue 13M21 from the Dirty Pictures submission disc, which was, strangely enough, not on this "expanded" version.


Dawn2011-08-27 01:56:06
@Takehiro
You're wrong about 2/5 "Pearl Harbor", it is part of the Court of Inquiry sequence, but only used in the director's cut version of the film.
That cue is used during an extended part where Hunter is waiting and thinking in the corridor.

The right track order is :
2/5 (from 2011 expanded edition)
13M21 (from NGS's dirty pictures)
2/6 (from 2011 expanded edition)


Anonymous2011-08-27 03:52:12
@Per: with this expanded and NGS' cues, its pretty much complete


Per2011-08-27 15:40:24
Maybe the 'Pearl Harbor' cue were meant to fit the extended scene where Hunter sits in the corridor waiting originally. But it's not that music that's played during that scene. I don't know if it's a new/unreleased cue, but it could might as well be just something that's been reused from somewhere else. (It's very similar to for instance 11'27 - 11'50 on track 2, Alabama on the CD.)

If you combine the OST with all the available unreleased cues, it is indeed very close to being complete. It's mainly missing a short piece where Hunter is doing some boxing or whatever, and of course the full non-cutted/edited cues of some of the stuff on the OST. Not that important, since unlike other Zimmer CDs, it actually doesn't seem to have cutted pieces in the middle of cues. Maybe. It's mostly just the very end etc. of some cues that's been cutted, and faded into other cues.

T-Mann036 reply Replies: 0 || 2011-06-25 21:13:50
Let's all hope the complete film score is released this season!

Anonymous reply Replies: 1 || 2011-06-25 09:44:26
On the 2CD, where is Authentication in the picture? The file names are misleading, and they are out of order


Anonymous2011-06-25 10:44:17
Furthermore, Court of Inquiry and Pearl Harbor dont seem to match the scene they are meant to be from...

Snake reply Replies: 0 || 2011-06-06 05:18:21
Damn it Zimmer!! Why aren't you a bad musician!?

We have Harry Gregson-Williams in the choir direction, Nick Glennie-Smith, Bruce Fowler as the orchestrator and Alan Meyerson in the mixes. This soundtrack has all!

We have great musician such as Harry Gregson-Williams, Klaus Badelt, John Powell and young talents such as Steve Jablonsky and Ramin Djawadi, thanks to Zimmer's teachings. He revolutioned and changed the film score genre and I think it was necessary. Who said John Williams is the best? No way!

Zimmer is the best!

Thank God fo him.

Takehiro reply Replies: 9 || 2011-04-11 00:00:00
2CD Expanded Score, no SFX

DISC ONE:
1. RUSSIAN CIVIL WAR
2. MUTINY
3. ALABAMA (Film Edit)
4. LITTLE DUCKS
5. DEFCON
6. THE ENEMY IS WAR
7. RANGE AND SPEED
8. ZULU TIME
9. AUTHENTICATION
10. ALABAMA

DISC TWO:
1. ZERO BUBBLE
2. 1SG
3. THE ARMORY
4. TORPEDOS
5. PEARL HARBOR
6. ROLL TIDE

It looks like a fake to me but you never know...


Bondo2011-05-08 09:10:34
It's not a fake :D
I can confirm it's expanded but without the DVD handy, I can't say if it's complete or not. It DOES however contain the much sought-after Torpedo Attack scene (08 - Zulu Time)


Anonymous2011-05-08 09:59:12
Its expanded. Even without the DVD I know from playing it.


Bondo2011-05-09 06:52:01
FYI I can confirm that "Range and Speed" and "The Armory" are from Nick Glennie-Smith's Dirty Pictures promo, possibly the other 2 tracks as well; I'll have to check. And I'm in no way 100% certain, but "Zulu Time" sounds remarkably like "Rocket Away" from THE ROCK. Any thoughts?


Gavin Salkeld - Composer2011-05-09 21:26:24
Its definitely not from The Rock lol. The Pearl Harbor cue is also from a NGS promo, I have so many I forget which one.


Bondo2011-05-09 22:45:36
I know it's not FROM The Rock, but the samples and style are. I never realized just how similar the two scores were until I heard these extra CT tracks


Anonymous2011-05-09 23:58:58
Zimmer used those same samples for years!


Bondo2011-05-10 00:04:10
Not the ones I'm talking about; remember this was 1995. We know which tracks Nick Glennie-Smith contributed to Zimmer scores prior (Point of No Return, Beyond Rangoon, Drop Zone), so you can hear which samples HE used for CT and The Rock.


HZLeaks2011-05-10 02:03:18
Everyone at MV shared samples, especially in the early days. Some of them even cropped up as late as 2003 in POTC lol

Anyway the 2CD here isnt complete, I have some extra clean cues Im going to put into it to make it more complete


Bondo2011-05-10 02:32:16
Thanks for sharing, that'd be awesome to hear! Perhaps I wasn't clear earlier... what I was trying to say is that since Hybrid was kind enough to break down THE ROCK several years back as to who-scored-which-cues (on the forum), several of the new Crimson Tide cues (Range and Speed, Zulu Time) sound more like NG-S and less like Zimmer. There were certain samples, especially in the 1990s, that NG-S used quite often. I may or may not be right about these 2 tracks, it's just an educated guess.

fabien reply Replies: 0 || 2011-05-07 13:34:33
it's not. I could listen to some of these tracks on internet some time ago !

Gav reply Replies: 0 || 2011-04-10 00:00:00
The complete score is out there and has been out there for a while. Just no one is sharing it :(

Anonymous reply Replies: 0 || 2011-03-10 00:00:00
Whats the deal with the 2CD expanded version? Is it real?

Snake reply Replies: 0 || 2010-10-12 00:00:00
Damn it Zimmer!! Why aren't you a bad musician!?

We have Harry Gregson-Williamsin the choir direction, Nick Glennie-Smith, Bruce Fowler as the orchestrator and Alan Mayerson in the mixes. This soundtrack has all!

We have great musician such as Harry Gregson-Williams, Klaus Badelt, John Powell and others, thanks to Zimmer's teachings. He revolutioned and changed film scores and I think it was necessary. Who said John Williams is the best? No way!

Zimmer is the best!

Thank God fo him.

Hale reply Replies: 0 || 2010-07-08 00:00:00
You can't find this music. It's unreleased. Some good parts of the score are still missing.
Like "Fire Incident"(beginning)- When Denzel Washington practices boxe after the "Fire Incident", some choral parts which ponctue the submarine scenes, "The First Torpedo Attack" and some action/thriller cues composed by Nick- Glennie Smith (on his promo "Showreel).

matthew reply Replies: 0 || 2010-07-07 00:00:00
I'm looking for the music during The FIRST torpedo attack. Where can I find it?

Jokeysmurf reply Replies: 0 || 2010-06-29 00:00:00
Sorry i vorgot to say, i here the music vie "Auadials-Radiotracker" (Internet-radio-player) from CINEMIX-Channel etc., this sends ever so often wrong title information !

Jokeysmurf reply Replies: 0 || 2010-06-29 00:00:00
Please Help me !

Any "Crimson Tide" music titles remember me on "The Rock" movie, other web portals tell me too, this music comes from the "Rock" Movie. What's correct ??? I'am very confused (irritatet) !

Sorry me english is not the best, i'am german !

I love Hans music !!! I'am dreaming....

Sabrina reply Replies: 0 || 2010-04-14 00:00:00
This score made me a Hans Zimmer fan. I still get chills whenever I listen to it. It's pure magic. Thank you so much! The rhythm of the strings, the whole arrangement, it's simply perfect. :)

Brandy reply Replies: 0 || 2010-02-24 00:00:00
The music is amazing, crimson tide is one of my favorite movies, because of the music. I am drawn to it. Hans, your music satisfy's my soul

Ami, Finland reply Replies: 0 || 2009-01-13 00:00:00
Crimson Tide is the most ultimate track ever, it sounds so powerful and it penetrates to your brains! Excellent work of art. Hans, you must be a god=)

From North Africa reply Replies: 0 || 2008-10-19 00:00:00
I really can't stop hearing this beautiful score beautiful and incredible thank you Mr.Zimmer you are the king of kings you should know that

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Crimson Tide soundtrack - Hans Zimmer 1995