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Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4
This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.
Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.He did!<br><br>The action material in "Do You Bleed?" is by XL! <br>
Wallfisch has shown himself to be a superior composer to XL, let's face it. I do not even see why he's running after Zimmer since he's able to run a career himself.<br><br>@TheZimmerFan <br><br><But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)><br><br><br>The music is less simplistic and may please the purists, but, no, MoS and BvS are better by a small margin than JL by one factor: thematic material and characterization of the movie.  Elfman should have had more freedom to work on the themes he and Williams wrote.<br>It's a half-truth to everyone who makes up the RCP team, unfortunately. <br><br>But I honestly doubt that ANYONE wants to work with XL.<br><br>Snyder worked with him 3 times. 300, BvS and Man of Steel. Sometimes I even get the impression that he's always liked Tom's approach more than Zimmer's approach. See all the percussion and synths of all those scores that are far more present in the Xl field than Zimmer's.Got this today..well not my music type so pass it...Andrew's second solo feature...<br><br><br>Now still waiting for that Sky Hunter release... :(@Hybrid, what happened with Trevor? Why his scores are not listed in the page? Thanks

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Additional MusicAdditional MusicAdditional Music
Steve JablonskyJim DooleyClay DuncanTrevor Morris
ComposerAdditional MusicAdditional MusicAdditional Music
The Amityville Horror (Expanded Score)
Label: Unofficial Release
Length: 87'57 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3193 votes)


  1. Main Title - Opening (3:05)
    Steve Jablonsky, Clay Duncan
  2. News Reel (1:03)
    Steve Jablonsky
  3. Happy Morning (0:47)
    Steve Jablonsky
  4. Finding The House (3:39)
    Steve Jablonsky
  5. Buying The house (0:48)
    Steve Jablonsky
  6. Houses Don't Kill (1:06)
    Steve Jablonsky
  7. Moving In (0:51)
    Steve Jablonsky
  8. Prayers Don't Work (1:03)
    Steve Jablonsky
  9. The House (1:52)
    Steve Jablonsky
  10. First Night (0:59)
    Steve Jablonsky
  11. Love Flash (1:31)
    Steve Jablonsky
  12. Chelsea & Jodi (1:00)
    Steve Jablonsky
  13. Not The Basement (0:57)
    Steve Jablonsky
  14. Where's Chelsea? (0:40)
    Steve Jablonsky
  15. Lock The Boat House (0:50)
    Steve Jablonsky
  16. Gotta Pee (2:05)
    Steve Jablonsky
  17. George Awakes (0:58)
    Steve Jablonsky
  18. George Drives In (0:57)
    Steve Jablonsky
  19. Window Scare (0:58)
    Steve Jablonsky
  20. Basement Dig (1:28)
    Steve Jablonsky
  21. Kitchen (1:59)
    Steve Jablonsky
  22. Babysitter Enters (0:55)
    Steve Jablonsky
  23. Make You Happy (0:49)
    Steve Jablonsky
  24. Do You French (1:11)
    Steve Jablonsky
  25. Sitter Tells All (1:38)
    Steve Jablonsky
  26. The Closet (1:57)
    Steve Jablonsky
  27. George Rants (2:30)
    Steve Jablonsky
  28. Wood Punisher (2:37)
    Steve Jablonsky
  29. George Bath (0:44)
    Steve Jablonsky
  30. She's Not Real (2:01)
    Steve Jablonsky
  31. Kathy & The Priest (1:06)
    Steve Jablonsky
  32. Woodchop Torture (1:25)
    Steve Jablonsky
  33. Demon Movie (1:21)
    Steve Jablonsky
  34. Dog's Death (2:31)
    Steve Jablonsky
  35. Fix That Squeek (3:07)
    Steve Jablonsky
  36. Kathy & The Priest #2 (1:39)
    Steve Jablonsky
  37. Holy Visit? (2:12)
    Steve Jablonsky, Trevor Morris
  38. Can't Sleep (0:59)
    Steve Jablonsky
  39. George Breaks (1:17)
    Steve Jablonsky
  40. Lib - Cave Montage (5:27)
    Steve Jablonsky
  41. George & Kathy (2:20)
    Steve Jablonsky, Jay Flood
  42. Everyone Run! (2:31)
    Steve Jablonsky
  43. Roof Escape (2:16)
    Steve Jablonsky, James Dooley
  44. George Knocked Out (2:36)
    Steve Jablonsky, James Dooley
  45. Leaving The House (1:48)
    Steve Jablonsky
  46. House Resets (0:54)
    Steve Jablonsky
  47. End Credits (7:25)
    Steve Jablonsky
  48. Find The House (Alternate) (3:40)
    Steve Jablonsky
  49. Moving In (Alternate) (0:53)
    Steve Jablonsky
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Kelly reply Replies: 1 || 2011-09-18 19:44:42
I Got this one..a lot of unreleased music!!

01-Main title - Opening (3:05)
02-News reel (1:03)
03-Happy morning (0:47)
04-Finding the house (3:39)
05-Finding the house (alternate) (3:40)
06-Buying the house (0:47)
07-Houses don't kill (1:05)
08-Moving in (0:50)
09-Moving in (alternate) (0:52)
10-Prayers don't work (1:02)
11-The house (1:52)
12-First night (0:58)
13-Love flash (1:31)
14-Chelsea & Jodi (1:00)
15-Not the basement (0:57)
16-Where's Chelsea (0:39)
17-Lock the boat house (0:49)
18-Gotta pee (2:05)
19-George awakes (0:57)
20-George drives in (0:56)


01-Window scare (0:57)
02-Basement dig (1:27)
03-Kitchen (1:58)
04-Babysitter enters (0:55)
05-Make you happy (0:48)
06-Do you French (1:10)
07-Sitter tells all (1:37)
08-The closet (1:57)
09-George rants (2:29)
10-Wood punisher (2:37)
11-George bath (0:43)
12-She's not real (2:00)
13-Kathy & the priest (1:05)
14-Woodchop torture (1:24)
15-Demon movie (1:21)
16-Dog's death (2:30)
17-Fix that squeek (3:06)
18-Kathy & priest 2 (1:38)
19-Holy visit (2:12)
20-Can't sleep (0:58)
21-George breaks (1:16)
22-Lib - Cave montage (5:26)
23-George and Kathy (2:19)
24-Everyone run! (2:30)
25-Roof escape (2:15)
26-George knocked out (2:35)
27-Leaving the house (1:47)
28-House resets (0:53)
29-End credits (7:24)

Total time 2CD's: 1:27:51

Papapalpatine772011-09-18 20:54:58
I was waiting for someone to post this. Just waiting.

Anonymous reply Replies: 1 || 2011-05-29 09:38:55
how much of this did Trevor Morris and Jim Dooley do?

Dakota2011-05-30 04:44:31
I'm curious about that as well

Deakins reply Replies: 0 || 2010-02-18 00:00:00
You can hear the Gears of Wars 2's theme in this one.

Falconet reply Replies: 0 || 2007-10-06 00:00:00
James Dooley has worked on this project ,as addittional cues :)

Antas, Webmaster reply Replies: 0 || 2007-10-06 00:00:00
@Falconet - Thanks for the info

Falconet reply Replies: 0 || 2007-10-06 00:00:00
You're Welcome Antas :)

Hybrid Soldier reply Replies: 0 || 2006-10-14 00:00:00
Really good score...

Better than Texas Chainsaw and Texas Chainsaw Beginning...

Track 1, 8 and 9 are the bests !© 2001-2017 OST 
The Amityville Horror (Expanded Score) soundtrack - Steve Jablonsky 2006