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Mark Mancinas Score for the First - Good!<br>Trevor Rabin for the second - Fantastic Great Action Score I LOVE IT! Steve Jablonsky work too on it! The Dr. Dre Music in this too..<br><br>Lorne Balfe to the third - meeehhh buuuuhhh!!!When does this come out? I can't find it anywhere online. And if it has already come out, does anyone know where it's available?Just saw the trailer...…<br><br>Not exactly an epic movie but I'm still quite excited for Steve's music. Deepwater Horizon contained some pretty cool cues so I'm definitely in for another Berg/Jablonsky collaboration.I’m assuming the first track is the end credits sequence? Lorne confirmed the end credits are included... and they are awesome.The score is getting release by Paramount Music, in other words, digital and same day as the movie opens (31th January)
Any news on if we get an album for The Rhythm Section?I wish to see you in concert in Poland it is so close to Germany and i think that you have many fans heere :)Booklet credits:<br><br>NIMEPATA UPENDO<br><br>Performed by The Mully Children’s Family Choir<br>Choir Director: Dickson Mulli<br>Lyrics by Scott Haze, Carol Wilhelm & Mercy Waitherero Macharia<br>Music by The Mully Children’s Family Choir and Benjamin Wallfisch<br><br><br>LOVE WILL BE YOUR SHELTER<br><br>Written by Siedah Garrett and Benjamin Wallfisch<br>Vocals: Siedah Garrett <br>Orchestra: Macedonian Radio Symphony<br>Produced and Mixed by Benjamin Wallfisch<br><br>Music Composed and Produced by Benjamin Wallfisch<br><br>Executive Producer: Robert Townson<br><br>Score Orchestrated by Arturo Rodriguez, Benjamin Wallfisch<br><br>Featured Vocalist: Tori Letzler<br><br>Guitars: Owen Gurry<br><br>Synthesizer Programming: Steve Davis, Evan Goldman<br><br>Cello Solos: Tim Hugh<br><br>Violin Solos: Stephanie Gonley<br><br>Orchestra: The Chamber Orchestra of London<br><br>Orchestra Contractor: Gareth Griffiths<br><br>Orchestra Conductor: Geoff Alexander<br><br>Score Recorded by Steve Price <br><br>Assistant Engineer: Alex Watson<br><br>ProTools Recordist: Chris Parker <br><br>Music Preparation: Jill Streater<br><br>Score Recorded at Angel Studios, London<br><br>Score Mixed at Mirai Sevens <br><br>Score Mixed by Satoshi Noguchi<br><br>Score Mix Assistant: Coleen Lutz<br><br>Score Technical Assistant: Max Sandler<br><br>Mastered by Patricia SullivanMahatma sisaGgrAmayiSu ...almost sure that first line is " Mah&#257;tm&#257; sisaGgrAmayiSu " in Sanskrit: "great soul wishing to start a war"<br>
Nah, it's just a retarded mistake.LOL@Evenstar maybe just to make a difference from maybe cues with rap or another kind of music that serves as additional score for the movie. For example Bad Boys 2 has Trevor Rabin and many composers as additional music but that's the composer music. Dr. Dre. write additional music but that was rap remixes. So, that's why i think the take movie picture score instead motion picture score.Yep, i think it was in the movie 2 times, first the motorcycle chase scene, second the action scene in the endDamn I knew I heard some MW2 in the score! Glad I'm not alone. :D
Well, not that new... aka 'Wonderland'New assigment for Jab: Spenser Confidential with Peter BergI wonder if the Modern Warfare 2 favela music which was in the movie, that will be on the album or not.@ MrZimmerFan<br><br><br>Yes, same thing with 6 UNDERGROUND. There were a lot of songs as well. Now we know why Lorne had the time to do all of those big movies in such a short period of time. lol.<br><br>Now if this was Transformers, it would've been a whole different story.....I want! I want!
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John PowellGavin GreenawayJohn Ashton ThomasGermaine Franco
ComposerConductorOrchestratorAssistant To Composer
United 93
Label: Varese Sarabande
Length: 43'41
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6051 votes)
  1. Prayers (6:02)
  2. Pull The Tapes (4:14)
  3. Take Off (3:07)
  4. 2nd Plane Crash (2:27)
  5. Making The Bomb (3:57)
  6. The Pilots (1:21)
  7. The Pentagon (1:43)
  8. Phone Calls (10:49)
  9. The End (5:50)
  10. Dedication (3:51)
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Anonymous reply Replies: 0 || 2007-10-24 00:00:00
By the Way i'm Form Mexico City

Rodrigo Ortíz Gasca reply Replies: 0 || 2007-10-24 00:00:00
I WANT THE DAMN CD NOWˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇ

  Your name :   

Please enter number: 601 

Rodrigo Ortíz Gasca reply Replies: 0 || 2007-10-24 00:00:00
What a Awsome Music.

Mikel Carmona-S.i.W (from Spain) reply Replies: 0 || 2006-12-28 00:00:00
Congratulations Powell, you have composed a great score for an excelent movie.

Ant reply Replies: 0 || 2006-08-13 00:00:00
I agree with you Martin. This film doesn't want, or need a big brassy heroic score. It needs and underscore and that's what it got. This is a film where the music isn't trying to draw attention to itself.

I'd just like to congratulate Powell on pulling off such a difficult project. It's always a challenge to write a convincing underscore, but on this one, being in a touchy genre must have been harder than we expect.

Martin reply Replies: 0 || 2006-07-12 00:00:00
I saw the film recently in Sydney and found the score to be a sensitive accompaniment to the film. The references to - unwittingly or not - New York minimalism (especially Steve Reich) are very canny and appropriate. A film like this doesn't need a psychologically manipulative or lavish score. Underscoring is what's required and congratulations on delivering just that with no loss of sophistication.

Craig Lowe reply Replies: 0 || 2006-07-03 00:00:00
Hey um i donno what to say because well i only watched the trailer and well i live in the Bahamas and they did not bring the movie here :( and i really wanted to watch it because even though i don't kno anyone that died on september 11th i still feel pain in my heart :( and i really want to watch United 93 and well i bet the soundtrack is awesome because i've heard some of the extracts but i really want to watch the movie...can anyone help

Anonymous reply Replies: 0 || 2006-06-22 00:00:00
UNITED 93 - PRESS RELEASE

(Los Angeles, CA) John Powell scores the much-anticipated United 93 for Universal Pictures and writer-director Paul Greengrass. The film is a real time account of the heroism in United Flight 93, the fourth plane to be hijacked the morning of September the 11th, 2001. The film premiered at New York’s Tribeca Film Festival, screened at Canned and opened April 28. United 93 marks the second collaboration between Powell and Greengrass; the two had collaborated previously on The Bourne Supremacy and will rejoin in The Bourne Ultimatum. For United 93, Powell created an ambient score which he recorded in London with a live orchestra. Varese Sarabande will release the score CD June 6.

As the Powell-scored Ice Age: The Meltdown continues its march to the $200 million mark at the box office, audiences have turned out for another summer box office monster Powell has scored, X-Men: The Last Stand, which has broken records to gross over $175 million in just two weeks.

Powell's long and storied career in music began in Britain where he joined performance art group Media Arts while attending Trinity College of Music. While composing music for television and commercials for Air-Edel Music, he worked alongside composers Hans Zimmer and Patrick Doyle and made his first foray into feature films. After Powell co¬founded the commercial music house Independently Thinking Music (ITM) with longtime collaborator Gavin Greenaway, he moved to Los Angeles to pursue feature film composing.. He immediately scored several projects for DreamWorks Television, but it was his stirring score for John Woo's blockbuster Face/Off that put him in Hollywood's short list. He has since scored a wide variety of films and is well known for his scores to actioners Mr. and Mrs. Smith, The Italian Job, The Bourne Identity and Bourne Supremacy as well as jazzy scores for Be Cool and Alfie.

In addition to Jason Bourne's next adventure, Powell's upcoming slate includes the animated musical Happy Feet, and the film adaptation of the graphic novel The Watchmen.

Paul reply Replies: 0 || 2006-06-12 00:00:00
This Sounds Great !!!!. When does it come to Europe ( Holland ) I Hope it comes very fast.

I Think the score sounds better if you have the images from the film in your head...........

Ant reply Replies: 0 || 2006-06-11 00:00:00
I don't think it comes close to an orchestra - I've only listened to it a couple of times because it's so boring and all I remember is some violins and the occasional percussion.

Koala Lin ( http://spaces.msn.com/koalalin120674/ reply Replies: 0 || 2006-06-11 00:00:00

This time Mr. Powell makes me wanna sleep at all...

There is no orchestra in this project , right ?

Ant reply Replies: 0 || 2006-06-06 00:00:00
Rather bland - it just sounded like the Bourne scores without any action.

Dark reply Replies: 0 || 2006-06-01 00:00:00
my thoughts exactly .. the end and dedication are decent but the rest..
and during this time no release for the dynamic klaus badelt score for "Ultraviolet".. ts ts ts

Nautilus reply Replies: 0 || 2006-05-30 00:00:00
very, very, very atmospheric score.
Just percusion and ambience music.

Some string and Powell's son vocals.

"the End" is a moving track.But the rest is like nothing.I can't understand why powell has wanted release this score.

Sylvos reply Replies: 0 || 2006-05-22 00:00:00
Though it seems to be way too short, I'm glad to see this coming out at last.

Indeed, "Thanks Varese!"

YES! reply Replies: 0 || 2006-05-21 00:00:00
YES!!!!!

Kiddo reply Replies: 0 || 2006-05-20 00:00:00
Yes! I began to lose hope of an album release. THANKS, VARESE!!!!

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United 93 soundtrack - John Powell 2006