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Known credits are Renaway Train for Mazzaro (was on his website), The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.<br><br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.<br><br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.<br><br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premier
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Additional Music
Harry Gregson-WilliamsJames McKee SmithStephen BartonHalli Cauthery
ComposerAdditional MusicAdditional MusicAdditional Music
The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe (Expanded Score)
Label: Unofficial Release
Length: 175'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (19920 votes)
  1. The Blitz, 1940 (2:33)
  2. Evacuating London (4:07)
  3. The Professor's House (1:02)
    Harry Gregson-Williams, Stephen Barton
  4. First Night (0:50)
    Harry Gregson-Williams, Stephen Barton
  5. The Wardrobe (3:20)
  6. Lucy Meets Mr. Tumnus (4:21)
  7. A Narnia Lullaby (1:16)
  8. Confused (1:09)
  9. Lucy Leaves Mr. Tumnus (1:18)
  10. Come Back To Narnia (2:17)
  11. The White Witch (5:48)
  12. Pretending (1:38)
  13. Telling The Truth (1:37)
    Harry Gregson-Williams, Stephen Barton
  14. Hiding (0:59)
  15. Across The Woods (1:13)
  16. High Treason (2:21)
  17. Beaver (0:50)
  18. From Western Woods To Beaversdam (2:24)
    Harry Gregson-Williams, Stephen Barton
  19. The Prophecy (1:09)
  20. Ed's Gone (5:31)
    Harry Gregson-Williams, Stephen Barton
  21. Inside (1:29)
  22. Discovered (0:52)
  23. Fugitives (1:49)
  24. The Adventure Begins (0:41)
  25. The World Of Narnia (5:48)
  26. A Christmas Carol (3:20)
    Harry Gregson-Williams, Stephen Barton
  27. Across The Melting River (3:31)
  28. To Aslan's Camp (5:15)
  29. Sadly (1:07)
  30. You Have To Lead Us (2:22)
  31. Peter's Battle (1:14)
  32. Knighting Peter (2:01)
    Harry Gregson-Williams, Stephen Barton
  33. Aslan Talks To Edmund (1:51)
    Harry Gregson-Williams, Stephen Barton
  34. Aslan & The Witch (3:24)
  35. Narcissism (1:27)
  36. The Stone Table (7:26)
    Harry Gregson-Williams, Toby Chu
  37. Aslan's Death (4:11)
    Harry Gregson-Williams, Stephen Barton
  38. The Battle Begins (2:44)
  39. The Battle (3:13)
  40. Aslan Returns (2:31)
  41. The Battle Continues (1:52)
  42. Oreius' Sacrifice (1:09)
  43. Tumnus Back To Life (1:45)
  44. Edmund Attacks The White Witch (1:41)
  45. Peter's Revenge (2:36)
  46. The Royal Coronation (4:17)
    Harry Gregson-Williams, Stephen Barton
  47. Only The Beginning Of The Adventure (1:18)
    Harry Gregson-Williams, Stephen Barton
  48. Can't Take It In (6:17)
    Harry Gregson-Williams, Imogen Heap
  49. Evacuating London (Alternate) (1:57)
  50. From Westen Woods To Beaversdam (Alternate) (2:24)
    Harry Gregson-Williams, Stephen Barton
  51. Fugitives (Alternate) (1:41)
  52. The World Of Narnia (Alternate I) (5:48)
  53. The World Of Narnia (Alternate II) (5:02)
  54. The World Of Narnia (Alternate III) (5:01)
  55. A Christmas Carol (Alternate) (3:21)
    Hary Gregson-Williams, Stephen Barton
  56. To Aslan's Camp (Alternate I) (5:14)
  57. To Aslan's Camp (Alternate II) (1:28)
  58. Peter's Battle (Alternate) (1:14)
  59. Narcissism (Alternate) (1:27)
  60. The Stone Table (Alternate) (7:26)
    Harry Gregson-Williams, Toby Chu
  61. Oreius' Sacrifice (Alternate) (1:08)
  62. The Royal Coronation (Alternate) (4:56)
    Harry Gregson-Williams, Stephen Barton
  63. Can't Take It In (Album Version) (4:43)
    Harry Gregson-Williams, Imogen Heap
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Anonymous reply Replies: 0 || 2008-01-19 00:00:00
Please release the complete score!!!! We're all dying to listen to it!!!!

Hybrid Soldier reply Replies: 0 || 2007-12-29 00:00:00
Hey Pat look at the second page of comments, I already did it... ;-)

Patrick P reply Replies: 0 || 2007-12-28 00:00:00
Can someone give a chronological list of the tracks from the 2 versions (official and bootleg) as they are used in the movie?
I have this 2 versions, but I want to make a playlist in the same order as the movie.
By the way, it's a very nice score, I love the "quiet" pieces.

Anonymous reply Replies: 0 || 2007-10-20 00:00:00
I was watching the extended edition of Narnia and the versions of Evacuating London, both part 1 and 2 are different than those from the recording sessions. Much longer. There's also another version of A Narnia Lullaby and I believe new songs during the battle scenes. I hope they will release a complete score in the future as these songs are really beautiful.

Cows N' Roses reply Replies: 0 || 2007-10-13 00:00:00
I've just learnt David Arnold is to score The Voyage of the Dawn Treader. Anyone can comfirm this? I'm disappointed, it should be Harry.

Cows N' Roses reply Replies: 0 || 2007-09-29 00:00:00
Personally I find the sfx quite cute. Makes me feel like I'm out there and not just sitting here listening to the music.

Cows N' Roses reply Replies: 0 || 2007-09-28 00:00:00
I thought it was a DVD rip as well, but a friend who knows about these things listened to it and said it coudn't since there were no dialogues. But it's true sometimes on those extra songs I hear birds singing for instance.

However I don't see why you call it a fake dvd rip, why fake? I listened to the tracks watching the movie at the same time so I could compare and the music is the same. No doubt about it.

Now, I'd be really happy to see these songs officially released but until it happens I'm quite satisfied with what I have.

Per reply Replies: 0 || 2007-09-28 00:00:00
By fake DVD-rip I mean it's a fake version coming from the DVD...

I could of course just said 'DVD-rip', and that would have self-explained that it is a fake version.

And by fake in that way, I didn't mean it's not music from the film, but simply that it's not a real music-only recording from the studio, since it contain some sound effects from the film...

And yes, you can leave out the dialogue and some sfx sounds when making a DVD-rip, but you'll never end up with only the music and no sfx...

That's why I call it a fake, simply because it is.

Per reply Replies: 0 || 2007-09-27 00:00:00
Cows N' Roses
-----------------

Unless you can prove me wrong, I assume what you have is just a fake DVD-rip, or a combination of the soundtrack/2CD expanded and the DVD... with sfx !!

You don't mention anything about not having any sfx, so...

Cows N' Roses reply Replies: 0 || 2007-09-27 00:00:00
I have exactly 68 tracks. So far these are the most complete recordings I have found. All the songs listed in the comments below are inside (under different names but they're definately the same) and more!
They are in order unlike the other Recording Sessions available out there and finally there are no extra silence at the beginning and ending of each song...

Simply perfect.

Thanks Harry, you're a genius.

Maps reply Replies: 0 || 2007-09-27 00:00:00
This is a very beautiful score by Harry Gregson-Williams and I got it three weeks ago and I can't stop listening this lovely tunes. I'd like to add the other track names:

04. Brothers
05 Mrs McReady
09 Confused
10 Just your imagination
12 Peter, wake up!
14 Hide & Seek
15 Beaver's home
16 They're after us
18 Inside
19 Discovered
20 The adventure begins
21 The world of Narnia

CD II

01 Across the melting river
04 Sadly
05 You have to lead us
06 Perpetual winter
08 Aslan and the witch
09 Narcissism
14 Peter vs. the witch

It's a really great CD! There's NO SFX (for what are these letters standing for?, I know that SFX are the noises from the film, but which words are hidden in it?)

Best greetings from Germany! Harry, Hans, Nick and all the others: Keep on doing!!!

Bss reply Replies: 0 || 2007-09-12 00:00:00
You got a great imagination only with a great imagination, creativity and deep feelings you can make such fantastic scores.

Anonymous reply Replies: 0 || 2007-09-06 00:00:00
Well, I found the alternate version of Can't Take It In but I'm still wondering about A Narnia Lullaby...

Anonymous reply Replies: 0 || 2007-09-01 00:00:00
What happened to the film version of A Narnia Lullaby & Can't Take It In? Are these two songs available in the recording sessions?

Dobby reply Replies: 0 || 2007-08-25 00:00:00
Hopefully then Disney read the posts here and know how much we crave for a complete release! If we're lucky we may get one in the years to come. Fingers crossed! ;-)

LittleOtter reply Replies: 0 || 2007-08-25 00:00:00
So is there any possible way to get this music? I've been a fan of the Narnia soundtrack since before it was released - I'd go to the website and listen to the little 30-second clips over and over again.

Kristi reply Replies: 0 || 2007-08-07 00:00:00
Atleast this means that Disney knows there are a lot of people who want this soundtrack...give it time. Extended soundtracks don't usually come out right after the original soundtrack is released. It will probably be a couple of years before this happens.

Anonymous reply Replies: 0 || 2007-08-06 00:00:00
Disney are so obsessed with their pay cheques. New Line Cinema bothered to release extended soundtracks of Lord of the Rings score and soundtrack. Yes there was an extended DVD of narnia but it was only available in the US and a few other countries. What about Australia?! The two-disc version isn't available anymore either there and the single-disc costs the same amount as the two-disc version if its not on sale. Shame on you Disney. Hope you enjoy cashing in on Narnia for many years to come.

Antas, Webmaster reply Replies: 0 || 2007-08-04 00:00:00
Disney asked us to remove them (same thing for all disney boot/promo releases) ...

Anonymous reply Replies: 0 || 2007-08-04 00:00:00
Oh I see. Too bad but I understand.

Anonymous reply Replies: 0 || 2007-08-02 00:00:00
Is it just me or the samples are not available for listen anymore?

tinuviel reply Replies: 0 || 2007-05-31 00:00:00
must be so, because there aren't so many new titles on the bootleg... of course some spectacular, but I miss the part of the score when the Pevensie children are looking for a hiding place in the house.. I love it...

Hybrid Soldier reply Replies: 0 || 2007-05-28 00:00:00
Yes it seems there is a 4 CD hidden around there...

;-)

Anonymous reply Replies: 0 || 2007-05-27 00:00:00
This is not a Recording Session. The real Recording Session has 4 CDs.

Per reply Replies: 0 || 2007-05-27 00:00:00
tell us more ;)

Sylvos reply Replies: 0 || 2007-04-10 00:00:00
Good job HS. That must have been a darn time consuming work for sure.

At least we ain't gotta wait for ages to get our hands on these parts. Heck, they're already on the CD! Now, that's weird...

Hybrid Soldier reply Replies: 0 || 2007-04-09 00:00:00
A lot of music is still missing in this bootleg (about 10/15 minutes). The most surprising is that there's music in the official release NOT in this boot !

I've made my own boot (with few tracks names changed). The * are the cues taken from the official release.

01. The Blitz, 1940 (2:32)
02. Evacuating London Part 1 (2:11)
03. Evacuating London Part 2 (1:55) *
04. Brothers (1:02)
05. Mrs McReady (0:51)
06. The Wardrobe (3:23)
07. Lucy Meets Mr Tumnus (4:23)
08. A Narnia Lullaby (1:18)
09. Confused (1:09)
10. Lucy Leaves Mr Tumnus (1:19)
11. Come Back To Narnia (2:17)
12. Edmund Meets The White Witch (5:47)
13. High Treason (2:21)
14. Beaver (0:51)
15. To Beaversdam (1:38) *
16. The Prophecy (1:09)
17. The White Witch (5:30) *
18. Inside (1:28)
19. Discovered (0:51)
20. The Adventure Begins (0:49)
21. The World Of Narnia (5:47)
22. Father Christmas (3:21)
23. Across The Melting River (3:31)
24. To Aslan's Camp (5:14)
25. Sadly (1:08)
26. You Have To Lead Us (2:22)
27. Peter's Battle (1:14)
28. Knighting Peter (3:48) *
29. Aslan And The Witch (3:24)
30. Narcissism (1:27)
31. The Stone Table (7:23)
32. They Need To Know (4:12)
33. The Battle Part 1 (2:44)
34. The Battle Part 2 (3:11)
35. Aslan's Resurrection (2:30)
36. Peter's Revenge - Aslan Kills The Witch (2:32) *
37. The Royal Coronation (4:18)
38. Only The Beginning Of The Adventures (1:18)
39. Can't Take It In (4:42) *
40. Where (Bonus Track) (1:57)
41. Evacuating London Part 2 (Alternate) (Bonus Track) (1:12)
42. To Aslan's Camp (Alternate) (Bonus Track) (1:28)

Length : 111'40

The * :
- 03. Evacuating London Part 2 (1:55) : The film version is in the official release, it's the last part of 02. Evacuating London (3:38)

-15. To Beaversdam (1:38) : Not in the boot, but in the CD at the end of 07. From Western Woods To Beaversdam (3:34)

-17. The White Witch (5:30) : The last part present in this official CD's track is not in the boot. The boot gets an editing short version : 17. The White Witch (Edit Version) (4:35)

-28. Knighting Peter (3:48) : Same as The White Witch, the bootleg's version is edited short : Knighting Peter Part 1 (2:05), Part 2 is missing, but not in the official release.

-36. Peter's Revenge - Aslan Kills The Witch (2:32) : This track is the last minutes of official's The Battle (7:08). The beginning is the same as 34. The Battle Part 2 (3:11), but the end is new.

-39. Can't Take It In (4:42) : Song in the End Credits by HGW and I. Heap of course in the official release.

All is in the correct order.

;-)

Kristi reply Replies: 0 || 2007-03-27 00:00:00
Sunny Rae...if I am not mistaken your talking about evacuating london and yes this is on the CD that has been released. You can check it out at iTunes, if you have an account. Let me know if this helps!

Sunny Rae reply Replies: 0 || 2007-02-22 00:00:00
There is a song in the movie that i absolutely loved. I am not sure which one it was though. It was in the beginning, and in the end too i think. It sounded a bit like Enya. Was this a song that was not on the cd's?

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The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe (Expanded Score) soundtrack - Harry Gregson-Williams 2005