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@Scorefan: You know what "Motion" means right? Motion picture = moving picture = movie. U either call it "Original Movie Score" or "Original Score from the Movie" or u call it "Original Motion Picture Score". But u can't say "Movie Picture" lol. Its just wrong or like Macejko said.. "a retarded mistake" ;-)@Maho: Dude I know why its stated "Score", but thats NOT the issue. What I'm talking about here is "Movie" which should be called "Motion".If you are interested, here is an interview with Otomo https://www.japantimes.co.jp /culture/2004/07/14/ films/film-reviews /the-master-behind-the-otaku/#.Xiix-P4zbctI like to make you in positive way aware of that "Time" has been blended with Charlie Chaplin's message to humanity (The Great Dictator) and thoughful added images in a video on youtube. If it is blocked due to disturbing pictures, please use a proxy to see it.But there is still a chances. Steve was suggested to Otomo by music supervisor Keiichi Momose and in an interview Katsuhiro mention that he really liked Jablonsky's work on Steamboy.<br><br>So, we may hope that Keiichi Momose will work on Orbital Era or Otomo rememberes Steve's music for Steamboy. Time will tell.
To be honest it's just my thoughts. But what are the chances that Otomo will choose Steve for his new work after really long brake (almost 15 years)?I would love for another animated score from Steve. Why is it almost impossible for him to score for Katsuhiro Otomo out of curiosity?I just saw this, EXTREMELY HAPPY!!!! he's so dope and talented apparently he's already done a few tracks cause the actor lewis tan sais he liked what he already heard.He is scoring to Mortal Kombat reboot movie, I saw that news from film music reporter, but mortal Kombat 1995 score was my favorite score.@Evenstar Original Movie Picture Score? lul. Usually it's called Motion Picture but ok.<br><br>No not always. I have a lot of scores where it is on the front of the booklet. Especially when an album with songs was released. So that the laypersons don't get confused, but still always manage not to look through, you can see on Amazon.
Mark Mancinas Score for the First - Good!<br>Trevor Rabin for the second - Fantastic Great Action Score I LOVE IT! Steve Jablonsky work too on it! The Dr. Dre Music in this too..<br><br>Lorne Balfe to the third - meeehhh buuuuhhh!!<br>======================<br><br><br>I agree about the first two scores. They're very different but equally as good. I know that some people are critical of the BB2 score (because it basically ignores the BB1 sound) but I love it. I think Rabin and Jablonsky did an amazing job.<br><br>As for Lorne' score.....I have to disagree. I think it's great. Granted, my opinion is based only on what I heard in the movie (haven't heard the entire album) but I really like what he did. Clearly it was done with love. I mean, the Bad Boys 1 score is one of the reasons why Lorne became a film composer. So the BB3 score wasn't a "rush job". He clearly put an effort to it. I'm looking forward to the entire album.Comes out this Friday :)Still hope that Katsuhiro Otomo will reunites with Steve for his new anime, even if it's almost impossible.Mark Mancinas Score for the First - Good!<br>Trevor Rabin for the second - Fantastic Great Action Score I LOVE IT! Steve Jablonsky work too on it! The Dr. Dre Music in this too..<br><br>Lorne Balfe to the third - meeehhh buuuuhhh!!!When does this come out? I can't find it anywhere online. And if it has already come out, does anyone know where it's available?
Just saw the trailer...…<br><br>Not exactly an epic movie but I'm still quite excited for Steve's music. Deepwater Horizon contained some pretty cool cues so I'm definitely in for another Berg/Jablonsky collaboration.I’m assuming the first track is the end credits sequence? Lorne confirmed the end credits are included... and they are awesome.The score is getting release by Paramount Music, in other words, digital and same day as the movie opens (31th January)Any news on if we get an album for The Rhythm Section?I wish to see you in concert in Poland it is so close to Germany and i think that you have many fans heere :)
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John PowellGavin GreenawayJohn Ashton ThomasGermaine Franco
ComposerConductorOrchestratorAssistant To Composer
United 93
Label: Varese Sarabande
Length: 43'41
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6051 votes)
  1. Prayers (6:02)
  2. Pull The Tapes (4:14)
  3. Take Off (3:07)
  4. 2nd Plane Crash (2:27)
  5. Making The Bomb (3:57)
  6. The Pilots (1:21)
  7. The Pentagon (1:43)
  8. Phone Calls (10:49)
  9. The End (5:50)
  10. Dedication (3:51)
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Anonymous reply Replies: 0 || 2007-10-24 00:00:00
By the Way i'm Form Mexico City

Rodrigo Ortíz Gasca reply Replies: 0 || 2007-10-24 00:00:00
I WANT THE DAMN CD NOWˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇ

Rodrigo Ortíz Gasca reply Replies: 0 || 2007-10-24 00:00:00
What a Awsome Music.

Mikel Carmona-S.i.W (from Spain) reply Replies: 0 || 2006-12-28 00:00:00
Congratulations Powell, you have composed a great score for an excelent movie.

Ant reply Replies: 0 || 2006-08-13 00:00:00
I agree with you Martin. This film doesn't want, or need a big brassy heroic score. It needs and underscore and that's what it got. This is a film where the music isn't trying to draw attention to itself.

I'd just like to congratulate Powell on pulling off such a difficult project. It's always a challenge to write a convincing underscore, but on this one, being in a touchy genre must have been harder than we expect.

Martin reply Replies: 0 || 2006-07-12 00:00:00
I saw the film recently in Sydney and found the score to be a sensitive accompaniment to the film. The references to - unwittingly or not - New York minimalism (especially Steve Reich) are very canny and appropriate. A film like this doesn't need a psychologically manipulative or lavish score. Underscoring is what's required and congratulations on delivering just that with no loss of sophistication.

Craig Lowe reply Replies: 0 || 2006-07-03 00:00:00
Hey um i donno what to say because well i only watched the trailer and well i live in the Bahamas and they did not bring the movie here :( and i really wanted to watch it because even though i don't kno anyone that died on september 11th i still feel pain in my heart :( and i really want to watch United 93 and well i bet the soundtrack is awesome because i've heard some of the extracts but i really want to watch the movie...can anyone help

Anonymous reply Replies: 0 || 2006-06-22 00:00:00
UNITED 93 - PRESS RELEASE

(Los Angeles, CA) John Powell scores the much-anticipated United 93 for Universal Pictures and writer-director Paul Greengrass. The film is a real time account of the heroism in United Flight 93, the fourth plane to be hijacked the morning of September the 11th, 2001. The film premiered at New York’s Tribeca Film Festival, screened at Canned and opened April 28. United 93 marks the second collaboration between Powell and Greengrass; the two had collaborated previously on The Bourne Supremacy and will rejoin in The Bourne Ultimatum. For United 93, Powell created an ambient score which he recorded in London with a live orchestra. Varese Sarabande will release the score CD June 6.

As the Powell-scored Ice Age: The Meltdown continues its march to the $200 million mark at the box office, audiences have turned out for another summer box office monster Powell has scored, X-Men: The Last Stand, which has broken records to gross over $175 million in just two weeks.

Powell's long and storied career in music began in Britain where he joined performance art group Media Arts while attending Trinity College of Music. While composing music for television and commercials for Air-Edel Music, he worked alongside composers Hans Zimmer and Patrick Doyle and made his first foray into feature films. After Powell co¬founded the commercial music house Independently Thinking Music (ITM) with longtime collaborator Gavin Greenaway, he moved to Los Angeles to pursue feature film composing.. He immediately scored several projects for DreamWorks Television, but it was his stirring score for John Woo's blockbuster Face/Off that put him in Hollywood's short list. He has since scored a wide variety of films and is well known for his scores to actioners Mr. and Mrs. Smith, The Italian Job, The Bourne Identity and Bourne Supremacy as well as jazzy scores for Be Cool and Alfie.

In addition to Jason Bourne's next adventure, Powell's upcoming slate includes the animated musical Happy Feet, and the film adaptation of the graphic novel The Watchmen.

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Paul reply Replies: 0 || 2006-06-12 00:00:00
This Sounds Great !!!!. When does it come to Europe ( Holland ) I Hope it comes very fast.

I Think the score sounds better if you have the images from the film in your head...........

Ant reply Replies: 0 || 2006-06-11 00:00:00
I don't think it comes close to an orchestra - I've only listened to it a couple of times because it's so boring and all I remember is some violins and the occasional percussion.

Koala Lin ( http://spaces.msn.com/koalalin120674/ reply Replies: 0 || 2006-06-11 00:00:00

This time Mr. Powell makes me wanna sleep at all...

There is no orchestra in this project , right ?

Ant reply Replies: 0 || 2006-06-06 00:00:00
Rather bland - it just sounded like the Bourne scores without any action.

Dark reply Replies: 0 || 2006-06-01 00:00:00
my thoughts exactly .. the end and dedication are decent but the rest..
and during this time no release for the dynamic klaus badelt score for "Ultraviolet".. ts ts ts

Nautilus reply Replies: 0 || 2006-05-30 00:00:00
very, very, very atmospheric score.
Just percusion and ambience music.

Some string and Powell's son vocals.

"the End" is a moving track.But the rest is like nothing.I can't understand why powell has wanted release this score.

Sylvos reply Replies: 0 || 2006-05-22 00:00:00
Though it seems to be way too short, I'm glad to see this coming out at last.

Indeed, "Thanks Varese!"

YES! reply Replies: 0 || 2006-05-21 00:00:00
YES!!!!!

Kiddo reply Replies: 0 || 2006-05-20 00:00:00
Yes! I began to lose hope of an album release. THANKS, VARESE!!!!

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United 93 soundtrack - John Powell 2006