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Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.
The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.
You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
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<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
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<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Media Machine
Label: Promotional release
Length: 73'03
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2722 votes)
Track 1 : Star Performance (a) R Gregson-Williams
Gradual opening to smooth‚ exhilarating progress.
Duration : 3.12 Tempo : Medium
Track 2 : Star Performance (b) R Gregson-Williams
Abridged underscore.
Duration : 1.46 Tempo : Medium
Track 3 : Planning with Confidence (a) R Gregson-Williams
Steady‚ assured progress.
Duration : 2.39 Tempo : Medium
Track 4 : Planning with Confidence (b) R Gregson-Williams
Abridged underscore.
Duration : 2.04 Tempo : Medium
Track 5 : Planning with Confidence (c) R Gregson-Williams
Opening section to above.
Duration : 0.29 Tempo : Medium
Track 6 : Monster of Sound R Gregson-Williams
Powerful fusion of fast dance and trance.
Duration : 2.56 Tempo : Fast
Track 7 : Born to Win (a) R Gregson-Williams
Building prestige and achievement.
Duration : 3.06 Tempo : Slow
Track 8 : Born to Win (b) R Gregson-Williams
Underscore.
Duration : 3.06 Tempo : Slow
Track 9 : Too Cool (a) R Gregson-Williams
Driving‚ jazzy pop fusion featuring alto sax.
Duration : 3.19 Tempo : Medium
Track 10 : Too Cool (b) R Gregson-Williams
End link.
Duration : 0.20 Tempo : Medium
Track 11 : Too Cool (c) R Gregson-Williams
Abridged alternative mix without sax.
Duration : 1.19 Tempo : Medium
Track 12 : Slammin' (a) R Gregson-Williams
'Outrageous'‚ rhythmic collage to climax.
Duration : 1.53 Tempo : Fast
Track 13 : Slammin' (b) R Gregson-Williams
Short underscore.
Duration : 0.45 Tempo : Fast
Track 14 : Slammin' (c) R Gregson-Williams
Build to climax.
Duration : 0.30 Tempo : Fast
Track 15 : Flying High (a) R Gregson-Williams
Soaring aspirational theme gradually building to positive end.
Duration : 2.37 Tempo : Medium
Track 16 : Flying High (b) R Gregson-Williams
Underscore.
Duration : 2.37 Tempo : Medium
Track 17 : Flying High (c) R Gregson-Williams
Floating atmospheric variation.
Duration : 1.30 Tempo : Medium
Track 18 : The Ultimate Power (a) R Gregson-Williams
Suspended opening to rugged industrial 'hardcore' riff.
Duration : 2.18 Tempo : Medium
Track 19 : The Ultimate Power (b) R Gregson-Williams
Underscore.
Duration : 1.29 Tempo : Medium
Track 20 : Towards Tomorrow (a) R Gregson-Williams
Confident‚ futuristic progress.
Duration : 2.36 Tempo : Medium
Track 21 : Towards Tomorrow (b) R Gregson-Williams
Underscore.
Duration : 2.36 Tempo : Medium
Track 22 : Travel in Comfort (a) R Gregson-Williams
Easy‚ relaxed theme featuring soprano sax and classical guitar.
Duration : 2.32 Tempo : Medium
Track 23 : Travel in Comfort (b) R Gregson-Williams
Underscore.
Duration : 2.32 Tempo : Medium
Track 24 : Information Overload (a) R Gregson-Williams
Manic 'in your face' techno.
Duration : 2.30 Tempo : Fast
Track 25 : Information Overload (b) R Gregson-Williams
Alternative mix without voices.
Duration : 2.30 Tempo : Fast
Track 26 : All Adrenalin (a) R Gregson-Williams
Reveal to exciting fusion of rock guitar and rhythm section.
Duration : 2.24 Tempo : Medium
Track 27 : All Adrenalin (b) R Gregson-Williams
Underscore without guitar.
Duration : 2.24 Tempo : Medium
Track 28 : All Adrenalin (c) R Gregson-Williams
Underscore without guitar or rhythm section.
Duration : 2.24 Tempo : Medium

30 SECOND VERSIONS

Track 29 : Star Performance 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 30 : Planning with Confidence 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 31 : Planning with Confidence 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 32 : Monster of Sound 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 33 : Monster of Sound 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 34 : Born to Win 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 35 : Too Cool 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 36 : Too Cool 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 37 : Slammin' 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 38 : Flying High 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 39 : The Ultimate Power 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 40 : The Ultimate Power 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 41 : Towards Tomorrow 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 42 : Travel in Comfort 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 43 : Information Overload 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Information Overload 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 45 : Information Overload 30 (c) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 46 : All Adrenalin 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
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KPM Library - Media Machine soundtrack - Rupert Gregson-Williams - Various