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Zimmer and Djawadi are nominated for Grammys this year along with Hildur,Alan Silvestri,Marc ShiecmanTom's score for Justice League was basically a mix of Mad Max and Deadpool. Zack wanted to go with a different approach for the score and make it more "fun" than serious. He didn't want a Zimmer sound for the movie.I noticed that the other day as well on IMDB. I know thatís not always reliable, but that would be awesome if he was involved. Iíve missed the ďfunĒ side of Zimmer for awhile. The next couple of years hopefully produce a number of Zimmer classics.Whoah Whoah Whoah Whoah Whoah.  Whoah. Space Jam2?! You arenít serious.I hope this one will leak very soon! A lot of great music that isnt released
Hybrid, is Zimmer really attached to Space Jam 2?<br><br>Will Hans Zimmer be coming to London in 2021 pls? Thanks MonicaWhy won't concert in Poland?! I love Hans Zimmer and his music and I was really waiting for it!! Last time in Cracow it was the best time ever for me! :(Isn't anyone except me wondering what kind of sound that 2-tone-pattern is? Is that something like ring-modulated strings? Or even FM? Sure it is something layered.Anyone own the 24bit FLAC version? I bought it expecting to here a difference between that and the mp3 version and they kinda sound the same to me. Just curious on if anyone else had the same observation.
Upon revisit, this score is by far the best of the entire Call of Duty franchise. A wonderful main theme, exciting, varied, and climactic action music for the British missions, and a strong amount of atmosphere. <br><br>The only annoying part is the American missions' action music is on-the-nose and terrible until the nuke cue, and there's a little too much reused tracks for my taste.donít worry about it @Eobard <br>With the timing, I wouldíve thought the same if I didnít already know about the brass library :)Well for sure it became the worst timing ever for Tom...<br><br><br>He must be watching twitter sweating right now lol. Totally cornered...@Ahmad well my bad! I didn't know about this. It was just his post came at a time like this so...<br>Sorry guys.@Xavi I know. I also want the  Snyderís cut and JXLís score to be released, but setting up expectations about the score when itís clear that Tomís post has nothing to do it is just kinda unnecessary.
Couldn't agree more Edmund. He's got both the orchestra and synths (and his great guitar usage) down very well. Similar to HGW IMO. <br><br>He's also a very interesting interviewee (that accent always seems to help). <br><br>Which scores have had electronic elements edited off of the official releases? And do the missing elements appear in the complete scores/sessions?In a year, like Enos saysIs there a page for the complete score of this film? Thanks."LOL" Relax, Ahmad. <br><br>People are working really hard to release the movie and with it will come Junkie's score too.<br><br>LOL! The only thing thatís coming is his brass library which he has been working on for quite some time.
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Score Producer - Music EngineerConductor - Orchestrator
Hans ZimmerJay RifkinShirley WalkerBruce Fowler
ComposerScore ProducerOrchestratorAdditional Orchestrator
Backdraft (Silver Screen Edition)
Label: Milan Record
Length: 52'27
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5488 votes)
  1. Set Me In Motion (5:21)
  2. Fighting 17th (4:24)
  3. Brothers (3:32)
  4. The Arsonist's Waltz (1:58)
  5. 335 (3:03)
  6. Burn It All (5:17)
  7. You Goā We Go (5:11)
  8. Fahrenheit 451 (2:59)
  9. Show Me Your Firetruck (3:31)
  10. The Show Goes On (7:32)
  11. Bonus Track : Hans Zimmer Interview (7:33)
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Anonymous reply Replies: 2 || 2013-09-09 08:08:26
I prefer the album presentation of this title far better than that complete thing that's out in the wilds. Sure the sound quality of the album is disspinting but the mix really helps the music here.

I do wonder, however, whether or not the stuff in that complete thing are rough mixes. Some cues, particularly, the main title, Fahrebheit 451 or the finale cue in the complete version sound somewhat off, particularly the bells in the finale cue.


Anonymous2013-09-09 08:10:34
Oh, and by the way. It is nice to hear the roots of that Honor Him tune from Gladiator in track 5 of Backdraft here. :-)


Hybrid Soldier2013-09-09 08:47:02
I personally hate that album presentation. They removed the electronic layers & tried to mix the orchestra louder above the synths.

Which makes it sound a lot less "HZ" !

Mikel S.i.W (from Spain) reply Replies: 0 || 2008-01-01 00:00:00
I love this score.

Mo Davey reply Replies: 0 || 2007-11-02 00:00:00
loving the contender music and backdraft trying to identify the music from the funeral parade is it same as the contender

Bear reply Replies: 0 || 2005-10-11 00:00:00
First got into Hans Zimmer after Gladiator.(Can't believe he didn't get the Oscar). Realised that I'd heard a lot of his stuff without even knowing it, as he tends to write for my kind of movies. As soon as it clicked though, his style is clear and now I can recognize, without prior knowledge, a Zimmer presence within the first few bars of a soundtrack.

Maverick reply Replies: 0 || 2005-06-01 00:00:00
Hans Zimmer makes great music. He has style, ideas. I like soundtracks very much. I used to listen James Horner, Danny Elfman. They are good but they don't have..."--that"--. In my opinion Hans Zimmer and John Williams makes the best music right now. But I prefere Zimmer

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Backdraft (Silver Screen Edition) soundtrack - Hans Zimmer 2005