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@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>
Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldnít change a thing about it), I must admit, it doesnít have nearly the same effect as a stand-alone listen. Itís literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it ďawardĒ worthy? Iím not sure. If based solely on the film, you betcha. If based purely on the music itself, I donít think so. Thatís where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or ďactualĒ music (again, works IN the film). Itís glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... Iíve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did itís job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
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Additional Music
Harry Gregson-WilliamsJames McKee SmithStephen BartonHalli Cauthery
ComposerAdditional MusicAdditional MusicAdditional Music
The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe (Expanded Score)
Label: Unofficial Release
Length: 175'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (18315 votes)
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  1. The Blitz, 1940 (2:33)
  2. Evacuating London (4:07)
  3. The Professor's House (1:02)
    Harry Gregson-Williams, Stephen Barton
  4. First Night (0:50)
    Harry Gregson-Williams, Stephen Barton
  5. The Wardrobe (3:20)
  6. Lucy Meets Mr. Tumnus (4:21)
  7. A Narnia Lullaby (1:16)
  8. Confused (1:09)
  9. Lucy Leaves Mr. Tumnus (1:18)
  10. Come Back To Narnia (2:17)
  11. The White Witch (5:48)
  12. Pretending (1:38)
  13. Telling The Truth (1:37)
    Harry Gregson-Williams, Stephen Barton
  14. Hiding (0:59)
  15. Across The Woods (1:13)
  16. High Treason (2:21)
  17. Beaver (0:50)
  18. From Western Woods To Beaversdam (2:24)
    Harry Gregson-Williams, Stephen Barton
  19. The Prophecy (1:09)
  20. Ed's Gone (5:31)
    Harry Gregson-Williams, Stephen Barton
  21. Inside (1:29)
  22. Discovered (0:52)
  23. Fugitives (1:49)
  24. The Adventure Begins (0:41)
  25. The World Of Narnia (5:48)
  26. A Christmas Carol (3:20)
    Harry Gregson-Williams, Stephen Barton
  27. Across The Melting River (3:31)
  28. To Aslan's Camp (5:15)
  29. Sadly (1:07)
  30. You Have To Lead Us (2:22)
  31. Peter's Battle (1:14)
  32. Knighting Peter (2:01)
    Harry Gregson-Williams, Stephen Barton
  33. Aslan Talks To Edmund (1:51)
    Harry Gregson-Williams, Stephen Barton
  34. Aslan & The Witch (3:24)
  35. Narcissism (1:27)
  36. The Stone Table (7:26)
    Harry Gregson-Williams, Toby Chu
  37. Aslan's Death (4:11)
    Harry Gregson-Williams, Stephen Barton
  38. The Battle Begins (2:44)
  39. The Battle (3:13)
  40. Aslan Returns (2:31)
  41. The Battle Continues (1:52)
  42. Oreius' Sacrifice (1:09)
  43. Tumnus Back To Life (1:45)
  44. Edmund Attacks The White Witch (1:41)
  45. Peter's Revenge (2:36)
  46. The Royal Coronation (4:17)
    Harry Gregson-Williams, Stephen Barton
  47. Only The Beginning Of The Adventure (1:18)
    Harry Gregson-Williams, Stephen Barton
  48. Can't Take It In (6:17)
    Harry Gregson-Williams, Imogen Heap
  49. Evacuating London (Alternate) (1:57)
  50. From Westen Woods To Beaversdam (Alternate) (2:24)
    Harry Gregson-Williams, Stephen Barton
  51. Fugitives (Alternate) (1:41)
  52. The World Of Narnia (Alternate I) (5:48)
  53. The World Of Narnia (Alternate II) (5:02)
  54. The World Of Narnia (Alternate III) (5:01)
  55. A Christmas Carol (Alternate) (3:21)
    Hary Gregson-Williams, Stephen Barton
  56. To Aslan's Camp (Alternate I) (5:14)
  57. To Aslan's Camp (Alternate II) (1:28)
  58. Peter's Battle (Alternate) (1:14)
  59. Narcissism (Alternate) (1:27)
  60. The Stone Table (Alternate) (7:26)
    Harry Gregson-Williams, Toby Chu
  61. Oreius' Sacrifice (Alternate) (1:08)
  62. The Royal Coronation (Alternate) (4:56)
    Harry Gregson-Williams, Stephen Barton
  63. Can't Take It In (Album Version) (4:43)
    Harry Gregson-Williams, Imogen Heap
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Edmund Meinerts reply Replies: 3 || 2013-11-16 13:12:32
I wonder why it is that we rarely, if ever, get detailed information about who did what on HGW's scores. I'd be curious. :)


Frisbee2013-11-16 14:57:27
Apparently, most of those details are sourced from the ASCAP website. But HGW is a member of another association, the BMI, and those guys are probably not providing the same detailed information as ASCAP do.

ASCAP do list stuff by BMI composers but only if an ASCAP member was extensively involved in the making of that tune too. Maybe that's how some detailed information had been made available for a HGW project in the past?


Edmund Meinerts2013-11-16 16:46:19
Maybe that's it. But we get who-did-whats on John Powell scores a lot more frequently and he's a member of BMI too, isn't he?

Another one where we rarely get any info is Steve Jablonsky. In an ideal world they'd just put this kind of info in the album booklets!


Edmund Meinerts2015-10-23 10:08:24
Well speak of the devil. :D

madmartigan reply Replies: 0 || 2015-10-23 09:56:33
...and finally a more complete edition than the previous... This edition seems to contain all Final Battle tracks... Thanks Hybrid for this update.

Swordroll reply Replies: 1 || 2015-08-25 05:38:58
Does anyone know if the music playing during the sequence where the gryphons attack the witch up until Edmund destroys the wand is available anywhere?


Anonymous2015-08-26 01:55:27
It is not. That music is made up of three or four cues. However, you can find a very similar arrangements of the griffon attack and subsequent part (where the centaur charges) on Prince Caspian's score. They're both in "Raid on the Castle", I think.

Martin reply Replies: 0 || 2015-07-20 02:47:52
Thanks!

me reply Replies: 1 || 2009-06-20 00:00:00
whats the song that goes "one day....one night" ....i want to find it on itunes but it isnt there :(


ssa2014-01-31 01:33:49
"one breath for all" and its evacuating London love that one :)

JM Tapias reply Replies: 0 || 2014-01-30 03:53:34
&#191;how donwnload?

abby reply Replies: 0 || 2010-10-25 00:00:00
i love the narnian lullaby

Kronos reply Replies: 0 || 2009-07-11 00:00:00
*release
I'm sorry, my English isn't so good.

HGW4 reply Replies: 0 || 2009-07-10 00:00:00
Silvana...
I think you mean the song Evacuating London. See Crows N' Roses post below yours. It is the soundtrack SCORE to the motion picture. Composed and conducted by one of the greatest film composers of our time: Harry Gregson-Williams. I hope that helps!

Silvana reply Replies: 0 || 2009-07-10 00:00:00
Narnia has the BEST music ever (other than Pirate of the Caribbean). I love adventure movies such as Narnia and Pirate of the Caribbean. I'm mostly a Pirate of the Caribbean girl!

The soundtrack is AWESOME and I don't know the name of what type of music it's called that you use. I particularly like "One Day". If you know what type of Genre of music that song is in please comment back here.

HANS ZIMMER!!! OMG you have the best composing skills I have ever heard and the POTC theme song makes me melt! Thank You :D

Take Care .xx.oo.xx.

Cows N' Roses reply Replies: 0 || 2009-06-29 00:00:00
The track you're looking for is called Evacuating London, it's on the released soundtrack and the lyrics by Lisbeth Scott goes like this (she wrote it so it's official):

One breath for all, one
one breath for all
feel this feel this
so tender
feel this feel this
one breath for all
so tender
feel this feel this
tender

acuario reply Replies: 0 || 2008-09-08 00:00:00
me gusto la pelicula

Anonymous reply Replies: 0 || 2008-06-14 00:00:00
the 'battle' theme sounds like 'Kerak Castle' of the Kingdom of Heaven recording sessions

Anonymous reply Replies: 0 || 2008-05-22 00:00:00
I noticed that the second half of the track "Raid On The Castle" in Prince Caspian and the unreleased (and currently unavailable) track "Desperation" listed below on this one are pretty similar. Small comfort :)

"The Battle Continues On" is probably the most missed track on this bootleg, IMO.

Anonymous reply Replies: 0 || 2008-05-16 00:00:00
If you look right down at the complete collection I made, I included it... ;)

It's
"Oh, Johnny, Oh, Johnny, Oh" by the Andrew Sisters

Anonymous reply Replies: 0 || 2008-05-13 00:00:00
I love this music. There is one awe inspiring song that has the lyrics "One day . . .One night . . ." I ADORE this song!

k.k reply Replies: 0 || 2008-05-04 00:00:00
hey i really want to find out who sings that song oh Johnny when Lucy is playing hide and go seek, please let me know cause i love this song!

DemonStar reply Replies: 0 || 2008-03-25 00:00:00
Guys hold your horses, this is only the first Narnia movie. Provided HGW is back to score the rest of the series, I wonder how much more stunning music he'll produce and how much more bootlegs we'll be left hunting for ;)

Renata reply Replies: 0 || 2008-03-05 00:00:00
Dear Greg,
youre an amazing composer, your music has made me fall in love with the movies, especially Chronicles of Narnia. I felt in love with the Sountrack and i can play it in six different instruments. Im so excited for Princes Caspian coming out on March 16, im gonna be there. Keep up the work and remember that your music will be incredible, from 100 of years from now i know. You are similar to mozart and Beethoven, youre going to be remembered forever just like those guys. Thank you for your time.

Sincerelly,
Renata Guthery

Michael D reply Replies: 0 || 2008-02-27 00:00:00
There is one beautiful song from the movie that has the words "One day.... one night.....". Which song is this? Who sings it? I need this song!!

Anonymous reply Replies: 0 || 2008-02-27 00:00:00
it's evacuating london by lisbeth scott. get it on the original soundtrack of narnia. i want the complete score or at least a ripped dvd audio that sound good (without any talking)! c'mon disney!

peter pevensie reply Replies: 0 || 2008-02-23 00:00:00
why harry gregson williams didnt release some 'unreleased' score that have in the movie?

Anonymous reply Replies: 0 || 2008-02-19 00:00:00
Narnia Cue List (unofficial titles)

01 - The Blitz, 1940 2:32 album/recording
02 - Evacuating London 2:25 recording
03 - Journey by Train 1:55 album (no clean intro)
04 - Mrs. Mcready 1:01 recording
05 - First Night 0:48 recording
06 - Oh, Johnny, Oh, Johnny, Oh 2:45 andrew sisters
07 - The Wardrobe 3:22 recording
08 - Lucy Meets Mr. Tumnus 4:21 recording
09 - A Narnia Lullaby 1:17 album/recording
10 - Confession 1:09 recording
11 - A Quick Return 1:17 recording
12 - No Faith 1:24 dvd-rip
13 - Seeking 2:17 album/recording
14 - The White Witch 5:46 recording
15 - Anxiety & Deception 1:36 dvd-rip
16 - Wonder 1:04 dvd-rip
17 - Broken Window 1:10 dvd-rip
18 - Passing Through 1:20 dvd-rip
19 - And the Snow Keeps Falling 1:11 recording
20 - Ransacked 2:20 recording
21 - Mr. Beaver 0:48 recording
22 - From Western Woods to Beaversdam 1:39 album
23 - Table Talk 0:40 dvd-rip
24 - The Prophecy 1:08 recording
25 - After Edmund 1:44 dvd-rip
26 - After Edmund (alt) 1:49 album/recording
27 - Unfortunate of the Queen 2:37 album/recording
28 - Anger 1:06 dvd-rip
29 - Wolves in Pursuit 1:26 recording
30 - Through the Tunnels 0:49 recording
31 - Sly Fox 1:46 dvd-rip
32 - We Want Our Brother Back 0:47 recording
33 - Icy Prison 1:02 dvd-rip
34 - Stone Sentence & Across the Lake 5:45 recording
35 - Father Christmas 3:20 album/recording
36 - Crossing the River 3:28 recording
37 - Out of the Water 3:37 recording
38 - Out of the Water (alt end) 0:38 dvd-rip
39 - To Aslan's Camp 1:29 recording
40 - To Aslan's Camp (high key alt) 1:33 album
41 - To Aslan's Camp (low key alt) 1:36 recording
42 - Short Insert 0:13 dvd-rip
43 - Aslan 1:07 recording
44 - Aslan & Peter 0:45 dvd-rip
45 - You Have to Lead Us 2:20 recording
46 - Peter's Battle 1:13 recording
47 - Knighting Peter & Rescuing Edmund 2:01 album/recording
48 - Reunited 2:01 dvd-rip
49 - Reunited (alt) 1:48 recording
50 - Training & The Witch 3:21 recording
51 - Narcissism 1:25 recording
52 - The Stone Table 7:07 dvd-rip
53 - The Stone Table (alt) 7:20 recording
54 - Sorrow 1:33 dvd-rip
55 - Sorrow (alt) 2:14 recording
56 - Message from the Leaves 1:55 recording
57 - The Battle Begins 2:42 recording
58 - Battle Charge 3:09 recording
59 - Resurrection 2:27 recording
60 - The Battle Continues On 1:43 dvd-rip
61 - Desperation 1:00 dvd-rip
62 - Healing & Broken Wand 3:09 dvd-rip
63 - Final Fight 2:34 album + dvd-rip (intro)
64 - Life to Edmund 0:36 dvd-rip
65 - Coronations 4:16 recording
66 - Coronations (alt insert) 0:35 dvd-rip
67 - Narnian Fanfare 0:08 dvd-rip
68 - He Comes and Goes 1:17 recording
69 - The Return ~ Can't Take It In 4:05 dvd-rip
70 - Can't Take It In (alt) 4:42 album
71 - Wunderkind 5:19 album
72 - Winter Light 4:13 album
73 - Where 1:56 album/recording
74 - Trailer Music: Here Comes the King 1:08 x-ray dog
75 - Trailer Music: Valor Quest 1:50 x-ray dog
76 - Trailer Music: The Black Legends 1:36 immediate music

lodskylark reply Replies: 0 || 2008-02-19 00:00:00
That list there is my tracklist for my version and the source of where I got the music. I think "Out of the Water (alt end) 0:38 dvd-rip" may just be music tracked from another cue. And I think "Short Insert 0:13 dvd-rip" may be tracked from another cue as well.

Otherwise I list the source of where I acquired the cue from. As you can see there are things that were on the album but not the recording sessions as well as still stuff in the movie that was not present on the recording sessions. I believe that the people that got hold of the recording sessions bootleg only got 2 of 3 discs.

Xebec reply Replies: 0 || 2008-02-01 00:00:00
Jeez, Walt Disney Records people go to sites looking for clips of bootlegs/promos being hosted and ask them to be removed, but will not release the music in question, despite so many people clearly asking for it!! Hopefully, they'll release some expanded versions after more Narnia movies are out :-)

Anonymous reply Replies: 0 || 2008-01-29 00:00:00
Skylark could you tell me what parts are still missing?

Skylark reply Replies: 0 || 2008-01-25 00:00:00
I am the one that made the OST+Recording Sessions+DVDRip. The reason I made it was because there are still tracks missing from the recording sessions and the OST (the recording session one doesn't even include all the OST tracks). I think the recording sessions may have supposed to have been a 3 disc set, but whoever got hold of it did not get hold of the third disc.

The music on the extended edition I think is either looped music or tracked from other tracks.

Anonymous reply Replies: 0 || 2008-01-19 00:00:00
Please release the complete score!!!! We're all dying to listen to it!!!!

Hybrid Soldier reply Replies: 0 || 2007-12-29 00:00:00
Hey Pat look at the second page of comments, I already did it... ;-)

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The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe (Expanded Score) soundtrack - Harry Gregson-Williams 2005