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home is very very soothing. (i sound like i have said it before lol) 
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<br>itís the one cue i can listen to a zillion times and never get tired of. i hope upcoming movies will give Hans or whoever in remote control an opportunity to do similar cues. elisabeth in inferno is the closest but is so short.
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<br>i have mellowed. i love these mellow cues.John Powell stated on his Instagram that the album will have 19 tracks, and be over an hour!Its not a film, its an album. This was still during the days of Hans' involvement with 'The Buggles'.I don't think you have listened to the Star Trek scores properly. Giacchino has a main theme that he uses a lot, but also a theme for Spock, themes for the bad guys of each movie and even a theme for the city of Yorktown in the third movie.<br><br>Another great example of this is LOST, where almost all the characters had a theme that played through all the series and there were also themes for locations or even situations.<br><br>So I don't think Giacchino is out of the use of themes.I mean sure, but I can't think of many Giacchino scores that actually match that description. The Star Trek reboot scores for example, where he has a (pretty good) main theme that he plays the same way roughly sixteen thousand times over and over again. :p
For me, a theme is a distinguishable motif or piece of music that is related to a specific location, event or most commonly character, and that the viewer notices as such. If your score contains 20 themes that are never repeated in a similar form and are so uncharacteristic that they all sound the same, I'm just calling that orchestra noise. And I don't see any appeal in that kind of scoring...Ds, am I reading that correctly that you're using the fact that JJ works with Giacchino as evidence that the score might *not* be melodic or thematic? Because say what you want about Giacchino (and I'm far from his biggest fan either), it's an objective fact that he writes film music that is almost exclusively thematic/melodic. Whether you like those themes and melodies is another question, but they are undeniably themes and melodies.Yeah, totally agree IMO Mad Max is over rated, this is JunkieXL's best score as a solo outing, especially Tom's Sketchbook is so awesome & Batman v Superman is a perfect score in itself but yeah some pieces will fit perfectly. On another note Justice League (2017) could've benefited from Tom's presence but the movie failed from every point of view.Now released: http:/ /filmmusicreporter.com/2018/04/19/soundtrack-album-for-sky-h unter-to-be-released/<br><br>https: //www.amazon.com/gp/product/B07C26S729/ref=as_li_qf_asin_il_ tl?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creat iveASIN=B07C26S729&linkId=18cb85bfc0aaee3094cdba507fe05649I hope Balfe delivers but he has not done a score that I really listen to more than once so I hope this will be it.
I agree with Edmund for the most part, except that JJ Abrams usually works with Giacchino, and Cruise's recent productions include Jack Reacher 2 and Edge of Tomorrow. So I wouldnt exactly take a melodic or thematic score for granted...<br>That being said, at this point I expect something like Penguins, but I secretely hope for something really amazing and surprising that would explain why McQuarrie broke up with Kraemer.BOOKLET CREDITS (From The Album):<br><br>Score Composed, Produced And Mixed By<br>TOM HOLKENBORG<br><br>Additional Music By<br>ALJOSCHA CHRISTENHUB<br>ANTONIO DI IORIO<br><br>Orchestra Conducted By<br>JOHN ASHTON THOMAS<br><br>Technical Score Engineer<br>ALEX RUGER<br><br>Additional Programming By<br>EMILY RICE<br>JACOPO TRIFONE<br><br>Music Editor<br>SIMON CHANGER<br><br>Assistant Music Editors<br>BEN SMITHERS<br>ARABELLA WINTER<br><br>Music Consultant<br>BOB BADAMI<br><br>Score Orchestrated And Copied By<br>JONATHAN BEARD<br>EDWARD TRYBEK<br>HENRI WILKINSON<br>TOM HOLKENBORG<br><br>Librarian<br>JILL STREATER<br><br>Orchestra Contractors<br>ISOBEL GRIFFITHS<br>SUSSIE GILLIS<br><br>Orchestral Recording Engineer And Mixer<br>NICK WOLLAGE<br><br>Orchestra Recorded At<br>AIR STUDIO<br><br>Air Studios Managers<br>ALISON BURTON<br>CHARLOTTE MATTHEWS<br>LUCY MATTHEWS<br><br>Music Production Services<br>MICHIEL GROENEVELD<br><br>Agent<br>AMOS NEWMAN<br><br>Legal Representation<br>DAVID ALTSCHUL<br><br>Music Recorded <br>6-7 January 2018<br>At<br>AIR STUDIOS, London<br><br>Score Published By<br>UNITED LION MUSIC, INC. (BMI)<br><br>Booklet Editing & Design<br>WLP LTD<br><br>Soundtrack Acquisitions<br>MARK CAVELL<br><br>Sony Classical Product Development<br>KLARA KORYTOWSKA<br><br>Special Thanks To:<br>ROAR UTHAUG, GRAHAM KING, SASKIA, JULIAN and DARREN, ANNE COBB, SHANE GLASSThe Stark theme always left a big impression on me, but the way it plays when Jon Snow dies gives me the chills<br><br>Andrew Kawczynski scored the movie Sky Hunter. The score is available on Spotify now. <br><br>The score is probably the most melodic/heroic that I heard from him.wtf is this? did zimmer score a porno?
why hybrid when lorne himself confirmed it? <.<@Hybrid, can you confirm Lorne is scoring MI6?I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.<br><br>And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.It's sort of been implied here before that Lorne Balfe worked on the "Bumblebee" suite... Is that correct (as far as anybody knows, at least)?Both scores are absolutely masterpieces, personally I prefer the second one. Outstanding. <br>This story deserves a perfect close also musically.
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additional musicadditional music
Mark MancinaDon HarperJeff RonaJohn Van Tongeren
ComposerAdditional MusicAdditional MusicAdditional Music
Assassins (Expanded Score)
Label: Unofficial Release
Length: 70'30
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3280 votes)
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  1. Main Title (2:05)
    Danielle Wiener, Michael Kamen, Mark Mancina
  2. Swamp (1:29)
    Mark Mancina, Don Harper
  3. Window (2:07)
    Mark Mancina
  4. Eyes (0:47)
    Mark Mancina, Christopher Ward
  5. Cemetary (4:33)
    Mark Mancina, Don Harper
  6. Bain In Cop Car (1:07)
    Mark Mancina, John Van Tongeren
  7. Rath Dog Bark (3:38)
    Mark Mancina, John Van Tongeren
  8. Soccer Game (0:45)
    Mark Mancina, Don Harper
  9. Bus Slam (2:15)
    Mark Mancina
  10. Dutch Arrive - Rath Follows (1:40)
    Mark Mancina
  11. Rath Phones (0:51)
    Mark Mancina, Jeff Rona
  12. Hotel (2:48)
    Mark Mancina, Jeff Rona
  13. Bain Kills Dutch (3:02)
    Mark Mancina, Jeff Rona
  14. Rath & Electra Flee (1:58)
    Mark Mancina, John Van Tongeren
  15. Bain Arrives (0:33)
    Mark Mancina, John Van Tongeren
  16. Rath Returns To Apartment (0:41)
    Mark Mancina, Christopher Ward
  17. Apartment Shootout (3:36)
    Mark Mancina, Don Harper
  18. Electra Aims At Rath (1:54)
    Mark Mancina
  19. Bain Fired - Rath In Motel (1:47)
    Mark Mancina
  20. Electra Thanks (1:34)
    Mark Mancina
  21. Monorail (1:46)
    Mark Mancina, Jeff Rona
  22. Rath In Monorail (0:15)
    Mark Mancina, Jeff Rona
  23. Monorail Leap (0:20)
    Mark Mancina, Jeff Rona
  24. Briefcase Blow Up (0:31)
    Mark Mancina, Christopher Ward
  25. Strings (0:41)
    Mark Mancina
  26. Ikira (0:53)
    Mark Mancina, Christopher Ward
  27. Say Please (1:30)
    Mark Mancina, Christopher Ward
  28. Rath Confesses - Bain Apricot (2:54)
    Danielle Wiener, Michael Kamen, Mark Mancina, Christopher Ward
  29. South America Cemetary (2:13)
    Mark Mancina, John Van Tongeren
  30. Rath Arrives At Bank (4:28)
    Mark Mancina, John Van Tongeren
  31. Bain Waits In Window (3:44)
    Mark Mancina, Don Harper
  32. Good Luck (6:13)
    Mark Mancina
  33. Nicolai Arrives (3:06)
    Mark Mancina
  34. Rath Wins (1:07)
    Mark Mancina
  35. End Credits (1:54)
    Mark Mancina, Jeff Rona
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Gunner reply Replies: 0 || 2017-09-22 08:43:50
i love this movie and soundtracks !

Hybrid Soldier reply Replies: 5 || 2016-08-18 19:28:27
Real cue titles as well as composers for this !


Edmund Meinerts2016-08-19 14:46:20
Michael Kamen??!!


rockhound2016-08-19 17:52:33
kamens score was rejected, because the music was "too heavy". so he was replaced with a more modern action score by mancina.


Hybrid Soldier2016-08-19 19:37:34
Yeah and the Day of the Dead song he wrote (performed by Danielle Wiener) was kept in the film, hence the credit... :)


Edmund Meinerts2016-08-19 19:44:35
Ah, OK, that makes sense. I never knew Kamen was attached to this!


Hybrid Soldier2016-08-19 19:50:31
He really wrote a full score, which Donner rejected. But Donner & Kamen were big friends so Donner wanted Kamen to have a second shot, Kamen declinded cause he had no time, he was writing Die Hard 3... So they got Mark, who had to do the whole thing in 13 days, when the big Media Ventures armada ! :)

Soulkeeper reply Replies: 0 || 2012-01-18 21:02:36
Can somebody tell me where i can get this Score? Thanks :-)

herdim reply Replies: 0 || 2005-05-28 00:00:00
Assassins est avec Training day les oeuvres les plus serieuse du compositeur

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Assassins (Expanded Score) soundtrack - Mark Mancina 1995