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"Desplats music is clearly superior to Hans."<br><br>That's a very dangerous thing to say around here... :PI'm sure the academy would love to know that Hans souldn't been nominated.    The Dunkirk Score is a masterpiece, but as I said if you have a problem with the score that's because you have a problem with the movie itself.Dude Dunkirk soundtrack wasn't even good, i love Hans but it should not of gotten nominated. Desplats music is clearly superior to Hans. well at least in these particular movies. I think honestly hans should of won for Interstellar when they announced desplat who had two nominations.... i was like what? but that's just my opinion.Dude Dunkirk soundtrack wasn't even good, i love Hans but it should not of gotten nominated. Desplats music is clearly superior to Hans. well at least in these particular movies. I think honestly hans should of won for Interstellar when they announced desplat who had two nominations.... i was like what? but that's just my opinion.Well john powell left RCP as well and he still has a great career, i think Klaus just has a shitty agent, it makes me so angry cause he's so talented and I want to hear more from him but he doesn't get great movies. Or even big summer movies, I don't know about his career going downhill though.
LOL. You clearly have no idea how Hans always worked like this, collaborating with people. There are no ghostwriters when everybody is credited.Track times<br><br>1. Return to Croft Manor - Junkie XL (8.13)<br>2. Seeking Endurance - Junkie XL (1.09)<br>3. The Bag - Junkie XL (1.49)<br>4. Path of Paternal Secrets - Junkie XL (3.39)<br>5. The Devil's Sea - Junkie XL (4.11)<br>6. Let Yamatai Have Her - Junkie XL (13.23)<br>7. Figure in the Night - Junkie XL (4.15)<br>8. Remember This - Junkie XL (3.26)<br>9. Never Give Up - Junkie XL (5.36)<br>10. Karakuri Wall - Junkie XL (4.38)<br>11. What Lies Underneath Yamatai - Junkie XL (8.35)<br>12. There's No Time - Junkie XL (4.01)<br>13. Becoming the Tomb Raider - Junkie XL (7.15)<br>14. The Croft Legacy - Junkie XL (2)again alexander desplat beats hans zimmer and won bafta !! why ?! maybe it is time for hans to write his scores all by himself not his all by his ghostwriters , and come up with a whole new idea like his old scores for example lion king that even beat 2 great works of thomas newman in oscar !!! <br>good luckhybrid, what do you mean with downhill? to compose music for smaller movies doesn't mean you don't earn money or your career is ruined. i really don't see the problem with his career.Then explain to me why his career went downhill after he left Remote in 2006 ?
Johánnsson was hired for Christopher Robin little time before his death. Now will be another composer.Johánnsson was hired for Christopher Robin little time before his death. Now will be another composer.Well, Klaus did compose a lot of the essential music from 1997 to 2005. As we know, Hans says - Hans does. Why do we trust this 'Hybrid Soldier', who calls them themselves that anyway? Tell us more mr rcp. How are you top of the line when you are French. Who is Hybrid - must be a reject from HZ line....<br><br>he is doing Christopher Robin (2018, its disney<br>that is a big movie is it notwhen i take a look on IMDB, klaus is still busy with filmmusic. just because he doesn't score hollywood blockbusters anymore and is not busy as lorne balfe, doesn't mean that he destroyed his career.
From the way you talk it even seems like the man turned into a criminal. lolDownload button doesn't, hasn't ever and won't ever work. It came along with the player design but they disabled the download functionality.Did a bunch of comments get deleted? I posted the other day about the "Ghost In The Shell - Suite" download button not working. Still isnt't :(@Hybrid,<br>Speaking of klaus, do you know how the other rcp members feel about him? Do they still keep in touch or is he persona non grata?<br>I know that geoff zanelli is completely pissed (check his website, for all the projects he names his colleagues like steve jablonsky or else, and then for the klaus projects he just puts « the composer »), and you told that hans avoids him as much as he can ( which I can see when the pirates topic is brought during interviews post 2006...no mention of klaus)<br>Hell even michael levine in his post about « why hans gets the job » name-dropped EVERYONE at rcp but klaus <br>So i was wondering how people act towards jim nowadays, especially ramin djawadi who is really popular now and started as his assistant!Meh. As long as Steve is still there trying to salvage the movies with his music I'll be fine.
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Nick Glennie-SmithRupert Gregson-WilliamsVarious
ComposerComposerComposer
KPM Library - The Hollywood Series - Orchestral Promo
Label: Promotional release
Length: 64'28
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2640 votes)
ADVENTURE

Track 1 : Screen Heroes 60 S Chamberlain
Atmospheric opening to exhilarating adventure theme.
Duration : 1.00 Tempo : Fast
Track 2 : Great Achievements 60 N Glennie-Smith
Broad‚ episodic theme building to triumphant finale.
Duration : 1.00 Tempo : Medium
Track 3 : The Dream Team 60 R Harvey
Exhilarating adventure and achievement.
Duration : 1.00 Tempo : Medium
Track 4 : Pride Of Place 60 G Preskett
Broad‚ dignified theme building to triumphant finale.
Duration : 1.00 Tempo : Medium
Track 5 : Final Victory 60 T Hymas
Dynamic epic theme building throughout.
Duration : 1.00 Tempo : Medium
Track 6 : Starfleet 60 A Jackman
Suspended opening to dramatic‚ imposing theme.
Duration : 1.00 Tempo : Slow
Track 7 : The Silver Blade 60 I Sekacz
Swahbuckling adventure theme.
Duration : 1.00 Tempo : Fast
Track 8 : The American Way 60 B Connor
Gradual awakening to broad‚ stirring theme.
Duration : 1.00 Tempo : Slow
Track 9 : A Love of Adventure 60 S Chamberlain
Exhilarating fantasy adventure.
Duration : 1.00 Tempo : Fast

DRAMA

Track 10 : Final Encounter 60 S Baker
Sustained‚ dramatic tension to climax.
Duration : 1.00 Tempo : Fast
Track 11 : Turmoil 60 S Chamberlain
Opening fanfare to tense underlying movement.
Duration : 1.00 Tempo : Medium
Track 12 : Knife Edge 60 R Harvey
Dramatic opening to tense atmosphere and build.
Duration : 1.00 Tempo : Slow
Track 13 : Armed Response 60 J Devereaux
Determined tactical advance.
Duration : 1.00 Tempo : Medium
Track 14 : Dangerous Encounters 60 R Harvey
Turbulent unfolding theme.
Duration : 1.00 Tempo : Medium
Track 15 : 20th Century Gothic 60 M Cang
Building‚ melodramatic action.
Duration : 1.00 Tempo : Medium
Track 16 : The Last Frontier 60 P Pritchard
Broad wide-screen panorama.
Duration : 1.00 Tempo : Slow
Track 17 : Extreme Measures 60 R Gregson-Williams
Total dynamic action.
Duration : 1.00 Tempo : Fast

PANORAMA / HUMAN EMOTION

Track 18 : Love Overture 60 S Chamberlain
Warm‚ romantic theme.
Duration : 1.00 Tempo : Slow
Track 19 : Long Journey's End 60 P Appleby
Broad panoramic theme.
Duration : 1.00 Tempo : Medium
Track 20 : My Homeland 60 B Connor
Yearning‚ romantic theme for string orchestra.
Duration : 1.00 Tempo : Slow
Track 21 : A Fresh Start 60 S Baker
Light‚ lyrical dance.
Duration : 1.00 Tempo : Medium
Track 22 : My Story Begins 60 G Preskett
Reflective opening to heart-warming episodic theme.
Duration : 1.00 Tempo : Medium
Track 23 : A Noble Sadness 60 R Harvey
Proud‚ dignified theme.
Duration : 1.00 Tempo : Slow
Track 24 : The Spirit of Truth 60 R Harvey
Broad‚ uplifting theme.
Duration : 1.00 Tempo : Medium
Track 25 : Now and Forever 60 P Pritchard
Tender‚ romantic theme.
Duration : 1.00 Tempo : Slow
Track 26 : Reflections of a Life 60 B Connor
Poignant‚ emotional theme for string orchestra.
Duration : 1.00 Tempo : Medium
Track 27 : Our Seperate Ways 60 C Malabar
Poignant‚ introspective emotions.
Duration : 1.00 Tempo : Slow
Track 28 : Dance in the Dark 60 B Connor
Intriguing‚ enigmatic theme.
Duration : 1.00 Tempo : Medium
Track 29 : Love Story 60 A Jackman
Broad‚ episodic theme building to finale.
Duration : 1.00 Tempo : Slow
Track 30 : Tides of Memory 60 I Sekacz
Evocative‚ restless‚ underlying movement.
Duration : 1.00 Tempo : Medium

FANTASY / ANIMATION / AMERICANA

Track 31 : The Nightmare Begins 60 J Devereaux
Building dramatic tension.
Duration : 1.00 Tempo : Medium
Track 32 : Magic Dust 60 J Devereaux
Animated‚ whimsical fantasy.
Duration : 1.00 Tempo : Fast
Track 33 : Fly Like the Wind 60 J Devereaux
Joyful‚ exhilarating movement.
Duration : 1.00 Tempo : Fast
Track 34 : Fancy Free 60 J Devereaux
Light‚ whimsical theme.
Duration : 1.00 Tempo : Medium
Track 35 : A Hollywood Fantasy 60 A Jackman
An orchestral tribute to the legend of Hollywood animation.
Duration : 1.00 Tempo : Medium
Track 36 : The Wild Wild West 60 B Connor
A humorous musical tribute to the Wild West.
Duration : 1.00 Tempo : Fast
Track 37 : Main Street USA 60 A Jackman
Rousing razzamatazz - marching band‚ humour and exuberance.
Duration : 1.00 Tempo : Various

ADVENTURE

Track 38 : Screen Heroes 30 S Chamberlain
Duration : 0.30 Tempo : Medium
Track 39 : Great Achievements 30 N Glennie-Smith
Duration : 0.30 Tempo : Medium
Track 40 : The Dream Team 30 R Harvey
Duration : 0.30 Tempo : Fast
Track 41 : Pride of Place 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 42 : Final Victory 30 T Hymas
Duration : 0.30 Tempo : Medium
Track 43 : Starfleet 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 44 : The Silver Blade 30 I Sekacz
Duration : 0.30 Tempo : Medium
Track 45 : The American Way 30 B Connor
Duration : 0.30 Tempo : Medium
Track 46 : A Love of Adventure 30 S Chamberlain
Duration : 0.30 Tempo : Fast

DRAMA

Track 47 : Final Encounter 30 S Baker
Duration : 0.30 Tempo : Medium
Track 48 : Turmoil 30 S Chamberlain
Duration : 0.30 Tempo : Medium
Track 49 : Knife Edge 30 R Harvey
Duration : 0.30 Tempo : Slow
Track 50 : Armed Response 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 51 : Dangerous Encounters 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 52 : 20th Century Gothic 30 M Cang
Duration : 0.30 Tempo : Medium
Track 53 : The Last Frontier 30 P Pritchard
Duration : 0.30 Tempo : Slow
Track 54 : Extreme Measures 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast

PANORAMA / HUMAN EMOTION

Track 55 : Love Overture 30 S Chamberlain
Duration : 0.30 Tempo : Slow
Track 56 : Long Journey's End 30 P Appleby
Duration : 0.30 Tempo : Medium
Track 57 : My Homeland 30 B Connor
Duration : 0.30 Tempo : Slow
Track 58 : A Fresh Start 30 S Baker
Duration : 0.30 Tempo : Medium
Track 59 : My Story Begins 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 60 : A Noble Sadness 30 R Harvey
Duration : 0.30 Tempo : Slow
Track 61 : The Spirit of Truth 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 62 : Now and Forever 30 P Pritchard
Duration : 0.30 Tempo : Slow
Track 63 : Reflections of a Life 30 B Connor
Duration : 0.30 Tempo : Medium
Track 64 : Our Seperate Ways 30 C Malabar
Duration : 0.30 Tempo : Slow
Track 65 : Dance in the Dark 30 B Connor
Duration : 0.30 Tempo : Medium
Track 66 : Love Story 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 67 : Tides of Memory 30 I Sekacz
Duration : 0.30 Tempo : Medium

FANTASY / ANIMATION / AMERICANA

Track 68 : The Nightmare Begins 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 69 : Magic Dust 30 J Devereaux
Duration : 0.30 Tempo : Fast
Track 70 : Fly Like the Wind 30 J Devereaux
Duration : 0.30 Tempo : Fast
Track 71 : Fancy Free 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 72 : A Hollywood Fantasy 30 A Jackman
Duration : 0.30 Tempo : Medium
Track 73 : The Wild Wild West 30 B Connor
Duration : 0.30 Tempo : Fast
Track 74 : Main Street USA 30 A Jackman
Duration : 0.30 Tempo : Various
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auntiemame reply Replies: 0 || 2010-07-01 00:00:00
Is it possible that "Long's Journey End", from the Panorama category, was used in the John Wayne or John Ford western movies? (A recollection of the music and Monument Valley, from my childhood Saturday afternoon matinees.)

Thank you to anyone who can give me an answer.

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KPM Library - The Hollywood Series - Orchestral Promo soundtrack - Nick Glennie-Smith - Rupert Gregson-Williams - Various