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Oh my god. It's time to put an end to this. There is NO timeline as to when complete scores are leaked. They leak when the person in possession of them feels like leaking them. TF4 was November of 2014 because that's when the files were uploaded to Paramount's guilds/FYC site for academy members to listen to. Same with interstellar. It has absolutely nothing to do with time. I have some scores that haven't leaked yet. And I'm not going to. Why? Because I was asked not to. Not because I feel the time is right. K? Glad we cleared that up.Does anyone remember around when the TF2 and TF3 complete scores were leaked? I know TF4's was around November 2014, I figured that might give an idea of when TF5's will get out.hybrid created a very good suite from this movie, also because he left out the more uninteresting action stuff. the whole score is not original, but the themes are great because they transport emotions and excitement. the quiter parts are also very nice. im sure the actionmusic is very functional in the movie, but as a stand alone listening experience it is not very convincing. too much electronics which make too much noise. when the themes kick in, it sounds good, but a better mix of orchestra and electronics would have helped. sadly you won't find a second "Burn around the moon" or "Goodbye/Landing" from Armageddon in this score.Yep. He will be in Nightwing's next solo movie<br>I think we all agree, Lorne Balfe is getting better and better, he's working at the speed of light and handles many different genres. Plus, he seems to be a very cool person. I'm really happy he got there, and I believe he'll be getting some major movies in the next few years (Terminator Genysis, Geostorm & Ghost in the Shell don't count, they were predicted failures undergoing a damage control process).<br><br>But anyway, I think his best solo score is still Home.
Maybe there is a big surprise and Disc 2 is different from the actual release. If you look at the download files you see 01-01 to 01-24. I think Disc 2 must be named 02-01, 02-02...etc.Can I ask why there is no page made for The Nut Job 2 by Heitor Pereira?I'm not upset, nor am I disinterested in Balfe's work. Don't get me wrong. I welcome any and all discussion! But there's a difference between "discussion" and "blind fanboy gushing", and I've seen way more of the latter here this year than the former.Have to agree because if you havenít an interest in Lorneís work then just donít goto his films topics ! Either way I like the suite here good old school MVIf you have an issue with Balfe simply donít click on Geostorm etc! Just ignore it . God knows why Edmund gets so upset !!!! You donít have to read the posts
This is already a much more interesting conversation than all the blind praise that was being spilled earlier. Thanks guys! :DEverybody is free to love whatever music they want, but I agree that the Balfe praise is a bit over the top. I mean I saw a comment that said that all of Balfe's scores from 2017 were the best of their genre which I think is over the top. I mean nothing against Balfe, he's a very good composer, but I just don't think he deserves all that praise about him being the best.Anything, @LP. I myself have spent several hours of my life listening Balfe's work and, of course, commenting here.<br><br>It's okay to get on a page and say "this is the best score of all ages" or "this is the worst shit I've ever heard", as long as this behavior is restricted to a minority who has make the mistake of making this kind of comment because not listened to many jobs of the same composer or of other composers or who do not respect his efforts to carry out the work.<br><br>> Waymann - Ramin did good work on A Mountain Between us.  Completely atypical of his recent outputs, and showed more range.  It is rooted a bit in his work on Hans' rom-com scores (i.e. The Holiday) and sounds excellent overall.Just wondering, why would anyone have an issue with people who go into a Lorne Balfe soundtrack page to rave about the work of Lorne Balfe?
I'm not saying that I don't like his music, because I really do, but I think there are also a lot of composers this year that have created amazing scores and they don't get the same talk. Let's mention Ramin Djawadi for The Mountain Between Us, Benjamin Wallfisch for A Cure For Wellness and It, and even outside of RCP like Giacchino with his fantastic War for the Planet of the Apes, Beltrami with The Snowman or the recent Ragnarok by Mothersbaugh (well, this does not belong in this page, so I understand why there is no talk about him).<br>And I repeat that I like Balfe, but not everything he does is perfect, and for example this, I don't consider it too original, because it reminds me to a lot of older scores. And for example, from Balfe I think one of the best was Churchill, and that didn't get much talk or praise neither.I do not think anyone here is hurting because another composer besides of the HZ - JP - HGW triad is being well received by the audience. Well, I agree that this behavior in any session regardless of who the composer is, is very uncomfortable. But we have to understand that each an of the RCP guys has its glory days. Balfe is conquering his. The problem is the proportions of compliments. Many people liked PoTc 5 (best RCP score of the year in my opinion, of course), for example, many also hated, the justifications were many, but the discussion was balanced. If you enter on the forum of  any score of any composer you find diverse but balanced opinions, what is missing in the forums about Balfe scores is this balance. Nothing against the growth of his popularity or the reception of his scores, only the judgments that seem a little too exaggerated. It's even a little weird.Due to Edmund getting upset !!!! Iím scared to ask about if anyone knows about The Florida Project ????How pathietic that it bothers some ,that some of us are excited about another composers music. Get a life people. Balfe has become a great composer this year so give him a break . If you donít like it , you can find another forumI agree, I'm shocked no one is talking about how great Ramin Djawadi's score is for The Mountain Between Us. Much better than this new Lorne Balfe score, I'm mean really, this Geostorm score is just a constant reminder to other scores from RCP from the past. Nothing original here. Only the track May Day is memorable.
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Steve Jablonsky
Composer
Anywhere But Here
Label: MIgrainefilms
Length: 23'14 (Score: 12'36)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4504 votes)
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  1. Treehouse Theme (1:20)
  2. Journal Entries (1:04)
  3. Mental Hospital (1:06)
  4. Railroad Tracks (1:54)
  5. Mohican Picnic (2:15)
  6. Frustrated (0:57)
  7. Vegas Rooftop (0:47)
  8. Dream At Big Sur (2:57)
  9. Baggage - Eva Cassidy (3:23)
  10. A Story to Tell - Catherine Feeny (3:31)
  11. Gathering Stones - Kevin Martin (3:57)
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chris reply Replies: 0 || 2012-12-28 15:32:40
Not sure if I'm allowed to post ebay links but the score cd is available for sale (quiet expensive but still... it's a rarity!). Get it as long it's out there. CD is OOP everywhere!

Evenstar reply Replies: 1 || 2012-12-24 17:33:58
The CD has actually 12 Tracks.

01. Steve Jablonsky - Treehouse Theme (1:22)
02. Steve Jablonsky - Journal Entries (1:06)
03. Steve Jablonsky - Mental Hospital (1:09)
04. Steve Jablonsky - Railroad Tracks (1:57)
05. Steve Jablonsky - Mohican Picnic (2:17)
06. Steve Jablonsky - Frustrated (0:59)
07. Steve Jablonsky - Vegas (0:50)
08. Steve Jablonsky - Dream at Big Sur (2:59)
09. Michael Ingram/Jexo Nor - Baggage (3:25)
10. Michael Ingram - A Story To Tell (3:33)
11. Michael Ingram - Gathering Stones (3:59)
12. Michael Ingram - No One Covers Me (4:35)


Evenstar2012-12-24 17:44:42
*on the original CD. But it's not written on the booklet but still on the disc.

Oscarilbo reply Replies: 0 || 2009-10-23 00:00:00
I think the track 5 may be an intentional use...
just read the name of the track: MOHICAN PICNIC
and that theme in spirit was about freedom and brotherhood. In an Indian way, probably

alan reply Replies: 0 || 2009-08-05 00:00:00
omg this score album isn't worth to buy... its too short and the score tracks are some kind of minimalistic underscore (except the spirit song).

sorry for my english

Anonymous reply Replies: 0 || 2006-01-19 00:00:00
oh my goodness. I understand taking ideas from other scores and works but using a complete melody from something is a little much. I hope Hans was credited. it is the exact same melody just with a different accompanyment

Ron reply Replies: 0 || 2006-01-10 00:00:00
Jablonsky wrote most of the music for Spirit, so it stands to reason that he may have reused some of the themes here. It is highly unlikely that he 'ripped off' Zimmer. For examples of theme reuse, simply refer to EVERY composer who has ever worked.

Gabriel Ascierto reply Replies: 0 || 2006-01-08 00:00:00
The Track 5 is SPIRIT!

ZED reply Replies: 0 || 2006-01-08 00:00:00
This music was written by Hans Zimmer for Rain Man and Spirit(animated with Bryan Adams). So there is no original music here at all. Steve Jablonski just wripped off Zimmer.

Michael BjŲrk reply Replies: 0 || 2006-01-08 00:00:00
Yeah! I just tought i heard it from some other movie while listening! Track 5 is from Spirit!

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Anywhere But Here soundtrack - Steve Jablonsky 2004