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Booklet credits:<br><br>Score Composed, Produced, Programmed, Mixed and Mastered by Tom Holkenborg<br><br>Additional Music: Antonio Di Iorio<br>Additional Synth Programming by Sara Barone<br>Technical Score Engineers: Jacopo Trifone, Shwan Askari, Gevorg Chepchyan and Jarrod Royles-Atkins<br>Music Production Services by Michiel Groeneveld<br>Score Mixed at Computer Hell Cabin<br><br>Score Conducted by Edward Trybek<br>Score Orchestrated by Edward Trybek, Henri Wilkinson, Jonathan Beard and Tom Holkenborg<br>Music Contractor: Peter Rotter (For Encompass Music Partners)<br>Score Copied by Edward Trybek and Henri Wilkinson<br>Score Recorded by Chris Fogel<br>Digital Recording by Kevin Globerman<br>Score Recorded at Elbo Studios<br><br>Executive in Charge of Music for Paramount Pictures: Randy Spendlove<br>Soundtrack Album Coordinator: Michael Murphy<br>Executive Album Producers for La-La Land Records: MV Gerhard and Matt Verboys<br>Art Direction by Dan Goldwasser at Warm Butter Design<br>Production Assistance: Frank K. DeWald and Neil S. Bulk<br><br>Special Thanks:<br>Saskia Holkenborg, Julian and Darren Holkenborg, David Altschul, Anne Cobb, Allison Dotson, Richard Kraft, Laura Engel, Hisham Dahud and Alastair Duncan<br><br>Paramount Pictures Thanks:<br>Lilly Bennet, Mary Jo Braun, Dan Butler, Sheryl Carlin, Dina Durant, Adam Ehrlich, Robert Gasper, Tina Kiehl, Liz McNicholl, Vanessa Palmer, Areli Quuirarte, Maddy Van Remortel, Kim Seiniger, Johnathan Weiss and Clare YezerskiHey man, I'm sure you already know this, but you are awesome! I just watched your Vanity Fair video from two years ago. Your take on life and your music is amazing, keep up the good work!I do really like benjamin wallfisch's new score for the invisible man, which is release today in cinema. I'm a fan of wallfisch's film score since lights out and including other film scores, but i begin to hear the score in spotify & youtube and i do like the score with the full orchestra & electronic music within the film music and there are two themes for the film but there are most motif, like mr.zimmerfan says. <br><br>I just hope that this page can released the soundtrack details of The Invisible man soon and this score is good.The Invisible Man, would be one of the most dark, hard-hearing scores by Wallfisch, by far, multiple people will hate this score -i know, is difficult listening horror scores-, but when is good, is good.<br><br>If you love Lights Out, the two ITs, speacially, A Cure for Wellness, The Invisible Man is for you: dark, unpleasing (the theme for Elisabeth Moss' character is a beautiful melodie, example in 'Denouement', constantly accosed -rightly word- with the sounds of the Invisible Man, he has not theme, more motif and tremendously agresive sound desing, you can here listen in 'Attack') and very Hermann-esque (the score was only recorded with string orchestra, say by Wallfisch).<br><br>Like i said before, is not a score for everyone, but if you love Wallfisch's writing for horror, this one is for youNow, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.<br><br>Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.<br><br>One of the best scores of 2020, by far.
I found myself more entertaining by this one (after multiple listenings) than with Skyscraper, but not more than TLK or TMNT and TLWH.<br><br>The themes are there, very simplistic, but effective (the melodie for RST twisted in 'Harting', for example or the more melodic and peaceful theme in 'KT'), and yes, the sound design, but in the defense of Jab, he is far more rhytmic than others attepmting it (the element of horror hearing in 'Martin Axe' or the percussive twisted agressive in 'The Tunnel') or the more echoing 'The Island' guitar riffs in 'Ray Garrison', even he reutilizes the percussive timing Decepcticon theme for the motif (i think) for Bloodshot.<br><br>Maybe, i gave him more credit, but in his defense, i was expecting something more electronic (plenty electronic are here), but is more orchestral and melodic i was expecting.Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.Most probably
I am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!
Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.
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John PowellGavin GreenawayJohn Ashton ThomasGermaine Franco
ComposerConductorOrchestratorAssistant To Composer
United 93
Label: Varese Sarabande
Length: 43'41
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6076 votes)
  1. Prayers (6:02)
  2. Pull The Tapes (4:14)
  3. Take Off (3:07)
  4. 2nd Plane Crash (2:27)
  5. Making The Bomb (3:57)
  6. The Pilots (1:21)
  7. The Pentagon (1:43)
  8. Phone Calls (10:49)
  9. The End (5:50)
  10. Dedication (3:51)
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Anonymous reply Replies: 0 || 2007-10-24 00:00:00
By the Way i'm Form Mexico City

Rodrigo OrtŪz Gasca reply Replies: 0 || 2007-10-24 00:00:00
I WANT THE DAMN CD NOW°°°°°°°°°°°°°°°°°

Rodrigo OrtŪz Gasca reply Replies: 0 || 2007-10-24 00:00:00
What a Awsome Music.

Mikel Carmona-S.i.W (from Spain) reply Replies: 0 || 2006-12-28 00:00:00
Congratulations Powell, you have composed a great score for an excelent movie.

Ant reply Replies: 0 || 2006-08-13 00:00:00
I agree with you Martin. This film doesn't want, or need a big brassy heroic score. It needs and underscore and that's what it got. This is a film where the music isn't trying to draw attention to itself.

I'd just like to congratulate Powell on pulling off such a difficult project. It's always a challenge to write a convincing underscore, but on this one, being in a touchy genre must have been harder than we expect.

Martin reply Replies: 0 || 2006-07-12 00:00:00
I saw the film recently in Sydney and found the score to be a sensitive accompaniment to the film. The references to - unwittingly or not - New York minimalism (especially Steve Reich) are very canny and appropriate. A film like this doesn't need a psychologically manipulative or lavish score. Underscoring is what's required and congratulations on delivering just that with no loss of sophistication.

Craig Lowe reply Replies: 0 || 2006-07-03 00:00:00
Hey um i donno what to say because well i only watched the trailer and well i live in the Bahamas and they did not bring the movie here :( and i really wanted to watch it because even though i don't kno anyone that died on september 11th i still feel pain in my heart :( and i really want to watch United 93 and well i bet the soundtrack is awesome because i've heard some of the extracts but i really want to watch the movie...can anyone help

Anonymous reply Replies: 0 || 2006-06-22 00:00:00
UNITED 93 - PRESS RELEASE

(Los Angeles, CA) John Powell scores the much-anticipated United 93 for Universal Pictures and writer-director Paul Greengrass. The film is a real time account of the heroism in United Flight 93, the fourth plane to be hijacked the morning of September the 11th, 2001. The film premiered at New Yorkís Tribeca Film Festival, screened at Canned and opened April 28. United 93 marks the second collaboration between Powell and Greengrass; the two had collaborated previously on The Bourne Supremacy and will rejoin in The Bourne Ultimatum. For United 93, Powell created an ambient score which he recorded in London with a live orchestra. Varese Sarabande will release the score CD June 6.

As the Powell-scored Ice Age: The Meltdown continues its march to the $200 million mark at the box office, audiences have turned out for another summer box office monster Powell has scored, X-Men: The Last Stand, which has broken records to gross over $175 million in just two weeks.

Powell's long and storied career in music began in Britain where he joined performance art group Media Arts while attending Trinity College of Music. While composing music for television and commercials for Air-Edel Music, he worked alongside composers Hans Zimmer and Patrick Doyle and made his first foray into feature films. After Powell co¨founded the commercial music house Independently Thinking Music (ITM) with longtime collaborator Gavin Greenaway, he moved to Los Angeles to pursue feature film composing.. He immediately scored several projects for DreamWorks Television, but it was his stirring score for John Woo's blockbuster Face/Off that put him in Hollywood's short list. He has since scored a wide variety of films and is well known for his scores to actioners Mr. and Mrs. Smith, The Italian Job, The Bourne Identity and Bourne Supremacy as well as jazzy scores for Be Cool and Alfie.

In addition to Jason Bourne's next adventure, Powell's upcoming slate includes the animated musical Happy Feet, and the film adaptation of the graphic novel The Watchmen.

Paul reply Replies: 0 || 2006-06-12 00:00:00
This Sounds Great !!!!. When does it come to Europe ( Holland ) I Hope it comes very fast.

I Think the score sounds better if you have the images from the film in your head...........

Ant reply Replies: 0 || 2006-06-11 00:00:00
I don't think it comes close to an orchestra - I've only listened to it a couple of times because it's so boring and all I remember is some violins and the occasional percussion.

Koala Lin ( http://spaces.msn.com/koalalin120674/ reply Replies: 0 || 2006-06-11 00:00:00

This time Mr. Powell makes me wanna sleep at all...

There is no orchestra in this project , right ?

Ant reply Replies: 0 || 2006-06-06 00:00:00
Rather bland - it just sounded like the Bourne scores without any action.

Dark reply Replies: 0 || 2006-06-01 00:00:00
my thoughts exactly .. the end and dedication are decent but the rest..
and during this time no release for the dynamic klaus badelt score for "Ultraviolet".. ts ts ts

Nautilus reply Replies: 0 || 2006-05-30 00:00:00
very, very, very atmospheric score.
Just percusion and ambience music.

Some string and Powell's son vocals.

"the End" is a moving track.But the rest is like nothing.I can't understand why powell has wanted release this score.

Sylvos reply Replies: 0 || 2006-05-22 00:00:00
Though it seems to be way too short, I'm glad to see this coming out at last.

Indeed, "Thanks Varese!"

YES! reply Replies: 0 || 2006-05-21 00:00:00
YES!!!!!

Kiddo reply Replies: 0 || 2006-05-20 00:00:00
Yes! I began to lose hope of an album release. THANKS, VARESE!!!!

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United 93 soundtrack - John Powell 2006