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For me, a theme is a distinguishable motif or piece of music that is related to a specific location, event or most commonly character, and that the viewer notices as such. If your score contains 20 themes that are never repeated in a similar form and are so uncharacteristic that they all sound the same, I'm just calling that orchestra noise. And I don't see any appeal in that kind of scoring...Ds, am I reading that correctly that you're using the fact that JJ works with Giacchino as evidence that the score might *not* be melodic or thematic? Because say what you want about Giacchino (and I'm far from his biggest fan either), it's an objective fact that he writes film music that is almost exclusively thematic/melodic. Whether you like those themes and melodies is another question, but they are undeniably themes and melodies.Yeah, totally agree IMO Mad Max is over rated, this is JunkieXL's best score as a solo outing, especially Tom's Sketchbook is so awesome & Batman v Superman is a perfect score in itself but yeah some pieces will fit perfectly. On another note Justice League (2017) could've benefited from Tom's presence but the movie failed from every point of view.Now released: http:/ /filmmusicreporter.com/2018/04/19/soundtrack-album-for-sky-h unter-to-be-released/<br><br>https: //www.amazon.com/gp/product/B07C26S729/ref=as_li_qf_asin_il_ tl?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creat iveASIN=B07C26S729&linkId=18cb85bfc0aaee3094cdba507fe05649I hope Balfe delivers but he has not done a score that I really listen to more than once so I hope this will be it.
I agree with Edmund for the most part, except that JJ Abrams usually works with Giacchino, and Cruise's recent productions include Jack Reacher 2 and Edge of Tomorrow. So I wouldnt exactly take a melodic or thematic score for granted...<br>That being said, at this point I expect something like Penguins, but I secretely hope for something really amazing and surprising that would explain why McQuarrie broke up with Kraemer.BOOKLET CREDITS (From The Album):<br><br>Score Composed, Produced And Mixed By<br>TOM HOLKENBORG<br><br>Additional Music By<br>ALJOSCHA CHRISTENHUB<br>ANTONIO DI IORIO<br><br>Orchestra Conducted By<br>JOHN ASHTON THOMAS<br><br>Technical Score Engineer<br>ALEX RUGER<br><br>Additional Programming By<br>EMILY RICE<br>JACOPO TRIFONE<br><br>Music Editor<br>SIMON CHANGER<br><br>Assistant Music Editors<br>BEN SMITHERS<br>ARABELLA WINTER<br><br>Music Consultant<br>BOB BADAMI<br><br>Score Orchestrated And Copied By<br>JONATHAN BEARD<br>EDWARD TRYBEK<br>HENRI WILKINSON<br>TOM HOLKENBORG<br><br>Librarian<br>JILL STREATER<br><br>Orchestra Contractors<br>ISOBEL GRIFFITHS<br>SUSSIE GILLIS<br><br>Orchestral Recording Engineer And Mixer<br>NICK WOLLAGE<br><br>Orchestra Recorded At<br>AIR STUDIO<br><br>Air Studios Managers<br>ALISON BURTON<br>CHARLOTTE MATTHEWS<br>LUCY MATTHEWS<br><br>Music Production Services<br>MICHIEL GROENEVELD<br><br>Agent<br>AMOS NEWMAN<br><br>Legal Representation<br>DAVID ALTSCHUL<br><br>Music Recorded <br>6-7 January 2018<br>At<br>AIR STUDIOS, London<br><br>Score Published By<br>UNITED LION MUSIC, INC. (BMI)<br><br>Booklet Editing & Design<br>WLP LTD<br><br>Soundtrack Acquisitions<br>MARK CAVELL<br><br>Sony Classical Product Development<br>KLARA KORYTOWSKA<br><br>Special Thanks To:<br>ROAR UTHAUG, GRAHAM KING, SASKIA, JULIAN and DARREN, ANNE COBB, SHANE GLASSThe Stark theme always left a big impression on me, but the way it plays when Jon Snow dies gives me the chills<br><br>Andrew Kawczynski scored the movie Sky Hunter. The score is available on Spotify now. <br><br>The score is probably the most melodic/heroic that I heard from him.wtf is this? did zimmer score a porno?
why hybrid when lorne himself confirmed it? <.<@Hybrid, can you confirm Lorne is scoring MI6?I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.<br><br>And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.It's sort of been implied here before that Lorne Balfe worked on the "Bumblebee" suite... Is that correct (as far as anybody knows, at least)?Both scores are absolutely masterpieces, personally I prefer the second one. Outstanding. <br>This story deserves a perfect close also musically.
I think we may be surprised with this one, guys. Tom Cruise and JJ Abrams both are into melodic sounding scores, amd when Lorne is allowed to go all out melodic on us he creates perfection (ie: LEGO Batman, Home, parts of Geostorm, his contributions to kung fu panda and Sherlock)... I do hope he has somewhat of a throwback sound from it, but I also want that signature RCP sound too! Not gonna lie this is good news for me.I'm sure the Balfe brigade will still find some way to tar and feather me for this, but I think he could do a decent job here. After all, you can't just write a generic action score for Mission Impossible. It has to have that throwback espionage feel, the suaveness, the sense of cool, and I think Balfe will do okay with that - look at Penguins of Madagascar. I just hope he gets to use a real orchestra for once (no excuse not to on a film of this type and size), and that he doesn't ignore Lalo Schifrin's theme.<br><br>I'd still rather have had Kraemer back considering the excellent job he did on Ghost Protocol (and the fact he never gets any assignments otherwise) but Balfe could do well here.Damn I was hoping Zimmer, Giacchino or Kraemer would do this.Ha ha! Yes again and again ! This is excellent newsNOOOOOOOOOOOOOOOOOOOOOOOOOOOOO not Balfe again and again and again :(
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Hans ZimmerHans ZimmerHans ZimmerHans Zimmer
ComposerComposerComposerComposer
Good Morning America!
Label: Milan Records
Length: 47'13
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4383 votes)
    BROKEN ARROW
  1. Brothers (6:00)
  2. Secure (6:50)

    NINE MONTHS
  3. It's A Boy (9:17)

    POINT OF NO RETURN
  4. Hate (7:26)

    BEYOND RANGOON
  5. Beyond Rangoon (10:08)

    BACKDRAFT
  6. You Go, We Go (5:11)
  7. Fahrenheit 451 (2:59)
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Suicune reply Replies: 0 || 2007-04-04 00:00:00
Proposition for a different version:

1) The Character Themes from Bird on a Wire (5:04)
2) Buddy Grooves from Regarding Henry (6:14)
3) Under The Stars (different version) from The Lion King (8:06)
4) Victory Starts Here from Renaissance Man (7:30)
5) Radio Flyer Part I (10:00)
6) Toys Main Theme (5:08)
7) End Titles from Crimson Tide (7:34)
8) Pour Bronte from Green Card (6:19)
9) Follow Your Dreams (3:57)

Total time: 64:28
What do you think? I am waiting for answers

Suicune reply Replies: 0 || 2006-12-22 00:00:00
A very good compilation with Zimmer's early USA projects. Very good for beginner fans to have a "Zimmer-ish" idea. But for advanced fans, it's just a simple collection CD. I personally like the first volume because it contains unreleased material, rather than this. If I would have the opportunity to change the tracklisting I would add unreleased material from Rain Man and The Lion King which are very good soundtracks. Overall, think twice before buying this CD because you risk feel sorry later for the money.

ricardo reply Replies: 0 || 2006-09-19 00:00:00
is the best sound and music that i heard,just simple the best he is a genius.

Sylvos reply Replies: 0 || 2006-05-04 00:00:00
I don't see any reason for this release for all these tracks have previously been released on seperate albums. If they really wanted to do something special they could have got some never-before released tracks from Hans' works during this period, especially The Lion King, not the ones that are already in print.

Oh well, they've already shown us what is meant by Official Expanded Scores of Hans Zimmer in the movie music industry with what we saw back as Gladiator Special Anniversary Edition, haven't they? *Shakes Head*

Xero.eleven reply Replies: 0 || 2006-03-06 00:00:00
First saw this compilation in Borders® last Feb.2006.

I was compelled to buy it but it contained tracks from previous released scores, and not enough variety that challenged my collection.

Although they are good tracks from Zimmer's work from early 1990's through late 90s-- if you do not have these yet, these are good selections.

- As for commercials using Zimmer's work from other films, these music pieces are not directly in films associated with the commercials - it happens almost every trailers, commericials, promotions and teasers. Some producers may have obtained rights or already have rights to use Zimmer's and other Media Venture works.

Angel reply Replies: 0 || 2006-01-23 00:00:00
I want to fly a Sukhoi SU-30MKI!!!!!
I want Zimmer to compose score for the videos that contain Sukhoi aircrafts!!

Here--->--
http://sukhoi.org/gallery/?gallery_id=99&--cur_gallery_id=99


Paul from Azores reply Replies: 0 || 2006-01-01 00:00:00
Congratulations!!! Mr. Zimmer you're a fantastic composer, my favourite and this new CD it's divine and wonderfull, it completes my live...
Thank you for your "--magic"--.

Anonymous reply Replies: 0 || 2005-12-30 00:00:00
i love hans zimmer. the last samurai is my favorite soundndtrack of all times. i know every note. listening to the "--memoirs of a geisha"-- commercials it seem to have part of hans zimmer's Samurai music in it , although he didn't do the soundtrack. i thiink someone is plaigerizing him? does anyone elso know what i'm talking about. 3/4 thru the tv commercial is absolutely the samurai theme. very upsetting. meri. c

some random guy reply Replies: 0 || 2005-12-16 00:00:00
where can i get this from

a chinese boy called wuhao reply Replies: 0 || 2005-12-16 00:00:00
i love it!

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Good Morning America! soundtrack - Hans Zimmer - Hans Zimmer - Hans Zimmer - Hans Zimmer 2005