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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Additional Music - ConductorAdditional Music - Choral Music Arranger - Choir Conductor
Hans ZimmerNick Glennie-SmithRupert Gregson-WilliamsSteve Jablonsky
ComposerAdditional MusicAdditional MusicAdditional Music
King Arthur (Complete Score)
Label: Unofficial Release
Length: 133'29
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (10476 votes)
  1. Opening Titles (5:35)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  2. Woad Attack (3:56)
    Hans Zimmer, Steve Jablonsky
  3. Arthur & Woad (1:28)
    Hans Zimmer
  4. Meet Merlin (1:36)
    Hans Zimmer, Rupert Gregson-Williams
  5. Knights Arrive At Wall (1:51)
    Hans Zimmer, Nick Glennie-Smith
  6. Germanus Snoops (1:16)
    Hans Zimmer, Rupert Gregson-Williams
  7. Final Order (3:20)
    Hans Zimmer
  8. Street Source (1:22)
    Craig Eastman
  9. Knights Argue - Arthur Prays (1:53)
    Hans Zimmer, James Dooley
  10. I Will Die In Battle (0:55)
    Hans Zimmer
  11. Saxons #1 (0:29)
    Hans Zimmer, Rupert Gregson-Williams
  12. Cerdic Kills Saxon (0:51)
    Hans Zimmer, Rupert Gregson-Williams
  13. Knights Journey Begins (2:10)
    Hans Zimmer, Nick Glennie-Smith, Steve Jablonsky, Rupert Gregson-Williams
  14. Budget Meeting (0:53)
    Hans Zimmer, Rupert Gregson-Williams
  15. Woads Trap Knights (3:24)
    Hans Zimmer
  16. Knights Meet Marius (1:25)
    Hans Zimmer
  17. Arthur Talks To People (1:46)
    Hans Zimmer, Nick Glennie-Smith
  18. Torture Chamber (1:42)
    Hans Zimmer, Blake Neely
  19. Rescue Guinevere - Caravan Travels (4:22)
    Hans Zimmer
  20. Guinevere Tells Of Torture (1:11)
    Hans Zimmer
  21. Saxons #2 (0:33)
    Hans Zimmer, Rupert Gregson-Williams
  22. Saxons Burn Village (1:18)
    Hans Zimmer, Rupert Gregson-Williams
  23. Guinevere Baits Arthur (0:45)
    Hans Zimmer, Nick Glennie-Smith
  24. Tristan Rides Out (1:10)
    Hans Zimmer
  25. Lancelot Sees Guinevere Bath (0:42)
    Hans Zimmer
  26. Guinevere Leads Arthur To Merlin (4:28)
    Hans Zimmer, Trevor Morris, Rupert Gregson-Williams
  27. Marius Dies (2:22)
    Hans Zimmer
  28. Pelagius Is Dead (1:43)
    Hans Zimmer, Nick Glennie-Smith
  29. Ice Battle (Part 1) (2:14)
    Hans Zimmer, Blake Neely, James Dooley
  30. Ice Battle (Part 2) (4:49)
    Hans Zimmer, Blake Neely, James Dooley
  31. Back Behind The Wall (0:50)
    Hans Zimmer
  32. Knights Granted Freedom (2:16)
    Hans Zimmer, Blake Neely
  33. Dagonet's Funeral (1:20)
    Hans Zimmer
  34. Arthur & Guinevere Chat (1:35)
    Hans Zimmer
  35. The Scar Of Disgrace (1:18)
    Hans Zimmer
  36. Love Scene (2:24)
    Hans Zimmer, Nick Glennie-Smith
  37. Arthur Decides - Arthur Looks At Map (2:23)
    Hans Zimmer, Steve Jablonsky
  38. Knights Leave (2:54)
    Hans Zimmer
  39. Saxons Prepare (4:04)
    Hans Zimmer, Rupert Gregson-Williams
  40. Knights Rejoin (Part 1) (2:42)
    Hans Zimmer, Nick Glennie-Smith
  41. Knights Rejoin (Part 2) (1:56)
    Hans Zimmer, Nick Glennie-Smith
  42. Fog Of War (3:53)
    Hans Zimmer
  43. Final Battle (Part 1) (3:44)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  44. Final Battle (Part 2) (1:30)
    Hans Zimmer, Steve Jablonsky
  45. Final Battle (Part 3) (2:48)
    Hans Zimmer, Trevor Morris
  46. Final Battle (Part 4) (5:06)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  47. Final Battle (Part 5) (2:18)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  48. Aftermath (5:54)
    Hans Zimmer
  49. Tell Me Now (What You See) (4:07)
    Moya Brennan, Hans Zimmer, Trevor Horn, Mel Wesson
  50. Opening Titles (Alternate) (5:32)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  51. Meet Merlin (Alternate I) (1:07)
    Hans Zimmer, Rupert Gregson-Williams
  52. Meet Merlin (Alternate II) (1:25)
    Hans Zimmer, Rupert Gregson-Williams
  53. I Will Die In Battle (Alternate) (0:55)
    Hans Zimmer
  54. Arthur Looks At Map (Alternate) (1:31)
    Hans Zimmer, Blake Neely
  55. Final Battle (Part 2) (Alternate) (1:04)
    Hans Zimmer, Steve Jablonsky
  56. Final Battle (Part 3) (Alternate) (1:07)
    Hans Zimmer, Trevor Morris
  57. Final Battle (Part 5) (Alternate) (2:18)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  58. Tell Me Now (What You See) (Album Version) (4:34)
    Moya Brennan, Hans Zimmer, Trevor Horn, Mel Wesson
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me reply Replies: 0 || 2009-04-22 00:00:00
Sorry I can't answer your question, previous poster. But I just wanted to say this, That this is probably Zimmer's finest scores, especially this complete score! I have it and it is a joy to listen to! Thank you Mr. Zimmer!

Hybrid Soldier reply Replies: 1 || 2018-10-29 21:57:43
Updated cuesheet !


superultramegaa2018-10-29 22:39:33
Great! Now all we need is the cuesheets for the TF films, heh, heh...


Yeah, that's never happening.

Bayhem reply Replies: 4 || 2018-10-12 08:51:22
Wow, Jablonsky did a lot on this score....Also, Trevor Horn is here! Trevor Morris too. And here I thought this was Hans pretty much on his own...lol. Hopefully, it wasn't one of those "difficult" MV/RC scores...


Hybrid Soldier2018-10-12 12:31:04
Hans wrote a couple of big demos so yeah... this score is "his own"... ;)


Anonymous2018-10-12 16:21:40
Trevor horn is only here because of the song


Bayhem2018-10-12 18:19:22
Trevor horn is only here because of the song
.........................

True.

Speaking of Horn....I guess we will never really know if he really did the 'Coyote Ugly' score (a beautiful, sensual score), or as the rumors suggest, it was Rabin all along....


rockhound2018-10-12 18:54:00
i don't think that rabin worked on Coyote Ugly. he was in the middle of doing Gone In 60 Seconds, which had the preniere in june 2000, when boaz yakin asked trevor to compose the music for Remember The Titans. the premiere of that movie was in september 2000 and the premiere of The 6th Day was in october 2000. Coyote Ugly was released in july 2000. there was not enough time, even if would have composed the music earlier that year, because Whispers - An Elephant's Tale was released in march 2000. trevor horn worked on alot of songs, so it makes sense that he also composed the score. i haven't seen the movie yet, but i can imagine, that some melodies of the songs were incoorperated into the score.

superultramegaa reply Replies: 3 || 2018-06-24 22:38:04
This is somewhat random, but can someone define for me what exactly qualifies as a power theme/anthem in reference to film scores? That term is used all the time to define Hans' music and I have a vague idea of what it means, but I'd like to know exactly what it refers to.


Mephariel2018-06-25 00:22:24
Maybe I am wrong about this, but a power anthem is a cue that revolves around a soaring, powerful melody that repeats itself throughout composition to represent a character, a team, or a specific sequence in the movie. Power anthems usually have minimal focus on developing complex B-sections, transition elements, and deep narratives.

I think the best example is Jablonsky's "Arrival to Earth" in Transformers. My personal favorite is "Show Me Your Firetruck" in Zimmer's Backdraft.


superultramegaa2018-06-25 00:35:25
Wait, that describes many film score leitmotifs doesn't it? Is it just used to describe Zimmer-type of music simply because he uses them more often, or are his main themes almost always power anthems?


Mephariel2018-06-25 22:26:00
It is definitely not just Zimmer. A lot of composers in RCP and elsewhere (Brian Tyler) has done power anthems.

With Zimmer, I don't think most of his main themes are power anthems. It is just that his power anthems are popular and RCP is known for creating them extensively.

... reply Replies: 2 || 2017-06-08 16:40:52
Hybrid, do you know which cues that match the long OST tracks? and is there any music on the OST that isn't on the complete?

Also, is the end credits cue just a repetition of music from the film?


Hybrid Soldier2017-06-08 19:23:16
Woad To Ruin => 1m00 Opening Titles + 1m01AB Woad Attack + 3m13 Knights Journey Begin

Do You Think I'm Saxon => 6m43 Knights Rejoin Pt 2 + 6m43A Fog Of War (Edited) + 1m03 Meet Merlin (Edited) + 2m06 Final Order

Hold The Ice => 4m28 Lancelot Sees Guinevere Bath + 4m30 Guinevere Leads In Arthur To Merlin (Edited) + 1m04 Knights Arrive To Wall

Another Brick In Hadrian's Wall => 6m43 Knights Rejoin Pt 1 (Edited) + 5m34 Ice Battle (Edited) + 5m35 Knights Granted Freedom + 5m37 Arthur & Guinevere Chat

Budget Meeting => 7m44A Final Battle Pt 1 (Edited) + 7m44C Final Battle Pt 3 (Edited) + 7m44C ALT Final Battle Pt 3 (Edited) + 7m44D Final Battle Pt 4 (Edited) + 7m44Ev18 Final Battle Pt 5 (Edited)

All Of Them! => 6m40 Love Scene + 6m40A Knights Leave (Edited) + 8m48 Aftermath



Yeah the EC is a montage of cues (mostly Caravan Travels), but it's interesting for the film version of Tell Me Now...


...2017-06-08 22:29:11
Thanks a lot for this detailed breakdown! It seems to me that the mix of the OST and the complete is a bit different too, with more close microphones in the mix!

SanAntonioSpurs reply Replies: 0 || 2014-03-31 20:09:41
http: //www.youtube.com/watch?v=nA3ujmAOe5k

0:08 starting music which track?

bimbo reply Replies: 2 || 2012-11-27 08:39:03
are these tracks legit? do they come from the sessions, or are they fan-edited?


loona2013-07-07 16:05:49
Can't no one here reply? It is interesting me as well.


Per2013-07-07 22:26:44
It's legit. Not fan made.

steve.r reply Replies: 0 || 2011-02-08 00:00:00
if theres a score in need of a composer listing, it's this one!!! and transformers

Hybrid Soldier reply Replies: 0 || 2011-02-08 00:00:00
Would love to do that for both steve.r, but I don't have enough info about it... ;)

Ruthlessgravity reply Replies: 0 || 2009-06-05 00:00:00
@ Jimmy

We cant tell anyone where to get bootlegs. Your just going to have to do a investigation on the internet.

Jimmy reply Replies: 0 || 2009-06-04 00:00:00
Please , can anyone tell me where to find it?!

Anonymous reply Replies: 0 || 2009-04-22 00:00:00
What tracks did Nick Glennie-Smith and Rupert Gregson-Williams write? "Into the Battle" is credited to Trevor Morris on his website. "Saxon's Plan," "Woad's Trap," and "Face to Face Speech" sound like NG-S.

Giles Blunt reply Replies: 0 || 2009-01-29 00:00:00
I already own several Hans Zimmer soundtracks, and would like to (legally) download the King Arthur album. iTunes only has three cuts. Where can I do this?

Anonymous reply Replies: 0 || 2008-12-21 00:00:00
Actually, the orchestra hired to recorded the score is 'The London Philharmonic Orchestra'.

DemonStar reply Replies: 0 || 2008-06-03 00:00:00
Although the OST definitely had the best moments of the score, this one also has some great cues like "Woads Trap", "Face to Face Speech", "Into The Battle" and "Woads Charge". A winner, anyway ;-)

Amir Kharrazi reply Replies: 0 || 2008-01-13 00:00:00
this is the best of best of best sound track movie in all time.
tanx hans
you are the king of making sound tracks in all world

Alex Santos reply Replies: 0 || 2007-12-27 00:00:00
Congratulations!

I love their songs of the films King Arthur, Gladiador and The Last Samurai, the tracks that I know. Mainly King Arthur, where the violins and the voices are very harmonious ...

Alex

Per reply Replies: 0 || 2007-12-05 00:00:00
This 3CD version you're talking about is a total fake. It doesn't contain any more real music at all. The extra music are just, like you say yourself, End Credits (ripped from the DVD, and with the exception of a slightly different variation of the song 'Tell Me Now' it's just a suite of the music used in the film), the trailer music (which again, like I've said before in other posts, have nothing really to do with the film or the score, it's simply just used in the trailer), the "Song Of The Excile" (see my post(s) below), and some 'alternates', which is just some fan made edits of the original cues !

nash reply Replies: 0 || 2007-12-05 00:00:00
this is the complete score

Five reply Replies: 0 || 2007-11-25 00:00:00
hiii everyone, i love this soundtrack it's the best i ever eard... #######

Maps reply Replies: 0 || 2007-10-15 00:00:00
There's a 3-CD-Set with all the music of the film on the first two CDs and the end credits, the teaser trailer and the theatrical trailer music AND SONG FOR EXILE AND SORROW on dics 3 and I'll get it soon :)

felix reply Replies: 0 || 2007-07-26 00:00:00
This album is the very very very best!
Thank you Mr zimmer

Per reply Replies: 0 || 2007-07-07 00:00:00
No, the name of the song is "Song Of The Excile", written by Caitlin Matthews.

In the film, it also have been mixed together with music from "Amergin's Invocation" composed by Lisa Gerrard & Patrick Cassidy. With 'vocals' by Lisa Gerrard. (Not Moya Brennan).

But I'm not sure of who sings the lyrics of the "Song Of The Excile" in the film...

(http://www.imdb.com/title/tt0349683/soundtrack)

Karlik reply Replies: 0 || 2007-07-07 00:00:00
what is the name of the song that goes " wel will go home across the mountians"? i would like to purchase it but i don't know who sings it or what the song's called please help me ?!

The name of the song is Sorrow and it is sing by Moya Brennan and the actress who played the role.

Soundtrax reply Replies: 0 || 2007-06-22 00:00:00
here is the tracklist.

Disc 1]
1. Prologue
2. Prologue (Short Version)
3. Prologue (Alternate)
4. Woads Attack
5. Enemy Life
6. Back To Hadrian's Wall
7. Back To Hadrian's Wall (Alternate I)
8. Back To Hadrian's Wall (Alternate II)
9. Into The Castle
10. To Freedom!
11. Final Orders
12. Mercy For My Knights
13. Arthur & Lancelot
14. Arthur & Lancelot (Alternate)
15. On The Road
16. Saxons
17. Saxon's Leader
18. The Knights March
19. Saxons' Plan
20. Woads Trap
21. Marius Evilness
22. Ready To Go
23. Prison Of Hell
24. Guinevere
25. Destruction
26. Burn It All
27. Fairy Tales
28. A Bad Omen
29. Looking At Her
30. Arthur & Merlin (Memories)
31. Marius Death / Help Or Die

[Disc 2]
1. Your Rome Doesn't Exist
2. The Ice Battle
3. Back Behind The Wall
4. Free
5. Dagonet's Funeral
6. Blessed & Cursed
7. The Scar Of Disgrace
8. Arthur & Guinevere
9. Last Night
10. Saxons Are Here
11. Goodbyes / Woads Are Here
12. Face To Face Speech
13. Rus!
14. Rain Of Arrows / Thunder Of Swords
15. Gates Of Hell / Fire
16. Second Trap
17. Woads Charge
18. Arthur's Charge
19. Into The Battle
20. The Last Battle
21. Lancelot's Death
22. Final Confrontation
23. The Legend

Felix reply Replies: 0 || 2007-06-15 00:00:00
Thank God, I have finally got the recording sessions version, just this morning. It is.. It is...wonderfull. I cannot understand why they didn't release all. this is a max of soundtrack. I have been looking for this for a year.
I am satisfied. Thank you Mr zimmer!

Jon reply Replies: 0 || 2007-06-12 00:00:00
This is very good music. The Recording Sessions are way better than the official release. It's just wonderful. Thank you HZ!!!

kayla reply Replies: 0 || 2007-06-04 00:00:00
what is the name of the song that goes " wel will go home across the mountians"? i would like to purchase it but i don't know who sings it or what the song's called please help me ?!

thankyou

Damien, Moderator reply Replies: 0 || 2007-05-30 00:00:00
You cannot get the answer at this question here (see what is written above place where you can put your comment).
If you want to get more details on the reason why, you can take a look at http://en.wikipedia.org/wiki/Bootleg_recording .

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King Arthur (Complete Score) soundtrack - Hans Zimmer 2004