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Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
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<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
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<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?
The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.
The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.
Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54
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Additional Music - Musician : GuitarAdditional MusicAdditional Music
Harry Gregson-WilliamsHeitor PereiraToby ChuTom Holkenborg (Junkie XL)
ComposerAdditional MusicAdditional MusicAdditional Music
Domino
Label: Wagram Music
Length: 55'22 (Score: 3'48)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (15341 votes)
  1. I Am A Bounty Hunter... - Dialogue Keira Knightley (0:07)
  2. Am I Really That Bad? (Danny Saber Mix) - Domino & The Dagger Baileys (5:05)
  3. Azulee - Shantel (5:19)
  4. I Wanna Have A Little Fun... - Dialogue Keira Knightley & Mickey Rourke (0:08)
  5. Paris - B.T. (7:52)
  6. Autumn Evening - Bai Kwong (3:17)
  7. 3 The Hard Way - Bahamadia (4:11)
  8. Well Take Off Your Clothes... - Dialogue Keira Knightley, Eddie Hernandez & Leonidos Iraheta (0:38)
  9. Choke Me, Spank Me (Pull My Hair) - Xzibit (3:28)
  10. I'm Sorry - Brenda Lee (2:36)
  11. My Pussy... - Dialogue Keira Knightley & Lucy Liu (0:42)
  12. Jesus Gonna Be Here - Tom Waits (3:18)
  13. This Girl Gonna Be A Star! - Dialogue Mena Suvari & Christopher Walken (0:04)
  14. Bounty Squad (1:08)
  15. Matthaus Passion - J.S. Bach (6:25)
  16. Let's Go Home Right Now! - Dialogue Delroy Lindo, Mo'nique, Joe Nunez & Shondrella Avery (0:30)
  17. Nasty Girl - Nitty (4:06)
  18. I'm Never Gonna Know How It Ends - Dialogue Mickey Rourke & Edgar Ramirez (0:36)
  19. Mama Told Me (Not To Come) - Tom Jones With Stereophonics (2:57)
  20. We All Fall Down... - Dialogue Keira Knightley (0:05)
  21. Real - Macy Gray (2:40) *
*Written by Harry Gregson-Williams & Lisbeth Scott
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Scorefan reply Replies: 1 || 2014-06-20 00:43:56
DOMINO RECORDING SESSIONS

TRACKLIST:
1-01 M001 ''Am I Really That Bad_''
1-02 M003 The Story Begins
1-03 M004 Chicken Ranch Shootout
1-04 M005 The One Armed Bargaining Chip
1-05 M006-M024-M081 The Gambler
1-06 M007 Edna Uncovers The Safe
1-07 M008 _Imressionism_ - Robert Viger
1-08 M009 Opening The Safe
1-09 M010 Azulee
1-10 M011 Dirty Deeds at the DMV
1-11 M012 Tango Bradere
1-12 M013 Funeral Sequence
1-13 M014 Two for Tango
1-14 M015_M105 Paris
1-15 M016 Model Catfight
1-16 M018 _Troubleshooter_ - Mike Chapman
1-17 M020 The Ad_Domino To The Seminar
1-18 M021 A Little Bit About Ed
1-19 M022 Domino Stops the Getaway
1-20 M023 I Want A Job
1-21 M025 _The Bario_ - Heitor Periera
1-22 M026 Why is She With Us_
1-23 M027 _Autumn Evening_ - Bai Kwong
1-24 M028 Ready to Break In
1-25 M030 Heads You Live, Tails You Die
1-26 M031 Busting In (from Man On Fire)
1-27 M032 A Very Tense Situation
1-28 M033 Choke Me, Spank Me
1-29 M035 Work Montage
1-30 M037 I'm Sorry
1-31 M038 Shimmy Riddle
1-32 M039 _Ska Rats_ - Kent Buchanan
1-33 M040 _Hey You_ - Nick Welsh
1-34 M041 We Were Inseparable
1-35 M042_M097 Muthafucka
1-36 M043 I Could Get Used To This
1-37 M044 _Mr. Lucky_ - Rudy Guess
1-38 M045 Gun Cock Overlay
2-01 M046 A Dysfunctional Family
2-02 M047 Setting Up The Meeting With Heiss
2-03 M049 Choco's Ferret Story
2-04 M050 The Meeting_Negotiating Reality Show
2-05 M051 Welcome Back Jerry Springer
2-06 M052 Blacktinas And ChiNegros
2-07 M053 The Blacktina Flow Chart
2-08 M055 Your Hosts_ Brian And Iain
2-09 M056 _Let's Get It On_ - Bill Baylis
2-10 M057 Unveiling The Tour Bus
2-11 M058 Alf Flashback
2-12 M059 _Speaking In Tongues_ - Eagles Of Death Metal
2-13 M060 _San Berdoo Sunburn_ - Eagles Of Death Metal
2-14 M061 Interview Montage
2-15 M062 _Next Trend_ - BeatCop
2-16 M063 We Need To Get Some Money
2-17 M064 LaTeesha Is Fired
2-18 M065 Oh, The FBI Wants To Speak With You
2-19 M066 Feds Threaten LaTeesha
2-20 M067 LaTeesha Spills The Beans
2-21 M068 _Going Gets Tough_
2-22 M069 Watching Tapes of the Robbery
2-23 M071 Sounds Like An Inside Job
2-24 M072 Drive To Edna's
2-25 M073_M075_M095 _Nothing Is Wrong_ - FC Kahuna
2-26 M076 Televised Takedown
2-27 M077 Takedown Continued
2-28 M078_M080 _Me So Horny_ - 2 Live Crew
2-29 M079 _Hail To The Chief_
2-30 M082 _Juice_ - GMS
2-31 M083 _Boom Shot Dis_ - Kully B
2-32 M084 Frat House Takedown
2-33 M086 Domino Gets Suspicious
2-34 M088 _Nasty Girl_ - Nitty
2-35 M089 Setup_To The DMV In Needles
2-36 M090 A Shithole Motel
2-37 M091_M099 _Cold Cold Ground_ - Tom Waits
2-38 M092 More Suspicions
2-39 M093 Choco And Ed Fight
2-40 M094 The REAL First Ladies
2-41 M096 Oh Shut Up, Barbara Bush!
2-42 M098 Car Argument
2-43 M100 Blowing Up The Editing Van
2-44 M102 _Hell Bent_ - Deakin Scott
3-01 M103 _Supa Powa_ - Da Diggler
3-02 M104 Dropped Cel Call
3-03 M106 Remove His Arm
3-04 M107_M120 _Mama Told Me..._ - Tom Jones
3-05 M108 Spiking The Coffee
3-06 M109 Mescaline Overdose
3-07 M110 Interrogated_Love Scene
3-08 M111 _Jesus Gonna Be Here_ - Tom Waits
3-09 M112 The Destiny Speech
3-10 M113 Cigliani Finds Out About His Son
3-11 M114 Drive To Vegas
3-12 M115 Cigliani To The Stratosphere
3-13 M116 Domino And LaTeesha Talk
3-14 M117 Fondness For Goldfish
3-15 M118 Domino Arrives At Stratosphere
3-16 M119 The Elevator
3-17 M120 The Deal Goes Bad_Shootout Begins
3-18 M121 Domino's Decisión
3-19 M122 Elevator Door Opens
3-20 M123 Domino Goes Ballistic (Literally)
3-21 M125 Finale
3-22 M126 _Hands Of Time_ - Groove Armada
3-23 M127 Real
3-24 M128 End Credit Suite
3-25 Alt For M051
3-26 Unused Cue 05M125
3-27 Unused Club Source
3-28 Alt For 01M08


T-Mann0362014-06-21 06:21:37
A combination of a complete score from Harry with the complete soundtrack by recording artists.

T-Mann036 reply Replies: 1 || 2014-06-19 01:57:39
Heads you win... tails you die.


T-Mann0362014-06-19 04:54:49
Correction-- Heads you LIVE... tails you die.

Mr. Charles reply Replies: 2 || 2012-09-07 05:33:21
It's ridiculous that this never had a score release. Nothing. All we have is the 1-minute "Bounty Squad" and that is all. A damn shame


El Baradei2013-02-21 17:37:56
They never released a score because there is no (new) score.
There is only some noise and a few score pieces of some "older" gregson-williams-scores like phone booth or man on fire.
Domino reminds me of the BMW-spot "Beat the Devil" with Gary Oldman and Clive Owen, directed by Tony Scott. Tony Scott often uses music only as a sound, not as music.


JamesT2013-02-21 20:35:31
Actually, I don't think that's the case. There were several cues that probably total 30 mins or so that I don't recall being sourced from other HG-W material.

liuyanqi reply Replies: 0 || 2010-08-19 00:00:00
Does anybody know the name of the song that is playing during the pool party scene of the movie?
by the way ,l'm china gril.

misskelevra reply Replies: 0 || 2010-01-18 00:00:00
Hi :)
I want to buy the cd, but I can't find it anywhere.
Help?

alfredo reply Replies: 0 || 2009-05-21 00:00:00
¡WHAT'S GOIN ON¡ I WANNA BUY THIS SOUNDTRACK REAL LOVE(MACY GRAY) AND MORE SONGS SO BEAUTYFULLLLLLLLLLLLLLLLLLLLLL¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ IS THERE THAT SOUNDTRACK CD AVAILABLE FOR SALE ¡

Alexa reply Replies: 0 || 2009-01-28 00:00:00
What is the song during the beverly hills scene?!?

warner reply Replies: 0 || 2009-01-08 00:00:00
very good

Sarah reply Replies: 0 || 2008-12-19 00:00:00
Does anyone know the when they should a flashback of domino when she was a teenager, at the pool with the numchucks?!?!?
thanks!!!

Alexa reply Replies: 0 || 2008-05-01 00:00:00
I would love to find the song from the love scene of Domino & Choco, it is NOT Alma Muda, although thats a beautiful song, the love scene starts out with the lyrics "una palabra..." I downloaded alma muda, its not the right song peps!!! If anyone knows the name of the song or the artist, please post!! would love to find the macy gray song, too, but apparently no one in the blogasphere knows how to get that. gracias!!

Madison reply Replies: 0 || 2008-04-27 00:00:00
Does anyone know the song when they are walking of the elevator? It sounds like piano..thanks!

SPYRUL reply Replies: 0 || 2008-01-22 00:00:00
Muthafucka (Xzibit)

David reply Replies: 0 || 2008-01-22 00:00:00
Xzibit - The Gambler but it doesn't have the MF in it, I've been looking for it also...

Gen reply Replies: 0 || 2007-12-11 00:00:00
Does anybody know the name of the song that is playing during the pool party scene of the movie? Main line of the song seems to be "mother f**ker"... :-)

ali petran reply Replies: 0 || 2007-10-09 00:00:00
Hi,
I heard "bounty Squad" in south africa at a Ben Elton play and have been trying desperately to find it ever since! If you know where to get a copy of the cd or just the song itself, please email me at ######

Ádamo reply Replies: 0 || 2007-10-04 00:00:00
I'm Brazilian and I loved this movie too!

Analia reply Replies: 0 || 2007-09-19 00:00:00
Hi everyone

i loved the movie!!!

from argentina!!!!!


i love Keira!!

Nahum reply Replies: 0 || 2007-09-15 00:00:00
Wow! I so regret not buying this back in 2005....this sound track must be out there some where!

chris reply Replies: 0 || 2007-09-07 00:00:00
Hi everyone!
For those who are looking for the Domino score. It is now available on amazon.fr (France): write 'domino soundtrack' in the field 'musique' - and on amazon.de (Germany): write 'domino' in the field 'musik' . For approximately 25 euros (35 $) without the postage.
Only one track is missing: the opening credits by Xzibit "The Gambler", available on iTunes!

Enjoy!!!!

Gucci reply Replies: 0 || 2007-08-30 00:00:00
I'm still waiting to be able to get this score but can not find anywhere to buy online or in shop. It's a kickin movie and the tunes are the shit.

david reply Replies: 0 || 2007-08-15 00:00:00
what song is playing in the background when the winnebego crashes, when everyone is on the mesculine trip (right before the sex scene). don't know what it's called but the techno-rock thing is kickin!

diegoo reply Replies: 0 || 2007-08-10 00:00:00
I love this movie is espectacular i'm from chile and the soundtrack is not aviable =(

vlad reply Replies: 0 || 2007-07-19 00:00:00
hello everybody.what is the track when the girls speak of billy ocean?i want this song absolutly.thank you.bye

GEORGE FREDERICK reply Replies: 0 || 2007-07-18 00:00:00
i have looked high and low for this soundtrack , it has to exist , i looked at the french amazon .com and cant speak a word of french so i m kind of out of luck there , can anybody help me locate this soundtrack .......

Anonymous reply Replies: 0 || 2007-07-13 00:00:00
Hello I'm Spanish and...
where i can buy the soundtrack???
I loved it

mmmm reply Replies: 0 || 2007-07-13 00:00:00
whats that song where Dominos walking down the runway??

vlad reply Replies: 0 || 2007-07-10 00:00:00
hello everybody.what is the track when the girls speak of billy ocean?i want this song absolutly.thank you.bye

Joe Lancaster reply Replies: 0 || 2007-05-27 00:00:00
Oy, I'm so likin' the movie so much that I will buy anything that has to do with Domino. How I love to f..K! after watching it. I can't say the word L..e but I so L..e her! Is there gonna be oh forget it... domino died I forgot sorry. anyway, Thanks. Chaw.

amiga de tus canciones reply Replies: 0 || 2007-05-19 00:00:00
really, heitor pereira o heitor tp is the best and the song ALMA MUDA is very wonderful. The album UNTOLD STORIES is amazing musical perfection, played by a very highly skilled musician. Heitor is the best....thank you for talent.....ALL THE BEST .....(·.·)

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Domino soundtrack - Harry Gregson-Williams 2005