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So with Metal Gear movie moving forward, what are the chances Henry will be the composer since he worked with Jordan Roberts in skull island?Hey don't worry, there will be a bootleg release with 4 hours of score... in 10 years ! lolMovie credits:<br><br>Original score by Hans Zimmer & Lorne Balfe<br><br>Music Supervisor: Allison Wood<br>Music Production Services: Steven Kofsky<br>Music Production Coordinator: Queenie Li<br>Score Produced by Lorne Balfe<br>Additional Music by Boris Salchow, Peter Adams, Max Aruj & Steffen Thum<br>Electric Cello: Peter Gregson<br>Electric Violin: Eos Counsell<br>Guitar: Michael Bitton<br>Technical Music Assistants: Michael Bitton, Alfie Godfry & Mike Ladouceur<br>Technical Score Engineer: Chuck Choi<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib & Raul Vega<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia ParkI'm a "CD only" guy. Digital has no attracting power to me, neither has vinyl. I know that music is what matters, still, for  a complete enjoyment I need my CD.I much prefer the cd ... although I also use the digital
Very excited about this one. Although for me personally I think every score should just get a complete release every time especially with digital music being where it is. CDs and vinyls are amazing, but personally I'd go for all digital and get a complete release every time. Anyone agree or disagree thoughts?If the score is as good as "Themyscira" then it will be my favorite HZ score in over a decade.Come back To GENEVA, we will  be waiting For you like 2 years ago..WHAT a beautiful concert.Please come back...Disney I believe was only offloading three or four of their upcoming releases, only to Disney+ if Iím not mistaken. They are still keeping certain films slated for theatrical only as of now, but more than likely they might end up doing the same to keep up with Warner Bros. <br><br>I wonder if this might push other studios into selling to streaming, much like how MGM was trying to sell NTTD.At least, isn't Disney :p
The lineup includes Tom and Jerry, Dune, Godzilla Vs. Kong, Matrix 4, The Suicide Squad, In The Heights, Mortal Kombat, and more.So every WB theatrical film slated for 2021 will be going to HBO Max simultaneously with theatrical.<br><br>Wow.....If the score is as good as the "Themyscira" track, I would be sooo happy.Talking recent, not old releases (the original release of Tenet dosen't have a CD release)Tenet and Interstellar expanded both got physical releases, didnít they?
The most recent scores by Watertower, dosen't have a physical release, like The Witches or Scoob!<br><br>Most probably is going to be a digital only release.WaterTower music will most definitely release a physical disc. willing to bet there will be a deluxe version as well, a la MoS BvS and Aquaman. could be wrong though. the only reason it says this is a digital download is because thatís the single Themyscira.CD or download only?I would love it if it is really 5 minutes per track. I love tracks that are at least 4 minutes long. <br><br>But more likely, the last main action tracks would crack 10 mins long.85 minutes for normal album is more than enough for me. I'm not really into long tracks or super-extended suites. If it puts on album it's great, but not necessary for me. And I don't mention dluxe or expanded albums by the way, that's another cases.
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Conductor - Orchestrator
Mark MancinaTrevor RabinPaul LinfordNick Glennie-Smith
ComposerComposerScore ProducerConductor
Con Air
Label: Hollywood Records
Length: 44'57
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7240 votes)
  1. Con Air Theme (1:31)
    Mark Mancina, Trevor Rabin
  2. Trisha (1:04)
    Mark Mancina, Trevor Rabin
  3. Carson City (3:04)
    Mark Mancina, Trevor Rabin
  4. Lear Crash (4:44)
    Mark Mancina, Trevor Rabin
  5. Lerner Landing (3:28)
    Mark Mancina, Trevor Rabin
  6. Romantic Chaos (1:22)
    Mark Mancina, Trevor Rabin
  7. The Takeover (3:52)
    Mark Mancina, Trevor Rabin
  8. The Discharge (1:09)
    Mark Mancina, Trevor Rabin
  9. Jailbirds (0:59)
    Trevor Rabin
  10. Cons Check Out Lerner (1:55)
    Mark Mancina, Trevor Rabin
  11. Poe Saves Cops (2:25)
    Mark Mancina, Trevor Rabin
  12. The Fight (0:22)
    Trevor Rabin
  13. Battle In The Boneyard (7:41)
    Mark Mancina, Trevor Rabin
  14. Poe Meets Larkin (1:14)
    Mark Mancina, Trevor Rabin
  15. Bedlam Larkin (0:49)
    Trevor Rabin
  16. Fire Truck Chase (4:22)
    Mark Mancina, Trevor Rabin
  17. Overture (4:18)
    Mark Mancina, Trevor Rabin
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Bayhem reply Replies: 3 || 2018-04-02 21:55:15
I think it's safe to say that this is the MV/RC score that our "favorite" Filmtracks guy hates the most. I don't care about critics in general (I read some stuff simply for entertainment), I just find it amusing how much he hates this one.

Yes, it's very loud and harsh and frenetic. But calling it a "wretched piece of work" is a bit over-the-top. At least in my opinion. What's your opinion on this one, folks?

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Please enter number: 49 


Edmund Meinerts2018-04-02 22:10:28
I used to not like it all that much and it's still a bit of a cheap-sounding mess, but like most of the late-90s MV scores, it has aged well, with memorable themes and a sense of fun that elevates it above many a joyless, droning RC score of today.


mpolonest123 2018-04-02 22:24:08
I used to hate this score (in context) just based on the villainís theme, which is about as cliched an evil motif as you can get. That being said, this score really has aged well and may be the dumbest, if not one of the most fun MV scores out there. It also helps that both Mark Mancina and Trevor Rabin are extremely talented.


Bayhem2018-04-02 23:54:59
Agreed. Compared to a lot of more recent MV/RC scores, this one holds up extremely well. It works better. Having said that, I think this would've been a way better score if Rabin was by himself. Think about it, his style, his rock n roll approach is just perfect for a movie like Con Air. Mancina - even though I like him a lot - seems to be out of place, as far as this project is concerned. The only reason Rabin wasn't by himself is that he was at the start of his career and Mancina at that point was everywhere (Bad Boys, Speed, Twister, Fair Game...).

The two have very different styles actually, and maybe that's why this score doesn't sit well with some people. I'm sure it would've been received way better if it was composed by Rabin and HGW. I mean, just look at Armageddon!

Ds reply Replies: 0 || 2014-06-09 23:45:11
What a fun score... Just watched the movie again, reminded me of the good old times. Huge and fun action flicks with this old, classic RC sound... I need more movies like Face/Off, The Rock and this one.

Ele reply Replies: 2 || 2009-10-13 00:00:00
Who made which cue? Anyone knows?


El Baradei2012-12-28 17:14:05
Michel Legrand co-composed Track 12, The Fight. It seemed to be really necessary because it lasts 22 seconds.


Mike2012-12-29 09:21:02
^ lol ^

asdf reply Replies: 0 || 2009-07-30 00:00:00
asdf

nick reply Replies: 0 || 2008-03-16 00:00:00
very good

aRRR reply Replies: 0 || 2008-01-05 00:00:00
Probably a very underrated score, i like it!

airmax reply Replies: 0 || 2008-01-01 00:00:00
very good score

Alonso reply Replies: 0 || 2007-10-09 00:00:00
very good!

 HANS-ZIMMER.com© 2001-2018 OST 
Con Air soundtrack - Mark Mancina - Trevor Rabin 1997