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John Powell would be an amazing choice, if only to get him more mainstream exposure. <br><br>The thing is, if you strip away the drums, sound design, and harsh-mixing Tom is a actually a pretty gifted “classical” composer imo. His string writing has always impressed me, and seeing his use of woodwinds in Alita definitely proved that he can write outside of the mold Hollywood had put him in post-Mad Max.<br><br>Avatar 2 is most likely going to need a pretty diverse score, if the first one is any indicator. James Horner combined traditional orchestra, tribal drums, ethnic elements, electronics, and masculine action writing. All of which I could see Tom doing quite well.Chrono order goes like this :<br><br>Dublin 1996<br>Driving<br>Deceit<br>Second Warning<br>First Warning<br>Research<br>Conversations<br>The Beating<br>Traynor Lies<br>Never Show Your Fear<br>Preparations<br>The Killing<br>Bad News<br>The Funeral<br>One More Day<br><br>But some tracks have cues edited together, and some titles are not exactly perfect lol...Atli is fine in Iceland, maybe he just doesn't want to look for trouble anymore... :)Lorne did work on this score. At the very end, when the film (and therefore, the score) was getting butchered by editors to shorten it, there was very little time to rework the score to adapt it to the new cut. So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score, but Battlefield is indeed a LB cue (it sounds nothing like SJ).<br><br>Not the first time this happened. Lorne extensively worked on TF1 & 2 (credited), but also helped (uncredited) on TF3 (there again, his assistant back then Andrew K. was credited).Alright, that's ^^ a bit too far, but I agree that there's not enough evidence to really support the theory. The only compositions that seem like Balfe might have had a hand in are the various reprises of "Bumblebee" (aka the Journey theme) that was always rumored to be co-composed by Balfe, and the big choral section in "Your Voice" when the knights begin attacking Optimus, as that is also a progression I associate heavily with Balfe's involvement in the first 2 scores. But that's still not enough to prove that he was involved.<br><br>By the way Bayhem, I don't believe that John Williams or Howard Shore have lied about doing their work by themselves. John Williams has worked with William Ross and probably others, but I don't think they're lying when they say they've done a score themselves. They seem like they can compose on their own just fine.
Yep, if "deserving" existed, Atli would've gotten many more movies than he currently does.Anyone know of a proper chronological listing of this score? I tried cross-referencing it with the expanded listed here and made this:<br><br>01 Dublin, 1996<br>02 <br>03 <br>04 <br>05 Second Warning<br>06 Research<br>07 Driving<br>08 The Beating<br>09 Traynor Lies<br>10 Never Show Your Fear<br>11 Preparations<br>12 The Killing<br>13 Bad News<br>14 The Funeral<br>15 One More Day<br><br>But I have no idea where Conversations, First Warning, and Deceit goes, and I'm not sure if Traynor Lies and Driving are placed correctlyif you read my first sentence you can see I dismisded this rumor as crap<br>..................<br><br>Fair enough....But look back on the comment itself. It's kinda confusing. The way you wrote it created the illusion that Lorne not only ghostwrote the score, but he also dismissed it as crap. You didn't say "I dismissed the rumor". You said: "...a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap." <br> <br><br>Anyway, moving on.....<br><br>Steve was interviewed a lot about The Last Knight and it's pretty obvious that he worked hard on that score. From the day they started shooting the movie. Was he supported by other composers? Absolutely. You can't score such a huge movie by yourself. Any composer who claims that is lying.<br><br>So there's nothing shocking or surprising about the fact that other composers were involved here. As for them being "Lorne's people"......well, considering how MV/RC-related composers work and how interconnected everything is, the "Lorne guys" could very well be friends with Steve too and perhaps he simply brought them on board. Or they were recommended by Lorne. It certainly doesn't mean that there was this top secret plan of them and Lorne actually ghostwriting the entire score. I still wonder tho......how do these rumors even come up? Who spreads them? And why? I ask because this is not the first time I've heard rumors about Zimmer scores and Jablonsky scores. It's always these two guys. Which happen to be two of the most prominent and popular MV/RC guys. Coincidence? Not to sound like a conspiracy nut, but it kinda makes me think that someone is intentionally trying to undermine the biggest MV/RC names by constantly throwing shade at their work."Deserving" is a word that doesn't exist in Hollywood, so stop thinking that way... lolThe problem I have with Junkie XL scoring Avatar is just that there are so many RCP composers better or more deserving. You have Zimmer, Powell, Gregson-Williams, Mancina, Jackman, Wallfisch...it is just so wrong to think Junkie XL is scoring Avatar and none of those guys are.
I think that Tim Miller played a greater role in case of Terminator and Sonic. And I really don't see Junkie as good choice for Avatar 2.@Edmund <br>I still stand by my opinion that Holkenborg scoring Avatar 2 could be pretty interesting. Pairing him up with a director who is known to be strict with his musical choices and continuing on from James Horner’s classic might produce something really good. And seeing his gradual progress as a composer with Mortal Engines and Alita have personally given me some hope (2 years ago I would have said hell no).<br><br>And I’m not surprised by the choice for T6. Not looking forward to this project at all but we did get a cool score from Balfe for the last one so maybe there is some hope for the music at least.I think Terminator is a decent match for JXL's talents (listen to "The March" from Divergent), but this feels like further evidence that James Cameron is grooming him for Avatar 2, which I really hope ends up not being the case.Yes, Tom will be scoring the new Terminator movieChill out Bayhem, if you read my first sentence you can see I dismisded this rumor as crap.<br>But seeing people from his team ivolved and considering the fast and furious situation, I can’t help but wondering if there’s some truth to that rumor.<br>Now for a guy talking about haters, saying that Lorne scores 36million projects and B movies (forgetting mission impossible) I think you’re pushing it a bit.<br>Anyway no hate I don’t care who wrote it I’m just curious about the behind the scenes stuff.
You're reaching there a bit Bayhem, I see no one in this thread trying to undermine Steve's work or the score. Hell the first poster was just asking if Lorne worked on it and if so, to what extent. And the "rumor comment" is a logical extension of Lorne's whole regular team being credited on the score, therefore it is possible that he did additional work on it.Again a "rumor" comment that's trying to undermine Steve's work. And in this case, an entire score. Lorne fans, please stop trying to constantly undermine other composers in favor of your guy. It's childish and extremely disrespectful. You've done it multiple times on these boards. What's next? You gonna claim that Lorne secretly scored the entire Transformers franchise? And Lord of the Rings. And Harry Potter. <br><br>Seriously, it's getting really old, really fast. <br><br>Not to mention the fact that Steve, as a composer, is much, much more experienced and established than Lorne. He's got nothing to prove. Steve takes his time when it comes to scoring. He's choosing carefully. He's got more than enough time to focus on his projects. While Lorne's name is attached to 30 million different projects, some of them cheap B-movies like Hurricane Heist. And you think he's scoring them all by himself? The irony of it all is that if anyone is using ghostwriters most of the time, it's Lorne. Not Steve. And I'm saying that as a Lorne fan as well. I'm not just a Jablonsky fan. I appreciate Lorne's work as well. But I'm not undermining other composers in favor of him.Bay has Lorne scoring his films now cause they established a relationship on 13 Hours, and Bay didn't even want Lorne for that; he wanted Hans but he didn't want to go through the exhausting process of another Bay blockbuster so he brought in Lorne instead.<br>And even then, Hans still worked together with Lorne very closely on the project (Hybrid said he was there for all the meetings, helped with synth programming, etc)Of cause Balfe worked on it .That is why Bay now uses Balfeyou can absolutely hear the 13 hours temp track in Battlefield and We Have to Go
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Trevor RabinPaul Linford
ComposerAdditional Music
Exorcist - The Beginning (Complete Score)
Label: Unofficial Release
Length: 86'44
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4887 votes)
  1. Logo - Main Title (3:27)
  2. Travel To Turkanna Village (2:53)
  3. I'm An Archaeologist (0:43)
  4. Travel To Dig Site (1:56)
  5. Man Collapses At Site (0:52)
  6. Church Entrance (3:38)
  7. Merrin Enters Bession Tent (1:27)
  8. Upside Down Cross (2:25)
  9. Hyena Attack (2:01)
  10. Merrin Visits Bession (2:55)
  11. Sarah's Nightmare (3:07)
  12. Child Birth (9:14)
  13. Jefferies Follows Sarah (3:05)
  14. Sarah's In The Dark (2:55)
  15. Gen Sees Evil (0:49)
  16. Cremation Ceremony (0:41)
  17. African Exorcism (5:33)
  18. Truth About Church (2:31)
  19. Jefferies Found (3:19)
  20. Soldiers - Butterflies (3:31)
  21. Battle Continues (0:52)
  22. Father Francis Performs Exorcism (3:33)
  23. Sarah's Room (Part 1) (2:57)
  24. Sarah's Room (Part 2) (1:23)
  25. Discussing Sarah (4:02)
  26. Merrin Inside Church Tunnel (Part 1) (1:53)
  27. Merrin Inside Church Tunnel (Part 2) (1:23)
  28. Sarah Attacks Merrin (10:15)
  29. It's Father Merrin (1:40)
  30. Travel To Dig Site (Alternate) (1:57)
Create Topic

Elvis Leptos reply Replies: 0 || 2011-04-12 00:00:00
Exorcist: The Beginning (Promo) - Trevor Rabin

01. Opening (0:48)
02. Travel To Dig Site (2:04)
03. Travel To Dig Site (Alt Ending) (2:03)
04. Man Collapses At Site (0:56)
05. Merrin Visits Bession (2:58)
06. Merrin Enters Bession Tent (1:32)
07. Church Entrance (3:41)
08. Sarah's Nightmare (3:10)
09. Child Birth (9:19)
10. Jefferies Follows Sarah (3:11)
11. Sarah's In The Dark (3:20)
12. FF Performs Exorcism (3:46)
13. Gen Sees Evil (0:53)
14. Cremation Ceremony (0:43)
15. Truth About Church (2:36)
16. Merrin Inside Church Tunnel (1:56)
17. End Credits (7:10)
18. Luo Drums (2:09)
19. Sengenya (1:15)

Total Time: 00:53:30

Mariella reply Replies: 1 || 2008-07-04 00:00:00
alright..so instead of me downloading every single song here..does anyone know if any of these is the song the little girl sings at various parts throughout the movie??
if you could let me know that would be great, thanks.


Alex2011-05-02 19:28:37
Dear Mariella, The song is called: 'Hoedje van papier', and it is not on CD available. So you should play the movie when you want to listen to it. Probably cause I will consider it unlikely that I will visit this page again I have some background info for you on the song as it appears in the movie.

The song is actually Dutch, but for some reason the girl counts half in Dutch half in German. (The reason I started googling about this.) I think the way the girl in the movie sings it is the way they sing it in Luxemburg. Lëtzebuergesch is one of the Low Franconian languages like German and Dutch and is besides Luxemburg also spoken in smaller communities in Germany and Belgium around that Area...

So here are the lyrics to it as I have learned them as a child :)

Een, twee, drie, vier, hoedje van, hoedje van.
Een, twee, drie, vier, hoedje van papier.
Als het hoedje dan niet past,
zet hem in de glazen kast.
Een, twee, drie, vier, hoedje van papier

Unfortunately I don't know anyone who knows this this song in Lëtzebuergesch.

Miles reply Replies: 0 || 2009-11-02 00:00:00
I think that 11 and 13 come from Rupert Gregson-Williams' portion of the score to Hotel Rwanda...I'll have to check.

Anonymous reply Replies: 0 || 2009-11-02 00:00:00
Tracks 11 and 13 are pretty cool, and they definitely having the Zimmer/Rabin style of say, Black Hawk Down or Bad Boys 2. I don't recall hearing them in the movie though... are they fake? And info at all?

Anonymous reply Replies: 0 || 2009-11-02 00:00:00
I think you're right, thanks! Now that I hear it, it's not too far removed from RG-W's own Battlefield 2 score

Nitrus reply Replies: 0 || 2008-07-27 00:00:00
Hey everyone, if the 2nd track isn't from the movie, where does it come from? It's a very interesting tune and keeps me waiting for more...:)

Rami reply Replies: 0 || 2008-06-08 00:00:00
Other comment
To Justin ???????
Well
TRACK 9 = isn't from the movie
TRACK 7 = The cast title i recorded from the movie & I can make it like our smart friend like a parts ;)
TRACK 4 = Also The cast title i recorded from the movie & I can make it like our smart friend like a parts ;)
TRACK 2 = Isn't from the movie
I heard the sound track of the movie from the DVD & I'm sure about what I said so
Plzzz pull your head & ur brain out of your ass before hear anything If ur not professional the other people who collect sound tracks are professional more than u forgive me but u started it badly.

Rami reply Replies: 0 || 2008-06-08 00:00:00
MR. Alexander

OK let's talk seriously I've searched many sites & many stores about this soundtrack & they told me that warner bros company rejected this sound track & I don't know the reason . well I've so many sound tracks English & others & I have things that companies never released it & I can make millions of covers like yours & I made it before so please you can't just talk we are not idiots
#########
Rami

SARAVANAN reply Replies: 0 || 2008-05-09 00:00:00
THE DIRCCTOR IS GREAT

Justin reply Replies: 0 || 2007-12-31 00:00:00
I've never heard the first sample track... but the others are in the film. For those saying otherwise, pull your heads out of your asses.

Doug reply Replies: 0 || 2007-10-30 00:00:00
if this Cd was not released then how do people get hold of it? i don't get?

Alexander reply Replies: 0 || 2007-04-16 00:00:00
The cd is un released, but doesn`t mean that its a fake. I have one, the original, and i´ve take some photos of it. #########

Alexander reply Replies: 0 || 2007-04-16 00:00:00
The true is that the cd really exist, i have it and is good.I can prob it.

Rami reply Replies: 0 || 2006-10-17 00:00:00
this is a fake
BCz this sound track is un relaesed

Trevor R. reply Replies: 0 || 2006-05-15 00:00:00
This Is My Sound!

marin reply Replies: 0 || 2006-05-10 00:00:00
Trevor is my GOD :o)

Levente reply Replies: 0 || 2006-05-10 00:00:00
Track 2 is so Rabin's style.

Anonymous reply Replies: 0 || 2006-05-10 00:00:00
Nonetheless it's not by him

Antas, Webmaster reply Replies: 0 || 2006-05-09 00:00:00
I agree with Target -> some tracks have been composed by Trevor for that film. I don't know for the others -- I don't remember

target reply Replies: 0 || 2006-05-09 00:00:00
I'm a big Trevor Rabin fan, and I can tell that this music is written by him.
I didn't watch the movie (but some friends of mine confirmed that cuse like "The Face of Evil" were in the movie) but I can feel Rabin's style (End Titles' last part, with the theme, is so clear) in these tracks without difficult.
:)

Antas, Webmaster reply Replies: 0 || 2006-05-07 00:00:00
Firstly, I saw the movie and some tracks are in it.

Secondly, we list all the bootlegs available. If you have something to say -- no problem -- just write as you did in order to alert people who are looking for this release (that's also the purposes of these pages)

Anonymous reply Replies: 0 || 2006-05-06 00:00:00
A complete fake. None of the music here is by Rabin or appears in the movie. You should see at least the movie before you list some trash like this.

wdwguy08 reply Replies: 0 || 2006-05-06 00:00:00
this is a fake

the tag info suggests it is by: keiji haino

the title of the cd is: EvolvingBlush or Driving original sin

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Exorcist - The Beginning (Complete Score) soundtrack - Trevor Rabin 2004