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No GITS cannot be released, it's technically not possible... That's why Lorne leaked his part of the score himself...This is great news.Maybe Balfe’s scores to Ghost in the Shell now can get released.<br>Over 6000 people have signed the petition for Ghost.yea, that should be enough for meIt's comforting to get a reconfirmation that it's coming. <br>Now we'll just have to cross our fingers that the process doesn't take months like that one other release ;) <br><br>Which one will be out first: End Credits or X-Periments? :Pyes!yes!yes!<br>i can't wait!!!!!!!
And I can tell you Hans brought the matter to the very head of Disney Music... Everyone seems game to release it, just need to work out some technicalities...He mentions the Dark Phoenix second CD here. 20:33 onwards.<br><br>https: //www.youtube.com/watch? v=mHmKZbUZiIA<br><br>"I did a film recently that got away, but we wrote 16 hours of music. We're actually fighting to get another CD released because the film didn't do anything, just to have it out there. Because you can't use again in something else, so it'd be nice to have it out there. So that it doesn't disappear into a rubbish bin".Life's Not Fair first part is similar > Tears of the Sun - Yekeleni Part 1 lolAny idea on the name of the song from the trailer?Honestly the biggest problem with this new version for me is the lack of new variants of the themes. They mostly just repeat verbatim Hans' original ideas with little to no innovation or changes made most of the time. <br><br>It also doesn't help that cues that did have wonderful variations such as "Nala Attacks", and "Nala & Simba" have been shortened to mostly cut them out. The worst cut being  for the ending to "Mufasa's Ghost" which originally peaked the emotion with that lovely variation of Simba/The One True King theme transitioning into the Pride Rock theme, all of which is absent now.
The comic con trailer for Season 3 looks excellent.<br><br>Really looking forward to next season & score.<br><br>I saw some early 1900 world. (One of the other parks?) Hope Djawadi does something cool with that.<br><br>Very excitedAfter Original Score<br><br>Tracklist:<br>1. Opening (1:33)<br>2. Class Start (0:51)<br>3. Tessa Meets Hardin (1:40)<br>4. Hardin in the Cafe (0:47)<br>5. Party Kiss (1:10)<br>6. Text in Bed (1:30)<br>7. Sotto’s Class (1:08)<br>8. The Lake Kiss (4:18)<br>9. Touched on the Dock (1:46)<br>10. What Are You Dreaming About (0:37)<br>11. Pool House (2:45)<br>12. Pool (2:18)<br>13. Noah Breakup (1:24)<br>14. You’re My Drug (1:25)<br>15. Planetarium (0:57)<br>16. Apartment (1:23)<br>17. Hardin’s Story (1:44)<br>18. Bath (1:02)<br>19. The Truth Comes Out (2:00)<br>20. Going Home (1:21)<br>21. The Letter (2:46)<br>22. After – Coffee Shop (1:29)<br>23. Poolside alt (2:26)<br>24. Main Theme (2:20)<br><br>Hybrid this score is good?It's indeed a shame so much mhsic is missing from the official album.<br><br>Love to hear more!how about credits for the LLL set then?I'm just curious why there's so much dead air in the FYC tracks. Cues like "Shut it Down", "Burton Visits Prime Minister", or "Megatron has Squeeks" just have nothing to them! <br><br>No themes to speak of besides one horn blast of "Quintessa", no interesting melodies, or rhythm, just dead electronics and weak-feeling drums and strings which really doesn't fit in with the series' style. Not even the fourth movies'.
Thanks Hybrid for explaining that. Makes more sense now.Yes it is because the FYC is horrible... The OST is what Steve & co wrote. The FYC is what came out of the Music Editing Factory, which I don't dig at all. Lots of micro edits & transformations Steve probably didn't even hear... lol<br><br>Real final mixes would look like the OST, not like the FYC...You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>As for a chrono order, since all cues are mixed together in different tracks in the OST, it gets complicated... It works like that :<br><br>ARTHUR => Theme Suite + 5m30 + 1m05<br>KINGDOM OF ATLANTIS => 3m20-21<br>IT WASN'T MEANT TO BE => 1m01 + 1m04B<br>ATLANTEAN SOLDIERS => Theme Suite + 5m33 + 2m12<br>WHAT DOES THAT EVEN MEAN? => Theme Suite<br>THE LEGEND OF ATLAN => 6m39 + 4m23<br>SWIMMING LESSONS => 3m19 + 3m19B + 3m19C<br>THE BLACK MANTA => Theme Suite + 9m69<br>WHAT COULD BE GREATER THAN A KING? => 7m54 + 7m55 + 7m55A<br>PERMISSION TO COME ABOARD => 9m64 + 2m07<br>SUITED AND BOOTED => 8m57 + 8m59<br>BETWEEN LAND AND SEA => 7m51 + 8m61<br>HE COMMANDS THE SEA => 8m60 + 9m65<br>MAP IN A BOTTLE => 6m42 + 8m56<br>THE RING OF FIRE => 5m29 + 8m62<br>REUNITED => 9m68<br>TRENCH ENGAGED => 7m52<br>MERA MONTAGE => 6m43B + 6m48<br>HOME INVASION => 1m04 + 3m15<br>SAVING POPS => 3m18<br>AHAB WAVES => 3m17 + 2m06B<br>ASK THE SEA => 2m08B<br>OBLIGATION => 5m32<br>DUNES => 5m37-38Heitor Pereira, Satnam Ramgotra and Richard Harvey are credited musiciansSounds like a Zimmer version of the Top Gun Anthem to me. Whoever did it, it works!
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Conductor - Orchestrator
Mark MancinaTrevor RabinPaul LinfordNick Glennie-Smith
ComposerComposerScore ProducerConductor
Con Air
Label: Hollywood Records
Length: 44'57
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6385 votes)
  1. Con Air Theme (1:31)
    Mark Mancina, Trevor Rabin
  2. Trisha (1:04)
    Mark Mancina, Trevor Rabin
  3. Carson City (3:04)
    Mark Mancina, Trevor Rabin
  4. Lear Crash (4:44)
    Mark Mancina, Trevor Rabin
  5. Lerner Landing (3:28)
    Mark Mancina, Trevor Rabin
  6. Romantic Chaos (1:22)
    Mark Mancina, Trevor Rabin
  7. The Takeover (3:52)
    Mark Mancina, Trevor Rabin
  8. The Discharge (1:09)
    Mark Mancina, Trevor Rabin
  9. Jailbirds (0:59)
    Trevor Rabin
  10. Cons Check Out Lerner (1:55)
    Mark Mancina, Trevor Rabin
  11. Poe Saves Cops (2:25)
    Mark Mancina, Trevor Rabin
  12. The Fight (0:22)
    Trevor Rabin
  13. Battle In The Boneyard (7:41)
    Mark Mancina, Trevor Rabin
  14. Poe Meets Larkin (1:14)
    Mark Mancina, Trevor Rabin
  15. Bedlam Larkin (0:49)
    Trevor Rabin
  16. Fire Truck Chase (4:22)
    Mark Mancina, Trevor Rabin
  17. Overture (4:18)
    Mark Mancina, Trevor Rabin
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Bayhem reply Replies: 3 || 2018-04-02 21:55:15
I think it's safe to say that this is the MV/RC score that our "favorite" Filmtracks guy hates the most. I don't care about critics in general (I read some stuff simply for entertainment), I just find it amusing how much he hates this one.

Yes, it's very loud and harsh and frenetic. But calling it a "wretched piece of work" is a bit over-the-top. At least in my opinion. What's your opinion on this one, folks?


Edmund Meinerts2018-04-02 22:10:28
I used to not like it all that much and it's still a bit of a cheap-sounding mess, but like most of the late-90s MV scores, it has aged well, with memorable themes and a sense of fun that elevates it above many a joyless, droning RC score of today.


mpolonest123 2018-04-02 22:24:08
I used to hate this score (in context) just based on the villain’s theme, which is about as cliched an evil motif as you can get. That being said, this score really has aged well and may be the dumbest, if not one of the most fun MV scores out there. It also helps that both Mark Mancina and Trevor Rabin are extremely talented.


Bayhem2018-04-02 23:54:59
Agreed. Compared to a lot of more recent MV/RC scores, this one holds up extremely well. It works better. Having said that, I think this would've been a way better score if Rabin was by himself. Think about it, his style, his rock n roll approach is just perfect for a movie like Con Air. Mancina - even though I like him a lot - seems to be out of place, as far as this project is concerned. The only reason Rabin wasn't by himself is that he was at the start of his career and Mancina at that point was everywhere (Bad Boys, Speed, Twister, Fair Game...).

The two have very different styles actually, and maybe that's why this score doesn't sit well with some people. I'm sure it would've been received way better if it was composed by Rabin and HGW. I mean, just look at Armageddon!

Ds reply Replies: 0 || 2014-06-09 23:45:11
What a fun score... Just watched the movie again, reminded me of the good old times. Huge and fun action flicks with this old, classic RC sound... I need more movies like Face/Off, The Rock and this one.

Ele reply Replies: 2 || 2009-10-13 00:00:00
Who made which cue? Anyone knows?


El Baradei2012-12-28 17:14:05
Michel Legrand co-composed Track 12, The Fight. It seemed to be really necessary because it lasts 22 seconds.


Mike2012-12-29 09:21:02
^ lol ^

asdf reply Replies: 0 || 2009-07-30 00:00:00
asdf

nick reply Replies: 0 || 2008-03-16 00:00:00
very good

aRRR reply Replies: 0 || 2008-01-05 00:00:00
Probably a very underrated score, i like it!

airmax reply Replies: 0 || 2008-01-01 00:00:00
very good score

Alonso reply Replies: 0 || 2007-10-09 00:00:00
very good!

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Con Air soundtrack - Mark Mancina - Trevor Rabin 1997