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I wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cueLorne says it will be released and insists itís not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.
He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?
Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.https://open.spotify.com/ track/2UcUL4jytfVpW0jSXi3Ggi?si=ETyixI67R5u9AOU1YuClPw<br><br>very lame the cue from Max...Tom Holkenborg:<br><br>After Funeral<br>Anguilo Bugged<br>Bathroom<br>Big Italian Dead<br>Billy Connolly Lunch<br>End Credit Suite<br>Main Title Theme<br>Bring Jimmy Into The Tent<br>Connolly and Marianne In The Kitchen<br>Death of Deborah<br>Death of Halloran<br>Death of McIntyre<br>Death of Mickey<br>Death of Wheeler<br>The Disappearance of Whitey Bulger<br>Halloran Interview<br>Hospital Cafeteria<br>Iíll Ask You Again<br>Informing Connolly <br>Jimmy and Marianne/Loading Valhalla<br>Jimmy and Connollyís First Meeting<br>Make A Case Against Him<br>McGuireís Phone Call<br>Native of Southie<br>Picking Up Tommy King<br>Source Overlay<br>Steak Dinner<br>Thereís Nothing More Iím Going To Know<br>Utmost Respect<br>Weíre Doing This<br>2 Minutes
Tom Holkenborg:<br><br>Jimmy Arrives at Cabin<br>Main On Ends<br>Opening <br>Main Title Transition<br>Alley Transition<br>Happy Ending <br>Hospital Visit<br>Because Youíre Trash<br>Cops Take Michael <br>Execution/Foot Chase<br>I Used To Watch Your Fights Pt. 1-3<br>Iím Coming After Michael Pt. 1-2<br>Jimmy Calls On Michael<br>Michael Calls Police <br>Jimmy Dies<br>Jimmy Hesitates<br>Jimmy Says Goodbye<br>Sean Kills Kid<br>Sean Dies<br>Sean To Michael Transition<br>Street Source<br>Times Square Transition<br>Us Before You<br>Stay Off Main Streets<br>Whatís The Number, Jim?<br>Hit Man Price<br>Jimmyís Coming<br>Shootout in Woods<br>Train Station Pursuit Pt. 1/2<br><br>Tom Holkenborg, Christian Vorlander<br><br>Car Chase<br>Best Chance Youíve Got<br>New York Transition<br>He Killed His Own Cousin<br>The Projects Pt. 1/2Think Hans probably wrote a few notes in a piano mock-up and Lorne did the rest from that starting point... lolSaw the film today. If to talk music only, I heard Max mostly, but... nothing really different from his previous works. I heard the same motif as used in Hostiles and Morgan and probably elsewhere again and again... Nonetheless, enjoyed the movie itself immensely.From Deuscthe Grammophon.<br><br>BTW, i expect the Max Ritcher soundtrack@MrZimmerFan Ok, thank you for the update about the full soundtrack next month
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Conductor
Trevor RabinDon HarperPaul Linford
ComposerAdditional MusicScore Producer
The Great Raid
Label: Varese Sarabande
Length: 48'17
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4405 votes)
  1. The Rescue (9:07)
  2. Liberate Food (4:43)
  3. Execute (2:28)
  4. Raid Begins (3:16)
  5. Writing Letters (4:22)
  6. Rangers Start (2:09)
  7. Campsite (3:02)
  8. The Great Raid (3:49)
  9. Burning Bodies (3:30)
  10. Stealing Medicine (1:51)
  11. The Future (2:20)
  12. Stalking (2:45)
  13. Closing Titles (4:28)
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Lokutus reply Replies: 0 || 2006-07-03 00:00:00
he has a good main orchestrator - that's all.

Caephalo Trecca reply Replies: 0 || 2005-09-05 00:00:00
Wonderful score. I love it!

Maverick reply Replies: 0 || 2005-08-23 00:00:00
The temp track is obvious. They're some inspiration from WILD AMERICA by McNeely and most obviously from STARSHIP TROOPER. The theme we hear in the 4th track is the same as the "--BUG"-- theme composed by Poledouris.

Neverthless, it's a big surprise since it's a Rabin's score and it doesn't sound to his others works very much (except at the end of the track one, when he begins a kind of Armageddon march...).

Really nice surprise !

It's more a peaceful score... not a Pirates of Caribbean stuff... even if it's a war movie...

juggernaut reply Replies: 0 || 2005-08-19 00:00:00
The orchestrations are incredible considering it's a rabin's score. Nice improvement ! I always knew he was a good composer.

target reply Replies: 0 || 2005-08-19 00:00:00
Great Score. Fantastic Orchestration.
Rabin Studied Classical Piano and trained as a conductor and arranger. Finally a great symphonic score here is!
Excellent use of Brass in "--Raid Begins"-- and fantastic Cello in "--Writing Letters"--. Great Work.
Up with Rabin!

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The Great Raid soundtrack - Trevor Rabin 2005