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What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.I expected a lot from this score, and the truth is that it left me cold.  Honestly, I think it is Bay's fault, Balfe has shown that he is capable of doing everything, but here it gives the feeling of being covered.  Again, Balfe must focus on fewer projects and the projects he accepts are of quality.There are speculations about the track "Til Death Do Us Part "as being composed by Brandon Campbell. Can anyone confirm whether it was Djawadi or Campbell who composed it?Come to Portugal again.
> which ones are listenable<br>all of the ones I listed are the melodic/orchestral moments in the score not counting Memories and Beautiful Sunday.<br>Listen to Haunt the Living, Thrones, A Million Battles or One, But Not Done and tell me that the score is a travesty.Knight - okay, let us know which ones of these tracks are even listenable? Hyperbolic nonsense defines this score, but I do not blame Balfe - this would have been what Bay wanted. Such a shame to see his artistic credibility reduced to this after the stellar work on His Dark Materials and acceptable material on Gemini Man,.Maybe try using your ears or brain next time before spewing out more hyperbolic nonsense.Ok tracks? Easy. About half the score is some decent anthemic tracks<br><br>Ghosts<br>Haunt the Living<br>I Am the Danger<br>You Can Change the World<br>Thrones<br>A Million Battles<br>One, But Not DoneOh wow, Balfe's had a potentially too productive year. I am still convinced if he took more time to compose His Dark Materials, it would be a classic on the level of Shore. Now, it is fine and impressive. <br><br>But what the fuck. I know Bay is a lucrative customer and you have to do what he wants but this 'score' is a travesty that will be buried soon. Seriously. This is the worst of the worst, I ask anyone on this site to name one track that is 'ok', there's an ethical limit, Balfe, Baby!
Do not forget LisboaThanks for sharing the tracklist :)Sooooooooooo excited for the film and the score!<br><br>I got the real tracklist, and is supposed to be 19 tracks from the score. Can wait to hear the score and see the movie tomorrow<br><br>1.Point of Extraction   2:24<br>2.Ghosts  3:22<br>3.Welcome To Florence   3:54 <br>4.Lose The Chopper      1:54<br>5.Haunt The Living      2:06<br>6.One Rule              2:07<br>7.I Am The Danger       3:17<br>8.You Can Change The World  2:15<br>9.Thrones             3:22<br>10.Memories           1:58<br>11.Beautiful Sunday   1:17<br>12.The Past            0:51<br>13.Shit Ton Of Blood   2:35<br>14.Leave No Man Behind  1:50<br>15.A Million Battles    4:18<br>16.Day Of The Dead      4:08<br>17.Sabotage             3:16<br>18.Live Or Die          1:56<br>19.One, But Not Done    3:08Trailer music<br>https://www.youtube.com/watch?v=cWnops4JvpU
Visit Ukraine!Ho visto il concerto a Berlino The World of Hans Zimmer il 29 aprile 2018. Vorrei vedere lui con la sua orchestra a Napoli.A Napoli non &#232; possibile?sound clips<br><br>https:// music.apple.com/nz/album/6-underground -music-from-the-netflix-film/ 1490017912late
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Media Machine
Label: Promotional release
Length: 73'03
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2493 votes)
Track 1 : Star Performance (a) R Gregson-Williams
Gradual opening to smooth‚ exhilarating progress.
Duration : 3.12 Tempo : Medium
Track 2 : Star Performance (b) R Gregson-Williams
Abridged underscore.
Duration : 1.46 Tempo : Medium
Track 3 : Planning with Confidence (a) R Gregson-Williams
Steady‚ assured progress.
Duration : 2.39 Tempo : Medium
Track 4 : Planning with Confidence (b) R Gregson-Williams
Abridged underscore.
Duration : 2.04 Tempo : Medium
Track 5 : Planning with Confidence (c) R Gregson-Williams
Opening section to above.
Duration : 0.29 Tempo : Medium
Track 6 : Monster of Sound R Gregson-Williams
Powerful fusion of fast dance and trance.
Duration : 2.56 Tempo : Fast
Track 7 : Born to Win (a) R Gregson-Williams
Building prestige and achievement.
Duration : 3.06 Tempo : Slow
Track 8 : Born to Win (b) R Gregson-Williams
Underscore.
Duration : 3.06 Tempo : Slow
Track 9 : Too Cool (a) R Gregson-Williams
Driving‚ jazzy pop fusion featuring alto sax.
Duration : 3.19 Tempo : Medium
Track 10 : Too Cool (b) R Gregson-Williams
End link.
Duration : 0.20 Tempo : Medium
Track 11 : Too Cool (c) R Gregson-Williams
Abridged alternative mix without sax.
Duration : 1.19 Tempo : Medium
Track 12 : Slammin' (a) R Gregson-Williams
'Outrageous'‚ rhythmic collage to climax.
Duration : 1.53 Tempo : Fast
Track 13 : Slammin' (b) R Gregson-Williams
Short underscore.
Duration : 0.45 Tempo : Fast
Track 14 : Slammin' (c) R Gregson-Williams
Build to climax.
Duration : 0.30 Tempo : Fast
Track 15 : Flying High (a) R Gregson-Williams
Soaring aspirational theme gradually building to positive end.
Duration : 2.37 Tempo : Medium
Track 16 : Flying High (b) R Gregson-Williams
Underscore.
Duration : 2.37 Tempo : Medium
Track 17 : Flying High (c) R Gregson-Williams
Floating atmospheric variation.
Duration : 1.30 Tempo : Medium
Track 18 : The Ultimate Power (a) R Gregson-Williams
Suspended opening to rugged industrial 'hardcore' riff.
Duration : 2.18 Tempo : Medium
Track 19 : The Ultimate Power (b) R Gregson-Williams
Underscore.
Duration : 1.29 Tempo : Medium
Track 20 : Towards Tomorrow (a) R Gregson-Williams
Confident‚ futuristic progress.
Duration : 2.36 Tempo : Medium
Track 21 : Towards Tomorrow (b) R Gregson-Williams
Underscore.
Duration : 2.36 Tempo : Medium
Track 22 : Travel in Comfort (a) R Gregson-Williams
Easy‚ relaxed theme featuring soprano sax and classical guitar.
Duration : 2.32 Tempo : Medium
Track 23 : Travel in Comfort (b) R Gregson-Williams
Underscore.
Duration : 2.32 Tempo : Medium
Track 24 : Information Overload (a) R Gregson-Williams
Manic 'in your face' techno.
Duration : 2.30 Tempo : Fast
Track 25 : Information Overload (b) R Gregson-Williams
Alternative mix without voices.
Duration : 2.30 Tempo : Fast
Track 26 : All Adrenalin (a) R Gregson-Williams
Reveal to exciting fusion of rock guitar and rhythm section.
Duration : 2.24 Tempo : Medium
Track 27 : All Adrenalin (b) R Gregson-Williams
Underscore without guitar.
Duration : 2.24 Tempo : Medium
Track 28 : All Adrenalin (c) R Gregson-Williams
Underscore without guitar or rhythm section.
Duration : 2.24 Tempo : Medium

30 SECOND VERSIONS

Track 29 : Star Performance 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 30 : Planning with Confidence 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 31 : Planning with Confidence 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 32 : Monster of Sound 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 33 : Monster of Sound 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 34 : Born to Win 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 35 : Too Cool 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 36 : Too Cool 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 37 : Slammin' 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 38 : Flying High 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 39 : The Ultimate Power 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 40 : The Ultimate Power 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 41 : Towards Tomorrow 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 42 : Travel in Comfort 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 43 : Information Overload 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Information Overload 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 45 : Information Overload 30 (c) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 46 : All Adrenalin 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
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KPM Library - Media Machine soundtrack - Rupert Gregson-Williams - Various