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The Call of the Wild has a bit more heart than Solo but Solo is just on another level in terms of complexity and ambition. The HTTYD scores are the best of both worlds.Booklet credits:<br><br>Score Composed, Produced, Programmed, Mixed and Mastered by Tom Holkenborg<br><br>Additional Music: Antonio Di Iorio<br>Additional Synth Programming by Sara Barone<br>Technical Score Engineers: Jacopo Trifone, Shwan Askari, Gevorg Chepchyan and Jarrod Royles-Atkins<br>Music Production Services by Michiel Groeneveld<br>Score Mixed at Computer Hell Cabin<br><br>Score Conducted by Edward Trybek<br>Score Orchestrated by Edward Trybek, Henri Wilkinson, Jonathan Beard and Tom Holkenborg<br>Music Contractor: Peter Rotter (For Encompass Music Partners)<br>Score Copied by Edward Trybek and Henri Wilkinson<br>Score Recorded by Chris Fogel<br>Digital Recording by Kevin Globerman<br>Score Recorded at Elbo Studios<br><br>Executive in Charge of Music for Paramount Pictures: Randy Spendlove<br>Soundtrack Album Coordinator: Michael Murphy<br>Executive Album Producers for La-La Land Records: MV Gerhard and Matt Verboys<br>Art Direction by Dan Goldwasser at Warm Butter Design<br>Production Assistance: Frank K. DeWald and Neil S. Bulk<br><br>Special Thanks:<br>Saskia Holkenborg, Julian and Darren Holkenborg, David Altschul, Anne Cobb, Allison Dotson, Richard Kraft, Laura Engel, Hisham Dahud and Alastair Duncan<br><br>Paramount Pictures Thanks:<br>Lilly Bennet, Mary Jo Braun, Dan Butler, Sheryl Carlin, Dina Durant, Adam Ehrlich, Robert Gasper, Tina Kiehl, Liz McNicholl, Vanessa Palmer, Areli Quuirarte, Maddy Van Remortel, Kim Seiniger, Johnathan Weiss and Clare YezerskiHey man, I'm sure you already know this, but you are awesome! I just watched your Vanity Fair video from two years ago. Your take on life and your music is amazing, keep up the good work!I do really like benjamin wallfisch's new score for the invisible man, which is release today in cinema. I'm a fan of wallfisch's film score since lights out and including other film scores, but i begin to hear the score in spotify & youtube and i do like the score with the full orchestra & electronic music within the film music and there are two themes for the film but there are most motif, like mr.zimmerfan says. <br><br>I just hope that this page can released the soundtrack details of The Invisible man soon and this score is good.The Invisible Man, would be one of the most dark, hard-hearing scores by Wallfisch, by far, multiple people will hate this score -i know, is difficult listening horror scores-, but when is good, is good.<br><br>If you love Lights Out, the two ITs, speacially, A Cure for Wellness, The Invisible Man is for you: dark, unpleasing (the theme for Elisabeth Moss' character is a beautiful melodie, example in 'Denouement', constantly accosed -rightly word- with the sounds of the Invisible Man, he has not theme, more motif and tremendously agresive sound desing, you can here listen in 'Attack') and very Hermann-esque (the score was only recorded with string orchestra, say by Wallfisch).<br><br>Like i said before, is not a score for everyone, but if you love Wallfisch's writing for horror, this one is for you
Now, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.<br><br>Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.<br><br>One of the best scores of 2020, by far.I found myself more entertaining by this one (after multiple listenings) than with Skyscraper, but not more than TLK or TMNT and TLWH.<br><br>The themes are there, very simplistic, but effective (the melodie for RST twisted in 'Harting', for example or the more melodic and peaceful theme in 'KT'), and yes, the sound design, but in the defense of Jab, he is far more rhytmic than others attepmting it (the element of horror hearing in 'Martin Axe' or the percussive twisted agressive in 'The Tunnel') or the more echoing 'The Island' guitar riffs in 'Ray Garrison', even he reutilizes the percussive timing Decepcticon theme for the motif (i think) for Bloodshot.<br><br>Maybe, i gave him more credit, but in his defense, i was expecting something more electronic (plenty electronic are here), but is more orchestral and melodic i was expecting.Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.
Most probablyI am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.
Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.
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Additional Music - Conductor - Orchestrator
Hans ZimmerNick Glennie-SmithChristopher WardJay Rifkin
ComposerAdditional MusicAdditional ArrangementsScore Producer
Crimson Tide
Label: Hollywood Records
Length: 60'17
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (12823 votes)
  1. Mutiny (8:57)
  2. Alabama (23:50)
  3. Little Ducks (2:03)
  4. 1SQ (18:03)
  5. Roll Tide (7:33) *
* Includes Hymn "Eternal Father Strong To Save" written by John B. Dykes with words by William Whiting
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Knight reply Replies: 5 || 2019-04-17 16:16:01
Okay, so doing the same stuff that Hybrid does is illegal here now. Cool


Anonymous2019-04-17 18:50:20
Also calling jumanji (the one jackman scored) anything but a good film - is also illegal and gets your comment removed


Hybrid Soldier2019-04-18 08:12:41
Having an opinion is one thing. Not being intellectually able to express it without being rude & stupid is another thing. Once you find a way to combine the two, your comments will stay.

And Knight, just don't push it.


Knight2019-04-18 08:20:41
Excuse me for doing the thing you didn't bother to do.


Hybrid Soldier2019-04-18 15:30:30
Says the guy who took his intel from... me...


Knight2019-04-18 16:56:40
You did it for the complete, which is "illegal" and only available in certain circles, not the OST which is commercially available. I simply did what you could have done yourself easily but chose not to.

nvictor reply Replies: 1 || 2019-01-26 14:43:28
i realized going back to this score how well the alternate theme worked with the main theme! when listening, my mind is always eager to hear the other theme return. they kind of complete each other. truly some master stuff here. i wish someone more knowledgeable would do an in-depth analysis of this score. thematic scores don't seem to be the thing nowadays but wow, the more i know how these things are made, the more i can appreciate the work.


Mr Tweedy2019-01-30 02:14:51
Well, when you speak about the "alternate" theme, I guess you're talking about the one heard in the first few seconds of Roll Tide.
This is Hunter's 's theme (Denzel Washington's). You can hear it on guitar in Mutiny or several times in a more "action" shape on 1SQ.
Than you have Ramsey's theme (Gene Hackman's), heard around 8:15 in Mutiny, several times in a more heavy fashion on Alabama's second half, and quieter during Roll Tide's second half.

The main theme, the one everyone knows, symbolizes the submarine as well as the mission itself. It's made of two parts : a long, drama, orchestra progression, and the other one, vibrant and triumphant.

The alternating two-notes theme (primarily heard on choir but also sporadically on strings) usually evokes the nukes / war.

The opening of Mutiny, the very slow progression usually serves as another nuclear threat idea that is reprised here and there.

Knight reply Replies: 0 || 2019-01-10 12:51:45
Hybrid, do you think you could do a breakdown of this album or just list what NGS' & John Dyke's credits are?

Dimitris Krommidas reply Replies: 0 || 2017-01-01 23:32:44
Nice to return to this score again.
Happy new year!

Dimitris Krommidas reply Replies: 0 || 2016-01-23 14:41:38
Hybrid Soldier, did mr.Zimmer said anything for Tony Scott's suicide? I believe he felt very bad...

Dimitris Krommidas reply Replies: 0 || 2015-07-10 00:03:40
Still....a top classic from mr.Zimmer!!!
One of his best!!
I am very happy to own this album.

Man With No Name reply Replies: 3 || 2014-05-06 18:29:04
this score is exactly like the rock!!!


Edmund Meinerts2014-05-06 18:31:29
More like the other way around, since this came out first. And, also, you're wrong.


Zimson2014-05-06 22:06:39
Yay, finally someone who dares to critisize Hans' 90's scores.


Mike2014-05-06 22:41:41
How's that a criticism? Even if the two scores are very similar, they're both great. ;)

Mike reply Replies: 2 || 2013-06-08 03:06:01
Apparently this score is a favorite of Steven Spielberg.


MacArthur2013-08-31 22:45:07
Where'd you here that


Mike2014-01-10 19:03:55
I don't remember (I believe it was an interview with Zimmer). Apparently Spielberg called him on the phone after seeing the movie and said it was a great score. lol.

MacArthur reply Replies: 0 || 2013-08-31 22:48:38
I love this score. Roll tide. and the Hymn are very very powerful and moving

matthew reply Replies: 1 || 2012-08-27 18:37:15
Little Ducks sounds completely different in the movie.
It's a different choir...


why?



MacArthur2013-08-31 22:47:31
It's not a different choir it's just a different key

Sura-at reply Replies: 0 || 2013-02-02 08:12:15
I having an opinion that: Zimmer, Scott and Crimson Tide
should be a combo for an epic movie. Because an epic score,
dramatic song (Mutiny and Roll Tide (I add "Mutiny" because
there's a "Roll Tide" section on 5'24, i think. Without hit)). I like you very much. You're my inspiration. I'm from Thailand. I signed into the school's band. I played an
anthem every morning. I'm having fun with playing music very much! I'm sure you'll keep making an incredible music
like this.

Mike reply Replies: 0 || 2013-01-14 04:26:34
Can someone help me out? I don't really like having 20-min tracks, so what would be good increments to splice them into? For example (this is random), 4:56-8:43. I'm looking for examples such as that.

Mike reply Replies: 0 || 2012-11-10 08:41:14
I just saw this movie and man, the end of 1SQ was so powerful. Awesome stuff, awesome movie.

Alex reply Replies: 1 || 2011-08-28 10:38:18
Please help my find music that plays in this video:
www.military.com/video/operations-and-strategy/vietnam-war/a mazing-vietnam-war-slideshow/876532312001/



ColeZimmer2012-08-21 13:11:06
"The Shawshank Redemption" by Thomas Newman

Magnus Rex reply Replies: 3 || 2012-08-20 07:35:04
Just found out Tony Scott killed himself tonight. I am stunned. So sad...


Agent Smith2012-08-20 10:03:27
very very very sad news. can't believe it right now. my prayers goes up to you tony and to your family. rest in peace, and thank you for your joy you've given to us...


Aggelos2012-08-20 17:20:21
Ya dudes, he will be sorely missed.... RIP Tony.....
The Tony Scott + Hans Zimmer + Crimson Tide combo was simply epic!!


Hybrid Soldier2012-08-20 19:23:47
:(

Takehiro reply Replies: 4 || 2011-06-26 02:47:29
With regards to the "complete score" that is going round. I did a little write up on it:

This 2CD is a bit of a con. Yes it has clean, unreleased music, but it is not complete (some small cues missing). Furthermore, it has a lot of repeated music.

RUNNING TIME AS IS: 98 mins approx

1/1. RUSSIAN CIVIL WAR
Unreleased - the main titles

1/2. MUTINY
As per the OST; the last 1:47 should come later

1/3. ALABAMA (FILM VERSION)
Partially unreleased - sounds like the first 2:28 of Alabama on the OST but this does not cut-off and is mixed slightly differently.

1/4. LITTLE DUCKS
As per the OST

1/5. DEFCON
Unreleased - Hunter's war speech

1/6. THE ENEMY IS WAR
Unreleased - The fire

1/7. RANGE AND SPEED
Unreleased commercially but available on a rare Nick Glennie Smith promo

1/8. ZULU TIME
Unreleased - the second Akula attack

1/9. AUTHENTICATION
Unreleased - Hunter getting the phone call to go to work

1/10. ALABAMA
As per the OST, plus the first 2:28 is already heard on CD1/3 of the CD!

2/1. ZERO BUBBLE
The last 9:49 of Alabama from the OST - another repeat of music heard in CD1/10!!!

2/2. 1SQ
As per the OST

2/3. THE ARMORY
Unreleased commercially but available on a rare Nick Glennie Smith promo. The title here is incorrect.

2/4. TORPEDOS
Unreleased - the first Akula attack

2/5. PEARL HARBOR
Unreleased - this is an alternate cue and not the actual courtoom music

2/6. ROLL TIDE
From the OST.

The correct, approximate running order would be as follows:

RUNNING TIME WITHOUT REPEATED MUSIC: 86 mins approx

1/1
1/9
1/2 (minus the last 1:47 or so)
1/4
1/5
1/6
1/2 (the last 1:47 or so)
1/3
1/10 (8:22 to 14:03)
1/7
2/4
1/8
1/10 (2:28 to 8:22)
2/1 (or the last 9:49 of 1/10!)
2/2
2/3
2/6
2/5

In closing, there IS a complete score (with no repeated music and the missing small cues) that lasts around 89 mins.
You may be able to get it if you look around.


Per2011-08-26 19:04:13
I doubt there is a real, full, complete score available. Outside Zimmer etc.'s "vault", that is.

If there is any it's probably still just a combination of the OST (perhaps with edited/splitted tracks) and these unreleased cues. And of course the cue 13M21 from the Dirty Pictures submission disc, which was, strangely enough, not on this "expanded" version.


Dawn2011-08-27 01:56:06
@Takehiro
You're wrong about 2/5 "Pearl Harbor", it is part of the Court of Inquiry sequence, but only used in the director's cut version of the film.
That cue is used during an extended part where Hunter is waiting and thinking in the corridor.

The right track order is :
2/5 (from 2011 expanded edition)
13M21 (from NGS's dirty pictures)
2/6 (from 2011 expanded edition)


Anonymous2011-08-27 03:52:12
@Per: with this expanded and NGS' cues, its pretty much complete


Per2011-08-27 15:40:24
Maybe the 'Pearl Harbor' cue were meant to fit the extended scene where Hunter sits in the corridor waiting originally. But it's not that music that's played during that scene. I don't know if it's a new/unreleased cue, but it could might as well be just something that's been reused from somewhere else. (It's very similar to for instance 11'27 - 11'50 on track 2, Alabama on the CD.)

If you combine the OST with all the available unreleased cues, it is indeed very close to being complete. It's mainly missing a short piece where Hunter is doing some boxing or whatever, and of course the full non-cutted/edited cues of some of the stuff on the OST. Not that important, since unlike other Zimmer CDs, it actually doesn't seem to have cutted pieces in the middle of cues. Maybe. It's mostly just the very end etc. of some cues that's been cutted, and faded into other cues.

T-Mann036 reply Replies: 0 || 2011-06-25 21:13:50
Let's all hope the complete film score is released this season!

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Please enter number: 62 

Anonymous reply Replies: 1 || 2011-06-25 09:44:26
On the 2CD, where is Authentication in the picture? The file names are misleading, and they are out of order


Anonymous2011-06-25 10:44:17
Furthermore, Court of Inquiry and Pearl Harbor dont seem to match the scene they are meant to be from...

Snake reply Replies: 0 || 2011-06-06 05:18:21
Damn it Zimmer!! Why aren't you a bad musician!?

We have Harry Gregson-Williams in the choir direction, Nick Glennie-Smith, Bruce Fowler as the orchestrator and Alan Meyerson in the mixes. This soundtrack has all!

We have great musician such as Harry Gregson-Williams, Klaus Badelt, John Powell and young talents such as Steve Jablonsky and Ramin Djawadi, thanks to Zimmer's teachings. He revolutioned and changed the film score genre and I think it was necessary. Who said John Williams is the best? No way!

Zimmer is the best!

Thank God fo him.

Takehiro reply Replies: 9 || 2011-04-11 00:00:00
2CD Expanded Score, no SFX

DISC ONE:
1. RUSSIAN CIVIL WAR
2. MUTINY
3. ALABAMA (Film Edit)
4. LITTLE DUCKS
5. DEFCON
6. THE ENEMY IS WAR
7. RANGE AND SPEED
8. ZULU TIME
9. AUTHENTICATION
10. ALABAMA

DISC TWO:
1. ZERO BUBBLE
2. 1SG
3. THE ARMORY
4. TORPEDOS
5. PEARL HARBOR
6. ROLL TIDE

It looks like a fake to me but you never know...


Bondo2011-05-08 09:10:34
It's not a fake :D
I can confirm it's expanded but without the DVD handy, I can't say if it's complete or not. It DOES however contain the much sought-after Torpedo Attack scene (08 - Zulu Time)


Anonymous2011-05-08 09:59:12
Its expanded. Even without the DVD I know from playing it.


Bondo2011-05-09 06:52:01
FYI I can confirm that "Range and Speed" and "The Armory" are from Nick Glennie-Smith's Dirty Pictures promo, possibly the other 2 tracks as well; I'll have to check. And I'm in no way 100% certain, but "Zulu Time" sounds remarkably like "Rocket Away" from THE ROCK. Any thoughts?


Gavin Salkeld - Composer2011-05-09 21:26:24
Its definitely not from The Rock lol. The Pearl Harbor cue is also from a NGS promo, I have so many I forget which one.


Bondo2011-05-09 22:45:36
I know it's not FROM The Rock, but the samples and style are. I never realized just how similar the two scores were until I heard these extra CT tracks


Anonymous2011-05-09 23:58:58
Zimmer used those same samples for years!


Bondo2011-05-10 00:04:10
Not the ones I'm talking about; remember this was 1995. We know which tracks Nick Glennie-Smith contributed to Zimmer scores prior (Point of No Return, Beyond Rangoon, Drop Zone), so you can hear which samples HE used for CT and The Rock.


HZLeaks2011-05-10 02:03:18
Everyone at MV shared samples, especially in the early days. Some of them even cropped up as late as 2003 in POTC lol

Anyway the 2CD here isnt complete, I have some extra clean cues Im going to put into it to make it more complete


Bondo2011-05-10 02:32:16
Thanks for sharing, that'd be awesome to hear! Perhaps I wasn't clear earlier... what I was trying to say is that since Hybrid was kind enough to break down THE ROCK several years back as to who-scored-which-cues (on the forum), several of the new Crimson Tide cues (Range and Speed, Zulu Time) sound more like NG-S and less like Zimmer. There were certain samples, especially in the 1990s, that NG-S used quite often. I may or may not be right about these 2 tracks, it's just an educated guess.

fabien reply Replies: 0 || 2011-05-07 13:34:33
it's not. I could listen to some of these tracks on internet some time ago !

Gav reply Replies: 0 || 2011-04-10 00:00:00
The complete score is out there and has been out there for a while. Just no one is sharing it :(

Anonymous reply Replies: 0 || 2011-03-10 00:00:00
Whats the deal with the 2CD expanded version? Is it real?

Snake reply Replies: 0 || 2010-10-12 00:00:00
Damn it Zimmer!! Why aren't you a bad musician!?

We have Harry Gregson-Williamsin the choir direction, Nick Glennie-Smith, Bruce Fowler as the orchestrator and Alan Mayerson in the mixes. This soundtrack has all!

We have great musician such as Harry Gregson-Williams, Klaus Badelt, John Powell and others, thanks to Zimmer's teachings. He revolutioned and changed film scores and I think it was necessary. Who said John Williams is the best? No way!

Zimmer is the best!

Thank God fo him.

Hale reply Replies: 0 || 2010-07-08 00:00:00
You can't find this music. It's unreleased. Some good parts of the score are still missing.
Like "Fire Incident"(beginning)- When Denzel Washington practices boxe after the "Fire Incident", some choral parts which ponctue the submarine scenes, "The First Torpedo Attack" and some action/thriller cues composed by Nick- Glennie Smith (on his promo "Showreel).

matthew reply Replies: 0 || 2010-07-07 00:00:00
I'm looking for the music during The FIRST torpedo attack. Where can I find it?

Jokeysmurf reply Replies: 0 || 2010-06-29 00:00:00
Sorry i vorgot to say, i here the music vie "Auadials-Radiotracker" (Internet-radio-player) from CINEMIX-Channel etc., this sends ever so often wrong title information !

Jokeysmurf reply Replies: 0 || 2010-06-29 00:00:00
Please Help me !

Any "Crimson Tide" music titles remember me on "The Rock" movie, other web portals tell me too, this music comes from the "Rock" Movie. What's correct ??? I'am very confused (irritatet) !

Sorry me english is not the best, i'am german !

I love Hans music !!! I'am dreaming....

Sabrina reply Replies: 0 || 2010-04-14 00:00:00
This score made me a Hans Zimmer fan. I still get chills whenever I listen to it. It's pure magic. Thank you so much! The rhythm of the strings, the whole arrangement, it's simply perfect. :)

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Crimson Tide soundtrack - Hans Zimmer 1995