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Seville, The Bait, Ambrose Welcomes Nyah, Chimera Myth, Beach Fight, Ambrose Dies.Can we stop? I agree with the other guy more in his points, but it's clear that this is gonna keep going nowhere if you're gonna be so overly defensive about something that you claim is merely subjective.But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br>======================<br><br><br>Why do Bay naysayers pretend that Bay only directs TF movies? It's very interesting...... Pretty much all complaints against Bay are connected to the TF movies.<br><br>Newsflash: Bay was a proven and very successful action filmmaker wayyyyyyyyyyyyy before TF1. <br><br>So no, "challenging the viewer" is not about Transformers. You chose to focus on these movies. Not me. I was actually reffering to Bay movies like The Island and especially Pain and Gain. <br><br>But I guess you like to talk only about Transformers.....Good for you. But that's not how a discussion works. <br><br><br>===================<br>Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact. I've seen you do this every time someone talks shit about Bay around here. It's psychotic.<br>===================<br><br><br>So let me get this straight: trying to be as objective as possible, in a non-threating way, quoting people who actually know what they're talking about and certainly not treating my opinion as fact, makes me......psychotic? <br><br>Wow! Just wow!<br><br>Next time, I'll just act like a complete jerk, insulting everyone and everything. For you, that is apparently the normal behavior.<br><br><br>======<br>Bad movies make money. Everyone knows that, and everyone knows that's not proof of quality.<br>=======<br><br>Reviews, RT scores, and crappy film blog "think pieces" are also not proof of quality. Also, a "bad" movie to you is the greatest movie for the guy walking next to you on the street. As Kevin Smith said: "Every movie is someone's favorite movie". <br><br>Let's try to keep that in mind.<br><br><br>============<br>That's not just a domestic bomb, that's a bomb altogether.<br>============<br><br>Really?<br><br>Then what do you have to say about Pacific Rim 1. I present to you.......the pure numbers:<br><br>Budget: $200 million. And that doesn't include the marketing cost.<br>Worldwide gross: $411,002,906<br><br>So that flick, according to you, turned a profit.......but TLK - budget of also $200 million and with a worldwide gross of $605 million..........is a bomb?<br><br>Wow! Just.....wow!Yeah lol back then only Harold was confirmed.Can you tell me a names of cues, that was been on Klaus website?
Formality indeed. Complicated ! lol<br><br>You can bet Blake Neely didn't need anyone to "write" those 10 seconds !! lolI always found these credits to be a bit confusing. Klaus Badelt is credited on almost every cue, even when his themes don't appear and another additional composer is credited as well. I thought maybe it was just a formality that Zimmer and Badelt were credited everywhere (I mean, how much could they be involved on a cue like "Welcome to the Caribbean"?), but then "No real ship" and "Sword Fight Pt. 2" have no Badelt for some reason. Does someone know a bit more about this?well the composer confirmed he is working on it to be released very soon<br>"It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain."<br><br>I didn't think it was possible for a Bay fan of all people to be this insufferably pretentious.<br><br>I thought that was more Snyder fanboy territory.<br><br>But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br><br>Kudos, man.  Kudos.<br><br>You can hide behind however many fallacies you want.  If "Not to me" and "You do you" didn't give it away early on in this thread, I DIDN'T try to treat my opinions as fact.<br><br>But that doesn't mean I'm going to add a little "IMO" at the end of every goddamn sentence just to coddle you. <br><br>On the flip-side, consistently making appeals to authority and popularity, "B-b-but Spielberg said!", "B-b-but the Forbes poll said!" don't make you objective.<br><br>Y'know, it's funny.  When I listed off better blockbuster examples, you could've very easily just argued against them on the level of the films themselves, and everything would've been fine.<br><br>Sure, you would've just claimed you can't see the action at night sooner, which is rich when you praise the film series that puts the subjects of its action scenes OUT OF FOCUS every other shot, but hey, that's just honest opinions versus honest opinions.<br><br>But using two belated half-assed sequels from different, less talented directors that lost most of the appeal of the first movies, as some sorta litmus test for how well-liked the first movies were, is the biggest bunch of bullshit I've ever heard.  That's not objectivity, that's not even confusing correlation with causation, that's saying 1+2=4.<br><br>That's the real joke here.  Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact.  I've seen you do this every time someone talks shit about Bay around here.  It's psychotic.<br><br>Bad movies make money.  Everyone knows that, and everyone knows that's not proof of quality.  But if that's the kinda road you wanna go down, I guess movies like Avatar, The Force Awakens, or all the Avengers movies, are "objectively" better movies in every conceivable way than anything Bay has made in his entire career.  I mean, CLEARLY those films must have a bolder style and push more boundaries.<br><br>Why else would more people watch and rewatch them, right?<br><br>Reasonable causation is for those goshdarn geek journos.<br><br>And by the way, The Last Knight lost money.  Period.  Almost 100M according to Paramount themselves.<br><br>That's not just a domestic bomb, that's a bomb altogether.<br><br>Have a nice day.Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br>==================<br><br>Kinda ironic, coming from you....but I'll take it as a compliment. Thank you! <br><br>And yes, he sides with me because what I say is common sense. For whatever reason, you have these strong negative feelings toward Bay films and those feelings blind you to some pretty obvious truths. <br><br>Have to say tho - for a 'hater' you sure know A LOT about him, his style and his movies. <br><br>Just admit it - you are a huge Bay fan but you just want to score some points with the snobbish internet crowd. <br><br><br><br>============<br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br>============<br><br>Oh, you're one of THOSE people......"Fury Roaaaaaaaaad is DA BEST FILM EVAAAAAAAA".<br><br>Let me guess: you also think that Nolan is the greatest director/person of all time. On par with Jesus himself. <br><br><br><br>==========<br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br>==========<br><br>Which is what Transformers 1 is. <br><br>Which is why the movie connected with audiences. It was - at its heart - a story about a boy and his car. Even the most jaded critics enjoyed that aspect.<br><br><br>=============<br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br>=============<br><br>Excuse? For what?<br><br>My friend, you do realize that Bay in particular is one of the most powerful and successful filmmakers of all time, right? He is the second highest-grossing director of all time (domestically), only behind Spielberg. You can dismiss box office success all you want but you don't get to where Bay is if you're not good at your job. <br><br>Snyder is nowhere near Bay, in terms of success and influence. Personally, I don't care much about him. <br><br><br>P.S. Guy Ritchie (and Edgar Wright) are huge Bay fans. Ask yourself why. <br><br><br>===============<br>They just aren't very good filmmakers on the whole<br>===============<br><br>Your opinion.<br><br>I disagree.
Bay walks the lines between being self-serious and comical, but his films aren't well=written enough to serve the former, or witty enough to serve the latter, and the end-result is droll and annoying.<br>====================<br><br>You sure you're not a "writer" for one of those ridiculous geek sites like Collider, Screen Rant or Slash Film? Because you sound a lot like one of those "beloved" writers. <br><br>Anyway......Yes, Bay's movies always walk that line but whether that works or not is........Yes! a matter of opinion. For me, Pain and Gain is one of the best modern satires while for you it is - I'm guessing - "droll and annoying".<br><br>It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain. <br><br>Some of you folks are indeed very hard to please. <br><br><br>===============<br>The first POTC earns it. The Bad Boys 2 doesn't. Infinity War earns it. TF 1/2/3/4/5 doesn't.<br>==============<br><br>Okay, now that statement is the best joke of the year! Thank you for the good laugh! Really! Oh, and I've definitely argued with you before, my friend. You are clearly one of those ten Bay haters from the IMDb forums who claim to hate everything the man does, yet they have seen EVERYTHING he had done. Why is that, I wonder?<br><br><br>===========<br>Fitting, as Synder and Bay are cut from a very similar cloth. Difference is, unless we're talking Man of Steel, I'd sooner rely on Snyder for consistently good action sequences<br>===========<br><br>Well, I would trust Spielberg on this. Because it was Spielberg who said, and I quote: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." Spielberg works with a lot of directors. But he never said anything like that about any other director. So clearly he means what he says about Bay. And....you know......unlike most people, Speilberg actually knows a thing or two about filmmaking. <br><br><br>================<br>300 didn't try to start a franchise. It was a one-off adaptation of a graphic novel in the same vein as Sin City, and was successful. They tried to make a cash-grab sequel almost a decade later, without Snyder, and it failed. That's hardly the first film's fault.<br>================<br><br>It is a clear proof that people weren't that excited to visit this world again. And mind you, that happened with the first sequel! Talk about a one-time thing, huh?<br><br>At the same time, Bay made FOUR Transformers movies - with different casts - before there were any signs of audience fatigue. <br><br>That speaks for itself.<br><br>===========<br>Pacific Rim suffered from lackluster marketing, and yet still managed to turn a profit and attract a strong following.<br>==========<br><br>Excuses, excuses, excuses.....So you can display all the excuses in the world for Pac Rim but when it comes to Transformers, you don't accept anything. <br><br>Double standard much?<br><br>P.S. That "strong following" is on the internet. The same following that was supposed to make Scott Pillgrim a huge hit. Everyone knows that internet hype is not real-world hype. I know very well the type of people who act as if Pac Rim is the best thing since sliced bread. Total geeks who are angry that Transformers is much more popular and much more successful than Del Toro's "let's shoot all the robot fights in pitch black so audiences can't see shit" movie.  <br><br>Also, let's not pretend that Pac Rim is a universally beloved film. You know very well that there are A LOT of detractors as well. That's what you get when people can't tell what's going on during the movie because you shot it all at night. Just like that Godzilla movie. <br><br><br>============<br>Versus something like Transformers, which has piggybacked on an established IP, relentless marketing campaigns and tie-ins, and a fairly consistent release schedule. And even then, recycling the same bullshit eventually took its toll.<br>============<br><br><br>Wrong.<br><br>Do you read Forbes? You should. Because it's a place where objective people write. It ain't a stupid militant film geek site like Ain't it Cool News or Screen Rant.<br><br>Forbes published multiple articles explaining in great detail why the Transformers movies were successful EXACTLY because they were directed by Bay. Whether you like it or not, my friend, Bay is a brand. He is an auteur. There were multiple polls before the first two Transformers movies and Bay being the director was one of the main reasons for people to watch the movies. <br><br>But I guess you missed all of that, huh?<br><br>How convenient.<br><br><br>==============<br>Friendly reminder that AoE also relied on China (more pathetically then even Pacific Rim did) to compensate for diminishing domestic returns. To say nothing of TLK outright bombing.<br>==============<br><br>First: according to ACTUAL real data, the only TF movie that was saved by China is.......Bumblebee! Yeah, you better believe it. Go to Deadline and Forbes and read it for yourself.<br><br>Second: TLK bombed domestically, yes. <br>But not internationally. No one with actual knowledge of the situation refers to that movie as an international "bomb". Besides, there were 4 super successful TF movies before TLK. So Bay got nothing to prove. He already created one of the biggfest film franchises in history. <br><br>How many directors can say that?<br><br><br><br>==================<br>I know you like debunking Bay naysayers with "facts and logic," but it helps to not be grossly disingenuous while doing it<br>==================<br><br><br>Goes both ways, my friend. But unlike most naysayers, I don't treat my own personal opinions as facts. And if I'm being "disingenuous" then I don't even know what to say about some Bay haters who refuse to accept even the most obvious facts and truths.nopeYou realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.
The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?
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Hans ZimmerGeoff ZanelliTrevor MorrisNick Glennie-Smith
ComposerAdditional MusicAdditional MusicConductor
Shark Tale (Complete Score)
Label: Unofficial Release
Length: 47'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5585 votes)
  1. Lenny's Worm Compassion (Part 1) (0:25)
    Hans Zimmer
  2. Lenny's Worm Compassion (Part 2) (1:06)
    Hans Zimmer
  3. Handing Over The Business (2:09)
    Hans Zimmer, Geoff Zanelli
  4. A Cold Blooded Killer (0:22)
    Hans Zimmer, Geoff Zanelli
  5. She's Gonna Blow (0:25)
    Trevor Morris
  6. Soap In The Eye (0:21)
    Hans Zimmer, Trevor Morris, Ryeland Allison
  7. Sykes Gets Serious (0:33)
    Hans Zimmer, Trevor Morris
  8. Top Of The Reef, Here I Come (0:55)
    Hans Zimmer, Trevor Morris
  9. Dreams Can Begin Small (1:30)
    Hans Zimmer, Geoff Zanelli
  10. Eat This Shrimp (Part 1) (2:05)
    Frank Marocco
  11. Eat This Shrimp (Part 2) (1:45)
    Frank Marocco
  12. Sykes Had It (0:37)
    Geoff Zanelli
  13. Frankie Tries To Teach Lenny (0:45)
    Hans Zimmer, Geoff Zanelli
  14. Lenny Goes For Oscar (0:25)
    Hans Zimmer, Geoff Zanelli
  15. Frankie Attacks (0:24)
    Clay Duncan
  16. Fallen Anchor (0:53)
    Geoff Zanelli
  17. Oscar Sting #1 (0:09)
    Geoff Zanelli
  18. Oscar's Story (2:35)
    Hans Zimmer
  19. Funeral Source (0:35)
    Hans Zimmer
  20. Frankie's Funeral (2:03)
    Hans Zimmer, Geoff Zanelli
  21. Angie & Oscar On The Balcony (1:41)
    Hans Zimmer, Geoff Zanelli
  22. Sharks! (0:17)
    Trevor Morris
  23. Go Get Them, Tiger (0:22)
    Hans Zimmer
  24. The Kelp Fields (3:40)
    Hans Zimmer, Geoff Zanelli
  25. Infiltration (1:08)
    Hans Zimmer
  26. Confessions Of A Vegetarian (2:07)
    Hans Zimmer
  27. Oscar Enters Warehouse (0:14)
    Geoff Zanelli
  28. How Could You Lie To Me? (0:58)
    Hans Zimmer
  29. That Shark Slayer's Crazy (0:14)
    Hans Zimmer, Trevor Morris
  30. Mock Fight (2:39)
    Hans Zimmer, Trevor Morris
  31. Watching The Shark Slayer Make Out (0:17)
    Hans Zimmer
  32. I Wanna Be Somebody - You're A Joke (1:22)
    Hans Zimmer
  33. I Don't Think This Is Gonna Work Out (0:30)
    Hans Zimmer, Trevor Morris
  34. Forget About It - This Is All My Fault (1:24)
    Hans Zimmer, Geoff Zanelli
  35. Oscar Sting #2 (0:06)
    Geoff Zanelli
  36. Lina Enters Sitdown (1:23)
    Hans Zimmer, Geoff Zanelli
  37. Lenny Grabs Angie (0:11)
    Geoff Zanelli
  38. Oscar Time (0:55)
    Hans Zimmer
  39. Lenny's Disguise Is Revealed (1:08)
    Hans Zimmer, Geoff Zanelli
  40. Lino Charges (2:18)
    Hans Zimmer, Trevor Morris, Ryeland Allison
  41. Out Of The Bubble (0:08)
    Hans Zimmer
  42. I'm Not The Shark Slayer (2:56)
    Hans Zimmer
  43. Soap In The Eye (Alternate) (0:21)
    Trevor Morris, Ryeland Allison
  44. I'm Not The Shark Slayer (Alternate) (1:10)
    Hans Zimmer
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Milena Sorokina reply Replies: 1 || 2019-04-01 20:51:19
you can at least as something to download this soundtrack, I love it


Michael Baker2019-04-03 19:22:29
Oh man, THIS is a Zimmer score I never think about. lol.

Mr. Charles reply Replies: 0 || 2012-08-21 02:37:58
Fake?

Lasse reply Replies: 0 || 2010-04-09 00:00:00
there is a new Hannibal bootleg soundtrack whit soundtracks like :

-Lecter hunt
-Bring him home
-Investegation
-Eating the Nurse
-An Der Schonen
-The Abducting
-Come After You
-Aftermath
-Adjust To The Darkenss

Lasse reply Replies: 0 || 2010-03-14 00:00:00
gunplay is made by clay duncan and is the bass song that the "gangsters" are playing in the car in the begining of the movie

Mr Tweedy reply Replies: 0 || 2009-07-19 00:00:00
Weren't Rendez-Vous and Remembrance the cues from Hannibal featured on Jim Dooley's Website 4 or 5 years ago ?

V reply Replies: 0 || 2009-04-06 00:00:00
Lets just keep our eyes out for Gunplay.

V reply Replies: 0 || 2009-04-05 00:00:00
Seent Of Lecter
Lecter Kidnapped
Bring Him Home

I know these tracks were in the movie (Because I've heard them and have them), so I'm assuming Rendez-vous and Remembrance were in it too. Probably the fishmarket scene, and the aftermath of it.
Either way, how would you know if those two were not in the movie, Skyler?

Skyler reply Replies: 0 || 2009-04-05 00:00:00
Because I have this bootleg and have seen the film multiple times. The three tracks you mentioned are the only real unreleased tracks from the film, and they were available from some of Steve Jablonsky's and Geoff Zanelli's promo albums (see GZ's "Music for Film and Television" - I can't recall the name on which SJ's track appears).

According to IMDb, there exists a song called "Gun Play" by Clay Duncan and I'm assuming this could be the music for the fish market sequence - However this has never been released (even on the newer bootleg) and I suspect the only way to hear it might be on one of his unreleased promos.

But to answer your question more directly, I'm pretty sure "Rendez-vous" and "Remembrance" consist of Steve Jablonsky's alleged alternate tracks. I cannot say with full certainty that his "alternate tracks" were composed for the film (or even composed by Steve Jablonsky). They don't sound at all like Jablonksy's other work and don't fit in with Hans Zimmer's score. The three tracks you mentioned were by Steve Jablonsky and Geoff Zanelli, but they still kept it in continuity with the rest of Hans Zimmer's material. Regardless as to who composed them, the bottom line is that they were not featured in this film.

It's unfortunate that music as good as this should suffer such bad releases. :(

V reply Replies: 0 || 2009-04-05 00:00:00
Ok thanks for the info.

Skyler reply Replies: 0 || 2009-04-03 00:00:00
Many of the tracks on this bootleg don't even appear in the film at all.

This and all the other hannibal bootlegs listed on this site are just different arrangements of the regular soundtrack, with some "unreleased" music that came from a completely different movie. Don't bother looking for any of these.

However, last month a new Hannibal bootleg has circulated that does include some real unreleased music from the film, including a version of the infamous "Pazzi theme." The Anthony Hopkins dialogue bits are still there, but it does include a few minutes of new music that make it worth looking for.
It's not a complete bootleg or a recording sessions by any means, but it's certainly better than these.

V reply Replies: 0 || 2009-04-03 00:00:00
what is remembrance and rendezvous? I mean what parts are they in the movie?

adriana reply Replies: 0 || 2009-02-10 00:00:00
Dear Hans

I love your tracker in this film, Thank you !!!

lasse reply Replies: 0 || 2008-03-31 00:00:00
Lasse= ridlazz :P

Lasse reply Replies: 0 || 2008-03-31 00:00:00
Kusi81= what si the so called "Pazzi Theme" called ?????
the music when he is sitting at the bridge ?????

kevin reply Replies: 0 || 2008-03-29 00:00:00
you guys are no real fans by hans zimmer. i you where you would share the music, not just hold it for your self.
i share music, thanks to many muisc bloggs i have found many CD-s whit black hawk down muisc, and i share it whit everybody who want it.
but kust keeping the soundtrack for your self. thats bad

ridlazz reply Replies: 0 || 2008-03-23 00:00:00
but if there is a Pazzi theme in the world, wich name wouls it perhaps had ???????????????

ridlazz reply Replies: 0 || 2008-03-22 00:00:00
yes its a great cue.

thanks any wat Kusi81 :)

and the pazzi theme i have loved and remembered in sins first time i saw the movie ;)

Kusi81 reply Replies: 0 || 2008-03-10 00:00:00
This music isn't available... I've rip it from the dvd with minor sfx... great cue! ;)

ridlazz reply Replies: 0 || 2008-03-09 00:00:00
pleeeeeez answer my question !!!!!!!!!!!!!

is the music when Pazzi is sitting on the bridge in this album ???????

i need to know if that soundtrack is exsist.
pleeeeeez anybody, if somenody tell me i would sleep better then i have done to now. i cant stopp think about the "pazzi theme" pleez anybofy tel me. is that soundtrack in this album ?

fateme reply Replies: 0 || 2007-01-20 00:00:00
i heard u re soundtracks by my man he showed me your music mr hans zimmer you are the biggest composer just forever

ARASH reply Replies: 0 || 2007-01-19 00:00:00
THE GREATEST COMPOSER OF ALL TIMMES EVER
YOU ARE VERY BEST HANS ZIMMER

jovao reply Replies: 0 || 2007-01-17 00:00:00
Absolutly the best, the music mixed with the dialogues.
somebody can help me for finf the dialogue by DEAR CLARICE ? the song forom the soundtrack, no the dialogues.
thanks. jovao

Peter John Varga reply Replies: 0 || 2007-01-03 00:00:00
When i First listened to this soundtrack i was totally blown away with it. Ibelive it to be some of your best work and is one of my fave cds in my collection. the music can be quite haunting and it accomplanies the film perfectly. vide cor meum was in my opinion the best track on this album it moved me and inspired me.
thank you for such an amazing soundtrack

Mikel Carmona S.i.W reply Replies: 0 || 2006-06-21 00:00:00
A great score Mr Zimmer. Fantastic and beuatifuld melody. You are the King Hans. My regards to you from Spain!! S.i.W

Jr COmposer reply Replies: 0 || 2006-04-25 00:00:00
I love the dialogues, Sir Anthony Hopkins makes it even better!

Sylvos reply Replies: 0 || 2006-03-15 00:00:00
Ya, it sounds magnificent!
Guess I have to start hunting for this new bootleg now!

Still, I'm too dissapointed to find Hannibal albums mixed with dialogues. I know the dialogues were performed fine, but I perfer the music better. Hopefuly, a proper, non-dialogue version will come around soon.

Thanks for the info Antas!

Antas, Webmaster reply Replies: 0 || 2006-03-15 00:00:00
This one does contain dialogues too unfortunately. However, track 10 is interesting (see mp3 extract)

Sylvos reply Replies: 0 || 2006-03-14 00:00:00
What is the difference between this and the old bootlegs? Is it true that this has all the music and there is no dialogue included? In the old bootlegs they just cut the parts with dialogues, what abou this one?

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Shark Tale (Complete Score) soundtrack - Hans Zimmer 2004