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How can I answer that ?<br><br><br>"At the moment ?" is my only true answer for you lolOlive, if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!
@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.
Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)
@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.He did!<br><br>The action material in "Do You Bleed?" is by XL! <br>Wallfisch has shown himself to be a superior composer to XL, let's face it. I do not even see why he's running after Zimmer since he's able to run a career himself.<br><br>@TheZimmerFan <br><br><But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)><br><br><br>The music is less simplistic and may please the purists, but, no, MoS and BvS are better by a small margin than JL by one factor: thematic material and characterization of the movie.  Elfman should have had more freedom to work on the themes he and Williams wrote.<br>

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Additional MusicMusic ArrangerMusic Arranger
Klaus BadeltWolfram De MarcoIan HoneymanAndrew Raiher
ComposerAdditional MusicArrangerArranger
Label: Interscope Records
Length: 41'44 (Score : 29'54 rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6527 votes)
  1. Won't Let You Fall - Fergie (4:36)
  2. Bailamos - Fergie (3:10)
  3. Postales - Federico Aubele (4:09)
  4. The Poseidon (3:18)
  5. The Wave (4:37)
  6. A Map And A Plan (2:29)
  7. Fire Dive (2:48)
  8. Claustrophobia (7:09)
  9. Drowning (3:04)
  10. Don't Look Down (3:43)
  11. Escape (2:41)
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Dimitris Krommidas reply Replies: 1 || 2016-09-04 13:26:59
My favorite from Badelt.

Edmund Meinerts2016-09-10 00:02:48
Really? He's done far better than this!

PjB reply Replies: 0 || 2010-01-19 00:00:00
bad movie, good score

Levente reply Replies: 0 || 2007-08-17 00:00:00
One of the worst films ever. Even tough I think the score had some good moments, this soundtrack from The Promise & Rescue Dawn composer, is very weak.

ahmed vanilla000sky reply Replies: 0 || 2007-08-07 00:00:00
really it so amazing .. i love the movie so much and the music so gr8 .. and josh lucas was amazing at this movie... good work all cast of movie...

Alex Hutchinson reply Replies: 0 || 2007-07-07 00:00:00
i have got to say it is film brilliance

c.l. webkinzlovr reply Replies: 0 || 2007-03-05 00:00:00
i love the movie and this song. i <3 fergie :)

Chris reply Replies: 0 || 2007-02-18 00:00:00
@Steve (& the Rest who wants to know)

Mary J. Blige - Be Without You (Moto Blanco Vocal Mix)

Steve reply Replies: 0 || 2007-01-12 00:00:00
Can someone tell me what the name of the song is, that is played during the movie while they are dancing on the disco floor. It's a house/trance track which is obviously not on the soundtrack. I would appreciated any help with this.

HeatherTheHuntress reply Replies: 0 || 2006-11-02 00:00:00
The movie was kinda dumb but I would die for the soundtrack. I love all the song you compose Klaus, I listen to at lest one of yours songs a day. Sorry if that creeps you out XD

Sam Love reply Replies: 0 || 2006-10-24 00:00:00
this score is amazing. One of the best scores ever. You know what they say, a great film needs great music. This works.

Mauro reply Replies: 0 || 2006-08-31 00:00:00
One last point: The Sound of this CD is VERY VERY thiny something which Media Ventures Group deels with it very well. In this case the production is very poor.

Mauro reply Replies: 0 || 2006-08-31 00:00:00
I'm sry for Badelt... Not a great memorable theme like he is used to give us and the eletronics in this score are really cheesy. I don't like them at all. They sound to superficial espescially the Drums. It almost sound like a sound machine. The mix is also very poor the woodwinds seem to nowhere to be found and the brass + strings seem to come from a well. I really don't like the reverb used.

Anonymous reply Replies: 0 || 2006-08-27 00:00:00
Won't Let You Fall......

great lyrics
great voice of fergie

i really love this song ^^

dth reply Replies: 0 || 2006-07-28 00:00:00
The only good thing about that movie, is the score, but it's good. But the movie's crap.

kadirizmastar reply Replies: 0 || 2006-07-12 00:00:00
wery good

SPIKE reply Replies: 0 || 2006-07-01 00:00:00
There should be an *UltraViolet*-score release.
Since there is no place on this site to write about *UltraViolet* , I wrote it here.
Greetings !!

OHA ! reply Replies: 0 || 2006-06-22 00:00:00
fantastic !

Sidz reply Replies: 0 || 2006-06-21 00:00:00

Phil reply Replies: 0 || 2006-06-15 00:00:00
C'est un score fantastic.... Le theme "Poseidon" est gťnial!!! Ainsi que "Claustrophobia".... Jolie travail!!

Carolina reply Replies: 0 || 2006-06-12 00:00:00
i love soundtrack from Poseidon!!!!! good job!!!!

Sarah reply Replies: 0 || 2006-06-11 00:00:00
i like track 1..hehe :D

Jonathan reply Replies: 0 || 2006-06-04 00:00:00
The score is even better than the movie! I like the major "Poseidon" Theme, and also "The Wave", wich is a fantastic action cue. You can always Recognise the main theme, and that is what I think, as a small director, that a score for an adventure movie must have!

Well done, Klaus!

sajad davodi reply Replies: 0 || 2006-05-26 00:00:00
like always was great and speacial at all

Levente reply Replies: 0 || 2006-05-25 00:00:00
Tipical MV score, but it is a good listen. Track 5 is great, highlight of the album. It is **1/2 from *****, because of the songs.

ZED reply Replies: 0 || 2006-05-25 00:00:00
So dissapointing... The main theme is so cheesey! After hearing The Promise i was ready to give Badelt another go but once again he has written a boring, uninspired, unoriginal score. I feel that Badelt lacks his own style and sound and in my opinion his only 2 very good original scores are Time Machine and The Promise. K19 was a ripp off of Gladiator almost note for note and Pirates was a ripp off of all of Zimmer's realy action riffs(so i didnt mind the score). Equilibrium was a total ripp off of MI2 and well this score just sux. I want my money back :( P.S. Thank god Zimmer is doing Pirates 2!

Saul reply Replies: 0 || 2006-05-24 00:00:00
Is it a law that when you come out of the Zimmer school that you have write the same score for every movie. Maybe you should listen to some other more modern scores and maybe think about a different approach to writing to picture.... Harry is the only one that has a modern voice....

jason reply Replies: 0 || 2006-05-20 00:00:00
i wan the track no 1 song where can i get it?

zimmer reply Replies: 0 || 2006-05-10 00:00:00
that sucks..

Manulder reply Replies: 0 || 2006-05-09 00:00:00
very good score by badelt

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Poseidon soundtrack - Klaus Badelt 2006