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Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.
The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.
You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Peaktime TV 2
Label: Promotional release
Length: 47'33
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2869 votes)
NEWS AND DOCUMENTARY

Track 1 : Breaking News (a) D Hewson / J Pearson
Opening statement to news bed with chimes to button end.
Duration : 0.36 Tempo : Fast
Track 2 : Breaking News (b) D Hewson / J Pearson
Serious vein news bed with chimes and imposing end statement.
Duration : 0.40 Tempo : Fast
Track 3 : Breaking News (c) D Hewson / J Pearson
News sting.
Duration : 0.07 Tempo : Fast
Track 4 : Breaking News (d) D Hewson / J Pearson
News bed to button end.
Duration : 0.22 Tempo : Fast
Track 5 : Breaking News (e) D Hewson / J Pearson
Punctuated news bed to imposing end statement.
Duration : 0.30 Tempo : Fast
Track 6 : Human Issues (a) R Cottle
Light investigative current affairs.
Duration : 0.21 Tempo : Medium
Track 7 : Human Issues (b) R Cottle
Longer version of above.
Duration : 0.30 Tempo : Medium
Track 8 : Human Issues (c) R Cottle
End link.
Duration : 0.07 Tempo : Medium
Track 9 : Human Issues (d) R Cottle
End link.
Duration : 0.05 Tempo : Medium
Track 10 : Human Issues (e) R Cottle
Underscore.
Duration : 1.10 Tempo : Medium
Track 11 : World Concerns (a) D Hewson
Serious vein documentary theme.
Duration : 0.30 Tempo : Medium
Track 12 : World Concerns (b) D Hewson
Longer version of above.
Duration : 1.00 Tempo : Medium
Track 13 : World Concerns (c) D Hewson
Sting.
Duration : 0.04 Tempo : Medium
Track 14 : World Concerns (d) D Hewson
Serious vein news bed with ethnic instrumentation.
Duration : 1.00 Tempo : Medium
Track 15 : Stranger Than Fiction (a) D Hewson
Curious enigmatic theme.
Duration : 0.53 Tempo : Slow
Track 16 : Stranger Than Fiction (b) D Hewson
Short version.
Duration : 0.30 Tempo : Slow
Track 17 : Business Update (a) R Gregson-Williams
Optimistic news bed to positive end statement.
Duration : 1.00 Tempo : Medium
Track 18 : Business Update (b) R Gregson-Williams
Slowly building bed to positive end statement.
Duration : 0.42 Tempo : Medium
Track 19 : Business Update (c) R Gregson-Williams
Short version of above.
Duration : 0.30 Tempo : Medium
Track 20 : Business Update (d) R Gregson-Williams
Build to short end statement.
Duration : 0.23 Tempo : Medium
Track 21 : Business Update (e) R Gregson-Williams
Exciting optimistic statement.
Duration : 0.12 Tempo : Medium
Track 22 : Business Update (f) R Gregson-Williams
Sting.
Duration : 0.04 Tempo : Medium
Track 23 : News Summary (a) D Hewson
Bright current affairs theme to bulletin.
Duration : 0.23 Tempo : Medium
Track 24 : News Summary (b) D Hewson
Sting.
Duration : 0.06 Tempo : Medium
Track 25 : News Summary (c) D Hewson
News bed.
Duration : 0.25 Tempo : Medium
Track 26 : News World (a) D Hewson
Prestigious international news theme.
Duration : 0.31 Tempo : Medium
Track 27 : News World (b) D Hewson
News bed to end statement.
Duration : 0.31 Tempo : Medium

DAYTIME TV

Track 28 : Weekend Breaks (a) R Cottle
Bright optimistic theme featuring saxophone.
Duration : 0.59 Tempo : Medium
Track 29 : Weekend Breaks (b) R Cottle
Alternative version of above.
Duration : 1.00 Tempo : Medium
Track 30 : Weekend Breaks (c) R Cottle
End link to tail.
Duration : 0.10 Tempo : Medium
Track 31 : Weekend Breaks (d) R Cottle
Light neutral underscore.
Duration : 0.51 Tempo : Medium
Track 32 : Weekend Breaks (e) R Cottle
Slower expressive arrangement of (a) featuring saxophone.
Duration : 1.26 Tempo : Slow
Track 33 : Do It In Style R Myhill
Relaxed sophisticated leisure theme.
Duration : 0.30 Tempo : Medium
Track 34 : Spice of Life D Hewson
Bright theme featuring world flavours.
Duration : 0.35 Tempo : Medium
Track 35 : Home Front (a) R Myhill
Warm appealing theme.
Duration : 0.30 Tempo : Medium
Track 36 : Home Front (b) R Myhill
End link.
Duration : 0.08 Tempo : Medium
Track 37 : Morning A Baxter
Relaxed easy-going theme.
Duration : 0.30 Tempo : Medium
Track 38 : About Town A Baxter
Light topical theme.
Duration : 0.30 Tempo : Medium

CHAT SHOW / QUIZ SHOW

Track 39 : Fast Chat (a) L Cottle
Bright snappy showbiz theme.
Duration : 0.30 Tempo : Medium
Track 40 : Fast Chat (b) L Cottle
End link.
Duration : 0.06 Tempo : Medium
Track 41 : Night of the Stars (a) R Cottle
Glamorous showbiz theme.
Duration : 0.23 Tempo : Medium
Track 42 : Night of the Stars (b) R Cottle
As above featuring saxophone.
Duration : 0.23 Tempo : Medium
Track 43 : Night of the Stars (c) R Cottle
End link.
Duration : 0.11 Tempo : Medium
Track 44 : Night of the Stars (d) R Cottle
Sting.
Duration : 0.05 Tempo : Medium
Track 45 : Night of the Stars (e) R Cottle
Underscore.
Duration : 0.23 Tempo : Medium
Track 46 : Bounce Beat (a) R Cottle
Upbeat showbiz theme.
Duration : 0.29 Tempo : Medium
Track 47 : Bounce Beat (b) R Cottle
Short version of above.
Duration : 0.10 Tempo : Medium
Track 48 : Groovy Thing (a) S Sidwell
Showbiz with a twist.
Duration : 1.00 Tempo : Medium
Track 49 : Groovy Thing (b) S Sidwell
Showbiz with a twist.
Duration : 0.30 Tempo : Medium
Track 50 : Groovy Thing (c) S Sidwell
End link.
Duration : 0.08 Tempo : Medium
Track 51 : Fun and Games (a) S Sidwell
Catchy brass and loops.
Duration : 1.00 Tempo : Medium
Track 52 : Fun and Games (b) S Sidwell
Short version of above.
Duration : 0.28 Tempo : Medium
Track 53 : Fun and Games (c) S Sidwell
End link.
Duration : 0.09 Tempo : Medium
Track 54 : Live Talk (a) S Sidwell
Catchy brass theme.
Duration : 1.00 Tempo : Medium
Track 55 : Live Talk (b) S Sidwell
Catchy brass theme.
Duration : 0.30 Tempo : Medium
Track 56 : Live Talk (c) S Sidwell
End link.
Duration : 0.10 Tempo : Medium

KIDS

Track 57 : Simple Sam (a) C Laurence / J Horler
Jaunty theme featuring acoustic bass.
Duration : 1.00 Tempo : Medium
Track 58 : Simple Sam (b) C Laurence / J Horler
Jaunty theme featuring acoustic bass.
Duration : 0.30 Tempo : Medium
Track 59 : Kids Up and Go (a) S Sidwell
Drum 'n bass all-action groove.
Duration : 1.00 Tempo : Fast
Track 60 : Kids Up and Go (b) S Sidwell
Drum 'n bass all-action groove..
Duration : 0.30 Tempo : Fast
Track 61 : Kids Up and Go (c) S Sidwell
End link.
Duration : 0.10 Tempo : Fast
Track 62 : Kids Up and Go (d) S Sidwell
Underscore.
Duration : 1.00 Tempo : Fast
Track 63 : Bash Street Boogie (a) S Etchell
Zany fun and effects.
Duration : 0.21 Tempo : Fast
Track 64 : Bash Street Boogie (b) S Etchell
Alternative version.
Duration : 0.37 Tempo : Fast
Track 65 : Bash Street Boogie (c) S Etchell
End link.
Duration : 0.06 Tempo : Fast
Track 66 : Bash Street Boogie (d) S Etchell
End link.
Duration : 0.07 Tempo : Fast
Track 67 : Chase That (a) S Sidwell
Fun and fast.
Duration : 0.58 Tempo : Fast
Track 68 : Chase That (b) S Sidwell
Short version.
Duration : 0.26 Tempo : Fast
Track 69 : Chase That (c) S Sidwell
End link.
Duration : 0.08 Tempo : Fast

SPORTS

Track 70 : Top Shots (a) R Cottle
Sporting action with crowd fx to score.
Duration : 0.30 Tempo : Fast
Track 71 : Top Shots (b) R Cottle
End link.
Duration : 0.09 Tempo : Fast
Track 72 : Go For It (a) M Cang
Driving guitar riff.
Duration : 1.00 Tempo : Medium
Track 73 : Go For It (b) M Cang
Short version.
Duration : 0.34 Tempo : Medium

LOGOS / IDENTS

Track 74 : Warm Glow (a) S Spiro / P Wickens
Warm and slinky featuring saxophone.
Duration : 0.11 Tempo : Medium
Track 75 : Warm Glow (b) S Spiro / P Wickens
Shorter version of above.
Duration : 0.06 Tempo : No Tempo
Track 76 : Sunny Outlook R Myhill
Warm reveal.
Duration : 0.12 Tempo : No Tempo
Track 77 : After the Rain (a) R Cottle
Walking bass to bright reveal.
Duration : 0.12 Tempo : Medium
Track 78 : After the Rain (b) R Cottle
As above without effects.
Duration : 0.11 Tempo : Medium
Track 79 : Clear Skies S Baker / C Daye
Light reveal.
Duration : 0.10 Tempo : Slow
Track 80 : Parting Clouds S Spiro / P Wickens
Sunny reveal.
Duration : 0.14 Tempo : Slow
Track 81 : Snowscape J Copperthwaite / O Vessey
Sparkling fresh.
Duration : 0.11 Tempo : Medium
Track 82 : Summer J Copperthwaite / O Vessey
Sparkling fresh with summer effects.
Duration : 0.11 Tempo : Medium
Track 83 : Windy Days J Copperthwaite / O Vessey
As 'Snowscape' with wind effects.
Duration : 0.11 Tempo : Medium
Track 84 : Rainfall J Copperthwaite / O Vessey
As 'Snowscape' with rain effects.
Duration : 0.14 Tempo : Medium
Track 85 : Suncloud R Cottle
Bright‚ appealing.
Duration : 0.15 Tempo : Medium
Track 86 : Logo Reveal (a) D Dundas
Rising figure.
Duration : 0.13 Tempo : Slow
Track 87 : Logo Reveal (b) D Dundas
Lighter version of above.
Duration : 0.12 Tempo : Slow
Track 88 : Daytime Reveal R Cottle
Bright and tuneful.
Duration : 0.09 Tempo : Medium
Track 89 : Morning Sun S Baker
Warm reveal.
Duration : 0.09 Tempo : Slow
Track 90 : Slow reveal. J Copperthwaite / O Vessey
Rising figure.
Duration : 0.10 Tempo : Slow
Track 91 : Night Groove R Cottle
Hip hop groove.
Duration : 0.10 Tempo : Slow
Track 92 : Night Sounds J Copperthwaite / O Vessey
Warm urban groove.
Duration : 0.10 Tempo : Medium
Track 93 : Nightfall J Copperthwaite / O Vessey
Swirling urban reveal.
Duration : 0.10 Tempo : Slow
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KPM Library - Peaktime TV 2 soundtrack - Rupert Gregson-Williams - Various