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I actually have a question. How accurate were the slate numbers on this leak?<br><br>P3 1m01v2 Hoist the Colours (1:31)<br>P3 1m02v6 Arrive in Singapore (2:18)<br>P3 1m03Av1 East India Trading Company (0:27)<br>P3 1m03Bv3 Getting Ready (1:01)<br>P3 1m05 7v25 Entering the Bath House (2:55)<br>P3 1m08v7 Steam Room (0:42)<br>P3 1m09Av6 Sao Feng Negotiation (5:14)<br>P3 1m09Bv10 Battle with the Brits (2:21)<br>P3 2m10v12 Battle Continues - Will Makes Deal (1:37)<br>P3 2m11v2 Crew Embarks (1:48)<br>P3 2m12v9 Trying to Get Lost (5:06)<br>P3 2m13Av10 Davy Jones Command (4:05)<br>P3 2m13Bv8 Over the Top (2:14)<br>P3 2m15v6 Multiple Jacks (7:31)<br>P3 3m16v11 Captain Jack Sparrow (1:19)<br>P3 3m16Av1 Crabs (0:22)<br>P3 3m17v6 Rescue Jack (2:25)<br>P3 3m18v2 Who's Captain - Below Deck (2:09)<br>P3 3m19v3 Souls at Sea (4:22)<br>P3 3m20Av4 Dreadlock Jack (2:03)<br>P3 3m20Bv14 The Green Flash (3:53)<br>P3 4m20Cv1 We're Back - Wet Powder (1:28)<br>P3 4m21v41 Jiggy Kraken (4:06)<br>P3 4m22v2 Jack & Beckett (8:36)<br>P3 4m22v3 Jack & Beckett (Alt.) (6:20)<br>P3 4m23v8 Seduction (2:36)<br>P3 4m24v3 Sao Feng's Death (1:36)<br>P3 4m24v3.6 Sao Feng's Death (Alt.) (1:36)<br>P3 5m25v4 Chinese Captured by Brits (0:44)<br>P3 5m26v13 Bootstraps - Elizabeth Locker (2:28)<br>P3 5m27v5 Jack Catches Will (1:02)<br>P3 5m28v9 Escape - Norrington Dies (4:16)<br>P3 5m29Av30 Mrs. Fish (1:21)<br>P3 5m29Bpt1v32 Davy Jones Tells Calypso's Story (1:29)<br>P3 5m29Bpt2v41 Shipwreck Cove (0:56)<br>P3 5m29Bpt2Altv36.1 Shipwreck Cove (Alt.) (0:57)<br>P3 5m29Bpt2Altv36 Shipwreck Cove (Alt 2) (0:57)<br>P3 6m30v5 Brethren Court Begins (1:23)<br>P3 6m31v4 Calypso Must Be Released (1:07)<br>P3 6m32v1 Davy Jones Visits Tia Dalma (3:57)<br>P3 6m33v5 Cuttlefish (1:19)<br>P3 6m34v5 Teague & The Code (1:37)<br>P3 6m36v1 King Elizabeth (1:33)<br>P3 6m37v6 Parlay (2:14)<br>P3 6m37Altv7 Parlay (Alt.) (2:15)<br>P3 6m38v1 Trading Places (2:11)<br>P3 6m39Av1 Flying Dutchman Prison (0:27)<br>P3 6m39v2 Immortality (0:47)<br>P3 7m40v2 Calypso on Deck (0:50)<br>P3 7m41v26 Releasing Calypso (5:02)<br>P3 7m42v1 Hoist the Colours Declaration (2:17)<br>P3 7m42Altv3 Hoist the Colours Declaration (Alt.) (2:13)<br>P3 7m43Av2 Maelstrom Pt. 1 (5:32)<br>P3 7m43BEndFixv5 Getting the Chest (1:30)<br>P3 7m43Bv2 Getting the Chest (Alt.) (1:24)<br>P3 7m43InsAv1 A Lost Bird (1:21)<br>P3 8m44Av11 The Wedding (3:12)<br>P3 8m44Aaltv12 The Wedding (Alt.) (3:13)<br>P3 8m44Bv5 Mealstrom Pt. 2 (5:17)<br>P3 8m44Baltv8 Maelstrom Pt. 2 (Alt.) (5:07)<br>P3 8m44Cv12 Davy Death (2:56)<br>P3 8m44D Liftoff (2:24)<br>P3 8m44ev11 Beckett Death (5:08)<br>P3 8m44EAltv12 Beckett Death (Alt.) (5:08)<br>P3 8m44fv5 Celebration (1:45)<br>P3 9m46v5 One Day (2:42)<br>P3 9m47v6 The Ship is Gone (1:19)<br>P3 9m48v6 The Fountain of Youth (1:32)<br>P3 9m49Av1 End Titles A (1:17)<br>P3 9m49Bv1 End Titles B (2:17)<br>P3 9m51v1 10 Years Later (0:54)<br><br>One thing I noticed is that Getting the Chest and A Lost Bird (Maelstrom Part 1B and Maelstrom Part 2 on your track listing) were switched. And based on the lengths, and comparing them to the track listing here, I'm also confused as to whether or not the alternates on this leak were labelled correctly, or if an alternate was falsely presented as an original take, and vice-versa. I would very much appreciate some help here, because this has been driving me crazy for days!Your Music is the most inspiring art in the past twenty years. i wanna thank you so much for doing this an i hope you keep doing it...Thank you.WW84 was completed a while back. Dune, no he's in the middle of it. Last I checked a couple of weeks ago Top Gun was not finished. SpongeBob didn't get the chance to get recorded...Just curious, are his WW84, Dune and Top Gun scores already recorded?
A WAY OF LIFE = 4M20 SEASONS PASS (EDITED) + 6M34 WEAR THIS ARMOR (EDITED) + 3M17 BEATING IN THE RAIN
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<br>SPECTRES IN THE FOG = 2M13 CAPTURED (ALT) + 2M11/12 SAMURAI WILL FIND US/BATTLE IN THE FOG (EDITED)
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<br>TAKEN = 6M32/33 DON'T GO/PREPARE FOR BATTLE
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<br>A HARD TEACHER = 3M18 INTRIGUING PEOPLE (EDITED) + 3M16 ALGREN EXPLORES VILLAGE
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<br>TO KNOW MY ENEMY = 7M39B DEATH & CARNAGE + 5M29B ONE MIND PT2 (EDITED) + 5M31C NOBUTADA'S DEATH (EDITED)
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<br>IDYLL'S END = 4M24 EVERY SOLDIER HAS NIGHTMARES/FAREWELL/SAFE PASSAGE (EDITED)
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<br>SAFE PASSAGE = 5M27 HAIRCUT + 5M28 I REFUSE TO GIVE UP MY SWORD + 3M19 TOO MANY MIND
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<br>RONIN = 1M08 BOOT CAMP (EDITED) + 6M36 THEY WON'T SURRENDER (EDITED)
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<br>RED WARRIOR = 6M35 TO THE BATTLEFIELD (EDITED) + 7M38/39 ARCHERS/ON THE BATTLEFIELD (EDITED)
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<br>THE WAY OF THE SWORD = 7M40A THE FINAL CHARGE (EDITED) + 7M40B/C SAMURAI DIE BY GATLING GUN/KATSUMOTO'S DEATH
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<br>A SMALL MEASURE OF PEACE = 7M41 SMALL MEASURE OF PEACE
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<br>THE FINAL CHARGE = 7M40A THE FINAL CHARGECan’t believe another typical comment by Jack Afrogarrix was able to trigger a whole debate... The corona effect, I guess...Hans is sheltered at home (but fear not he has a home studio that looks like a mini version of his RCP room haha, so he keeps busy as always). Still working hard.<br><br>Plans for his films are a little screwed since everything is postponed and what is not recorded cannot be (I'm thinking SpongeBob) but it's Hans, he can adapt and will find solutions ! :)I hope he is shelled up writing music. <br><br>Can he even commission an orchestra at all?Does anyone know how is Hans doing in all this situation ? I mean the pandemic.
Anyone know what cues make up the OST for this? Hybrid?There's no CD cos this is bootleg.<br>It's on YouTube tho;Where can I find this CD or how can I listen to it?Hi Sir Zimmer,<br><br>I am an self taught composer and a producer, I love your work,<br>You are my inspiration,I have made various<br>Original soundtrack inspired by your<br>Works<br>Am linking to one of my latest work<br>https://youtu.be/TEqXpSvlxsc<br><br>I would love to work on TV's or movie's music scores.<br><br>I hope you would like.<br><br>-Kenez Nonwar<br>@superultramegaa:<br><br>Yeah, now is about to be positive, but that comment is a bit to far not just for the circunstances, also because, we talk about soundtracks and comment, not other things.<br><br>Leave the covid19, for other things, ok?
The comment by Jack Afrogarrix doesn't make sense. Spenser Confidential and Bloodshot are the ONLY Jablonsky soundtracks in 2020 so far. "My two favourite Jablonsky soundtracks of 2020" would only make sense, if there would be already more released than these two by Jablonsky in 2020.Do you know where can i find the song death of shrike???@Jack Afrogarrix	<br><br>Edmund is being positive. He's finding humor in the world's current situation instead of being negative, sensitive, and depressed about it. We're all trying to stay positive na enjoy film scores right now. <br><br>Just because Edmund is doing it in a way you don't like doesn't mean he's being negative. Lighten up guys, it was a joke.I agree with MrZimmerFan, the comment that edmund did was too much and i did comment about the composer's film score in 2020. I didn't say it like that. Look i just an young guy who likes soundtracks of films very much and i know there is an pandemic in the world and i trying to be positive while this is happening and i hear film music because i like to hear music of every film composers.Edmund, that comment is bit too much, don't you think?
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John PowellGavin GreenawayJohn Ashton ThomasGermaine Franco
ComposerConductorOrchestratorAssistant To Composer
United 93
Label: Varese Sarabande
Length: 43'41
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6096 votes)
  1. Prayers (6:02)
  2. Pull The Tapes (4:14)
  3. Take Off (3:07)
  4. 2nd Plane Crash (2:27)
  5. Making The Bomb (3:57)
  6. The Pilots (1:21)
  7. The Pentagon (1:43)
  8. Phone Calls (10:49)
  9. The End (5:50)
  10. Dedication (3:51)
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Anonymous reply Replies: 0 || 2007-10-24 00:00:00
By the Way i'm Form Mexico City

  Your name :   

Please enter number: 601 

Rodrigo Ortíz Gasca reply Replies: 0 || 2007-10-24 00:00:00
I WANT THE DAMN CD NOWˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇ

Rodrigo Ortíz Gasca reply Replies: 0 || 2007-10-24 00:00:00
What a Awsome Music.

Mikel Carmona-S.i.W (from Spain) reply Replies: 0 || 2006-12-28 00:00:00
Congratulations Powell, you have composed a great score for an excelent movie.

Ant reply Replies: 0 || 2006-08-13 00:00:00
I agree with you Martin. This film doesn't want, or need a big brassy heroic score. It needs and underscore and that's what it got. This is a film where the music isn't trying to draw attention to itself.

I'd just like to congratulate Powell on pulling off such a difficult project. It's always a challenge to write a convincing underscore, but on this one, being in a touchy genre must have been harder than we expect.

Martin reply Replies: 0 || 2006-07-12 00:00:00
I saw the film recently in Sydney and found the score to be a sensitive accompaniment to the film. The references to - unwittingly or not - New York minimalism (especially Steve Reich) are very canny and appropriate. A film like this doesn't need a psychologically manipulative or lavish score. Underscoring is what's required and congratulations on delivering just that with no loss of sophistication.

Craig Lowe reply Replies: 0 || 2006-07-03 00:00:00
Hey um i donno what to say because well i only watched the trailer and well i live in the Bahamas and they did not bring the movie here :( and i really wanted to watch it because even though i don't kno anyone that died on september 11th i still feel pain in my heart :( and i really want to watch United 93 and well i bet the soundtrack is awesome because i've heard some of the extracts but i really want to watch the movie...can anyone help

Anonymous reply Replies: 0 || 2006-06-22 00:00:00
UNITED 93 - PRESS RELEASE

(Los Angeles, CA) John Powell scores the much-anticipated United 93 for Universal Pictures and writer-director Paul Greengrass. The film is a real time account of the heroism in United Flight 93, the fourth plane to be hijacked the morning of September the 11th, 2001. The film premiered at New York’s Tribeca Film Festival, screened at Canned and opened April 28. United 93 marks the second collaboration between Powell and Greengrass; the two had collaborated previously on The Bourne Supremacy and will rejoin in The Bourne Ultimatum. For United 93, Powell created an ambient score which he recorded in London with a live orchestra. Varese Sarabande will release the score CD June 6.

As the Powell-scored Ice Age: The Meltdown continues its march to the $200 million mark at the box office, audiences have turned out for another summer box office monster Powell has scored, X-Men: The Last Stand, which has broken records to gross over $175 million in just two weeks.

Powell's long and storied career in music began in Britain where he joined performance art group Media Arts while attending Trinity College of Music. While composing music for television and commercials for Air-Edel Music, he worked alongside composers Hans Zimmer and Patrick Doyle and made his first foray into feature films. After Powell co¬founded the commercial music house Independently Thinking Music (ITM) with longtime collaborator Gavin Greenaway, he moved to Los Angeles to pursue feature film composing.. He immediately scored several projects for DreamWorks Television, but it was his stirring score for John Woo's blockbuster Face/Off that put him in Hollywood's short list. He has since scored a wide variety of films and is well known for his scores to actioners Mr. and Mrs. Smith, The Italian Job, The Bourne Identity and Bourne Supremacy as well as jazzy scores for Be Cool and Alfie.

In addition to Jason Bourne's next adventure, Powell's upcoming slate includes the animated musical Happy Feet, and the film adaptation of the graphic novel The Watchmen.

Paul reply Replies: 0 || 2006-06-12 00:00:00
This Sounds Great !!!!. When does it come to Europe ( Holland ) I Hope it comes very fast.

I Think the score sounds better if you have the images from the film in your head...........

Ant reply Replies: 0 || 2006-06-11 00:00:00
I don't think it comes close to an orchestra - I've only listened to it a couple of times because it's so boring and all I remember is some violins and the occasional percussion.

Koala Lin ( http://spaces.msn.com/koalalin120674/ reply Replies: 0 || 2006-06-11 00:00:00

This time Mr. Powell makes me wanna sleep at all...

There is no orchestra in this project , right ?

Ant reply Replies: 0 || 2006-06-06 00:00:00
Rather bland - it just sounded like the Bourne scores without any action.

Dark reply Replies: 0 || 2006-06-01 00:00:00
my thoughts exactly .. the end and dedication are decent but the rest..
and during this time no release for the dynamic klaus badelt score for "Ultraviolet".. ts ts ts

Nautilus reply Replies: 0 || 2006-05-30 00:00:00
very, very, very atmospheric score.
Just percusion and ambience music.

Some string and Powell's son vocals.

"the End" is a moving track.But the rest is like nothing.I can't understand why powell has wanted release this score.

Sylvos reply Replies: 0 || 2006-05-22 00:00:00
Though it seems to be way too short, I'm glad to see this coming out at last.

Indeed, "Thanks Varese!"

YES! reply Replies: 0 || 2006-05-21 00:00:00
YES!!!!!

Kiddo reply Replies: 0 || 2006-05-20 00:00:00
Yes! I began to lose hope of an album release. THANKS, VARESE!!!!

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United 93 soundtrack - John Powell 2006