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just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle Kersten
Booklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)
Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.
Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)Hello, <br><br>I'm looking for the translation of the song God Yu Tekkem Laef Blong Mi in English of French.<br><br>Could anyone help me ? <br><br>Thank you !
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - The Human Experience Vol2
Label: Promotional release
Length: 79'20
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3055 votes)
Track 1 : Only One World (a) D Hewson
Aspirational‚ episodic anthem encompassing cultures and languages from around the world‚ building to grandiose finale.
Duration : 5.04 Tempo : Medium
Track 2 : Only One World (b) D Hewson
Short version.
Duration : 0.30 Tempo : Medium
Track 3 : Colours and Cultures (a) D Hewson
Hopeful world music anthem featuring tribal voices.
Duration : 3.20 Tempo : Slow
Track 4 : Colours and Cultures (b) D Hewson
Underscore without voices.
Duration : 3.08 Tempo : Slow
Track 5 : Colours and Cultures (c) D Hewson
Short version of (b).
Duration : 0.30 Tempo : Slow
Track 6 : My Personal Diary H Gregson-Williams
Quiet‚ understated atmosphere featuring piano.
Duration : 1.47 Tempo : Slow
Track 7 : Solo in the City H Gregson-Williams
Haunting‚ atmospheric theme featuring electric guitar - thematic to above.
Duration : 1.46 Tempo : Slow
Track 8 : My Story (a) H Gregson-Williams
Simple‚ unhurried theme featuring piano.
Duration : 2.22 Tempo : Slow
Track 9 : My Story (b) H Gregson-Williams
Alternative version of above featuring 12 string guitar.
Duration : 2.17 Tempo : Slow
Track 10 : My Story (c) H Gregson-Williams
Variation for solo piano.
Duration : 2.16 Tempo : Slow
Track 11 : Partners (a) D Hewson
Warm hearted‚ romantic theme featuring soprano sax.
Duration : 2.45 Tempo : Slow
Track 12 : Partners (b) D Hewson
Alternative version featuring piano.
Duration : 2.45 Tempo : Slow
Track 13 : Partners (c) D Hewson
Short version of (a).
Duration : 0.30 Tempo : Slow
Track 14 : Helping Hands (a) D Hewson
Warm‚ caring theme featuring soprano sax.
Duration : 2.03 Tempo : Slow
Track 15 : Helping Hands (b) D Hewson
Underscore.
Duration : 2.03 Tempo : Slow
Track 16 : Helping Hands (c) D Hewson
Warm‚ caring theme featuring soprano sax.
Duration : 0.30 Tempo : Slow
Track 17 : A Friend in Need (a) D Hewson
Bright‚ friendly theme featuring sax.
Duration : 1.57 Tempo : Medium
Track 18 : A Friend in Need (b) D Hewson
Underscore.
Duration : 1.57 Tempo : Medium
Track 19 : A Friend in Need (c) D Hewson
Short version of (a).
Duration : 0.30 Tempo : Medium
Track 20 : Hearts of Gold (a) D Hewson
Hopeful‚ warm hearted theme featuring alto sax.
Duration : 1.20 Tempo : Medium
Track 21 : Hearts of Gold (b) D Hewson
Alternative version - piano and bass.
Duration : 1.20 Tempo : Medium
Track 22 : Hearts of Gold (c) D Hewson
Short version of (a).
Duration : 0.30 Tempo : Medium
Track 23 : Family Album (a) D Hewson
Peaceful‚ nostalgic theme featuring soprano sax.
Duration : 2.24 Tempo : Slow
Track 24 : Family Album (b) D Hewson
Alternative version featuring piano.
Duration : 2.24 Tempo : Slow
Track 25 : Family Album (c) D Hewson
Short version of (a).
Duration : 0.30 Tempo : Slow
Track 26 : A Simple Story (a) H Gregson-Williams
Evocative solo piano.
Duration : 1.20 Tempo : Slow
Track 27 : A Simple Story (b) H Gregson-Williams
Variation for solo harp.
Duration : 1.29 Tempo : Slow
Track 28 : A Simple Story (c) H Gregson-Williams
Link.
Duration : 0.14 Tempo : Slow
Track 29 : True Feelings H Gregson-Williams
Gentle‚ romantic theme for string orchestra - thematic to above.
Duration : 1.36 Tempo : Slow
Track 30 : One Person's Story D Hewson
Thoughtful‚ evocative theme.
Duration : 2.28 Tempo : Slow
Track 31 : Loners (a) D Hewson
Thought provoking 'narrative' featuring flute.
Duration : 2.22 Tempo : Slow
Track 32 : Loners (b) D Hewson
Short version.
Duration : 0.30 Tempo : Slow
Track 33 : A Life D Hewson
Gentle‚ episodic theme.
Duration : 1.41 Tempo : Slow
Track 34 : The Golden Years D Hewson
Warm‚ lilting theme.
Duration : 1.50 Tempo : Slow
Track 35 : Tender Memories D Hewson
Warm‚ caring textures.
Duration : 3.17 Tempo : Slow
Track 36 : A Long Time Ago D Hewson
Personal recollections.
Duration : 1.08 Tempo : Slow
Track 37 : Goodbyes D Hewson
Poignant‚ romantic theme featuring flute.
Duration : 2.14 Tempo : Slow
Track 38 : Idyllic Childhood D Hewson
Light‚ carefree.
Duration : 1.02 Tempo : Medium
Track 39 : Purity of Spirit D Hewson
Gentle‚ flowing theme featuring heavenly voices.
Duration : 1.51 Tempo : Slow
Track 40 : Thoughts D Hewson
Neutral‚ reflective solo piano.
Duration : 4.41 Tempo : Slow
Track 41 : Personal Memories D Hewson
Reflective piano soliloquy.
Duration : 2.39 Tempo : Slow
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KPM Library - The Human Experience Vol2 soundtrack - Rupert Gregson-Williams - Various