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But Marc is no longer with RCP I am assuming. His scores are not advertised here.If the Snyder Cut comes out, who's ready to hear Junkie XL score Godzilla vs. Kong?https://www.forbes.com/sites/simonthompson/2020/09/16/music- business-zack-snyder-justice-league-junkie-xl-tom-holkenborg -dcu-snyder-cut/https://www.forbes.com/sites/simonthompson/2020/09/16/music- business-zack-snyder-justice-league-junkie-xl-tom-holkenborg -dcu-snyder-cut/Marc just reunited with Ridley on the amazing Raised By Wolves series.<br><br>Klaus is more worried about his other businesses rather than film scoring, I think...
Will any tracks from Man of Steel be played on the Live2021 tour? It is a life ambition of mine to experience a live performance of it!I missed Jasha Klebe. I thought he did some really good stuff at Bleeding Fingers. I am looking forward to hearing more from Kara Talve. I think she is a really good talent.<br><br>What happened to Marc Streitenfeld? I was going to ask about Klaus Badelt, but I am pretty sure I am not going to get that story.<br>Tom's more recent work has received more love, but I personally love the Fury Road and Rise of an Empire type soundtrack more. I'm looking forward to this and I hope it's close to what Man of Steel and Dawn of Justice sounded like. Although, the snippet he shared doesn't really sound like it. We'll see.That´s why I asked myself, why dont they ever re-unite like before, so yea, they sometimes doInterestingly, Aljoscha is collaborating a lot with 2WEI these days. The Junkie Team reassembles ! lol
Oh I see, very interesting! Many thanks for the answer :)Fired ?!
<br>
<br>Haha no.
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<br>You gotta realize being an additional composer is not exactly an easy thing. Some jump ship after a few years or have other aspirations, try to work solo and so on.
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<br>Vörlander worked for Junkie from 2010 to 2015, then started his own business of writing for commercials, trailers etc. (it's called 2WEI, in Germany) He even did keep working on some trailers for JXL's scores after that, or helped on FIFA 17. Junkie had Aljoscha Christenhuß who worked for him from 2015 to 2018. Then Antonio jointed in 2016, Sara Barone joined more recently last year.
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<br>Thomas is doing his own thing too, he founded Chromium Music and is doing some solo projects now.
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<br>Jasha, after working for Lorne & Hans, "transfered" to Bleeding Fingers but after a while left to focus on his own solo career too.
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<br>Ultimately, everyone leaves, sooner or later... :)@Hybrid, I was always wondering, what happened to composers like Thomas Farnon, Jasha Klebe or Christian Vorlander - why are they not working with Lorne/Junkie anymore? Did they get fired or did they just move on? I find it weird, that Lorne/Rupert/Junkie/Etc would fire their additional composers after all those years of collaboration.The theme he was supposed to write but didn't ? :D lol<br><br>Well don't take word for word what he says. He's being general, the interview was for Forbes afterall.<br><br>Just take the extract we got, it had a quote from BvS that had nothing to do with either Superman or Wonder Woman... lol*forgot to mentioned
"Besides the Man of Steel theme for Superman and the theme for Wonder Woman, which I have given a new spin, all the other themes for this movie are brand new,”<br><br>I hope Tom just forget to mention about Batman's theme and will reuse it too, because if he don't, then what's the point of it?Junkie's score for GvK is probably going to be better than his score for Justice League if he is that interested in doing a score for a godzilla movie.And this<br><br>“On Godzilla vs. Kong, I said, ‘I think we need the biggest bass drum on the planet for this score. I know the guy who can build it, what do you think?’ They just said, ‘Let’s do it.’ So I said I want a bass drum that is at least eight feet in diameter,” he laughed. “The guy called me back, and he asked, ‘Is it okay if it’s only six?’ I said, ‘Could we do eight? Why can’t we do ten?’ The answer was, ‘Well, there’s simply no cow alive that has a skin big enough to cover for a ten-foot bass drum.’ So, we have to scale it down to eight.Also, a bit of GvK:<br><br>'A perfect example is the Godzilla vs. Kong movie that is coming out next year,” he enthused. “I’m such a Godzilla freak. I have all the Japanese versions of the movies. At a certain point, just for s**ts and giggles, I wrote something for Godzilla. About two years ago, I met the director because he showed interest in me as a composer. I asked him, ‘Do you know I’m the biggest Godzilla fan on the planet, and, years ago, I wrote some stuff.’ He was like, ‘You’re kidding me?’ So we started communicating, I tweaked what I did, played it for him, and he was totally in love.”Tom's interview kinda exactly confirms what I said ! lol<br><br>"Besides the Man of Steel theme for Superman and the theme for Wonder Woman, which I have given a new spin, all the other themes for this movie are brand new,” he revealed. “Some of them I did the groundwork on four years ago, but as you grow as a composer, you look at what you did and maybe have a better way of doing it now or a better idea. It was inspiring. I would get an idea in my downtime and think, ‘Oh, let’s rework this thing. Let’s do that.’ Because I knew for a while that this was coming, I had the time and space to shape it into its best possible form."
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Nick Glennie-SmithRupert Gregson-WilliamsVarious
ComposerComposerComposer
KPM Library - The Hollywood Series - Orchestral Promo
Label: Promotional release
Length: 64'28
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3694 votes)
ADVENTURE

Track 1 : Screen Heroes 60 S Chamberlain
Atmospheric opening to exhilarating adventure theme.
Duration : 1.00 Tempo : Fast
Track 2 : Great Achievements 60 N Glennie-Smith
Broad‚ episodic theme building to triumphant finale.
Duration : 1.00 Tempo : Medium
Track 3 : The Dream Team 60 R Harvey
Exhilarating adventure and achievement.
Duration : 1.00 Tempo : Medium
Track 4 : Pride Of Place 60 G Preskett
Broad‚ dignified theme building to triumphant finale.
Duration : 1.00 Tempo : Medium
Track 5 : Final Victory 60 T Hymas
Dynamic epic theme building throughout.
Duration : 1.00 Tempo : Medium
Track 6 : Starfleet 60 A Jackman
Suspended opening to dramatic‚ imposing theme.
Duration : 1.00 Tempo : Slow
Track 7 : The Silver Blade 60 I Sekacz
Swahbuckling adventure theme.
Duration : 1.00 Tempo : Fast
Track 8 : The American Way 60 B Connor
Gradual awakening to broad‚ stirring theme.
Duration : 1.00 Tempo : Slow
Track 9 : A Love of Adventure 60 S Chamberlain
Exhilarating fantasy adventure.
Duration : 1.00 Tempo : Fast

DRAMA

Track 10 : Final Encounter 60 S Baker
Sustained‚ dramatic tension to climax.
Duration : 1.00 Tempo : Fast
Track 11 : Turmoil 60 S Chamberlain
Opening fanfare to tense underlying movement.
Duration : 1.00 Tempo : Medium
Track 12 : Knife Edge 60 R Harvey
Dramatic opening to tense atmosphere and build.
Duration : 1.00 Tempo : Slow
Track 13 : Armed Response 60 J Devereaux
Determined tactical advance.
Duration : 1.00 Tempo : Medium
Track 14 : Dangerous Encounters 60 R Harvey
Turbulent unfolding theme.
Duration : 1.00 Tempo : Medium
Track 15 : 20th Century Gothic 60 M Cang
Building‚ melodramatic action.
Duration : 1.00 Tempo : Medium
Track 16 : The Last Frontier 60 P Pritchard
Broad wide-screen panorama.
Duration : 1.00 Tempo : Slow
Track 17 : Extreme Measures 60 R Gregson-Williams
Total dynamic action.
Duration : 1.00 Tempo : Fast

PANORAMA / HUMAN EMOTION

Track 18 : Love Overture 60 S Chamberlain
Warm‚ romantic theme.
Duration : 1.00 Tempo : Slow
Track 19 : Long Journey's End 60 P Appleby
Broad panoramic theme.
Duration : 1.00 Tempo : Medium
Track 20 : My Homeland 60 B Connor
Yearning‚ romantic theme for string orchestra.
Duration : 1.00 Tempo : Slow
Track 21 : A Fresh Start 60 S Baker
Light‚ lyrical dance.
Duration : 1.00 Tempo : Medium
Track 22 : My Story Begins 60 G Preskett
Reflective opening to heart-warming episodic theme.
Duration : 1.00 Tempo : Medium
Track 23 : A Noble Sadness 60 R Harvey
Proud‚ dignified theme.
Duration : 1.00 Tempo : Slow
Track 24 : The Spirit of Truth 60 R Harvey
Broad‚ uplifting theme.
Duration : 1.00 Tempo : Medium
Track 25 : Now and Forever 60 P Pritchard
Tender‚ romantic theme.
Duration : 1.00 Tempo : Slow
Track 26 : Reflections of a Life 60 B Connor
Poignant‚ emotional theme for string orchestra.
Duration : 1.00 Tempo : Medium
Track 27 : Our Seperate Ways 60 C Malabar
Poignant‚ introspective emotions.
Duration : 1.00 Tempo : Slow
Track 28 : Dance in the Dark 60 B Connor
Intriguing‚ enigmatic theme.
Duration : 1.00 Tempo : Medium
Track 29 : Love Story 60 A Jackman
Broad‚ episodic theme building to finale.
Duration : 1.00 Tempo : Slow
Track 30 : Tides of Memory 60 I Sekacz
Evocative‚ restless‚ underlying movement.
Duration : 1.00 Tempo : Medium

FANTASY / ANIMATION / AMERICANA

Track 31 : The Nightmare Begins 60 J Devereaux
Building dramatic tension.
Duration : 1.00 Tempo : Medium
Track 32 : Magic Dust 60 J Devereaux
Animated‚ whimsical fantasy.
Duration : 1.00 Tempo : Fast
Track 33 : Fly Like the Wind 60 J Devereaux
Joyful‚ exhilarating movement.
Duration : 1.00 Tempo : Fast
Track 34 : Fancy Free 60 J Devereaux
Light‚ whimsical theme.
Duration : 1.00 Tempo : Medium
Track 35 : A Hollywood Fantasy 60 A Jackman
An orchestral tribute to the legend of Hollywood animation.
Duration : 1.00 Tempo : Medium
Track 36 : The Wild Wild West 60 B Connor
A humorous musical tribute to the Wild West.
Duration : 1.00 Tempo : Fast
Track 37 : Main Street USA 60 A Jackman
Rousing razzamatazz - marching band‚ humour and exuberance.
Duration : 1.00 Tempo : Various

ADVENTURE

Track 38 : Screen Heroes 30 S Chamberlain
Duration : 0.30 Tempo : Medium
Track 39 : Great Achievements 30 N Glennie-Smith
Duration : 0.30 Tempo : Medium
Track 40 : The Dream Team 30 R Harvey
Duration : 0.30 Tempo : Fast
Track 41 : Pride of Place 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 42 : Final Victory 30 T Hymas
Duration : 0.30 Tempo : Medium
Track 43 : Starfleet 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 44 : The Silver Blade 30 I Sekacz
Duration : 0.30 Tempo : Medium
Track 45 : The American Way 30 B Connor
Duration : 0.30 Tempo : Medium
Track 46 : A Love of Adventure 30 S Chamberlain
Duration : 0.30 Tempo : Fast

DRAMA

Track 47 : Final Encounter 30 S Baker
Duration : 0.30 Tempo : Medium
Track 48 : Turmoil 30 S Chamberlain
Duration : 0.30 Tempo : Medium
Track 49 : Knife Edge 30 R Harvey
Duration : 0.30 Tempo : Slow
Track 50 : Armed Response 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 51 : Dangerous Encounters 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 52 : 20th Century Gothic 30 M Cang
Duration : 0.30 Tempo : Medium
Track 53 : The Last Frontier 30 P Pritchard
Duration : 0.30 Tempo : Slow
Track 54 : Extreme Measures 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast

PANORAMA / HUMAN EMOTION

Track 55 : Love Overture 30 S Chamberlain
Duration : 0.30 Tempo : Slow
Track 56 : Long Journey's End 30 P Appleby
Duration : 0.30 Tempo : Medium
Track 57 : My Homeland 30 B Connor
Duration : 0.30 Tempo : Slow
Track 58 : A Fresh Start 30 S Baker
Duration : 0.30 Tempo : Medium
Track 59 : My Story Begins 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 60 : A Noble Sadness 30 R Harvey
Duration : 0.30 Tempo : Slow
Track 61 : The Spirit of Truth 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 62 : Now and Forever 30 P Pritchard
Duration : 0.30 Tempo : Slow
Track 63 : Reflections of a Life 30 B Connor
Duration : 0.30 Tempo : Medium
Track 64 : Our Seperate Ways 30 C Malabar
Duration : 0.30 Tempo : Slow
Track 65 : Dance in the Dark 30 B Connor
Duration : 0.30 Tempo : Medium
Track 66 : Love Story 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 67 : Tides of Memory 30 I Sekacz
Duration : 0.30 Tempo : Medium

FANTASY / ANIMATION / AMERICANA

Track 68 : The Nightmare Begins 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 69 : Magic Dust 30 J Devereaux
Duration : 0.30 Tempo : Fast
Track 70 : Fly Like the Wind 30 J Devereaux
Duration : 0.30 Tempo : Fast
Track 71 : Fancy Free 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 72 : A Hollywood Fantasy 30 A Jackman
Duration : 0.30 Tempo : Medium
Track 73 : The Wild Wild West 30 B Connor
Duration : 0.30 Tempo : Fast
Track 74 : Main Street USA 30 A Jackman
Duration : 0.30 Tempo : Various
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auntiemame reply Replies: 0 || 2010-07-01 00:00:00
Is it possible that "Long's Journey End", from the Panorama category, was used in the John Wayne or John Ford western movies? (A recollection of the music and Monument Valley, from my childhood Saturday afternoon matinees.)

Thank you to anyone who can give me an answer.

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KPM Library - The Hollywood Series - Orchestral Promo soundtrack - Nick Glennie-Smith - Rupert Gregson-Williams - Various