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would love to help out, but the video/track is blocked :/Think about Gemini Man, the score come out the same day as the movie (in that case, 11th October), and the details come the same week.<br><br>We'll likely get final details towards the end of the week or early next week. I guess I'm just a little surprised that it's taken this long. The movie had surprise screenings either yesterday or the day before, so it seems like everything's pretty final.Sorry, that is the wrong link above (film version)<br><br>This is the track I'm talking about. Does anyone recognize this version.<br><br>https://youtu.be/etkri6OKLpEThere is an expanded score album with the track called "Sniper/Border Post". It is different from the piece used in the film. Does anyone know the true identity of that track. I like the synth sound and the male vocal singing/wailing/crying in this cue.<br><br>https://youtu.be/DbENmej_cH0
But the scores comes out in 1th NovemberThe movie is out this Wednesday in some territories."In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is UNMEMORABLE"<br><br><br>Aaaaaaaaaaaaand your whole analysis falls flat right there ! :PThanks Edmund.<br><br>@PaulH I am not meaning to say that Balfe cannot compose good music. There are compositions that I like: the Picasso theme is creative and well-written. Just that I find his arrangements of others more compelling usually than his own material.<br><br>An example that is good of this is kung fu panda. His arrangements of themes are really fun and energetic. In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is unmemorable. Contrast to Hans: the Po theme and Spirit theme are precise, fun, harmonically clever, and memorable. But his score cues sometimes feel lacking: his transitions are clunky, the bridge material is uncreative and basic. <br><br>It must be so much fun to work on those projects together. Coming up with idea and hearing what someone can turn it into, or getting to play with someone's idea without the pressure of starting from scratch.And also, be prepared for more Studio Time for the score
Tom said in his Twitter: 'Details very soon'<br><br>Altough, is only a week awayThe Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>
Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?
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Hans ZimmerHans Zimmer
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Helden - Radio One Saturday Live
Label: Bootleg Release
Length: 63'35
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3185 votes)
Warren interview :
Radio One, Saturday Live, features the tracks Movies For Eva and Moonlight In Vermont, from the Helden (Warren and Hans Zimmer) album Spies (never released)

Warren at the Astoria, London guesting live ot rhythm guitar with Paper Toys : Love In Me

Radio One Saturday Live : Interview with Warren and Hans
2529 (Spies track) live

Warren demos :
Images Of Heaven and One Night, played at the Ultravox 10th Birthday Party

Radio One Saturday Live - Helden : Saturday Live
(actually a Spies track, entitled On The Borderline, which has been rearranged)

Bonus tracks :
Helden : Stranded, Holding On, Once Upon A Time
Paper Toys : When There's Two Of You, Love In Me
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Tortsi reply Replies: 0 || 2009-05-03 00:00:00
This booteg is not made of the only three copies. I have the first copy of the original, and autographed by Warren Cann. One copy of Nightwish's Tuomas Holopainen (without interviews) and last one of hans-zimmer.com-team. Reproduction is prohibited.

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Sloogs reply Replies: 0 || 2009-04-20 00:00:00
Why not make a small group of people very happy!! What is all the fuzz about keeping this album unreleased!! Releasing it is not gonna change the world!!! For f*ck sake release it!!!

BoysKeepSwingin reply Replies: 0 || 2007-07-22 00:00:00
I am really interested in this recording! ######
Is there a chance that Hans Zimmer and Warren Cann will release SPIES from the Helden project on CD - after all these years? I think there are still a lot of people interested in it.
Maybe it could well be a release combined with these live-recordings and pictures from that time! Maybe a good one for Hans' 25 years anniversary of making soundtracks for movies. although there it was not meant for a movie it sounds ike a movie soundtrack - so in fact it was Hans' first one!!! BITTE HANS!!!

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Helden - Radio One Saturday Live soundtrack - Hans Zimmer - Hans Zimmer 1983