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Yes! I Finally found the booklet credits for Blade Runner 2049:<br><br>Original score by<br>HANS ZIMMER<br>BENJAMIN WALLFISCH<br><br>Music editors <br>CLINT BENNETT<br>RYAN RUBIN<br><br>Music production services<br>STEVEN KOFSKY<br><br>Synth programming<br>HANS ZIMMER<br><br>Synth design<br>HOWARD SCARR<br><br>Vocalist<br>AVI KAPLAN<br><br>Exotic instruments<br>CHAS SMITH<br><br>Cello, vocals<br>TRISTAN SCHULZE<br><br>Cello <br>SIMONE VITUCCI<br><br>Guitars<br>OWEN GURRY<br><br>Technical score engineer<br>CHUCK CHOI<br><br>Digital instrument design<br>MARK WHERRY<br><br>Sampling team<br>TAUREES HABIB<br>RAUL VEGA<br><br>Score techincal assistants<br>MAX SANDLER<br>NATE UNDERKUFFLER<br><br>Score mastering by<br>ALAN MEYERSON<br><br>Score mastering assistant<br>FOREST CHRISTENSON<br><br>Score mixed at<br>REMOTE CONTROL PRODUCTIONS, Santa Monica, California<br><br>Studio manager for Remote Control Productions<br>SHALINI SINGH<br><br>Assistant to Hans Zimmer<br>CYNTHIA PARK<br><br>TEARS IN THE RAIN<br><br>Written by<br>EVANGHELOS PAPATHANASSIOU (VANGELIS)<br><br>Here's the link:<br>https://ia601507.us.archive.org/21/items/mbid-149daaf9-5c9d- 47d9-a452-d732122da496/mbid-149daaf9-5c9d-47d9-a452-d732122d a496-18376707127.jpgAnd I thought Varese Sarabande will pick this one up. Whatever happened to those guys I will never know.<br><br>A Little off-topic here but might I ask if there any computer geeks around here who know how I can calculate total duration of albums using Excel or some simple web service (other than Soundtrack Collector)?Penka Kouneva I also the orchestrator on this one. Maybe it's a faulty credit?"House Call v1-23697 - Penka Kouneva, BMI" This is the copyright claim I found on a compilation video I made of Jablonsky's music. This claim is where "Vocation" from IDEA plays. Can someone please explain this? I have not been able to find this track Jablonsky (I guess?) ripped off.Edmund ! For YOU !! lol
this one is my pick for the oscar as well. hope it wins : )When will this tracklist be leaked?I heard and thought that Zimmer stopt scoring superhero movies (including Justice League and what comes after) because it has taken 13 years of his life and he wanted to do something elseWere the two men no longer talking or did Zimmer anticipate Snyder's departure as he did in Pirates?@Olive: Rumors says Zimmer didn't want compose Justice League because of Snyder, and left behind Junkie
I agree that Elfman's theme fits into Nolan's films as long as they are adapted to them. However, I think the way things have gone was not bad. TDK trilogy was marked as a project fruit of Nolan's unique vision. Although the themes do not respect the orchestral tradition are more memorable than those composed for more than half of the films of heroes of the last 25 years.Zimmer's entry into the genre can be interpreted as a breath of fresh air in a saturated marketplace at the time. But I agree that the lack of originality these days falls on Zimmer and his company and that the goal of it goes far beyond bringing talents to light.Now we need something new, again.@Hybrid any news on Season 2 soundtrack release?Of cause Balfe worked on it !!! His whole team are credited !!!!!!!Honestly, the purpose of RCP is essentially to take Zimmer's style and make it widespread for use...WB not using ANY RCP to score this seems to have been deliberate, as there's literally no reason it couldn't be done.^ hahaha :D<br><br>I think you're forgetting that Balfe also ghostwrote The Lord of the Rings?
They're starting to send screeners. Finger crossed for the FYC :DThe score reflects the situation of DC movies very well. If Zimmer, like Snyder, continued, the result may not please everyone. A lot of people were unhappy with Snyder's work in the genre, just as many fans of soundtrack were with Zimmer's contributions that never followed the path taken by all the other composers who came before him.<br><br>The two left (regardless of the reason that led them to do this).<br><br>When Zimmer left everyone knew that XL would not hold the pressure or that the result would not be satisfactory for most.<br><br>When Elfman and Whedon were announced we all knew that they were hired to go against everything DC has done before to try to reach the first film of the franchise to reach 1 billion. Even if they were to follow Marvel's script and drop their originality.<br><br>But the hiring of Elfman and Whedon shows that the studio was long lost. Snyder succumbed to BvS. The only salvation for the DCEU are the solo films like Wonder Woman, the next Batman, Aquaman ...and freedom. Freedom for the directors, composers... Warner has always had this advantage over Marvel.@Edmund <br>Given the chance I think Junkie probably could deliver a pretty fun score that stayed thematically consistent with the current universe. It all depends on what the studio/director wants out of the music. The biggest disappointment to me is that this was a huge missed opportunity to do a heroic take on Zimmerís Superman theme, something we havenít heard since MoS. Hell, even the trailers did that.... -_-rumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves it<br>======================================<br><br>Oh, absolutely! I'm sure we will soon find out that Balfe also scored Star Wars and Titanic. And Harry Potter. And Indiana Jones.Edmund, I somewhat agree - I've seen very little from Junkie to make me think this would have been a groundbreaking, wonderful score. However, maybe it's the Zimmer fan in me, but I would have loved to hear "stock, barely-altered reprises of Zimmer's themes all over the place" in this score. So many scenes begged for just that. Compositionally it doesn't make for an interesting soundtrack or film score, I agree, but I would be willing to sacrifice that for thematic continuity.
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Nick Glennie-SmithRupert Gregson-WilliamsVarious
ComposerComposerComposer
KPM Library - The Hollywood Series - Orchestral Promo
Label: Promotional release
Length: 64'28
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2570 votes)
ADVENTURE

Track 1 : Screen Heroes 60 S Chamberlain
Atmospheric opening to exhilarating adventure theme.
Duration : 1.00 Tempo : Fast
Track 2 : Great Achievements 60 N Glennie-Smith
Broad‚ episodic theme building to triumphant finale.
Duration : 1.00 Tempo : Medium
Track 3 : The Dream Team 60 R Harvey
Exhilarating adventure and achievement.
Duration : 1.00 Tempo : Medium
Track 4 : Pride Of Place 60 G Preskett
Broad‚ dignified theme building to triumphant finale.
Duration : 1.00 Tempo : Medium
Track 5 : Final Victory 60 T Hymas
Dynamic epic theme building throughout.
Duration : 1.00 Tempo : Medium
Track 6 : Starfleet 60 A Jackman
Suspended opening to dramatic‚ imposing theme.
Duration : 1.00 Tempo : Slow
Track 7 : The Silver Blade 60 I Sekacz
Swahbuckling adventure theme.
Duration : 1.00 Tempo : Fast
Track 8 : The American Way 60 B Connor
Gradual awakening to broad‚ stirring theme.
Duration : 1.00 Tempo : Slow
Track 9 : A Love of Adventure 60 S Chamberlain
Exhilarating fantasy adventure.
Duration : 1.00 Tempo : Fast

DRAMA

Track 10 : Final Encounter 60 S Baker
Sustained‚ dramatic tension to climax.
Duration : 1.00 Tempo : Fast
Track 11 : Turmoil 60 S Chamberlain
Opening fanfare to tense underlying movement.
Duration : 1.00 Tempo : Medium
Track 12 : Knife Edge 60 R Harvey
Dramatic opening to tense atmosphere and build.
Duration : 1.00 Tempo : Slow
Track 13 : Armed Response 60 J Devereaux
Determined tactical advance.
Duration : 1.00 Tempo : Medium
Track 14 : Dangerous Encounters 60 R Harvey
Turbulent unfolding theme.
Duration : 1.00 Tempo : Medium
Track 15 : 20th Century Gothic 60 M Cang
Building‚ melodramatic action.
Duration : 1.00 Tempo : Medium
Track 16 : The Last Frontier 60 P Pritchard
Broad wide-screen panorama.
Duration : 1.00 Tempo : Slow
Track 17 : Extreme Measures 60 R Gregson-Williams
Total dynamic action.
Duration : 1.00 Tempo : Fast

PANORAMA / HUMAN EMOTION

Track 18 : Love Overture 60 S Chamberlain
Warm‚ romantic theme.
Duration : 1.00 Tempo : Slow
Track 19 : Long Journey's End 60 P Appleby
Broad panoramic theme.
Duration : 1.00 Tempo : Medium
Track 20 : My Homeland 60 B Connor
Yearning‚ romantic theme for string orchestra.
Duration : 1.00 Tempo : Slow
Track 21 : A Fresh Start 60 S Baker
Light‚ lyrical dance.
Duration : 1.00 Tempo : Medium
Track 22 : My Story Begins 60 G Preskett
Reflective opening to heart-warming episodic theme.
Duration : 1.00 Tempo : Medium
Track 23 : A Noble Sadness 60 R Harvey
Proud‚ dignified theme.
Duration : 1.00 Tempo : Slow
Track 24 : The Spirit of Truth 60 R Harvey
Broad‚ uplifting theme.
Duration : 1.00 Tempo : Medium
Track 25 : Now and Forever 60 P Pritchard
Tender‚ romantic theme.
Duration : 1.00 Tempo : Slow
Track 26 : Reflections of a Life 60 B Connor
Poignant‚ emotional theme for string orchestra.
Duration : 1.00 Tempo : Medium
Track 27 : Our Seperate Ways 60 C Malabar
Poignant‚ introspective emotions.
Duration : 1.00 Tempo : Slow
Track 28 : Dance in the Dark 60 B Connor
Intriguing‚ enigmatic theme.
Duration : 1.00 Tempo : Medium
Track 29 : Love Story 60 A Jackman
Broad‚ episodic theme building to finale.
Duration : 1.00 Tempo : Slow
Track 30 : Tides of Memory 60 I Sekacz
Evocative‚ restless‚ underlying movement.
Duration : 1.00 Tempo : Medium

FANTASY / ANIMATION / AMERICANA

Track 31 : The Nightmare Begins 60 J Devereaux
Building dramatic tension.
Duration : 1.00 Tempo : Medium
Track 32 : Magic Dust 60 J Devereaux
Animated‚ whimsical fantasy.
Duration : 1.00 Tempo : Fast
Track 33 : Fly Like the Wind 60 J Devereaux
Joyful‚ exhilarating movement.
Duration : 1.00 Tempo : Fast
Track 34 : Fancy Free 60 J Devereaux
Light‚ whimsical theme.
Duration : 1.00 Tempo : Medium
Track 35 : A Hollywood Fantasy 60 A Jackman
An orchestral tribute to the legend of Hollywood animation.
Duration : 1.00 Tempo : Medium
Track 36 : The Wild Wild West 60 B Connor
A humorous musical tribute to the Wild West.
Duration : 1.00 Tempo : Fast
Track 37 : Main Street USA 60 A Jackman
Rousing razzamatazz - marching band‚ humour and exuberance.
Duration : 1.00 Tempo : Various

ADVENTURE

Track 38 : Screen Heroes 30 S Chamberlain
Duration : 0.30 Tempo : Medium
Track 39 : Great Achievements 30 N Glennie-Smith
Duration : 0.30 Tempo : Medium
Track 40 : The Dream Team 30 R Harvey
Duration : 0.30 Tempo : Fast
Track 41 : Pride of Place 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 42 : Final Victory 30 T Hymas
Duration : 0.30 Tempo : Medium
Track 43 : Starfleet 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 44 : The Silver Blade 30 I Sekacz
Duration : 0.30 Tempo : Medium
Track 45 : The American Way 30 B Connor
Duration : 0.30 Tempo : Medium
Track 46 : A Love of Adventure 30 S Chamberlain
Duration : 0.30 Tempo : Fast

DRAMA

Track 47 : Final Encounter 30 S Baker
Duration : 0.30 Tempo : Medium
Track 48 : Turmoil 30 S Chamberlain
Duration : 0.30 Tempo : Medium
Track 49 : Knife Edge 30 R Harvey
Duration : 0.30 Tempo : Slow
Track 50 : Armed Response 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 51 : Dangerous Encounters 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 52 : 20th Century Gothic 30 M Cang
Duration : 0.30 Tempo : Medium
Track 53 : The Last Frontier 30 P Pritchard
Duration : 0.30 Tempo : Slow
Track 54 : Extreme Measures 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast

PANORAMA / HUMAN EMOTION

Track 55 : Love Overture 30 S Chamberlain
Duration : 0.30 Tempo : Slow
Track 56 : Long Journey's End 30 P Appleby
Duration : 0.30 Tempo : Medium
Track 57 : My Homeland 30 B Connor
Duration : 0.30 Tempo : Slow
Track 58 : A Fresh Start 30 S Baker
Duration : 0.30 Tempo : Medium
Track 59 : My Story Begins 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 60 : A Noble Sadness 30 R Harvey
Duration : 0.30 Tempo : Slow
Track 61 : The Spirit of Truth 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 62 : Now and Forever 30 P Pritchard
Duration : 0.30 Tempo : Slow
Track 63 : Reflections of a Life 30 B Connor
Duration : 0.30 Tempo : Medium
Track 64 : Our Seperate Ways 30 C Malabar
Duration : 0.30 Tempo : Slow
Track 65 : Dance in the Dark 30 B Connor
Duration : 0.30 Tempo : Medium
Track 66 : Love Story 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 67 : Tides of Memory 30 I Sekacz
Duration : 0.30 Tempo : Medium

FANTASY / ANIMATION / AMERICANA

Track 68 : The Nightmare Begins 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 69 : Magic Dust 30 J Devereaux
Duration : 0.30 Tempo : Fast
Track 70 : Fly Like the Wind 30 J Devereaux
Duration : 0.30 Tempo : Fast
Track 71 : Fancy Free 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 72 : A Hollywood Fantasy 30 A Jackman
Duration : 0.30 Tempo : Medium
Track 73 : The Wild Wild West 30 B Connor
Duration : 0.30 Tempo : Fast
Track 74 : Main Street USA 30 A Jackman
Duration : 0.30 Tempo : Various
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auntiemame reply Replies: 0 || 2010-07-01 00:00:00
Is it possible that "Long's Journey End", from the Panorama category, was used in the John Wayne or John Ford western movies? (A recollection of the music and Monument Valley, from my childhood Saturday afternoon matinees.)

Thank you to anyone who can give me an answer.

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KPM Library - The Hollywood Series - Orchestral Promo soundtrack - Nick Glennie-Smith - Rupert Gregson-Williams - Various