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Known credits are Renaway Train for Mazzaro (was on his website), The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.<br><br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.<br><br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.<br><br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premier
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Additional Music
Harry Gregson-WilliamsJames McKee SmithStephen BartonHalli Cauthery
ComposerAdditional MusicAdditional MusicAdditional Music
The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe (Expanded Score)
Label: Unofficial Release
Length: 175'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (19920 votes)
  1. The Blitz, 1940 (2:33)
  2. Evacuating London (4:07)
  3. The Professor's House (1:02)
    Harry Gregson-Williams, Stephen Barton
  4. First Night (0:50)
    Harry Gregson-Williams, Stephen Barton
  5. The Wardrobe (3:20)
  6. Lucy Meets Mr. Tumnus (4:21)
  7. A Narnia Lullaby (1:16)
  8. Confused (1:09)
  9. Lucy Leaves Mr. Tumnus (1:18)
  10. Come Back To Narnia (2:17)
  11. The White Witch (5:48)
  12. Pretending (1:38)
  13. Telling The Truth (1:37)
    Harry Gregson-Williams, Stephen Barton
  14. Hiding (0:59)
  15. Across The Woods (1:13)
  16. High Treason (2:21)
  17. Beaver (0:50)
  18. From Western Woods To Beaversdam (2:24)
    Harry Gregson-Williams, Stephen Barton
  19. The Prophecy (1:09)
  20. Ed's Gone (5:31)
    Harry Gregson-Williams, Stephen Barton
  21. Inside (1:29)
  22. Discovered (0:52)
  23. Fugitives (1:49)
  24. The Adventure Begins (0:41)
  25. The World Of Narnia (5:48)
  26. A Christmas Carol (3:20)
    Harry Gregson-Williams, Stephen Barton
  27. Across The Melting River (3:31)
  28. To Aslan's Camp (5:15)
  29. Sadly (1:07)
  30. You Have To Lead Us (2:22)
  31. Peter's Battle (1:14)
  32. Knighting Peter (2:01)
    Harry Gregson-Williams, Stephen Barton
  33. Aslan Talks To Edmund (1:51)
    Harry Gregson-Williams, Stephen Barton
  34. Aslan & The Witch (3:24)
  35. Narcissism (1:27)
  36. The Stone Table (7:26)
    Harry Gregson-Williams, Toby Chu
  37. Aslan's Death (4:11)
    Harry Gregson-Williams, Stephen Barton
  38. The Battle Begins (2:44)
  39. The Battle (3:13)
  40. Aslan Returns (2:31)
  41. The Battle Continues (1:52)
  42. Oreius' Sacrifice (1:09)
  43. Tumnus Back To Life (1:45)
  44. Edmund Attacks The White Witch (1:41)
  45. Peter's Revenge (2:36)
  46. The Royal Coronation (4:17)
    Harry Gregson-Williams, Stephen Barton
  47. Only The Beginning Of The Adventure (1:18)
    Harry Gregson-Williams, Stephen Barton
  48. Can't Take It In (6:17)
    Harry Gregson-Williams, Imogen Heap
  49. Evacuating London (Alternate) (1:57)
  50. From Westen Woods To Beaversdam (Alternate) (2:24)
    Harry Gregson-Williams, Stephen Barton
  51. Fugitives (Alternate) (1:41)
  52. The World Of Narnia (Alternate I) (5:48)
  53. The World Of Narnia (Alternate II) (5:02)
  54. The World Of Narnia (Alternate III) (5:01)
  55. A Christmas Carol (Alternate) (3:21)
    Hary Gregson-Williams, Stephen Barton
  56. To Aslan's Camp (Alternate I) (5:14)
  57. To Aslan's Camp (Alternate II) (1:28)
  58. Peter's Battle (Alternate) (1:14)
  59. Narcissism (Alternate) (1:27)
  60. The Stone Table (Alternate) (7:26)
    Harry Gregson-Williams, Toby Chu
  61. Oreius' Sacrifice (Alternate) (1:08)
  62. The Royal Coronation (Alternate) (4:56)
    Harry Gregson-Williams, Stephen Barton
  63. Can't Take It In (Album Version) (4:43)
    Harry Gregson-Williams, Imogen Heap
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Imara reply Replies: 0 || 2007-01-30 00:00:00
i only want to download the song from the part where Peter tells Edmond to get Susan & Lucy home where the White Witch is going to kill Peter and Edmond tries to save Peter

Aiedail reply Replies: 0 || 2007-01-14 00:00:00
response to adelphus:

The Track is called 'Peter, wake up!' and it's number 12 on the first cd. It's one of my favourite. It's so perfect! I was so disappointed, that it wasn' t included on the OST.

They really need to release this bootleg, because it's so wonderful! You people have to hear the additional tracks!

I can remember the day I first got my hands on the bootleg. I really cried... Although I had to go to school next day, I didn't go to sleep, so that I could listen to the soundtrack all night long! And it was so hard to sit quietly on my chair at school, without humming the themes of the soundtrack ; ) That was a day!

adelphus reply Replies: 0 || 2007-01-07 00:00:00
Well, at least there is hope now. I personally would like to know if the song that plays during Edmund's first meeting with Jadis (white witch) is on there, I would assume unreleased tracks 9 or 10 on the first CD. Would anyone happen to know?

EdnaMode reply Replies: 0 || 2007-01-05 00:00:00
I've this CD, I'm so happy (sorry but I'm a French person)
There is approximately 40 Tracks on this album and many parts Who did not appear on the first version, Notably : Across The Melting River.

Kristi reply Replies: 0 || 2006-11-29 00:00:00
I cannot exclaim how much it would mean to each of us if you were to release a complete recording to the Chronicles of Narnia. For a long time the movie industry has been catering to the movie buffs...well what about the score buffs? We are more than willing to spend more money on a score that would fullfill our needs and fill our ears with probably the best score ever to be composed for film. Please give Harry Gregson-Williams' score to Narnia a chance to be honored. What a perfect Christmas gift it would make this season!

Kiwee reply Replies: 0 || 2006-11-29 00:00:00
I WANT TAHT CD SOOO F'n BADDDDD AWWWWWWEE :'(

Diana Martinez reply Replies: 0 || 2006-11-17 00:00:00
You guys need to put this release out in stores this is such a wonderful cd I've been looking here and there to find these songs I want them sooooooo bad!

DaveLoneRanger reply Replies: 0 || 2006-10-29 00:00:00
Please consider releasing a Complete Recordings. It's working well for the Lord of the Rings music!

We're all willing to pay good money in legitimate markets for the soundtrack. The selections of music from the battle on the original soundtrack was so sparse compared to the total of what was used. I'd love to hear ALL of the battle music.

Please consider releasing a Complete Recordings!

ahhhh reply Replies: 0 || 2006-10-21 00:00:00
I want that soundtrack...I'm dying.......almost dead...can't live to say the rest...

Dying for extended soundtrack reply Replies: 0 || 2006-10-21 00:00:00
Please! Please! Please! We need this extended soundtrack released! I am dying to listen to the whole thing!

Extended Soundtrack WANTED!!! reply Replies: 0 || 2006-09-25 00:00:00
RELEASE IT!!! Grrrr Who can we contact to make this CD come out? Disney Records hasn't got a contact email. Well, maybe I just can't find one. Maybe a petition. Hmm I want this CD!

Prelator reply Replies: 0 || 2006-09-23 00:00:00
This album is definitely one of my prize finds. I absolutely love the unreleased tracks, "Peter Wake Up!", "Across the Melting River", "The Lion and the Witch", "The Stone Table Part 2," and "Peter vs. the Witch." Each of those tracks contains themes that the OST either left out completely or didn't do justice. A sad thing that they will never be released publicly.

Lee reply Replies: 0 || 2006-09-04 00:00:00
Hybrid Soldier - so most Recording Session CD's are like this? Ohhh - ok! :-)

Hybrid Soldier reply Replies: 0 || 2006-08-29 00:00:00
Lee, that is the case in number of bootlegs or RS CD... ;-)

Lee reply Replies: 0 || 2006-08-27 00:00:00
Yhe only problem with the Recording Sessions CD is that each track has some quite long pauses at the start and end thus making the track times longer than they should be.

pumaman reply Replies: 0 || 2006-08-12 00:00:00
I found it. The Battle Part 1 and 2 is just the standard Battle split in two and thus a let down. Thus ignoring the absence of the full Battle music I must say I really enjoyed it, especially
CD1 track 18 Inside, track 19 Discovered, and track 21 The World of Narnia
CD2 track 01 Across the Melting River, and 08 Aslan and the Witch

Caephalo Trecca reply Replies: 0 || 2006-07-14 00:00:00
I got it. It's AWESOME!!!!!!

Hannah reply Replies: 0 || 2006-07-07 00:00:00
The released soundtrack really surprised me with the powerful yet subtle songs... these songs merely confirm that. I hope very much that it will be released!

Lola reply Replies: 0 || 2006-07-07 00:00:00
oh, i love it!!! I would buy it a thousand times! love it! love it! love it! jordan and all the others are right! I can't stand it, i need those tracks!!!!!!!!

Jordan reply Replies: 0 || 2006-07-04 00:00:00
I really with we could buy it! Gosh! Why don't they release it? I'd buy it! Everyone who visits this website would probably buy it!

Do the people who make these decisions... let's just refer to them as the man, doesn't the man realize that they would make a lot of money by selling this album?!?!

I really want to hear all the songs on it!

Narda reply Replies: 0 || 2006-07-03 00:00:00
Wow, I love it!! I'll also keep an eye (or two ^^) out!
Oh, I wish there was an official release!!!!

V Ravi Krishna reply Replies: 0 || 2006-07-02 00:00:00
Well, we know it DOES exist. Who knows if it turns up on eBay sometime, like Lion King? I'm keeping an eye out there ;-)

Glenstorm reply Replies: 0 || 2006-06-30 00:00:00
There is no legal way to buy or 'get' it. It's a bootleg, the recording sessions and not an official release, I'm afraid.
Perhaps you guys here should give up hope to held it in your hands one day. Or so I have done, because who would ever think of the handful of fans, who are really desperate to get it. There is no mercy in the commercial world, I guess.
Oh, I would love to hear to that music. But I would better just forget about it . There is no way I'll ever live to see the day, when I'll listen to it.

~I'm on Aslans side, even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia.~

Caephalo trecca reply Replies: 0 || 2006-06-30 00:00:00
Does anyone know how to get this release??

Jewel reply Replies: 0 || 2006-06-24 00:00:00
This music makes me crying everytime I hear it! It's so wonderful, emotional and somehow it reminds me of something I have felt when I was a child. It makes me really sad, but the enjoyable way of sad! But I miss many wonderful parts from the original film score on the soundtrack disc. For example the part, when Lucy and Susan ride on Aslan to the witches castel. The strings are so beautiful! I really miss this and other great parts. Why wasn't all on the soundtrack? That was really a pity. I would love to hear it again.

Fledge reply Replies: 0 || 2006-06-08 00:00:00
I totally agree! We just need this score!
Not that I'm desperate now to hear the whole soundtrack, but I'm also disappointed, that there is now sheet music for the Chronicles! Just a songbook with four or five few songs, which is pretty... useless! Gregson-Williams first composed it for the piano, so why isn't there any decent sheet music?
And above all, why don't you just release this score!

I've listened to the original soundtrack numberless times so far, and I've just got the feeling there's missing a whole part, which makes me really really sad...

Please release this score... release it for your fans... please...

Stacey (Canton, MI) reply Replies: 0 || 2006-06-05 00:00:00
PLLLEEEEEAAAAASSSSSEEEEEE release this score! i would buy it. i'd buy it twice! must....have.....music...*gasp*!

Uzi reply Replies: 0 || 2006-06-04 00:00:00
I agree Aiedail, 'evacuating london' was the track that made me shiver all over...loved the climax part of the track where the title just appeard like snow..hehe. The battle sequence was some of the best i've seen too. The full-force orchestra treatment of the 'heroic theme' in 'the battle' is simply amazing. I hope the extended version of the ST will be released soon.

Aiedail reply Replies: 0 || 2006-05-19 00:00:00
Yeah, I completely agree. The war scenes were so cool.
But the first time there ran a shiver down my spine was when the children are on the train and you hear 'evacuating london'. This was sooo beautiful. I would love to hear the second version. *sigh* I wish the extracts above were longer....

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The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe (Expanded Score) soundtrack - Harry Gregson-Williams 2005