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Any news about Hans Next project?Does Hans compose music for releasing as his own records? I wish he'll make someI think BGM stands for any sort of background music, e.g. caffe music, game themes and, sometimes, film scores. But, IMO, "score" sounds way beter than "BGM"<br><br>p.s. Plz, do not my English, imma russian...One last topic I want to cover for this score, and that's the references to past films. I've found quite a few new ones that may be interesting.<br><br>"Today We Hunt" - Reference to "Bumblebee" at the end of the track.<br><br>"History of Transformers" - Reference to "Bumblebee", the end of "Are You Ladiesman 217?", and a sort of rebuilding of the Autobot theme using it's main notes.<br><br>"Two Moons" - Contains the main 2 notes of "Decepticons" repeated through the entire track, and of course elements of "We Were Gods Once".<br><br>"Prime Versus Bee" - Contains the drum beat featured in "Optimus vs Megatron"<br><br>"Your Voice" - Reference to "Optimus", the escalation of notes featured in scenes where Optimus is almost defeated ("Optimus vs Megatron" and the beginning of "I Claim Your Sun"), the 3 notes of "We Were Gods Once" when Optimus is about to be killed, and of course "Arrival to Earth/There Is No Plan".<br><br>"Battlefield" - Basic notes of the end of "You're A Soldier Now" and the Autobot theme in the 3 note horn section.<br><br>"Did You Forget Who I Am" - Autobot theme plays in the build-up before the "You're a Soldier Now" reprise. (Also maybe a hint of "Skorponok" at the end?)<br><br>The rest has already been pointed out on this website.Bring Him Home and Future King are great
The show is very good.we managed to watch the show in two days!the music by Gregson-Williams and Balfe is perfect. The score is some of the best TV music at the moment.going to defiantly buy the album now and see what it’s like2049 is by Ben, confirmed.generalizing all direct and indirects participations in Zimmer's career, I think this role is of Glennie Smith...<br><br>Second half of 1970-forever.@Ben: "Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either."<br><br>The original presentation, of 1994, is not very good to confess. They left out the score to emphasize the songs. However the latest launches "expanded score" and "Legacy Collection" (in my opinion) are among the best as Gladiator, the last Samurai,Prince of Egypt, House of Spirits, Rain Man,<br>Backdraft, regarding Henry,Beyond Ragoon, the Rock, King Arthur, Interstellar, Rush, At worlds End and the Dark Knight (The Collector's version). I like many themes by Hans, but when I come to head the organization factor of the albums most satisfactory these are some of the few that comes to mind.What's the involvement of EW in the Mermaid Suite? I always imagined it that way: Hans being responsible for the first part of the suite, the calmest, Geoff taking care of the piece that corresponds to the moment of the sirens attack and that Eric inserted the choir to finish the composition.
In the last 7 years or so the only Oscar that I think was deserved is Gravity by Steven price. By the way hybrid it was a tough comment for me. Thanks to all people here who think it was.<br>I totally agree that the music fit the movie perfectly Hans always did great job in this but as a standalone music for me and again (for me) the docking in interstellar do all the job on Dunkirk ( I mean suspense) so for me all Dunkirk soundtrack = docking in interstellar.<br>quote: "This score is nothing compared to interstellar or even to POTC 3."<br><br>How do you know or how do you judge? By musical complexity, number of themes, etc.? I think the Dunkirk score perfectly serves the movie - which is what it's supposed to do.<br><br>Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either - on its own. So it would kind of make sense for a score like Dunkirk to get him the award.<br><br>After all, when it comes to the academy, I don't think they look at a score in isolation - like we do as Zimmer fans - but rather how well it serves the film. If they love a film and let it win best picture and other categories, it's very likely they'll also give it "best original score".Great this is geting a release!<br>I am from Greece and the same is Nikos Mastorakis, the director.<br>He always recalls working with Hans Zimmer and Stanley Myers here.Ultimate masterpiece... 8-) lolVery impressed with the music from this season. Enjoying listening to it.there doesn’t seem to be much of the main theme used ?
man, i think i haven't listened to "A Dark Knight" deep enough. so many things i picked up from listening to it recently. oh by the way, it's Dunkirk that's making me go back and listen to the old scores.One of the most beautiful choral pieces of the 21st C. Mr. Zimmer please make this original London recording available in a cd (320kbps) or a lostless version to be able to enjoy its full beauty. The version on YouTube is just muddy cruddy. And the version on the Prague cd is not a chorus of this caliber. Plz plz plz! Gratefully, Philip...why is Eric Whitacre's credit being omitted?Music is royal and grand and the show is very good. Looking forward to more seasonsGreat score! Lots of fun.
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Additional MusicMusic ArrangerMusic Arranger
Klaus BadeltWolfram De MarcoIan HoneymanAndrew Raiher
ComposerAdditional MusicArrangerArranger
Poseidon
Label: Interscope Records
Length: 41'44 (Score : 29'54
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6401 votes)
  1. Won't Let You Fall - Fergie (4:36)
  2. Bailamos - Fergie (3:10)
  3. Postales - Federico Aubele (4:09)
  4. The Poseidon (3:18)
  5. The Wave (4:37)
  6. A Map And A Plan (2:29)
  7. Fire Dive (2:48)
  8. Claustrophobia (7:09)
  9. Drowning (3:04)
  10. Don't Look Down (3:43)
  11. Escape (2:41)
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Dimitris Krommidas reply Replies: 1 || 2016-09-04 13:26:59
My favorite from Badelt.


Edmund Meinerts2016-09-10 00:02:48
Really? He's done far better than this!

PjB reply Replies: 0 || 2010-01-19 00:00:00
bad movie, good score

Levente reply Replies: 0 || 2007-08-17 00:00:00
One of the worst films ever. Even tough I think the score had some good moments, this soundtrack from The Promise & Rescue Dawn composer, is very weak.

ahmed vanilla000sky reply Replies: 0 || 2007-08-07 00:00:00
really it so amazing .. i love the movie so much and the music so gr8 .. and josh lucas was amazing at this movie... good work all cast of movie...

Alex Hutchinson reply Replies: 0 || 2007-07-07 00:00:00
i have got to say it is film brilliance

c.l. webkinzlovr reply Replies: 0 || 2007-03-05 00:00:00
i love the movie and this song. i <3 fergie :)

Chris reply Replies: 0 || 2007-02-18 00:00:00
@Steve (& the Rest who wants to know)

Mary J. Blige - Be Without You (Moto Blanco Vocal Mix)

Steve reply Replies: 0 || 2007-01-12 00:00:00
Can someone tell me what the name of the song is, that is played during the movie while they are dancing on the disco floor. It's a house/trance track which is obviously not on the soundtrack. I would appreciated any help with this.

HeatherTheHuntress reply Replies: 0 || 2006-11-02 00:00:00
The movie was kinda dumb but I would die for the soundtrack. I love all the song you compose Klaus, I listen to at lest one of yours songs a day. Sorry if that creeps you out XD

Sam Love reply Replies: 0 || 2006-10-24 00:00:00
this score is amazing. One of the best scores ever. You know what they say, a great film needs great music. This works.

Mauro reply Replies: 0 || 2006-08-31 00:00:00
One last point: The Sound of this CD is VERY VERY thiny something which Media Ventures Group deels with it very well. In this case the production is very poor.

Mauro reply Replies: 0 || 2006-08-31 00:00:00
I'm sry for Badelt... Not a great memorable theme like he is used to give us and the eletronics in this score are really cheesy. I don't like them at all. They sound to superficial espescially the Drums. It almost sound like a sound machine. The mix is also very poor the woodwinds seem to nowhere to be found and the brass + strings seem to come from a well. I really don't like the reverb used.

Anonymous reply Replies: 0 || 2006-08-27 00:00:00
Won't Let You Fall......

great lyrics
great voice of fergie

i really love this song ^^

dth reply Replies: 0 || 2006-07-28 00:00:00
The only good thing about that movie, is the score, but it's good. But the movie's crap.

kadirizmastar reply Replies: 0 || 2006-07-12 00:00:00
wery good

SPIKE reply Replies: 0 || 2006-07-01 00:00:00
There should be an *UltraViolet*-score release.
:-(
Since there is no place on this site to write about *UltraViolet* , I wrote it here.
Greetings !!

OHA ! reply Replies: 0 || 2006-06-22 00:00:00
fantastic !

Sidz reply Replies: 0 || 2006-06-21 00:00:00
awesome

Phil reply Replies: 0 || 2006-06-15 00:00:00
C'est un score fantastic.... Le theme "Poseidon" est génial!!! Ainsi que "Claustrophobia".... Jolie travail!!

Carolina reply Replies: 0 || 2006-06-12 00:00:00
i love soundtrack from Poseidon!!!!! good job!!!!

Sarah reply Replies: 0 || 2006-06-11 00:00:00
i like track 1..hehe :D

Jonathan reply Replies: 0 || 2006-06-04 00:00:00
The score is even better than the movie! I like the major "Poseidon" Theme, and also "The Wave", wich is a fantastic action cue. You can always Recognise the main theme, and that is what I think, as a small director, that a score for an adventure movie must have!

Well done, Klaus!

sajad davodi reply Replies: 0 || 2006-05-26 00:00:00
like always was great and speacial at all

Levente reply Replies: 0 || 2006-05-25 00:00:00
Tipical MV score, but it is a good listen. Track 5 is great, highlight of the album. It is **1/2 from *****, because of the songs.

ZED reply Replies: 0 || 2006-05-25 00:00:00
So dissapointing... The main theme is so cheesey! After hearing The Promise i was ready to give Badelt another go but once again he has written a boring, uninspired, unoriginal score. I feel that Badelt lacks his own style and sound and in my opinion his only 2 very good original scores are Time Machine and The Promise. K19 was a ripp off of Gladiator almost note for note and Pirates was a ripp off of all of Zimmer's realy action riffs(so i didnt mind the score). Equilibrium was a total ripp off of MI2 and well this score just sux. I want my money back :( P.S. Thank god Zimmer is doing Pirates 2!

Saul reply Replies: 0 || 2006-05-24 00:00:00
Is it a law that when you come out of the Zimmer school that you have write the same score for every movie. Maybe you should listen to some other more modern scores and maybe think about a different approach to writing to picture.... Harry is the only one that has a modern voice....

jason reply Replies: 0 || 2006-05-20 00:00:00
i wan the track no 1 song where can i get it?

zimmer reply Replies: 0 || 2006-05-10 00:00:00
that sucks..

Manulder reply Replies: 0 || 2006-05-09 00:00:00
very good score by badelt

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Poseidon soundtrack - Klaus Badelt 2006