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So I've finally decided to give this a listen today, and it was a lot of fun! The general quirkiness, source cues that actually benefit the score, and one of the best themes that I've heard from Zimmer in Moriarty certainly make this one a keeper. A lot of people barp on the OST, but it certainly made me interested to hear the music in a better form. I'll probably have to listen to it again before forming a definitive opinion, but as is, it managed to actually live up to the hype.Music By Harry Gregson-Williams<br>Additional Music By Stephanie Economou<br>Music Supervisor By Jabari AliTotally phoned in...I got nothing from this...Y'know, up until recently, I also thought Lorne was one of the least interesting RCP composer next to Junkie XL. Then I listened to Genius: Picasso (because of that one Balfe troll's recommendation interestingly enough), and now I see enormous potential in him. That is one of the most interesting television scores I've heard so far. The orchestrations and overall complexity is an enormous achievement for Lorne and shows that he can do much more than generic sample composition. <br><br>I'll probably skip this score because I have no interest in Mission Impossible, but I have a lot more interest in Balfe's career now thanks to his work on Genius: Picasso. If he continues on that level of composing, he may actually get some notoriety.Um.....guys, why are we acting like Kraemer doesn't have the skill to do a different sort of score? I'm fairly positive Jack Reacher doesn't sound anything like RN. Really, the reason he wasn't brought in was because, apparently, McQuarrie was pissed that he was overruled in how he wanted the film to sound, so be deliberately chose not to hire him this time. Purely a thing of spite. And a lot of the disappointment lies in those who normally don't pay attention to film music, which shows just how special that particular score was.<br><br>Really, I'm confident that had McQ had his way this time, and with Kraemer on board, he would've made something that did fit the new tone of the film. Composers should be able to challenge themselves to do something that is out of their comfort. Which is likely why a lot of Zimmer scores are the way they are, since he's allowed to differentiate every once and a while.<br><br>As is, with this logic, Cruise should not have hired McQ again if he wanted a different kind of movie for Fallout.
Hot take: Cruise saying that Fallout is the best score in the franchise is the equivalent of Danny Elfman saying there is only one Batman theme. Just marketing tricks to get one more excited.<br><br>Me personally, the general M:I sound isn't something I tend to get excited for, though I definitely acknowledge it's objectively well done. With M:I-2 though, while it's technically dated and incredibly cheesy, I admire it for those reasons, and is incredibly fun for me. Not to mention that the Spanish guitar is a lovely touch, and Injection is proof that there is more to Zimmer than some might think.<br><br>Balfe as a composer, to me, seems like tbe sort of guy who's told to get synth that fit the film well enough, and call it a day. Sure, there's one or two scores that go above and beyond to actually be something of note, but otherwise he's among the least interesting of the RCP bunch. Feel free to feel however you want, but that's my two cents.<br><br>It's frustrating that you have to deal with some of the touchier fans Edmund, but I'll admit that I do get a laugh everytime it happens. I love music, but I don't feel the need to get overly defensive about. I would just enjoy it and leave it like that.Meh on this one...Listening to it doesn't really do much for me. Maybe because I dont care for Cruise, or MIssion Impossible, or maybe because I already heard better from Inception and Fury Road....Even on last year's Dunkirk Hans wrote 90% of it. Unless you are born in the last few months there is plenty of music which Hans wrote and many can remember.Interstellar is barely 3 years old.SamualPF - there people go again misconstruing my comments about some of the posters here as negative comments against Balfe or his music. I didn't say anything about the score. But sure, keep pushing that agenda.<br><br>George, you make fair, well-articulated points and for what it's worth, I never included you among those who have, shall we say, aroused my suspicions. I'm looking forward to checking out the score for myself and rest assured I'll give it a fair shake when I do. I've liked plenty of Balfe scores in the past, I swear I'm not a hater! :p
None of Kraemerís music is reused! Thematic consistency says what?I actually always listen to a new score with an open mind. If I start expecting something and the score doesn't sound like it or doesn't have a certain thing in it I will always be dissappointed. If I don't expect anything and it turns out a score is a dissappointment, it's not such a big deal.<br><br>For example:<br>A lot of people wanted/expected a lot of individual hero themes in Infinity War. I didn't think it was necessary and I'm absolutely in love with the score.<br><br>And in the cause of reprising themes from 30+ different character in a score of 2 hours would have been chaos. If you're talking about LOTR and themes, that's different story. Those scores were almost all 3 or 4 hours.<br><br>But all and all. I don't think this is a better score than RN, but I don't think it's a bad score. It fits the movie, and I think that's what a score is all aboutEdmund ........<br><br>Yet again another negative comment about Balfe based on no fact . Sums you up really . The fact Tom Cruise who has produced the franchise has said he thinks is the best means something .we all get it that you donít like his music but simply contain yourself for always wanting to make pointless comments about him .<br><br>The reviews have been amazing for he filmmand Balfes scores . This may irritate you but at least watch the film and listen to the score then give a proper opinion.give it a goNo offense, Edmund, but if you havenít listened to it then donít make a judgement call on those of us that like it. Fallout in my opinion is the only really good RCP blockbuster score this year, and Iím going to voice my opinion on that. Pacific Rim, Tomb Raider, wrinkle in time, and Skyscraper have all been disappointments for me so when this surprisingly came out two weeks early, and I surprisingly liked it, then of course Iím going to ďflock overĒ and tell you all about how I feel. <br><br>Reviewers liking it is fun for those of us that like it. Tom cruise, who actually IS known to like film scores and has been to concerts for film scores (like Brian Tyler, even though Iím not crazy about him), liking it is also exciting for those of us that like this score and also for us who were excited to hear an updated RCP take on Mission Impossible. I root for all the RCP composers to succeed and create something memorable, and when others seem to like that too then Iím going to comment on it.<br><br>Whether it was Lorne Balfe, Henry Jackman, Ramin Djawadi, or Hans himself who scored this I would have been one of the first to tell you all if I liked it. And if I hated it I would also have voiced my disappointment... but simply put I was not disappointed and Iím glad that others are liking it, including reviewers and Tom Cruise.Once again, and not for the first time on this site, I can't help get the feeling that a Lorne Balfe score page is getting brigaded. Seems like every time he puts a new score out, a bunch of people flock to the page with glowingly positive comments (and brooking not even the slightest criticism), frequently from irregular users with very generic names who don't ever post in threads by other composers. And then using weak, tired arguments like "the reviewers love it" (I trust film reviewers on scores about as far as I can throw them) or "Tom Cruise said it's the best" (and since when is Cruise an authority on film scoring?) or "this is a new/modern/DARK M:I movie" (no excuse for a bad score). It feels, quite frankly, like shilling.<br><br>Disclaimer: haven't actually heard the score, I'm making no judgment on the music itself here. This is merely an observation of the posting patterns here.
Iím right there with you. I definitely think Balfe is very talented, although heís far from one of the best composers out there. Especially compared to Zimmer.<br><br>That being said, Iím not crazy about MI:2. The highlights are solid (Injection and Bare Island especially) but I find most of the score either schizophrenic or just not as developed as the scores that influence it. Sorta like how everybody loves ďThe RingĒ but I canít personally canít help but hear it as a lesser version of Hannibal.Right, which is why Iím ok with this. Look, I love the score for Rogue Nation as much as everyone else, but I still kept an open mind and was surprised that I enjoyed Fallout as much as I did, regardless of the influences.Thank you, Alex.  I appreciate it...Ohhh, nothing......Just here to remind folks what is the best M:I score. *cough*Balfe is not Zimmer*cough*<br><br>Seriously now.......Balfe seems to be turning into a film score version of Christopher Nolan. There are people who think he's the best thing since sliced bread, the next Jesus, and there are people who hate his guts. Personally, I don't mind him and I'm glad he gets to work on these big movies. But on the other hand, his score for the new MI movie is not even close to the greatness of Zimmer's MI2 score. At least in my opinion.I think most people listen to this score with a Rogue Nation kind of movie in their heads. But it's a very different kind of movie en the score works perfectly in the movie i.m.o.
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Hans ZimmerGeoff ZanelliTrevor MorrisNick Glennie-Smith
ComposerAdditional MusicAdditional MusicConductor
Shark Tale (Complete Score)
Label: Unofficial Release
Length: 47'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4992 votes)
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  1. Lenny's Worm Compassion (Part 1) (0:25)
    Hans Zimmer
  2. Lenny's Worm Compassion (Part 2) (1:06)
    Hans Zimmer
  3. Handing Over The Business (2:09)
    Hans Zimmer, Geoff Zanelli
  4. A Cold Blooded Killer (0:22)
    Hans Zimmer, Geoff Zanelli
  5. She's Gonna Blow (0:25)
    Trevor Morris
  6. Soap In The Eye (0:21)
    Hans Zimmer, Trevor Morris, Ryeland Allison
  7. Sykes Gets Serious (0:33)
    Hans Zimmer, Trevor Morris
  8. Top Of The Reef, Here I Come (0:55)
    Hans Zimmer, Trevor Morris
  9. Dreams Can Begin Small (1:30)
    Hans Zimmer, Geoff Zanelli
  10. Eat This Shrimp (Part 1) (2:05)
    Frank Marocco
  11. Eat This Shrimp (Part 2) (1:45)
    Frank Marocco
  12. Sykes Had It (0:37)
    Geoff Zanelli
  13. Frankie Tries To Teach Lenny (0:45)
    Hans Zimmer, Geoff Zanelli
  14. Lenny Goes For Oscar (0:25)
    Hans Zimmer, Geoff Zanelli
  15. Frankie Attacks (0:24)
    Clay Duncan
  16. Fallen Anchor (0:53)
    Geoff Zanelli
  17. Oscar Sting #1 (0:09)
    Geoff Zanelli
  18. Oscar's Story (2:35)
    Hans Zimmer
  19. Funeral Source (0:35)
    Hans Zimmer
  20. Frankie's Funeral (2:03)
    Hans Zimmer, Geoff Zanelli
  21. Angie & Oscar On The Balcony (1:41)
    Hans Zimmer, Geoff Zanelli
  22. Sharks! (0:17)
    Trevor Morris
  23. Go Get Them, Tiger (0:22)
    Hans Zimmer
  24. The Kelp Fields (3:40)
    Hans Zimmer, Geoff Zanelli
  25. Infiltration (1:08)
    Hans Zimmer
  26. Confessions Of A Vegetarian (2:07)
    Hans Zimmer
  27. Oscar Enters Warehouse (0:14)
    Geoff Zanelli
  28. How Could You Lie To Me? (0:58)
    Hans Zimmer
  29. That Shark Slayer's Crazy (0:14)
    Hans Zimmer, Trevor Morris
  30. Mock Fight (2:39)
    Hans Zimmer, Trevor Morris
  31. Watching The Shark Slayer Make Out (0:17)
    Hans Zimmer
  32. I Wanna Be Somebody - You're A Joke (1:22)
    Hans Zimmer
  33. I Don't Think This Is Gonna Work Out (0:30)
    Hans Zimmer, Trevor Morris
  34. Forget About It - This Is All My Fault (1:24)
    Hans Zimmer, Geoff Zanelli
  35. Oscar Sting #2 (0:06)
    Geoff Zanelli
  36. Lina Enters Sitdown (1:23)
    Hans Zimmer, Geoff Zanelli
  37. Lenny Grabs Angie (0:11)
    Geoff Zanelli
  38. Oscar Time (0:55)
    Hans Zimmer
  39. Lenny's Disguise Is Revealed (1:08)
    Hans Zimmer, Geoff Zanelli
  40. Lino Charges (2:18)
    Hans Zimmer, Trevor Morris, Ryeland Allison
  41. Out Of The Bubble (0:08)
    Hans Zimmer
  42. I'm Not The Shark Slayer (2:56)
    Hans Zimmer
  43. Soap In The Eye (Alternate) (0:21)
    Trevor Morris, Ryeland Allison
  44. I'm Not The Shark Slayer (Alternate) (1:10)
    Hans Zimmer
Create Topic

Mr. Charles reply Replies: 0 || 2012-08-21 02:37:58
Fake?

Lasse reply Replies: 0 || 2010-04-09 00:00:00
there is a new Hannibal bootleg soundtrack whit soundtracks like :

-Lecter hunt
-Bring him home
-Investegation
-Eating the Nurse
-An Der Schonen
-The Abducting
-Come After You
-Aftermath
-Adjust To The Darkenss

Lasse reply Replies: 0 || 2010-03-14 00:00:00
gunplay is made by clay duncan and is the bass song that the "gangsters" are playing in the car in the begining of the movie

Mr Tweedy reply Replies: 0 || 2009-07-19 00:00:00
Weren't Rendez-Vous and Remembrance the cues from Hannibal featured on Jim Dooley's Website 4 or 5 years ago ?

V reply Replies: 0 || 2009-04-06 00:00:00
Lets just keep our eyes out for Gunplay.

V reply Replies: 0 || 2009-04-05 00:00:00
Seent Of Lecter
Lecter Kidnapped
Bring Him Home

I know these tracks were in the movie (Because I've heard them and have them), so I'm assuming Rendez-vous and Remembrance were in it too. Probably the fishmarket scene, and the aftermath of it.
Either way, how would you know if those two were not in the movie, Skyler?

Skyler reply Replies: 0 || 2009-04-05 00:00:00
Because I have this bootleg and have seen the film multiple times. The three tracks you mentioned are the only real unreleased tracks from the film, and they were available from some of Steve Jablonsky's and Geoff Zanelli's promo albums (see GZ's "Music for Film and Television" - I can't recall the name on which SJ's track appears).

According to IMDb, there exists a song called "Gun Play" by Clay Duncan and I'm assuming this could be the music for the fish market sequence - However this has never been released (even on the newer bootleg) and I suspect the only way to hear it might be on one of his unreleased promos.

But to answer your question more directly, I'm pretty sure "Rendez-vous" and "Remembrance" consist of Steve Jablonsky's alleged alternate tracks. I cannot say with full certainty that his "alternate tracks" were composed for the film (or even composed by Steve Jablonsky). They don't sound at all like Jablonksy's other work and don't fit in with Hans Zimmer's score. The three tracks you mentioned were by Steve Jablonsky and Geoff Zanelli, but they still kept it in continuity with the rest of Hans Zimmer's material. Regardless as to who composed them, the bottom line is that they were not featured in this film.

It's unfortunate that music as good as this should suffer such bad releases. :(

V reply Replies: 0 || 2009-04-05 00:00:00
Ok thanks for the info.

Skyler reply Replies: 0 || 2009-04-03 00:00:00
Many of the tracks on this bootleg don't even appear in the film at all.

This and all the other hannibal bootlegs listed on this site are just different arrangements of the regular soundtrack, with some "unreleased" music that came from a completely different movie. Don't bother looking for any of these.

However, last month a new Hannibal bootleg has circulated that does include some real unreleased music from the film, including a version of the infamous "Pazzi theme." The Anthony Hopkins dialogue bits are still there, but it does include a few minutes of new music that make it worth looking for.
It's not a complete bootleg or a recording sessions by any means, but it's certainly better than these.

V reply Replies: 0 || 2009-04-03 00:00:00
what is remembrance and rendezvous? I mean what parts are they in the movie?

adriana reply Replies: 0 || 2009-02-10 00:00:00
Dear Hans

I love your tracker in this film, Thank you !!!

lasse reply Replies: 0 || 2008-03-31 00:00:00
Lasse= ridlazz :P

Lasse reply Replies: 0 || 2008-03-31 00:00:00
Kusi81= what si the so called "Pazzi Theme" called ?????
the music when he is sitting at the bridge ?????

kevin reply Replies: 0 || 2008-03-29 00:00:00
you guys are no real fans by hans zimmer. i you where you would share the music, not just hold it for your self.
i share music, thanks to many muisc bloggs i have found many CD-s whit black hawk down muisc, and i share it whit everybody who want it.
but kust keeping the soundtrack for your self. thats bad

ridlazz reply Replies: 0 || 2008-03-23 00:00:00
but if there is a Pazzi theme in the world, wich name wouls it perhaps had ???????????????

ridlazz reply Replies: 0 || 2008-03-22 00:00:00
yes its a great cue.

thanks any wat Kusi81 :)

and the pazzi theme i have loved and remembered in sins first time i saw the movie ;)

Kusi81 reply Replies: 0 || 2008-03-10 00:00:00
This music isn't available... I've rip it from the dvd with minor sfx... great cue! ;)

ridlazz reply Replies: 0 || 2008-03-09 00:00:00
pleeeeeez answer my question !!!!!!!!!!!!!

is the music when Pazzi is sitting on the bridge in this album ???????

i need to know if that soundtrack is exsist.
pleeeeeez anybody, if somenody tell me i would sleep better then i have done to now. i cant stopp think about the "pazzi theme" pleez anybofy tel me. is that soundtrack in this album ?

fateme reply Replies: 0 || 2007-01-20 00:00:00
i heard u re soundtracks by my man he showed me your music mr hans zimmer you are the biggest composer just forever

ARASH reply Replies: 0 || 2007-01-19 00:00:00
THE GREATEST COMPOSER OF ALL TIMMES EVER
YOU ARE VERY BEST HANS ZIMMER

jovao reply Replies: 0 || 2007-01-17 00:00:00
Absolutly the best, the music mixed with the dialogues.
somebody can help me for finf the dialogue by DEAR CLARICE ? the song forom the soundtrack, no the dialogues.
thanks. jovao

Peter John Varga reply Replies: 0 || 2007-01-03 00:00:00
When i First listened to this soundtrack i was totally blown away with it. Ibelive it to be some of your best work and is one of my fave cds in my collection. the music can be quite haunting and it accomplanies the film perfectly. vide cor meum was in my opinion the best track on this album it moved me and inspired me.
thank you for such an amazing soundtrack

Mikel Carmona S.i.W reply Replies: 0 || 2006-06-21 00:00:00
A great score Mr Zimmer. Fantastic and beuatifuld melody. You are the King Hans. My regards to you from Spain!! S.i.W

Jr COmposer reply Replies: 0 || 2006-04-25 00:00:00
I love the dialogues, Sir Anthony Hopkins makes it even better!

Sylvos reply Replies: 0 || 2006-03-15 00:00:00
Ya, it sounds magnificent!
Guess I have to start hunting for this new bootleg now!

Still, I'm too dissapointed to find Hannibal albums mixed with dialogues. I know the dialogues were performed fine, but I perfer the music better. Hopefuly, a proper, non-dialogue version will come around soon.

Thanks for the info Antas!

Antas, Webmaster reply Replies: 0 || 2006-03-15 00:00:00
This one does contain dialogues too unfortunately. However, track 10 is interesting (see mp3 extract)

Sylvos reply Replies: 0 || 2006-03-14 00:00:00
What is the difference between this and the old bootlegs? Is it true that this has all the music and there is no dialogue included? In the old bootlegs they just cut the parts with dialogues, what abou this one?

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Shark Tale (Complete Score) soundtrack - Hans Zimmer 2004