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Known credits are Renaway Train for Mazzaro (was on his website), The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.<br><br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.<br><br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.<br><br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premier
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Additional Music
Harry Gregson-WilliamsJames McKee SmithStephen BartonHalli Cauthery
ComposerAdditional MusicAdditional MusicAdditional Music
The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe (Expanded Score)
Label: Unofficial Release
Length: 175'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (19920 votes)
  1. The Blitz, 1940 (2:33)
  2. Evacuating London (4:07)
  3. The Professor's House (1:02)
    Harry Gregson-Williams, Stephen Barton
  4. First Night (0:50)
    Harry Gregson-Williams, Stephen Barton
  5. The Wardrobe (3:20)
  6. Lucy Meets Mr. Tumnus (4:21)
  7. A Narnia Lullaby (1:16)
  8. Confused (1:09)
  9. Lucy Leaves Mr. Tumnus (1:18)
  10. Come Back To Narnia (2:17)
  11. The White Witch (5:48)
  12. Pretending (1:38)
  13. Telling The Truth (1:37)
    Harry Gregson-Williams, Stephen Barton
  14. Hiding (0:59)
  15. Across The Woods (1:13)
  16. High Treason (2:21)
  17. Beaver (0:50)
  18. From Western Woods To Beaversdam (2:24)
    Harry Gregson-Williams, Stephen Barton
  19. The Prophecy (1:09)
  20. Ed's Gone (5:31)
    Harry Gregson-Williams, Stephen Barton
  21. Inside (1:29)
  22. Discovered (0:52)
  23. Fugitives (1:49)
  24. The Adventure Begins (0:41)
  25. The World Of Narnia (5:48)
  26. A Christmas Carol (3:20)
    Harry Gregson-Williams, Stephen Barton
  27. Across The Melting River (3:31)
  28. To Aslan's Camp (5:15)
  29. Sadly (1:07)
  30. You Have To Lead Us (2:22)
  31. Peter's Battle (1:14)
  32. Knighting Peter (2:01)
    Harry Gregson-Williams, Stephen Barton
  33. Aslan Talks To Edmund (1:51)
    Harry Gregson-Williams, Stephen Barton
  34. Aslan & The Witch (3:24)
  35. Narcissism (1:27)
  36. The Stone Table (7:26)
    Harry Gregson-Williams, Toby Chu
  37. Aslan's Death (4:11)
    Harry Gregson-Williams, Stephen Barton
  38. The Battle Begins (2:44)
  39. The Battle (3:13)
  40. Aslan Returns (2:31)
  41. The Battle Continues (1:52)
  42. Oreius' Sacrifice (1:09)
  43. Tumnus Back To Life (1:45)
  44. Edmund Attacks The White Witch (1:41)
  45. Peter's Revenge (2:36)
  46. The Royal Coronation (4:17)
    Harry Gregson-Williams, Stephen Barton
  47. Only The Beginning Of The Adventure (1:18)
    Harry Gregson-Williams, Stephen Barton
  48. Can't Take It In (6:17)
    Harry Gregson-Williams, Imogen Heap
  49. Evacuating London (Alternate) (1:57)
  50. From Westen Woods To Beaversdam (Alternate) (2:24)
    Harry Gregson-Williams, Stephen Barton
  51. Fugitives (Alternate) (1:41)
  52. The World Of Narnia (Alternate I) (5:48)
  53. The World Of Narnia (Alternate II) (5:02)
  54. The World Of Narnia (Alternate III) (5:01)
  55. A Christmas Carol (Alternate) (3:21)
    Hary Gregson-Williams, Stephen Barton
  56. To Aslan's Camp (Alternate I) (5:14)
  57. To Aslan's Camp (Alternate II) (1:28)
  58. Peter's Battle (Alternate) (1:14)
  59. Narcissism (Alternate) (1:27)
  60. The Stone Table (Alternate) (7:26)
    Harry Gregson-Williams, Toby Chu
  61. Oreius' Sacrifice (Alternate) (1:08)
  62. The Royal Coronation (Alternate) (4:56)
    Harry Gregson-Williams, Stephen Barton
  63. Can't Take It In (Album Version) (4:43)
    Harry Gregson-Williams, Imogen Heap
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Mike reply Replies: 0 || 2018-09-10 03:15:17
I really like the film version of "Can't Take It In." Usually, I find credits songs to be a kind of unnecessary distraction from the score of a movie, but this movie pulled it off pretty well.

mpolonest123 reply Replies: 0 || 2018-05-26 18:22:30
While I always liked this score, it wasn’t until recently (when I revisited the film and album) that I realized how amazing it really is. There is still nothing that tops “Evacuating London” or the “Aslan” theme in terms of modern fantasy material. Each of the themes are brilliantly interconnected with each other, but stand on their own as well. I do wish there something a bit more distinctive for the White Witch, but that’s a small complaint.

The only other score that really reminds me of this (in terms of the string writing and piano material) is “Winters Tale” by Rupert. Also a pretty solid fantasy score.

Mike (OTM) reply Replies: 0 || 2018-01-24 03:59:46
Wow! Stephen Barton worked on a lot of the important cues here, huh?

Edmund Meinerts reply Replies: 3 || 2013-11-16 13:12:32
I wonder why it is that we rarely, if ever, get detailed information about who did what on HGW's scores. I'd be curious. :)


Frisbee2013-11-16 14:57:27
Apparently, most of those details are sourced from the ASCAP website. But HGW is a member of another association, the BMI, and those guys are probably not providing the same detailed information as ASCAP do.

ASCAP do list stuff by BMI composers but only if an ASCAP member was extensively involved in the making of that tune too. Maybe that's how some detailed information had been made available for a HGW project in the past?


Edmund Meinerts2013-11-16 16:46:19
Maybe that's it. But we get who-did-whats on John Powell scores a lot more frequently and he's a member of BMI too, isn't he?

Another one where we rarely get any info is Steve Jablonsky. In an ideal world they'd just put this kind of info in the album booklets!


Edmund Meinerts2015-10-23 10:08:24
Well speak of the devil. :D

madmartigan reply Replies: 0 || 2015-10-23 09:56:33
...and finally a more complete edition than the previous... This edition seems to contain all Final Battle tracks... Thanks Hybrid for this update.

Swordroll reply Replies: 1 || 2015-08-25 05:38:58
Does anyone know if the music playing during the sequence where the gryphons attack the witch up until Edmund destroys the wand is available anywhere?


Anonymous2015-08-26 01:55:27
It is not. That music is made up of three or four cues. However, you can find a very similar arrangements of the griffon attack and subsequent part (where the centaur charges) on Prince Caspian's score. They're both in "Raid on the Castle", I think.

Martin reply Replies: 0 || 2015-07-20 02:47:52
Thanks!

me reply Replies: 1 || 2009-06-20 00:00:00
whats the song that goes "one day....one night" ....i want to find it on itunes but it isnt there :(


ssa2014-01-31 01:33:49
"one breath for all" and its evacuating London love that one :)

JM Tapias reply Replies: 0 || 2014-01-30 03:53:34
&#191;how donwnload?

abby reply Replies: 0 || 2010-10-25 00:00:00
i love the narnian lullaby

Kronos reply Replies: 0 || 2009-07-11 00:00:00
*release
I'm sorry, my English isn't so good.

Silvana reply Replies: 0 || 2009-07-10 00:00:00
Narnia has the BEST music ever (other than Pirate of the Caribbean). I love adventure movies such as Narnia and Pirate of the Caribbean. I'm mostly a Pirate of the Caribbean girl!

The soundtrack is AWESOME and I don't know the name of what type of music it's called that you use. I particularly like "One Day". If you know what type of Genre of music that song is in please comment back here.

HANS ZIMMER!!! OMG you have the best composing skills I have ever heard and the POTC theme song makes me melt! Thank You :D

Take Care .xx.oo.xx.

HGW4 reply Replies: 0 || 2009-07-10 00:00:00
Silvana...
I think you mean the song Evacuating London. See Crows N' Roses post below yours. It is the soundtrack SCORE to the motion picture. Composed and conducted by one of the greatest film composers of our time: Harry Gregson-Williams. I hope that helps!

Cows N' Roses reply Replies: 0 || 2009-06-29 00:00:00
The track you're looking for is called Evacuating London, it's on the released soundtrack and the lyrics by Lisbeth Scott goes like this (she wrote it so it's official):

One breath for all, one
one breath for all
feel this feel this
so tender
feel this feel this
one breath for all
so tender
feel this feel this
tender

acuario reply Replies: 0 || 2008-09-08 00:00:00
me gusto la pelicula

Anonymous reply Replies: 0 || 2008-06-14 00:00:00
the 'battle' theme sounds like 'Kerak Castle' of the Kingdom of Heaven recording sessions

Anonymous reply Replies: 0 || 2008-05-22 00:00:00
I noticed that the second half of the track "Raid On The Castle" in Prince Caspian and the unreleased (and currently unavailable) track "Desperation" listed below on this one are pretty similar. Small comfort :)

"The Battle Continues On" is probably the most missed track on this bootleg, IMO.

Anonymous reply Replies: 0 || 2008-05-16 00:00:00
If you look right down at the complete collection I made, I included it... ;)

It's
"Oh, Johnny, Oh, Johnny, Oh" by the Andrew Sisters

Anonymous reply Replies: 0 || 2008-05-13 00:00:00
I love this music. There is one awe inspiring song that has the lyrics "One day . . .One night . . ." I ADORE this song!

k.k reply Replies: 0 || 2008-05-04 00:00:00
hey i really want to find out who sings that song oh Johnny when Lucy is playing hide and go seek, please let me know cause i love this song!

  Your name :   

Please enter number: 583 

DemonStar reply Replies: 0 || 2008-03-25 00:00:00
Guys hold your horses, this is only the first Narnia movie. Provided HGW is back to score the rest of the series, I wonder how much more stunning music he'll produce and how much more bootlegs we'll be left hunting for ;)

Renata reply Replies: 0 || 2008-03-05 00:00:00
Dear Greg,
youre an amazing composer, your music has made me fall in love with the movies, especially Chronicles of Narnia. I felt in love with the Sountrack and i can play it in six different instruments. Im so excited for Princes Caspian coming out on March 16, im gonna be there. Keep up the work and remember that your music will be incredible, from 100 of years from now i know. You are similar to mozart and Beethoven, youre going to be remembered forever just like those guys. Thank you for your time.

Sincerelly,
Renata Guthery

Anonymous reply Replies: 0 || 2008-02-27 00:00:00
it's evacuating london by lisbeth scott. get it on the original soundtrack of narnia. i want the complete score or at least a ripped dvd audio that sound good (without any talking)! c'mon disney!

Michael D reply Replies: 0 || 2008-02-27 00:00:00
There is one beautiful song from the movie that has the words "One day.... one night.....". Which song is this? Who sings it? I need this song!!

peter pevensie reply Replies: 0 || 2008-02-23 00:00:00
why harry gregson williams didnt release some 'unreleased' score that have in the movie?

lodskylark reply Replies: 0 || 2008-02-19 00:00:00
That list there is my tracklist for my version and the source of where I got the music. I think "Out of the Water (alt end) 0:38 dvd-rip" may just be music tracked from another cue. And I think "Short Insert 0:13 dvd-rip" may be tracked from another cue as well.

Otherwise I list the source of where I acquired the cue from. As you can see there are things that were on the album but not the recording sessions as well as still stuff in the movie that was not present on the recording sessions. I believe that the people that got hold of the recording sessions bootleg only got 2 of 3 discs.

Anonymous reply Replies: 0 || 2008-02-19 00:00:00
Narnia Cue List (unofficial titles)

01 - The Blitz, 1940 2:32 album/recording
02 - Evacuating London 2:25 recording
03 - Journey by Train 1:55 album (no clean intro)
04 - Mrs. Mcready 1:01 recording
05 - First Night 0:48 recording
06 - Oh, Johnny, Oh, Johnny, Oh 2:45 andrew sisters
07 - The Wardrobe 3:22 recording
08 - Lucy Meets Mr. Tumnus 4:21 recording
09 - A Narnia Lullaby 1:17 album/recording
10 - Confession 1:09 recording
11 - A Quick Return 1:17 recording
12 - No Faith 1:24 dvd-rip
13 - Seeking 2:17 album/recording
14 - The White Witch 5:46 recording
15 - Anxiety & Deception 1:36 dvd-rip
16 - Wonder 1:04 dvd-rip
17 - Broken Window 1:10 dvd-rip
18 - Passing Through 1:20 dvd-rip
19 - And the Snow Keeps Falling 1:11 recording
20 - Ransacked 2:20 recording
21 - Mr. Beaver 0:48 recording
22 - From Western Woods to Beaversdam 1:39 album
23 - Table Talk 0:40 dvd-rip
24 - The Prophecy 1:08 recording
25 - After Edmund 1:44 dvd-rip
26 - After Edmund (alt) 1:49 album/recording
27 - Unfortunate of the Queen 2:37 album/recording
28 - Anger 1:06 dvd-rip
29 - Wolves in Pursuit 1:26 recording
30 - Through the Tunnels 0:49 recording
31 - Sly Fox 1:46 dvd-rip
32 - We Want Our Brother Back 0:47 recording
33 - Icy Prison 1:02 dvd-rip
34 - Stone Sentence & Across the Lake 5:45 recording
35 - Father Christmas 3:20 album/recording
36 - Crossing the River 3:28 recording
37 - Out of the Water 3:37 recording
38 - Out of the Water (alt end) 0:38 dvd-rip
39 - To Aslan's Camp 1:29 recording
40 - To Aslan's Camp (high key alt) 1:33 album
41 - To Aslan's Camp (low key alt) 1:36 recording
42 - Short Insert 0:13 dvd-rip
43 - Aslan 1:07 recording
44 - Aslan & Peter 0:45 dvd-rip
45 - You Have to Lead Us 2:20 recording
46 - Peter's Battle 1:13 recording
47 - Knighting Peter & Rescuing Edmund 2:01 album/recording
48 - Reunited 2:01 dvd-rip
49 - Reunited (alt) 1:48 recording
50 - Training & The Witch 3:21 recording
51 - Narcissism 1:25 recording
52 - The Stone Table 7:07 dvd-rip
53 - The Stone Table (alt) 7:20 recording
54 - Sorrow 1:33 dvd-rip
55 - Sorrow (alt) 2:14 recording
56 - Message from the Leaves 1:55 recording
57 - The Battle Begins 2:42 recording
58 - Battle Charge 3:09 recording
59 - Resurrection 2:27 recording
60 - The Battle Continues On 1:43 dvd-rip
61 - Desperation 1:00 dvd-rip
62 - Healing & Broken Wand 3:09 dvd-rip
63 - Final Fight 2:34 album + dvd-rip (intro)
64 - Life to Edmund 0:36 dvd-rip
65 - Coronations 4:16 recording
66 - Coronations (alt insert) 0:35 dvd-rip
67 - Narnian Fanfare 0:08 dvd-rip
68 - He Comes and Goes 1:17 recording
69 - The Return ~ Can't Take It In 4:05 dvd-rip
70 - Can't Take It In (alt) 4:42 album
71 - Wunderkind 5:19 album
72 - Winter Light 4:13 album
73 - Where 1:56 album/recording
74 - Trailer Music: Here Comes the King 1:08 x-ray dog
75 - Trailer Music: Valor Quest 1:50 x-ray dog
76 - Trailer Music: The Black Legends 1:36 immediate music

Xebec reply Replies: 0 || 2008-02-01 00:00:00
Jeez, Walt Disney Records people go to sites looking for clips of bootlegs/promos being hosted and ask them to be removed, but will not release the music in question, despite so many people clearly asking for it!! Hopefully, they'll release some expanded versions after more Narnia movies are out :-)

Anonymous reply Replies: 0 || 2008-01-29 00:00:00
Skylark could you tell me what parts are still missing?

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The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe (Expanded Score) soundtrack - Harry Gregson-Williams 2005