NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Ha! As I always suspected, EDI's Sacrifice was co-written by an MV/RC guy. It was just too obvious...<br><br>It's weird to see BT's electronic/transe sound mixed up with a classic MV/RC sound, but I kinda like it. I admit, when I first heard the score I wasn't terribly impressed (aside from Thailand and EDI's Sacrifice), but now I'm warming up to it. The Rabin/Zimmer influence is quite obvious, so that's a good reason to give it a listen. <br><br>Come to think of it, BT needs to do a score with Junkie XL. Now THAT would be a great combo. They should team up for the next Mad Max movie. It will be a madhouse of a score. lol.Hybrid doesn't like the FYC because of how much it butchers Steve's original themes and doesn't include additional composer credits. I believe that was the reason.The FYC score was complete. And it's out since november last yearIs there a complete score out there? If not, don't be surprised there's nothing here yet. Sometimes it takes years before a complete score listing pops on this site.Why no listing here for the complete score?
Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.
@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that timei saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?
Yeah that is true, canít argue there lol<br><br>And is it me or does ďCalypso Must Be ReleasedĒ sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.@MrTweedy<br>Thatís totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>Itís funny though, I feel like DMC is far more schizophrenic than AWE. Now donít get me wrong, I absolutely love DMC. Itís the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the ďrockínírollĒ sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional Music - Conductor
Hans ZimmerHarry Gregson-WilliamsDon HarperJay Rifkin
ComposerAdditional MusicAdditional MusicScore Producer
Broken Arrow (Complete Score)
Label: Unofficial Release
Length: 95'32
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (6336 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. Rope-A-Dope (5:04)
  2. The Bomber (1:53)
  3. Campers (0:39)
  4. Going To War (6:17)
  5. Wreckage (0:16)
  6. The Pentagon (1:16)
  7. The Search - Broken Arrow (2:42)
  8. Desert Dawn (3:41)
  9. Day Search (1:28)
  10. Right Down There (3:26)
  11. Something's Coming (3:50)
  12. 10,000 Years (2:15)
  13. Humvee Chase (4:54)
  14. Mine Shaft 1 (1:53)
  15. Mine Shaft 2 (15:49)
  16. Big Bang (2:15)
  17. Butterflies (1:57)
  18. The Boat - Stowaway (3:27)
  19. Breaking Orders (2:19)
  20. Eat A Bullet (2:15)
  21. Hammerhead (17:04)
  22. Nuke Disarmed (End Credits) (7:33)
  23. Eat A Bullet (Alternate) (3:35)
Create Topic

Bayhem reply Replies: 5 || 2017-07-15 21:34:04
No need for me to say that I absolutely adore that score. Some truly amazing cues. I wonder though, are there any other Zimmer scores, or tracks, with heavy Western influences and elements? Aside from this and Rango...


Bondo2017-07-17 01:04:33
Listen to his unused Gladiator theme "Duduk of the North" and you'll hear some serious Western influences ;)


...2017-07-17 01:06:48
And Lone Ranger of course....


Patrick2017-07-17 01:11:03
...and of course "Parlay" in Pirates Of The Carribbean 3


JR2017-07-17 04:37:12
A bit of Western elements, you should also check :
- Thelma & Louise (action cues are Nice!)
- An everlasting Piece (a good jam session with a large variety of instruments, including Western influence)


Bayhem2017-07-17 13:20:39
Awesome! Thanks for the recommendations, folks. Off to check them out.

Anonymous reply Replies: 0 || 2009-08-03 00:00:00
@ Sam, "For me... There is no difference between Comercial Released and This kind of Bootleg CD.."

Then you clearly dont know the score that well! The commercial CD is mixed (badly) in places and the cues are not standalone like on this edition.

Anonymous reply Replies: 0 || 2009-07-08 00:00:00
Much appreciated! I always like knowing who wrote what and trying to figure it all out based on each composer's "sound."

Mr Tweedy reply Replies: 0 || 2009-07-08 00:00:00
@ Bondo

Some licensing sites are giving credits to Gregson-Williams for the Main Titles ("Brothers") along with Harper and Zimmer. That's everything I have about HGW on Broken Arrow.

I know for sure that Harper wrote the cues Boat (CD2 track4), Breaking Orders (CD2 track5) and Train Fight (CD2 track6). I know, the tracknames aren't the same... but the bootleg's tracklist is fanmade, not official. Boat and Train Fight are mixed together and named "Broken Arrow Suite" on one of Harper's promo.
And Harper is given credits for Breaking Orders on some licensing sites. It's fun to see he wrote many cues that follow each other, like if Zimmer told him "from reel #20 to reel #26, YOU write ALL the music". :-)
I don't know if Harper composed other cues.

Zimmer is credited ALONE on the following cues : "Desert Dawn" (CD1 track8) and Mine Shaft (*probably - due to the track name* CD1 track12, but could also be CD2 track1).

Hope it helps.

I have also noticed that there are a few cues missing on this bootleg, mostly from the scene with the nukes in the canyon, just after the crash. Not the best cues of the score, but enjoyable ones nonetheless.

Ruthlessgravity reply Replies: 0 || 2009-05-05 00:00:00
@ Bondo

Besides writing additional music? Not sure, could be possible that he just wrote filler music - the songs that are like a 40 some seconds long.

Bondo reply Replies: 0 || 2009-05-05 00:00:00
Any ideas what tracks Harry Gregson-Williams worked on?

DemonStar reply Replies: 0 || 2008-07-17 00:00:00
Great thing that this one has a proper good quality No FX version - IMHO it's one of Zimmer's finest action scores. Now only if The Lion King also gets a similar quality boot... ;D

Sylvos reply Replies: 0 || 2008-07-02 00:00:00
Really good stuff in here. But I think they ran out of creative juice when it came for a tracklisting! hehe

Mikel Carmona S.i.W ( from Spain) reply Replies: 0 || 2008-03-26 00:00:00
You are right, Hybrid Soldier

Hybrid Soldier reply Replies: 0 || 2007-06-21 00:00:00
No, axel...

The theme of Broken Arrow IS in Scream !


;-)

axel reply Replies: 0 || 2007-06-21 00:00:00
It's a good score.
N.B. : The love theme from Scream 2 (theme which is not on the complete score 2 CD composed by Marco Beltrami) is in the score of Broken Arrow !!!

fabien reply Replies: 0 || 2007-02-19 00:00:00
my favorite score. I have searched a lot for it and I'm not disapponted. Many adds by comparison with the commercial score. Amazing !!!

Anonymous reply Replies: 0 || 2006-08-20 00:00:00
Got my hands on this one, awesome to say the least.

Anonymous reply Replies: 0 || 2006-07-26 00:00:00
Yeah you try finding it! :P

Took me a while to get it and I did stumble on it through a friend but that was after I bought it. This CD is laser etched etc. and I got it pretty cheap! =D

Anonymous reply Replies: 0 || 2006-07-25 00:00:00
Wow, you paid money for a bootleg? Crazy nut!

xeriouxi reply Replies: 0 || 2006-07-23 00:00:00
Just bought this... hope that it's the real thing! ^^;

ReddragonAvidFan reply Replies: 0 || 2006-06-18 00:00:00
here's the covers
i made 3 different back for people who like the movie
choose the one u prefer

http://plissken.free.fr/Covers/B/B.htm

ReddragonAvidFan reply Replies: 0 || 2006-06-17 00:00:00
Excellent idea this 2cds

will do a new cover asap!!!
will let u know

Dark reply Replies: 0 || 2006-06-12 00:00:00
this one is a true must-one
excellent quality

S reply Replies: 0 || 2006-06-12 00:00:00
Indeed, this one is the BEST version so far.

But the cover inserts are sooo bad....

Antas, Webmaster reply Replies: 0 || 2006-06-11 00:00:00
yes, the official release contains the main interesting cues fortunately

Sam reply Replies: 0 || 2006-06-11 00:00:00
For me...

There is no difference between Comercial Released and This kind of Bootleg CD...

Antas, Webmaster reply Replies: 0 || 2006-06-11 00:00:00
All tracks are stereo and very good quality :-)

Sylvos reply Replies: 0 || 2006-06-11 00:00:00
Ah... Good old Broken Arrow. Nice find guys! I think you guys at HZ.com have come across a treasure vault of the former Media Ventures compositions, eh? You seem to find more no-fx soundtracks than ever before!

Anyway, don't tell me there are mono tracks in this one like TLK!! ;-)

Angel reply Replies: 0 || 2006-06-11 00:00:00
So there was a complete score afterall...

 HANS-ZIMMER.com© 2001-2017 OST 
Broken Arrow (Complete Score) soundtrack - Hans Zimmer 1996