NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle Kersten
Booklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)
Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.
Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)Hello, <br><br>I'm looking for the translation of the song God Yu Tekkem Laef Blong Mi in English of French.<br><br>Could anyone help me ? <br><br>Thank you !
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Morphology
Label: Promotional release
Length: 73'29
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2438 votes)
NOISEWORKS

Track 1 : Mission Fantastic (a) Noiseworks
Floating rhythm bed with NASA communications.
Duration : 3.20 Tempo : Medium
Track 2 : Mission Fantastic (b) Noiseworks
Underscore.
Duration : 2.01 Tempo : Medium
Track 3 : Mission Fantastic (c) Noiseworks
Floating textures.
Duration : 2.39 Tempo : Various
Track 4 : Activate (a) Noiseworks
Advanced technology.
Duration : 1.48 Tempo : Various
Track 5 : Activate (b) Noiseworks
Alternative version.
Duration : 1.46 Tempo : Various
Track 6 : Multivisual Noiseworks
Rhythmic collage.
Duration : 1.56 Tempo : Various
Track 7 : Beat Block (a) Noiseworks
Evolving sound images.
Duration : 1.35 Tempo : Various
Track 8 : Beat Block (b) Noiseworks
Alternative version.
Duration : 1.35 Tempo : Various
Track 9 : Stealth Bomber (a) Noiseworks
Underlying tension building to climax.
Duration : 2.42 Tempo : Slow
Track 10 : Stealth Bomber (b) Noiseworks
Link.
Duration : 0.15 Tempo : Slow
Track 11 : Stealth Bomber (c) Noiseworks
Sting.
Duration : 0.05 Tempo : Slow
Track 12 : Cloud 9 (a) Noiseworks
Concerned observation.
Duration : 2.42 Tempo : Medium
Track 13 : Cloud 9 (b) Noiseworks
Alternative version - no drums.
Duration : 2.10 Tempo : Medium
Track 14 : Cloud 9 (c) Noiseworks
Lighter alternative version.
Duration : 1.52 Tempo : Medium
Track 15 : Winter Warmer (a) Noiseworks
Abstract textures to resolve.
Duration : 0.30 Tempo : No Tempo
Track 16 : Winter Warmer (b) Noiseworks
Alternative mix - windchime effects.
Duration : 0.30 Tempo : No Tempo
Track 17 : Winter Warmer (c) Noiseworks
Alternative mix - more rhythm.
Duration : 0.30 Tempo : Slow
Track 18 : Winter Warmer (d) Noiseworks
Alternative mix - plus effects.
Duration : 0.30 Tempo : Slow

RUPERT GREGSON-WILLIAMS

Track 19 : Dreams and Bass (a) R Gregson-Williams
Ambient Drum 'n' Bass featuring muted trumpet.
Duration : 2.00 Tempo : Fast
Track 20 : Dreams and Bass (b) R Gregson-Williams
Version without muted trumpet.
Duration : 1.00 Tempo : Fast
Track 21 : Dreams and Bass (c) R Gregson-Williams
Futuristic Drum 'n' Bass.
Duration : 2.00 Tempo : Fast
Track 22 : The Growler (a) R Gregson-Williams
Abrasive relentless electronica.
Duration : 1.00 Tempo : Fast
Track 23 : The Growler (b) R Gregson-Williams
Warm textures over loop.
Duration : 1.00 Tempo : Fast
Track 24 : The Growler (c) R Gregson-Williams
Sting.
Duration : 0.03 Tempo : No Tempo
Track 25 : Dreamalistic (a) R Gregson-Williams
Ethereal‚ thought provoking.
Duration : 2.06 Tempo : No Tempo
Track 26 : Dreamalistic (b) R Gregson-Williams
Suspended.
Duration : 2.06 Tempo : No Tempo
Track 27 : Vision Pulse (a) R Gregson-Williams
Processed percussion groove.
Duration : 1.44 Tempo : Medium
Track 28 : Vision Pulse (b) R Gregson-Williams
Floating textures.
Duration : 1.44 Tempo : Medium
Track 29 : Vision Pulse (c) R Gregson-Williams
Sting.
Duration : 0.03 Tempo : No Tempo
Track 30 : Mind Mechamix (a) R Gregson-Williams
Frenetic electronica.
Duration : 1.45 Tempo : Fast
Track 31 : Mind Mechamix (b) R Gregson-Williams
Underscore.
Duration : 1.40 Tempo : Fast
Track 32 : Mind Mechamix (c) R Gregson-Williams
Sting.
Duration : 0.04 Tempo : Fast
Track 33 : Glass Circles (a) R Gregson-Williams
Smooth‚ crystalline.
Duration : 1.00 Tempo : Slow
Track 34 : Glass Circles (b) R Gregson-Williams
Lighter alternative.
Duration : 1.00 Tempo : Slow
Track 35 : Cityscape (a) R Gregson-Williams
Dark‚ urban featuring alto saxophone.
Duration : 1.54 Tempo : Slow
Track 36 : Cityscape (b) R Gregson-Williams
As above without saxophone.
Duration : 1.54 Tempo : Slow
Track 37 : Rockshock (a) R Gregson-Williams
Trancey rock groove.
Duration : 1.00 Tempo : Medium
Track 38 : Rockshock (b) R Gregson-Williams
Rhythm bed.
Duration : 0.33 Tempo : Medium
Track 39 : Design Fx 1 R Gregson-Williams
Dramatic sting.
Duration : 0.11 Tempo : No Tempo
Track 40 : Design Fx 2 R Gregson-Williams
Deep hit.
Duration : 0.06 Tempo : No Tempo
Track 41 : Design Fx 3 R Gregson-Williams
Analogue bubbles.
Duration : 0.06 Tempo : No Tempo
Track 42 : Design Fx 4 R Gregson-Williams
Electrocrash.
Duration : 0.02 Tempo : No Tempo
Track 43 : Design Fx 5 R Gregson-Williams
Larger crash.
Duration : 0.03 Tempo : No Tempo
Track 44 : Design Fx 6 R Gregson-Williams
Whoosh.
Duration : 0.02 Tempo : No Tempo
Track 45 : Design Fx 7 R Gregson-Williams
Stab.
Duration : 0.02 Tempo : No Tempo
Track 46 : Design Fx 8 R Gregson-Williams
Analogue bubbles.
Duration : 0.06 Tempo : No Tempo
Track 47 : Design Fx 9 R Gregson-Williams
Analogue bubbles.
Duration : 0.04 Tempo : No Tempo

NOISEWORKS - 60 SECOND VERSIONS

Track 48 : Mission Fantastic 60 (a) Noiseworks
Duration : 1.00 Tempo : Medium
Track 49 : Mission Fantastic 60 (b) Noiseworks
Duration : 1.00 Tempo : Medium
Track 50 : Stealth Bomber 60 (a) Noiseworks
Duration : 1.00 Tempo : Slow
Track 51 : Stealth Bomber 60 (b) Noiseworks
Duration : 1.00 Tempo : Slow
Track 52 : Cloud 9 60 Noiseworks
Duration : 1.00 Tempo : Medium

NOISEWORKS - 30 SECOND VERSIONS

Track 53 : Mission Fantastic 30 (a) Noiseworks
Duration : 0.30 Tempo : Medium
Track 54 : Mission Fantastic 30 (b) Noiseworks
Duration : 0.30 Tempo : No Tempo
Track 55 : Activate 30 Noiseworks
Duration : 0.30 Tempo : Fast
Track 56 : Multivisual 30 Noiseworks
Duration : 0.30 Tempo : Medium
Track 57 : Stealth Bomber 30 (a) Noiseworks
Duration : 0.30 Tempo : Slow
Track 58 : Stealth Bomber 30 (b) Noiseworks
Duration : 0.30 Tempo : Slow

RUPERT GREGSON-WILLIAMS - 30 SECOND VERSIONS

Track 59 : Dreams and Bass 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 60 : Dreams and Bass 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 61 : The Growler 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 62 : The Growler 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 63 : Dreamalistic 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 64 : Dreamalistic 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 65 : Vision Pulse 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 66 : Vision Pulse 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 67 : Mind Mechamix 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 68 : Glass Circles 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 69 : Cityscape 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 70 : Rockshock 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Create Topic

 HANS-ZIMMER.com© 2001-2018 OST 
KPM Library - Morphology soundtrack - Rupert Gregson-Williams - Various